The Squid's Ear Magazine
Squidco Used CD sale - save 20%!



Blum, John / David Murray / Chad Taylor: The Recursive Tree (Relative Pitch)

An assertive album of collective free jazz from three masterful NYC players — John Blum (piano), David Murray (tenor sax) and Chad Taylor (drums) — recording in the studio for eight high-octane improvisations inspired by the mathematical and natural concept of recursion, comparing nature's expansive growth with the growth of jazz through the incremental expansion of ideas and influences.
 

Price: $13.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units

Sample The Album:





product information:

Personnel:



John Blum-piano

David Murray-tenor saxophone

Chad Taylor-drums


Click an artist name above to see in-stock items for that artist.




UPC: 5904224872045

Label: Relative Pitch
Catalog ID: RPR1155
Squidco Product Code: 34202

Format: CD
Condition: New
Released: 2023
Country: USA
Packaging: Cardboard Gatefold
Recorded at Bunker Studio, in Brooklyn, New York, on December 21st, 2022.

Descriptions, Reviews, &c.

"The Recursive Tree features a rather remarkable trio consisting of John Blum on piano, tenor-saxophonist David Murray, and Chad Taylor on drums. Although the three musicians had never before recorded together, they sound very much like a working trio. The title is inspired by a concept in mathematics that explains the architecture in nature arising from systematic growth over time. This algorithmic expression also illustrates the growth of Jazz through the art form's incremental expansion of ideas and influences."-Relative Pitch



"John Blum, one of the essential musicians of avant-garde music, plays the piano by beating the keys in a way that will not let you forget for a moment that it is a kind of percussion instrument. Don Pullen is screwed! David Murray is extroverted, mannered, short-tempered, and free, reminding him of his youth. Chad Taylor, on the other hand, demonstrates his dazzling technique in terms of pattern and rhythmic variation. It is impossible for three such dominant, uncompromising and dangerous musicians not to deliver a high-octane performance. All three, for the most part, play on their own planes; At times they become so macho that I can call it a show of strength; sometimes they touch the edge of the cacophony, sometimes they enter a common path in a way that can be called magical. After all, they play pure free jazz. [...]"-Dark Blue Notes (translated by Google)



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!

Get additional information at Dark Blue Notes

Artist Biographies

"John Blum was born April 15, 1968 in New York City. While an undergraduate from 1987-1991 Blum received a degree in Biological Science at Bennington College and also received a BFA in Music through his studies with Bill Dixon and Milford Graves. After college he continued his musical studies with pianists Borah Bergman and Cecil Taylor, and later received a MFA in Jazz Composition and Performance.

While in Europe in 1992, he worked with Han Bennink (Drums), Antonio Grippi (Sax), Demian Richardson (Trumpet), Tristan Honsinger (Cello), and the legendary Tony Scott on Clarinet.

Upon returning to New York City, Blum became a member of the Improvisers Collective (1993-1995) and also initiated projects as a soloist and a group leader. By early 1998 he joined together with Antonio Grippi on Saxophone, William Parker on Bass, and Denis Charles on Drums to form The" Astrogeny Quartet". A CD of this group was released on Eremite records in 2005. In 2001 Blum recorded a solo piano CD for Drimala Records entitled "Naked Mirror", and was also featured on Butch Morris' "Conduction 117" released on JumpArts Records. In 2003, Blum recorded with Sunny Murray's trio and is featured on his CD Perles Noires Volume 2 on Eremite Records. Blum joined the Steve Swell Quintet in 2005 and a CD was released on NotTwo Records of their 2006 Vision Festival performance in NYC. He performed with Han Bennink (Drums) and Peter Brotzmann (Sax) in 2006 and also played duets with Hamid Drake (Drums) and Marco Eneidi (Sax). In 2007 he played with Jackson Krall (Drums) at the Sage Gateshead New Music Festival in Newcastle England. Blum was featured with The Daniel Carter Quintet in 2008 at the Ponta Delgada Jazz Festival in Portugal.

He recorded a trio CD in 2008 entitled "In The Shade Of Sun" with William Parker and Sunny Murray released on Ecstatic Peace Records. That same year he also recorded a solo piano CD "Who begat Eye" released on Konnex Records in 2009. Blum returned to the Ponta Delgada Jazz Festival in 2010 and also played at the Abrantes Musicam Festival in Portugal as a soloist. In 2011 Blum played a series of solo concerts in Portugal on the islands of Pico, Faial. and Sao Miguel; and at Circol Malda in Barcelona. That year he also played at the Suoni Per Il Popolo Festival in Montreal, Canada. In 2012 Blum performed regularly in NYC and was featured in several music festivals, including the High Zero Festival in Baltimore and the Jazzores Festival in Portugal, where he performed on the island of Santa Maria. He returned to Barcelona in 2012 to play at Robadors with Bassist Masa Kamaguchi.

In 2013 Blum performed in Mexico in the cities of Guanajuato at Casa Cuatro, and in Merida at the Chaakab Paaxil Free Jazz Festival. He also played as a soloist and with a trio in at the Crossover Festival in Italy, the Jazz and More Festival in Romania, and the Musicam Festival in Portugal."

-John Blum Website (https://www.johnblum.com/)
4/24/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"David Keith Murray (born February 19, 1955) is an American jazz saxophonist and composer who performs mostly on tenor and bass clarinet. He has recorded prolifically for many record labels since the mid-1970s.

Murray was born in Oakland, California, United States. He attended Pomona College, graduating in 1977. He was initially influenced by free jazz musicians such as Albert Ayler and Archie Shepp. He gradually evolved a more diverse style in his playing and compositions. Murray set himself apart from most tenor players of his generation by not taking John Coltrane as his model, choosing instead to incorporate elements of mainstream players Coleman Hawkins, Ben Webster and Paul Gonsalves into his mature style. Despite this, he recorded a tribute to Coltrane, Octet Plays Trane, in 1999. He played a set with the Grateful Dead at a show on September 22, 1993, at Madison Square Garden in New York City. His 1996 tribute to the Grateful Dead, Dark Star, was also critically well received.

Murray was a founding member of the World Saxophone Quartet with Oliver Lake, Julius Hemphill and Hamiet Bluiett. He has recorded or performed with musicians such as Henry Threadgill, James Blood Ulmer, Olu Dara, Tani Tabbal, Butch Morris, Donal Fox, McCoy Tyner, Elvin Jones, Sunny Murray (no relation), Ed Blackwell, Johnny Dyani, Fred Hopkins, and Steve McCall. David Murray's use of the circular breathing technique has enabled him to play astonishingly long phrases."

-Wikipedia (https://en.wikipedia.org/wiki/David_Murray_(saxophonist))
4/24/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Chad Taylor (b. 1973) is a composer, educator, percussionist and scholar who is a co-founder of the Chicago Underground ensembles. Originally from Tempe, AZ, Chad grew up in Chicago where he started performing professionally at the age of 16. Chad has performed with Fred Anderson, Derek Bailey, Cooper-Moore, Pharoah Sanders, Marc Ribot, Peter Brotzmann, Malachi Favors and many others. Chad leads his own band Circle down which debut recording was given a 5 star review by All music:

"What is remarkable is that there is no wasted motion, no histrionics or grandstanding, as pure emotion is translated to superlative music making on this most highly recommended recording, one for the ages." Allmusic.com

Chad has a BFA from the New School in Jazz Performance and a MFA in Jazz Research and History from Rutgers University."

-Chad Taylor Website (http://www.chadtaylordrums.net/html/about.php)
4/24/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Fire In The Branches 7:47

2. Kinetic Crawl 3:21

3. Passage 5:52

4. Hidden Thorns 5:52

5. Monk's Door 5:04

6. Germination 4:35

7. The Recursive Tree 4:35

8. Creatural 3:17

9. Fractals 11:46

Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
Collective Free Improvsation
Trio Recordings
NY Downtown & Metropolitan Jazz/Improv
New in Improvised Music

Search for other titles on the label:
Relative Pitch.


Recommended & Related Releases:
Mazurek, Rob Exploding Star Orchestra / Small Unit
Spectral Fiction
(Corbett vs. Dempsey)
Compressing his Exploding Star Orchestra to a sextet, Chicago trumpeter Rob Mazurek presents two expansive works of ecstatic, exploratory electric and groove-oriented jazz, performed with Damon Locks (voice, electronics), Tomeka Reid (cello), Angelica Sanchez (Wurlitzer electric piano), Ingebrigt Haker-Flaten (double bass) and Chad Taylor (drums).
Fefer, Avram Quartet
Juba Lee
(Clean Feed)
From post/hard bop to African-influenced spiritual jazz, the 2nd release from saxophonist & clarinetist Avram Fefer's quartet with Marc Ribot on guitar, Eric Revis on bass and Chad Taylor on drums swings freely or finds introspective grooves in nine original Fefer compositions of rich melodies around unusual time signatures, yielding extraordinary soloing and group interplay.
Lewis, James Brandon / Red Lily Quintet
For Mahalia, With Love [2 CDs]
(Tao Forms)
Composer and tenor saxophonist James Brandon Lewis' exceptional Red Lily Quintet quintet (Kirk Knuffke on cornet; William Parker on bass; Chad Taylor on drums; Christopher Hoffman on cello) pays homage to gospel and jazz singer Mahalia Jackson through a suite of original Lewis compositions, reimagining some of Jackson's best known works; CD & LP issues include a bonus download track.
Taylor, Chad Trio (feat. Brian Settles / Neil Podgurski)
The Reel
(Astral Spirits)
The 2nd album as a leader from NY drummer's Chad Taylor's Trio with long-time collaborators and friends, saxophonist Brian Settles and pianist Neil Podgurski, in nine diverse compositions with contributions from all three players along with two works from late pianist Andrew Hill; a wonderfully balanced album of creative jazz, from meditative to joyfully upbeat and rhythmically compelling.
A Pride of Lions (McPhee / Lazro / Abrams / Seguron / Taylor)
No Questions - No Answers
(RogueArt)
The 3rd meeting of the transatlantic quintet of Joe McPhee on alto & soprano saxophones and pocket trumpet, Daunik Lazro on tenor & baritone saxophones, Joshua Abrams on double bass & guembri, Guillaume Seguron on double bass and Chad Taylor on drums & mbira is heard in this exceptional 2018 concert at the International Jazzfestival Saalfelden in Salzburg, Austria.
Lewis, James Brandon Quartet
Code of Being
(Intakt)
With a clarity in both improvising and in composing, NY tenor saxophonist James Brandon Lewis' second album with the rock solid quartet of Aruan Ortiz on piano, Brad Jones on bass and Chad Taylor on drums further explores his concepts of Molecular systematic music through powerfully solid compositions that lead to both lyrical and ardent soloing; exceptional.
Warriors of the Wonderful Sound Expanded Ensemble, The
Soundpath
(Clean Feed)
AACM legend Muhal Richard Abrams was commissioned by Philadelphia saxophonist Bobby Zankel to compose for Zankel's large ensemble Warriors of the Wonderful Sound, this monumental piece premiered in 2012, but only in 2018 was a 2nd performance possible, conducted by Marty Ehrlich and receiving 2 standing ovations, the band recording this studio version the next day at Drexel University.
Blum, John / Jackson Krall
Duplexity
(Relative Pitch)
A dynamic and red-hot album of free improvisation from two New York legends--pianist John Blum and drummer/percussionist Jackson Krall--both in jaw-dropping form as they present two extended improvisations, "Blood and Bone" and "Wind and Wing", appropriate for the energy and intense and seemingly physically-defying technical skill each brings to their playing.
Chicago Underground Quartet
Good Days
(Astral Spirits)
19 years after the last Chicago Underground Quartet album, this session with Rob Mazurek on piccolo trumpet, electronics & bells, Jeff Parker on electric guitar, and Chad Taylor on drums, percussion and newcomer Josh Johnson on synth bass & keys is a warm reunion, with individual compositions from Taylor, Mazurek & Parker, and two solo pieces by Mazurek and Taylor.
Fefer, Avram Quartet (w/ Marc Ribot / Eric Revis / Chad Taylor)
Testament
(Clean Feed)
For this album saxophonist Avram Fefer opened up his working unit by adding legendary Marc Ribot on guitar, expanding the sound of the trio with bassist Eric Revis and drummer Chad Taylor, while digging deep into North African inspired spiritual hymns with beatiful melodies, many taken from some of his previous trio records but adding new shape and sonic explorations.
Other Recommended Releases:
Lewis, James Brandon Quartet
Transfiguration
(Intakt)
With a rare ability to play hard-hitting jazz while maintaining a lyrical sense to his compositions, tenor saxophonist James Brandon Lewis' new studio album from his quartet of Aruan Ortiz on piano, Brad Jones on bass and Chad Taylor on drums is the fourth album from this working band, demonstrating their strong group affinity that invokes impressive soloing from all four.
Schouten / Courtois / Doronzo / Janssen
VOSTOK: Remote Islands
(Relative Pitch)
Inspired by Judith Schalansky's book "Atlas of Remote Islands: 50 islands I never set foot in and never will", the debut of the chamber improvising trio of Fie Schouten on clarinet & basset horn, Vincent Courtois on cello and Guus Janssen on piano, organ, harmonium & harpsichord reflect on these pristine and untouched areas of the earth in sublimely sophisticated conversation.
Brown, Rob Quartet (Brown / Swell / Lightcap / Taylor)
Oblongata
(RogueArt)
Having met in William Parker's Little Huey Orchestra, long-time collaborators Rob Brown (saxophone & flute) and Steve Swell (trombone), along with Brown's longest improvising partner, double bassist Chris Lightcap, join with drummer Chad Taylor for an exemplary album of modern creative jazz through five Brown compositions and 4 collective improvisations.
Lewis, James Brandon / Red Lily Quintet
For Mahalia, With Love [VINYL 2 LPs]
(Tao Forms)
Composer and tenor saxophonist James Brandon Lewis' exceptional Red Lily Quintet quintet (Kirk Knuffke on cornet; William Parker on bass; Chad Taylor on drums; Christopher Hoffman on cello) pays homage to gospel and jazz singer Mahalia Jackson through a suite of original Lewis compositions, reimagining some of Jackson's best known works; CD & LP issues include a bonus download track.
Blum, John
Nine Rivers
(ESP-Disk)
An outrageously powerful improvised exposition of nine rivers from New York pianist John Blum, performing live in a solo concert as part of the 2013 Crosscurrent Festival in Pecara, Italy, Blum's commanding technique and density making clear his influence by former mentors Cecil Taylor and Borah Bergman, as he rolls and roars rapidly through each torrent.
Stewart's, Luke Silt Trio
The Bottom
(Cuneiform)
The introduction of a new trio bringing together Washington D.C. bassist Luke Stewart (Heroes Are Gang Leaders) with D.C. area tenor saxophonist Brian Settles and Chicago/NY drummer Chad Taylor, in an album carefully sequenced like a live performance, a journey through free improv, funky roots, world music, ending with a reference to La Monte Young's Dream House.
Fefer, Avram Quartet
Juba Lee
(Clean Feed)
From post/hard bop to African-influenced spiritual jazz, the 2nd release from saxophonist & clarinetist Avram Fefer's quartet with Marc Ribot on guitar, Eric Revis on bass and Chad Taylor on drums swings freely or finds introspective grooves in nine original Fefer compositions of rich melodies around unusual time signatures, yielding extraordinary soloing and group interplay.
Musicianer (Sinton / Ajemian / Taylor)
Slow Learner
(Iluso)
Sidney Bechet referred to fellow musician as "musicianers", the title for New York baritone saxophonist Josh Sinton's trio with Jason Ajemian on acoustic bass and Chad Taylor on drums and percussion, in an outstandingly creative and compelling album of modern jazz showing the strong links between these three, dating back to their work together in Chicago in the 80s.
Revis, Eric
Sing Me Some Cry
(Clean Feed)
Double Bassist Eric Revis expands his concepts in this outstanding album with fellow New Yorkers, pianist Kris Davis and drummer Chad Taylor, and Chicago reedist Ken Vandermark on tenor saxophone, with all four players providing compositions that push the limit on structure and form while opening up the players to superb soloing settings of great modern jazz.
Revis, Eric / Taylor / McHenry / Jones / Branford Marsalis
In Memory of Things Yet Seen
(Clean Feed)
A superb modern jazz release from NY bassist Eric Revis with Chad Taylor (drums), Bill McHenry (sax) and Darius Jones (sax), plus special guest Branford Marsalis on two tracks.
Ajemian, Jason / Tony Malaby / Rob Mazurek / Chad Taylor
A Way a Land of Life [VINYL]
(NoBusiness)
Bassist Jason Ajemian composed these 8 works performed with the Chicago/NY band of Tony Malaby on tenor sax, Rob Mazurek on cornet & electronics, and Chad Taylor on drums, a dynamic set of music that varies through a spectrum of styles while staying true to its jazz roots.
Bynum, Taylor Ho
Navigation (Possibility Abstracts XII & XIII) [2 CDs]
(Firehouse 12 Records)
The 1st of 3 releases documenting composer/cornetist Taylor Ho Bynums' Navigation project, in 2 CDS of studio recordings with his Sextet: Jim Hobbs on saxophone, Bill Lowe on trombone & tuba, Mary Halvorson on guitar, Ken Filiano on bass, and Tomas Fujiwara on drums & vibraphone.
Digital Primitives
Lipsomuch & Soul Searchin' [2 CDs]
(Hopscotch Records)
The trio of saxophonist Assif Tsahar, drummer Chad Taylor and multi-instrumentalist Cooper-Moore in the 3rd Digital Primitives release, rhythmic and soulful improvisation with an inventive New York attitude.
Digital Primitives (Cooper-Moore / Tsahar / Taylor)
Hum Crackle Pop
(Hopscotch Records)
The 2nd Digital Primitives release (Cooper-Moore, Asif Tsahar, Chad Taylor) digs in deep to fuse a new sound from blues, folk, jazz & funk, with accents from the music's African antecedents.
Fefer / Revis / Taylor
Ritual
(Clean Feed)
Saxophonist Fefer's NY based trio with bassist Eric Revis and drummer Chad Taylor play an ecstatic and spiritually charged modern jazz style with great drive and expressiveness.
Cooper-Moore / Tsahar, Assif / Taylor, Chad
Digital Primitives
(Hopscotch Records)
Prolific and working incredibly fertile creative ground, New Yorkers Cooper-Moore, Tsahar and Taylor release their first as a trio on Tsahar's Hopscotch label.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC