The Squid's Ear Magazine

Guionnet, Jean-Luc / Thomas Tilly

Stones, Air, Axioms / Delme [VINYL 2 LPs]

Guionnet, Jean-Luc / Thomas Tilly: Stones, Air, Axioms / Delme [VINYL 2 LPs] (Fragment Factory)

The 3rd phase of French sound artists Jean-Luc Guionnet & Thomas Tilly's art and research project, recorded at the Center for Contemporary Art at La Synagogue de Delme and joined by percussionist Will Guthrie, bagpiper Claude Grandjean, and violist Cyprien Busolini, creating a remarkably diverse installation of audio frequencies, voices, instrumental sections, rhythms and silence.
 

Price: $29.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 32.00 units

Sample The Album:





product information:

Personnel:



Jean-Luc Guionnet-composer

Thomas Tilly-composer

Claude Grandjean-bagpipes

Will Guthrie-percussion

Cyprien Busolini-viola


Click an artist name above to see in-stock items for that artist.




Label: Fragment Factory
Catalog ID: [FRAG43]
Squidco Product Code: 26622

Format: 2 LPs
Condition: New
Released: 2018
Country: E.U.
Packaging: Vinyl LP (2 records) in a single sleeve
Recorded at the Center for Contemporary Art at La Synagogue de Delme, in Delme, France.

Descriptions, Reviews, &c.

"Stones, Air, Axioms" is an ongoing art and research project by French sound artists Jean-Luc Guionnet and Thomas Tilly, dealing with the complex relationships between sound and architecture.

Delme is the third phase within this venture. By virtue of its history and exceptional acoustics, Delme's former synagogue is the ideal setting for a customised, on-site sound installation. Guionnet and Tilly are deliberately leaving the place empty, giving visitors an experience of both visual and sound architecture. By supplementing the built space with frequencies, as well as voices, instrumental notes, rhythms and silence, the artists offer everyone a special listening situation: whether this listening is drifting or attentive, static or mobile, it is guaranteed to give visitors a different perception of the place, which is remoulded by the volume of air it contains and by the sound travelling through it.

Released in association with Centre d'art contemporain - la synagogue de Delme."-Fragment Factory


Artist Biographies

"Jean-Luc Guionnet is an elusive figure. A Parisian artist active in many fields (music, visual arts, cinema), he has mostly worked in electro-acoustics but also has a career in free improvisation, playing alto saxophone, soprano saxophone, church organ, and piano. He has collaborated with Éric La Casa, Éric Cordier, and André Almuro on tape music. His main free improv and jazz projects include Hubbub, Schams, Return of the New Thing, and the Joe Rosenberg quintet.

Guionnet made scientific studies before shifting to fine arts. He studied musique concrete under Iannis Xenakis and Michel Zbar, but also pursued studies in philosophy (esthetics) with Geneviève Clancy. His first works date from the late '80s and are mostly collaborations with filmmaker André Almuro (some have been issued by Ground Fault). Then came a lasting partnership with electro-acousticians Éric Cordier and Éric La Casa. Together they wrote the series "Afflux." Guionnet also produces the Ateliers de Création Radiophoniques ("creative radio workshops") for France Culture. His eclecticism has kept him at bay of recognition -- because to the eye of the press it strips him from some credibility and because running careers in philosophy (he was co-director for the review Terre des Signes from 1993 to 1996), painting (he exhibited from 1992 to 1997), and music simultaneously tends to be time-consuming.

The release of an eponymous CD by Dan Warburton's free jazz quartet Return of the New Thing in 1999 on the respected label Leo Records introduced Guionnet to a wider audience. Since then his activities as an improviser have constantly stretched toward the fringes of experimentalism. His participation in the French-Swiss group Hubbub and his duo with guitarist Olivier Benoit (&Un, 2002) follow the school of Berlin reductionism."

-All Music, François Couture (http://www.allmusic.com/artist/jean-luc-guionnet-mn0000231714)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Thomas Tilly is a French musician whose principle instrument is a microphone. For twelve years he has been composing, inventing sound art installations and teaching. His work has been presented in more than 15 countries. Tilly finds inspiration in different environmental analysis protocols and how they have impact on the notion of listening. This work presents field recordings as a sum of data that guide the creative process and implicate the microphone as a compositional tool, complete on its own. He works with Eric Cordier, Jean-Luc Guionnet, Seijiro Murayama, Pascal Battus and in the improvisional quartet Echelle de Mohs with Claire Bergerault, Fabrice Favriou and Thomas Chatard."

-Script Geometry (https://scriptgeometry.wordpress.com/thomas-tilly/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Will Guthrie is an Australian drummer / percussionist living in France. He works in many different settings of music: live performance, improvisation and studio composition using various combinations of drums, percussion, objects, junk, amplification and electronics..He plays solo and in various projects such as THE AMES ROOM & THE SOMMES ENSEMBLE. His music has been released on labels such as Gaffer Records, Erstwhile, Clean Feed, 23five, Editions Mego, Ipecac, iDEAL and his own label Antboy Music.

While studying jazz and improvised music(s) at the Victorian College of the Arts in Melbourne, alongside Ren Walters he started the weekly concert series 'Improvised Tuesdays', now known as the Make It Up Club and is Australia's longest running performance space dedicated to experimental and improvised musics. In Nantes, France he is part of the collective CABLE# which also organizes regular concerts and an annual festival. He also runs the experimental improvised CD label and mail-order service; ANTBOY MUSIC.

He plays solo using different combinations of drums, percussion, amplification and electronics, in minimalist/maximalist free jazz trio THE AMES ROOM (with Jean-Luc Guionnet & Clayton Thomas), as well as the improvised/composed ensemble THE SOMMES ENSEMBLE (with Pierre-Antoine Badaroux, Julien Desperez & Maxime Petit).

Regular collaborators past and present include Jérôme Noetinger, Oren Ambarchi, Anthony Pateras, Chulki Hong, Keith Rowe, David Maranha, Toma Gouband, Erell Latimier, Ava Mendoza, Adam Sussmann, Matt Earle, Ren Walters, Helmut Schafer, David Ades, Mark Simmonds, the film maker Hangjun Lee and choreographer/dancer Mette Ingvartsen."

-Will Guthrie Website (http://will-guthrie.com/index.php?/about/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Cyprien Busolini: violist Born in 1978. After classical studies of viola, Cyprien Busolini focuses mainly on contemporary repertoire and improvisation. He obtained a first viola prize at the CNR Rueil-Malmaison in the class of Françoise Gneri, then he perfected with P.Faure and P.H.Xuereb. His great interest in contemporary music and especially new works allows him to work with many composers like L.Naon, HULehmann, T.Johnson, JLGuionnet ... He has also played or created some of their solo pieces or sets. Improvisation allows him to work on other sound fields and to explore his instrument in a more personal way, notably on non-melodic and non-harmonic parameters but more focused on the matter of sound. Regularly, he works with dancers, actors, either in improvisation or for shows whose musical part he elaborates. On the other hand, he occasionally runs improvisation workshops for children. He currently plays in different ensembles, Dedalus, Onceim, and various groups of improvisation as well as in the whole Fratres, old music ensemble on old instruments. He has made several solo or Dedalus ensemble recordings, the Diagonal ensemble, but also with Garth Knox and various improvisational discs."

-Cyprien Busolini Website (Translated by Google) (http://www.cyprienbusolini.com/projets_-_bio_files/bio%20c.Busolini.pdf)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



SIDE A



1. Object #2 1:30

2. Static Stereo Recording #1 3:00

3. Window, Contact Recording #1 2:07

4. Object #5 0:57

5. Mobile Stereo Recording #1 9:04

6. Window, Contact Recording #2 0:58

SIDE B



1. Object #1 3:42

2. Mobile Double Mono Recording #1 8:54

3. Window, Contact Recording #3 2:03

4. Object #7 0:06

5. Mobile Stereo Recording #2 6:48

SIDE C



1. Window, Contact Recording #4 2:12

2. Object #8 0:09

3. Mobile Double Mono Recording #2 12:46

4. Window, Contact Recording #5 0:26

SIDE C



1. Object #4 4:07

2. Mobile Stereo Recording #3 5:02

3.Window, Contact Recording #5 1:19

4. Object #6 0:02

5. Static Stereo Recording #2 7:14

Related Categories of Interest:


Electro-Acoustic
Sound, Noise, &c.
Organized Sound and Sample Based Music
Field Recordings
Installation Sound Work
European Improvisation, Composition and Experimental Forms
New in Experimental & Electronic Music
Vinyl Recordings

Search for other titles on the label:
Fragment Factory.


Recommended & Related Releases:
Other Recommended Releases:
Eno, Brian Performed by Dedalus Ensemble
Discreet Music / Music For Airports / Tuesday Afternoon [2 LPs]
(Sub Rosa)
The French Dedalus Ensemble render three works from the ground-breaking ambient work of Brian Eno--Discreet Music (1975), Music for Airports (1978), and Thursday Afternoon (1985)--performed as an 11-piece acoustic ensemble and remaining faithful to the introspectively intelligent intention and peaceful elegance of Eno's original electronic works.
Guionnet, Jean-Luc / Rhodri Davies
Dyslexic Harp (Deciphered In The Dark)
(Amgen Records)
Recording in Brussels, Rhodri Davies performs a composition for pedal harp written for and dedicated to him by composer and saxophonist Jean-Luc Guionnet, using liberal periods of space that creates hanging anticipation amidst beautiful moments of fragmented string sequence and percussive response using the frame of the harp, leaving the listener in a state of fascinated expectancy.
Busolini, Cyprien / Bertrand Gauguet
Miroir
(Akousis Records)
An album of intensive listening through concentrated improvisation from the long-running collaboration of French improvisers, Cyprien Busolini on viola and Bertrand Gauguet on alto saxophone, both using unfaltering techniques as they metamorphose their instruments from delicate silence to forceful tones, oscillating and vacillating across two extended improvisations.
Ensemble Nist-Nah
Elders
(Black Truffle)
The debut of Ensemble Nist-Nah, a nine-piece collective group of French percussionists led by Nantes-based Australian drummer and percussionist Will Guthrie, incorporating a diverse set of influences including Gamelan performance, contemporary composition, noise and jazz into rich and ecstatic performances, an exciting album of informed approaches to modern and traditional percussion.
Guionnet, Jean-Luc / Lunar Error
Plafond De Verre
(BeCoq)
The French Lunar Error Ensemble employ acoustic and electric instruments including reeds, piano, percussion, electric guitars, synth & computers to create complex drone and sonic environments, here performing Jean-Luc Guionnet's work for micro-variations and harmonic interference, a slowly building and massive work recorded in the resonance of the Protestant temple, in Reims.
Lingens, Hannes
Music For Strings
(Edition Wandelweiser Records)
Four compositions for strings from German composer Hannes Lingens, including the three-part "Triptych" work performed by the Ensemble CoÔ, a septet directed by bassist Félicie Bazelair that emphasizes bowed strings; and two solo works performed by Bazelair: "Methods and Materials" & "Solo for String Instruments" employing advanced approaches to the double bass.
Guionnet, Jean-Luc
Solo A La Decollation
(Tour de Bras)
Emphasizing unusual aspects of the pipe organ, composer and typically reedist Jean-Luc Guionnet (Hubbub, Return of the New Thing) performs solo on the organ at the Church of the Decollation of Saint-Jean Baptiste in L'Isle-verte, Quebec, Canada, taking a sound-oriented approach to the instrument with a minimalist attitude through four extended performances.
La Casa, Eric / Jean-Luc Guionnet / Arnau Horta / Seijiro Murayama / Michaele-Andrea Schatt
Installations [CD + 24 page booklet]
(Swarming)
A fascinating set of stereophonic electroacoustic compositions based on the recordings and mixes used for four sound installations in four galleries in France, impeccably captured and creatively edited: Eric La Casa & Jean-Luc Guionnet; Michaële-Andréa Schatt & Eric La Casa; Seijiro Murayama & Eric La Casa; and Arnau Horta & Eric La Casa.
Guedon, Yannick
L'insistance Des Possibles
(Edition Wandelweiser Records)
French voice artist and composer Yannick GuŽdon living in Brussels composed this extended work, the title translating to "insistence on possibilities", realized with cellist Deborah Walker and violist Cyprien Busolini, Guédon merging extended utterance into long string drones, contrasted with silence, as the piece moves through very specific placement.
Torba (Mauro Diciocia)
Musique Inconcrete [VINYL]
(Fragment Factory)
Italian sound artist Mauro Diciocia presents the second installment in a trilogy of related recordings, informally named "Le Musiche", using field recordings from a variety of settings mostly around Salento in southern Italy, organizing his recordings to create auditory sketches in sound, telling abstract yet compelling stories that envelop the listener.
Elggren, Leif
Motor For An Unknown Vehicle (Opening Of The Grave) [VINYL]
(Fragment Factory)
Swedish conceptual artist Leif Elggren developed this second album in his trilogy using "The Motor", a soundwork that he's built over many years from basic fragments of sound used in installations and performances, aggregated here in an expanded form as a continuous drone, harsh on the surface but complex in its layers and sonic collisions.
Roigk, Stefan
Suffering For The Promised [VINYL]
(Fragment Factory)
Multi-disciplinary artist living in Berlin, Stefan Roigk developed "Suffering For The Promised" over a 14 year period, composing this large work of acousmatic music as an atmospherically intense yet utterly fragile piece, combining concrete sounds, field recordings and devotional vocal fragments in an eclectic and highly intimate composition of great depth and detail.
Chessex, Antoine
Subjectivation [VINYL]
(Fragment Factory)
Using material from solo live performances in San Francisco, Berlin, Zurich and London between 2010 and 2015, composer and sound artist Antoine Chessex developed the two compositions of this album, extracting his electroacoustic altered saxophone work and developing them into larger works that bridge extreme and psychoacoustics approaches with great sonic depth.
Chulki, Hong / Will Guthrie
Mosquitoes and Crabs
(erstwhile)
Recording in Seoul, South Korea at Mullae Arts Village in 2016, the duo of Australian drummer/percussionist Will Guthrie and improvising noise artist Hong Chulki release 8 pieces with concise works under 1 minute to larger improvisations up to 8 minutes, contrasting interesting rhythms with indescribable electronics, found sounds, and unusual environments.
Abecassis, Eryck / Francisco Meirino
La Gueule Du Loup
(Fragment Factory)
Recording at the GRM Studios, the French duo of Eryck Abecassis and Francisco Meirino (phroq) use unpatched modular sythesizers that they program during performance, adding a level of risk and unpredictability to their detailed and rich sonic conversation, informed by decades of research and performance that both musicians bring to this intensely interesting album.
Mendoza, Ava / Maxime Petit / Will Guthrie
[7-inch VINYL]
(BeCoq)
An excellent instrumental 7-inch from the trio of Ava Mendoza on guitar, Maxime Petit on bass and Will Guthrie on drums, recording in the studio in France, four rocking pieces showing the band's chops, quirky asides, and aggressive yet clean playing style.
Eb.er, Rudolf / Joke Lanz / GX Jupitter-Larsen / Mike Dando
Wellenfeld
(Fragment Factory)
The finale for the 2012 "Extreme Rituals" concert was this performance, where each artist used a wireless EEG headset to send brainwave signals to audio engineers who transformed them into audio, as the performers sculpt sound using meditative and ecstatic trance states.
Enema Syringe
Upshutlenvolte [7-inch Vinyl]
(Fragment Factory)
Kai Parviainen's Enema Syringe in a 7" release recorded in 1987, 14+ minutes of raw and primitive staccato electronics edgy with a darkly disordered mental state, a stark testimony to the tenacity of his work, which continues into the 2010s.
Various Artists
Magnetic Traces 2
(Swarming)
A survey of French and Australian Sound Art recorded in 2011 at Les Instants Chavires, Montreuil during Parisonic, with artists including Eric La Casa, Philip Samartzis, Marc Baron, Jean-Luc Guionnet, &c. &c.
Ames Room, The
Bird Dies
(Clean Feed)
Bringing the lineage of saxophone trios into the 21st century, saxophonist Jean-Luc Guionnet, bassist Clayton Thomas and drummer Will Guthrie performed this extended recording live in Lille, France.



Customers Who Bought This Item Also Bought:
Brotzmann / Van Hove / Bennink / Albert Mangelsdorff
Outspan No 1 [VINYL]
(Cien Fuegos)
Recorded a month after Outspan No 1, this album was captured live at 1974 Ost-West-Festival in Nurnberg, Germany from the legendary, masterfully amusing and absolutely serious trio of Peter Brötzmann on alto saxophone, tenor saxophone & clarinet, Fred Van Hove on piano, and Han Bennink on drums, clarinet, homemade junk, everything & anything.
Kuchen, Martin
Utopia
(thanatosis produktion)
Ultimately it's Martin KŸchen's saxophone improvisations that lead these sensitively moody environments built around multi-tracked tapes of ambiance from snare, speaker, radio and tambora (a 2-headed drum) used unusually to create subtle and spacious drone environments over which KŸchen performs, hauntingly, emotionally and beautifully captivating his listeners.
Williams, Anthony (w/ Shorter / Rivers / Hancock / Hutcherson / Carter / Davis / Peacock)
Life Time & Spring, Revisited
(ezz-thetics by Hat Hut Records Ltd)
Remastering & reissuing drummer Anthony Williams first two albums: Life Time was recorded for Blue Note shortly after joining the Miles Davis Quintet, employing two bassists--Richard Davis and Gary Peacock--along with mentor Sam Rivers and Davis alumni Herbie Hancock & Ron Carter; Spring reflects the new freedom of 60s jazz in a quintet with both Wayne Shorter & Sam Rivers.
Ayler, Albert
La Cave Live, Cleveland 1966 Revisited [2 CDs]
(ezz-thetics by Hat Hut Records Ltd)
Never-before released recordings of tenor saxophonist Albert Ayler's 1966 band recording in his home town of Cleveland at club La Cave, recorded over two nights in a superb sextet with brother Donald on trumpet, Frank Wright on tenor sax, Michel Samson on violin, Clyde Shy on double bass and Ronald Shannon Jackson on drums, performing Ayler's compositions and Don Cherry's "D.C.".
La Casa, Eric
Everyday Unknown 4 & 5
(Swarming)
Exploring the details of everyday life as he examines the relationship between his environment and himself, microscopic audio explorer Éric La Casa investigates sounds beyond the threshold of auditory hearing, capturing barely perceptible sonic manifestations with incredible clarity and detail, constructing engaging works from these surprising and intriguing sounds.
Cherry, Don
Complete Communion & Symphony For Improvisers, Revisited
(ezz-thetics by Hat Hut Records Ltd)
Following a 1964 Albert Ayler tour, trumpeter Don Cherry remained in Europe, working on new concepts of improvising based on form itself, developing his concepts with saxophonist Gato Barbieri, vibraphonist Karl Berger & bassist J.F. Jenny Clark, composing two brilliant albums: 1966's Communion with Barbieri, Henry Grimes & Ed Blackwell; and in 1967 Symphony for Improvisers as a septet.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC