Concentrating their work from the Pulverize the Sound trio, trumpeter Peter Evans and drummer Mike Pride reveal a ferocity that pushes free improvisation to its extremes, balancing explosive virtuosity with kaleidoscopic percussive interaction through dense sound clusters, fractured grooves, unexpected silences, and wild exploration, in seven high-risk dialogs tempered by moments of striking clarity.

Marking the closing of Mills College and the end of Zeena Parkins' long association with its experimental community, this solo release presents three commissioned works alongside the ongoing acoustic piece berlin bedroom, unfolding a deeply reflective exploration of harp and electronics that honors artistic lineage, collective devotion, and the Bay Area's enduring spirit of experimental music-making.

Distilling their work from the Chamber Quintet, this intimate duo recording pairs Vinny Golia's varied woodwinds with Kelsey Mines' resonant bass and subtle vocalizations, unfolding a carefully balanced exchange of gentle and sharp gestures shaped by classical-leaning abstractions, where attentive interplay allows fluid musical forms to emerge with clarity inside open improvisational space.

Asked to rethink the solo sax format, Adia Vanheerentals transforms this release into a series of site-responsive improvisations, engaging the soprano sax in active dialogue with surrounding environments — echoing spaces, incidental sounds, and ambient noise — using extended techniques, breath & texture to shape concise statements where location is a partner in an open improvisational framework.

Recorded at Nevessa Studio in New York, Camila Nebbia joins Marilyn Crispell and Lesley Mok in a fiercely intuitive trio session blending open scores and full improvisation, where elastic group interplay, textural sensitivity, and eruptive momentum allow the music to breathe as a single organism while leaving space for sharply defined individual voices to emerge.

This duo release pairs bassist Kelsey Mines and saxophonist Erin Rogers in a deeply interactive exploration of free improvisation, where resonant low-end textures and expressive reeds weave concise, atmospheric vignettes shaped by bold contrasts, emotional clarity, and an immersive sense of motion that balances raw energy with carefully sculpted space.

This self-titled debut from the Berlin-based duo of Danish alto saxophonist Mia Dyberg and Argentine drummer Axel Filip explores freely improvised jazz through spontaneous structures and shifting sonic playgrounds, with a sharp focus on timbral nuance, textural interplay, and an upbeat creative immediacy that unfolds into vivid, evolving sound narratives rooted in exploratory expression.

Guitarist John Welsh presents a deeply personal solo performance captured live at Solar Myth in Philadelphia in October 2024, bridging free improvisation with the creative tradition of Great Black Music, including an interpretation of the standard "Just Friends" alongside spontaneous explorations shaped by his ties to the NYC improv scene.

Celebrating guitarist Joe Morris's 70th, this trio with Brad Barrett on cello and Beth Ann Jones on bass unfolds with deliberate restraint and deep listening, Morris layering textures around Barrett's lyrical and percussive bowing while Jones anchors with sculptural, propulsive bass, the group seamlessly shifting between spacious intimacy and taut collective momentum in an immersive improv dialogue.

Exploring the resonant depths of the serpent, a low-pitched lip-reed aerophone, and her own voice through effects and extended techniques, Belgian musician Berlinde Deman crafts an intimate and deeply personal sound world where breath, tone, and distortion intertwine, her slow and deliberate process unfolding like a meditative journey toward balance, discovery, and quiet transformation.

Harnessing Zeena Parkins's electric and acoustic harps and ebow-piano alongside Cecilia Lopez's custom-built RED speaker-wire instrument and electronics, this live Brooklyn set fashions a singular sonic architecture where plucked strings, feedback networks and sustained fields fold into one expansive, sculptural conversation of improvisation and invention.

Recorded in their first meeting, percussionist Sofia Borges and saxophonist Ada Rave forge a vivid, intuitive dialogue of fire and reflection, blending spontaneous storytelling with fierce lyricism and dynamic restraint; their improvisations unfold like ritual acts of empathy and resistance, where every strike, breath, and silence reveals an unspoken pact between sound and spirit.

Recorded live at IBeam in Brooklyn, the trio of María Valencia (alto saxophone, Bb clarinet), Matt Moran (vibraphone), and Brandon Lopez (bass, percussion) weave a richly textured improvisation of lyric tension and resonant space, where breath, metal, and wood converge in shifting layers of sound, balancing volatility with quiet reflection in an atmosphere of deep, intuitive dialogue.

Celebrating guitarist Joe Morris's 70th, this trio with Brad Barrett on cello and Beth Ann Jones on bass unfolds with deliberate restraint and deep listening, Morris layering textures around Barrett's lyrical and percussive bowing while Jones anchors with sculptural, propulsive bass, the group seamlessly shifting between spacious intimacy and taut collective momentum in an immersive improv dialogue.

The debut of Sydney-based quartet Believe-Peter Farrar (alto saxophone), Novak Manojlovic (piano), Clayton Thomas (double bass), and Laurence Pike (drums)-unleashes three expansive improvisations of visceral energy and nuanced intimacy, blending extended techniques, shifting textures, and percussive interplay into a powerful free jazz statement that feels as natural as wind and waves.

Recorded in the extraordinary resonance of Paris's Saint-Merry Church, this double album captures soprano and sopranino saxophonist Michel Doneda in duo with pianist Frédéric Blondy, their improvisations unfolding in deep dialogue with the architecture itself, as tones and textures expand into the vast acoustics, creating immersive, luminous soundscapes of remarkable depth and presence.

In a live set at Amsterdam's club & workspace Splendor, Argentinian tenor/sopranino explorer Ada Rave and Polish pianist Marta Warelis shape an intimate but volatile dialogue, fusing air, resonance, clusters, and melody into patient arcs that bloom from microscopic detail to surging release, a great example of the city's improvising community at their most attentive and fearless.

A deeply introspective solo endeavor from New York bass clarinetist Katie Porter, blending live playing with layers of previously recorded bass clarinet for a slow-moving, richly textured improvisation; the artist creates an intimate, deep-register conversation that unfolds with emotional subtlety and immersive soundscapes.

A dynamic trio session from Frode Gjerstad on alto sax & clarinet, Alexander von Schlippenbach on piano, and Dag Magnus Narvesen on drums & percussion, their first collaboration unfolds in seven spontaneous improvisations that balance fierce intensity with lyrical openness, revealing a seasoned interplay that blends deep exploration with collective free jazz sensibility.

The debut of saxophonist Michael Foster, guitarist and banjo player Webb Crawford, and drummer Joey Sullivan, a free trio whose quirky yet technically impressive improvisations shift from sax shouts and overblown tones to frenetic banjo and guitar textures, driven by metallic percussion into a dense but dynamic interplay that combines raw energy with finely detailed, unpredictable explorations.

An immersive meeting of Berlin pianist Magda Mayas and Australian flutist Jim Denley, ffollowing up on their 2017 Relative Pitch release, Tempe Jetz, as they weave flutes, piano, and percussive objects into a delicately balanced exchange where subtle gestures and resonant detail create a patient yet gripping exploration of texture, breath, and sonic space.

An intimate and exploratory solo recording from NY flutist Laura Cocks, known for their work with TAK Ensemble, presenting a poetic and deeply focused album where breath, silence, and sound merge into fragile, resonant gestures — Cocks bends time and expectation with extended technique and stillness, inviting the listener into a space of presence and emotional depth.

An unusual and deeply personal work from trombonist Sam Kulik, blending field recordings, voice, and layered acoustic and pre-recorded elements in a quirky, eccentric, and heartfelt conversation across time, presenting an imaginative and intimate meditation on life, death, and transformation through a uniquely expressive trombone-centered soundscape.

A meditative and immersive solo cello work from Lori Goldston, performed in one continuous take with amplifier and distortion pedal, unfolding in ten resonant segments that evoke the gradual transformation of light and landscape, offering listeners an expansive and contemplative space for breath, reflection, and quiet communion with the natural world.

Guitarist John Welsh presents a deeply personal solo performance captured live at Solar Myth in Philadelphia in October 2024, bridging free improvisation with the creative tradition of Great Black Music, including an interpretation of the standard "Just Friends" alongside spontaneous explorations shaped by his ties to the NYC improv scene.

Boston-based trumpeter Lemuel Marc's solo album explores the physicality of breath and the mechanics of the trumpet in ten free improvisations recorded in New York between 2023 and 2024, embracing buzzing, flutter tonguing, and whisper tones in a non-idiomatic approach inspired by Wadada Leo Smith's notion that the trumpet is "really made out of air."

Recorded solo in Hangzhou, China, saxophonist and suona player Lao Dan merges Chinese folk motifs with the raw energy of punk, the spontaneity of free jazz, and the abrasiveness of noise and rock forms, creating a fiercely expressive and unpredictable improvisational landscape driven by aesthetic tension and fearless experimentation.

Recorded in Switzerland in 2021, Argentinian cellist and interdisciplinary artist Paula Sanchez pushes the cello to its sonic limits through six radical performances that merge acoustic and processed sound, combining cello, cellophane, and ring modulation to evoke a visceral, poetic, and at times merciless exploration of embodied sound and ephemeral transformation.

Portuguese saxophonist Ravenna Escaleira's rugged and deeply personal solo album layers saxophone, electric bass, and piano into four urgent, uncompromising pieces shaped by her wandering relationship with Lisbon, blending raw noise, deep lyricism, and powerful emotional intensity as she transforms personal history and urban experience into vivid, layered sound.

A wild solo performance recorded at GOKsound in Tokyo by Japanese alto saxophonist Makoto Kawashima, whose intense and introspective improvisations balance fierce tonal expression with fragile silences, drawing from the lineage of Abe and Shiraishi while establishing his own haunting and highly individual voice in the realm of free improvisation.

The first solo album from West Coast violist Amy Cimini, blending amplified distortion, percussive textures, and spacious effects into a deeply personal and genre-blurring performance that channels experimental noise, tuneful abstraction, and the spirit of feminist rock and protest music into a resonant and evocative sonic journey.

Drawing on deep collaborative history and shared risk-taking instincts, the trio of alto saxophonist Signe Emmeluth, bassist Ingebrigt Håker Flaten, and drummer Axel Filip deliver a debut of fierce, textural improvisation, recorded in Trondheim and shaped by dynamic interplay, shifting atmospheres, and a fearless drive to chart new sonic terrain.

A powerful and ritualistic session from South Korea's free improvisation scene, with tenor and soprano saxophones (Jung-Jae Kim & Sunjae Lee) and dual drum kits (Junyoung Song & Sunki Kim) channeling ancestral Korean shamanic ceremony through raw, primal energy, breath-driven phrasing, and a spiritual aesthetic that bridges indigenous tradition and contemporary free jazz expression.

Recorded live in Berlin, the debut from Camila Nebbia's working trio with Kit Downes and Andrew Lisle captures six dynamic, unrestrained pieces that navigate shifting textures and rhythms, fractured lyricism, and tightly woven interplay, avoiding individual soloing as the group explores contrast and transformation through raw energy, deep listening, and collective momentum.

A vital and inventive meeting between NY guitarist Elliott Sharp and Chicago guitarist Scott Fields, two visionary electric guitarists whose longstanding collaboration finds them weaving complex textures, sharp counterpoint, and dynamic interplay into a seamless blend of free improvisation, experimental composition, and nuanced sonic dialogue.

A first-time meeting in the studio for alto saxophonists Tim Berne and Masayo Koketsu with percussionist Nava Dunkelman, captured in a dynamic session of collective free improvisation where contrasting approaches — Berne's grounded tone, Koketsu's extended techniques, and Dunkelman's textural percussion — intertwine with clarity and spontaneous expression.

A solo saxophone album from legendary free improviser Paul Flaherty, recorded at Pete's Basement Studio in Massachusetts in 2021, presenting a deeply personal and expressive journey through alto and tenor saxophone explorations that juxtapose raw turbulence and lyrical beauty, continuing Flaherty's legacy of shaping sound into emotionally resonant sonic narratives

An unconventional Australian trio exploring breath, vibration, and material resonance, as flutist Jim Denley, airdrum inventor Dale Gorfinkel, and sonic sculptor Peter Farrar create a richly textured world of wind, water, and pressure in two improvised pieces of organic, immersive sound, recorded in Sydney and shaped by the physical vitality of their experimental instruments.

An uncompromising and electrifying studio set from father-daughter duo Don and Camille Dietrich, whose ferocious blend of distorted tenor saxophone and overdriven cello pushes sonic boundaries through four intense improvisations, merging free jazz, noise, and amplified effects into a blistering, high-voltage assault of raw energy and experimental fire.

Recorded live at Instants Chavires in France, pianist Sophie Agnel's third solo album transforms the prepared piano with Cage influenced techniques and preparations, crafting seven poetic and dramatic movements that challenge preconceptions of the instrument, weaving abstract, lyrical, and sensual sonic textures into a vivid and captivating hyper-pianistic masterpiece.

Exploring free improvisation with a fierce political undertone, the Copenhagen-based trio Bloomers — trumpeter Anne Efternøler and reedists Maria Dybbroe and Carolyn Goodwin — are captured live in fifteen distinct locations around the globe, engaging in dynamic, textural dialogs that honor historic milestones in women's liberation through a poignant series of sonic vignettes blending abstraction, dissonance, and innate lyricism.

A remarkable live performance uniting South African harpist Jacqueline Kerrod and American guitarist Joe Morris, recorded at the Morpeth Contemporary gallery in New Jersey, their first collaboration of adventurous improvisations blending Kerrod's virtuosic harp techniques with Morris's innovative guitar approach, heard in three dynamic and exploratory string interactions.

A compelling collaboration between guitarist Fred Frith and innovative harpist Shelley Burgon — known for her work with Anthony Braxton, Trevor Dunn, and Okkyung Lee — in a series of concise and precise improvisations recorded in Oakland, CA, in 2002 and 2005, as Burgon blends seamlessly with Frith's acoustic guitar to create seemingly telepathic synchronicity and an expansive sonic palette.

Alto saxophonist Jim Hobbs and bassist Timo Shanko, co-founders of the Fully Celebrated Orchestra, present their first duo recording, nine improvisations recorded in the studio in Massachusetts, expressing their three-decade synergy through intimate, exploratory playing that blends passionate and deep-seated melodic interplay with free jazz elements and a strong sense of the blues.

An intense performance led by bassist Brandon Lopez, recorded live at Roulette during the 2023 Vision Festival, blending deep listening and collective spirit in a dynamic, politically charged composition featuring Zeena Parkins (electric harp), Mat Maneri (viola), Cecilia Lopez (electronics), DoYeon Kim (gayageum), and drummers Gerald Cleaver &Tom Rainey, propelling intricate textures and ritualistic intensity.

An intimate and exploratory solo recording from NY flutist Laura Cocks, known for their work with TAK Ensemble, presenting a poetic and deeply focused album where breath, silence, and sound merge into fragile, resonant gestures — Cocks bends time and expectation with extended technique and stillness, inviting the listener into a space of presence and emotional depth.

Appropriately recorded at Le Sauvage Cathedral in France, the region name dating to the legend of a wild woman who only ate raw meat, had a double row of teeth, lived under a rocky promontory and was buried by a landslide, as baritone saxophonist Jamison Williams darkly burns in an extended improvisation of outside technique while referencing the Lemegeton, a 17th century book of magic.

Recording live in the studio in Washington D.C., this is a fully improvised journey of sub-bass drones, fiery free jazz, and melancholic sonic tales, weaving trombone-driven explorations of real and imagined sonic landscapes; with poetic fictionalizations from Alex Smith and artwork by James Dillenbeck, this album is a fascinating look at an unexpected and imaginative range on the trombone.

Versed in jazz and contemporary composed music, Belgian alto saxophonist Audrey Lauro embarks on a solo journey with seven saxophone improvisations, using 'everyday objects' to prepare her instrument and close-microphone placement to create an intimate sound space, exploring 'the area where voice and instrument converge'.

An album of brutal improvisation in the Borbetomagus mold as the longstanding Maranata duo of Dag Stiberg on alto and baritone saxophones and Jon Wesseltoft on electronics join forces with Mexican saxophonist Martín Escalante, creating an unrelenting sonic assault of frenzied saxophone interplay and harsh electronics, fueled by a visceral intensity and high-pressure chaotic energy.