Eugeniusz Rudnik composes a tour-de-force of electroacoustic audio in a sound essay based on the soundtrack to Zuzanna Solakiewicz's award-winning movie "15 Corners of the World", reworked to stand alone as a stunning and thought-provoking audio work.

Two intensely explosive and exciting improvisations captured live at AMR Geneva in Switzerland, 2021, from the trio of Albert Cirera on soprano & tenor saxophones, Olie Brice on double bass and Nicolas Field on drums & percussion, a masterfully controlled concert of ecstatic and extended free jazz frenzy that takes the trio far beyond this November concert!

Rinus van Alebeek and Michal Libera made frequent excursions into Calabrian towns to follow Alvin Lucier's suggestions to make large and small resonant environments sound, presented through field recordings and readings of text adaptations of Italo Calvino's "Invisible Cities".

Rinus van Alebeek plays a CD copy of the late composer Luc Ferrari's "Cycles Des Souvenirs" in Luc Ferrari's house, while his widow Brunhild Ferrari reads the liner notes and Van Alebeek makes recording inside the house and its surroundings.

The first full-length collaboration between Portuguese double bassist Gonçalo Almeida and Netherlands sound artist Rutger Zuydervelt, aka Machinefabriek, born from the soundtrack to Lex Reitsma's documentary about photographer Koos Breukel, including additional recordings to create this beautiful long-form drone merging rich electronics with Gonçalo's powerfully textured harmonics.

Drum and percussion improviser Barry Altschul leads his trio with Jon Irabagon on tenor, sopranillo saxophones & alto clarinet and Joe Fonda on bass in their fourth release since forming in 2013, here with five original compositions in free jazz form with strong melodic heads that manifest in tremendous soloing from his players and outstanding drum work.

A leader on the Portuguese free jazz scene, tenor saxophonist Rodrigo Amado assembles a collective quartet with three exemplary Norwegian improvisers--Thomas Johansson on trumpet, Jon Rune Strom on double bass and Gard Nilssen on drums--for a dynamic concert at ZDB club in Lisbon in 2017, three dialogs of sparking, fiery interactions and a final "Response".

Recording at Vortex Jazz Club in London in 2018, the As You Hear trio of renowned London and European free jazz pianist Veryan Weston with two younger generation improvisers, Pei Ann Yeoh (violin) and Beibei Wang (drums & percussion), here presenting a sophisticated concert of group improvisation, each collective improvisation named for a spice or seasoning.

Following up their 2017 album live at SMUP in Lisboa, the Attic trio of Rodrigo Amado on tenor saxophone, Goncalo Almeida on double bass, and Onno Govaert on drums are heard in this concert at the 2018 Summer Bummer Festival in Antwerp, Belgium, in a solid set of confidently exploratory improvisation and engrossing group dialog balancing pensive reflection and fire.

Surprising, singular and unconventional interpretations of four pieces from John Coltrane--"The Father and the Son and the Holy Ghost", "Naima", "Improvisation For Mr. J.C.", and "Inspired by Seraphic Light"--from the Gdansk trio of Michael Gos (drums), Mark Tokar (bass) and Tomasz Gadecki (tenor & baritone sax), comissioned by and performed at the 2019 Jazz Jantar Festival.

Drawing on previous collaborations between Amsterdam pianist Kaja Draksler and wind player Ab Baars, here on tenor sax, clarinet & shakuhachi, and two duo albums between Baars and guitarist Terrie Ex, this meeting as a trio took place at the 2018 Konfrontationen Festival in Nickelsdorf, Austria for a diverse journey from uniquely introspective to wildly energetic conversation.

Two burning improvisations from the Chicago / Norwegian trio Ballister of Dave Rempis on alto & tenor saxophones, Fred Lonberg-Holm on cello & electronics and Paal Nilssen-Love on drums & percussion, performing live at Alchemia in Krakow, Poland in 2019 in an exuberantly assertive concert from three incredibly active artists in the trans-Atlantic community of improvising musicians.

Using a participatory compositional process, the NY trio of Brad Barrett on bass & cello, Joe Morris on guitar, and Tyshawn Sorey on drums, follow a framework to make choices based on density, rhythmic ratios, register, melody, and timbre, encouraged to employ small particles of sounds and blend timbres with an awareness of implied pulse and an inclination to disrupt it.

Israeli saxophonist Albert Beger's Quartet with Milton Michaeli on piano, Shay Hazan on bass, and Ofer Bymel on drums, the leader also on Shakuhachi, in a studio set of Beger compositions, drawing on his work with William Parker and Hamid Drake in six recordings that balance structure and freedom in soloing, a fine album of modern creative jazz.

The third in Ilia Belorukov's series of electroacoustic compositions on Spina!Rec and Moving Furniture, here in a set of four compositions, each presenting detailed layers of acoustic and electronic instrumentation and field recordings captured throughout Europe and Russia, carefully placed over heavily laden synthetic drones that guide the motion of each piece.

The New York trio of pianist Jerome Kitzke, bassist Steve Rust on electric and acoustic, and drummer/percussionist Harvey Sorgen, alternate consummately clever approaches to collective playing with Kitzke's humorously ironic and insightful reading of four poems by Lawrence Ferlinghetti from his book "A Coney Island of the Mind", in honor of his 100th birthday.

A set of Jeb Bishop compositions performed at The Hungry Brain in Chicago, from the inventively lyrical quartet of Jeb Bishop (trombone), Russ Johnson (trumpet), Frank Rosaly (drums), and Jason Roebke (bass), performing music written for this same quartet at the invitation of Ken Vandermark for the Okka Festival 7 in Milwaukee; optimistic and joyful modern jazz!

The third duo album focusing on the relationship between the bass and piano interplay of New York improvisers Michael Bisio and Matthew Shipp, whose long relationship as collaborators, particularly in the Matthew Shipp Trio and Quartet, afford them a nearly telepathic compatibility in their work together, heard in nine detailed recordings of superb dialog.

Mauricio Kagel's 1970s avant cinema film "Ludwig Van" about Beethoven's music, is reinterpreted by pianist Frederic Blondy and turntablist DJ Lenar, improvising at Zacheta National Gallery of Art, in Warsaw, Poland, 2011, and assembled in studio.

West Coast oboist and english horn improviser composes a startlingly enjoyable work based on Matt Shears' book of recursive, encyclopedic poetry of the same name: 10 pieces colliding elements of skronk, spoken word, fried electroacoustic noise and dark prog within a Creative Music framework, with a core quartet of Aram Shelton, Jason Hoopes and Jordan Glenn, plus guest Weston Olencki and a large cast of readers.

A collection of experimental, electroacoustic, and comprovized works from composer, sound artist, performer, and improviser Arturas Bumsteinas, inspired by Central European cultural landscape, including a radio play commisioned by Bolt Records.

Understated and enigmatic, the work of Northern Italian sound artist Edoardo Cammisa, aka Banished Pills, presents a very short work on decay, and then two expanded sound works composed from synthesisers, spring reverb, microphones, field recordings, no-input mixing, organ & sampler; the environments are murky but with movement, and engaging in their dark evening ambiance.

A complete, powerful performance at London's Vortex club from the indefatigable quartet led by Canadian saxophonist Francois Carrier, featuring one of the finest European young piano virtuosos, Alexander Hawkins, one of the most in-demand bass players on the Euro/London free improv scene, John Edwards, and long running partner to Carrier, drummer Michel Lambert.

A meeting in the studio of long-time friends and collaborators, pianist Matthew Shipp and Daniel Carter performing on alto, tenor & soprano saxes, clarinet & trumpet, having played together in many groupings this is only their first duo recording, in a thoughtful set of free improvisations with an innate lyricism and beautiful sense of pacing; masterful and evolved.

Featuring compositions from both trombonist Steve Swell and tenor saxophonist & bass clarinetist Gebhard Ulmann, the second album from The Chicago Plan with cellist Fred Lonberg-Holm and drummer Michael Zerang is captured in the studio in Augsburg, Germany for six exceptional modern jazz recordings from a profoundly masterful and experienced transatlantic band.

Led by Polish multi-reedist and composer Przemyslaw Chmiel and his quartet of Mateusz Gramburg on piano, Piotr Narajowski on double bass, and Michał Szeligowski on drums, this is their debut album, presenting a sophisticated set of structured compositions that allow for great spontaneity and lyricism, a strong start for this expressive young band.

Recording at the Lilypad in Cambridge, MA, the Boston-area trio of pianist Pandelis Karayorgis, bassist Damon Smith, and drummer Eric Rosenthal are captured in concert for an adventurous album of free improvisation, Karayorgis's compositions leading this piano trio of magnificent mastery into buoyantly exciting interaction as they take their listeners to a dizzying precipice edge.

Clockwork is the Polish duo of drummer Maciej Wrobel and bassist Szymon Orlowski, who for the last two years have worked with saxophonist Lukasz Poprawski (Urszula Dudziak, Michal Urbaniak, &c) here in their first album together.

Ten collective improvisations and Steve Lacy's "Blues for Alda" from the Italian trio of Marco Colonna, who typically performs on clarinet but here also on bass clarinet, alto saxophone and flute, with the rhythm section of Dario Miranda on double bass and Fabrizio Spera on drums, in a wonderfully astute album of highly cultivated and sincere discourse.

Agrakal is the trio of Marco Colonna (clarinet), Augusti Fernandez (piano), and Zlatko Kaucic (percussions), three musicians able to cross cultures and attitudes and develop a new language of abstract collective jazz, Fernandez being the pivot point between the trio, having previously recorded and toured as a duo with both Colonna and Kaucic.

A set of Eric Dolphy compositions and one Colonna composition in the style of Dolphy and a Dolphy-esque take on Billie Holiday's "God Bless the Child", from pianist Alexander Hawkins and Marco Colonna on clarinet, bass clarinet & sopranino saxophones, recorded live in Rome in 2020 for a spirited and tender hommage to one of the great and most singular figures in jazz history.

The tenth Conference Call album and the first with drummer Dieter Ulrich taking over for former drummers Matt Wilson, Han Bennink, George Schuller and Gerry Hemingway, the 20 years journey for this transatlantic band leading to this album captured in the studio in Central NY while on tour, performing 3 original compositions from Ullman, 2 from Fonda, and 2 from Stevens.

A split 7" release between Cremaster (Alfredo Costa Monteiro (electronics) and Ferran Fages (feedback mixing board and electroacoustic devices); and the Komora A trio of Karol Koszniec (electronics), Dominik Kowalczyk (laptop) and Jakub Mikolajczyk (modular synth).

A split 7" release between Cremaster (Alfredo Costa Monteiro (electronics) and Ferran Fages (feedback mixing board and electroacoustic devices); and the Komora A trio of Karol Koszniec (electronics), Dominik Kowalczyk (laptop) and Jakub Mikolajczyk (modular synth).

An album of controlled cacophony and slippery improvisation from the trio of Martin Klapper on amplified objects, toys & small electronics, Martin Kuchen on sopranino & soprano saxophones, snare drum resonator & metal objects, and Roger Turner on drums, small cymbals, metal and plastic, recording in Stokholm as they apparently try to build a shooting bear.

With origins in Switzerland in the Recall Pollock duo of trombonist Roland Dahinden and pianist Hildegard Kleep, this trio with UK electronics artist based in South Africa Cameron Harris has its origin in the quartet CubeZ with visual artist Charbel Ackermann, here focused on their unusual language through acoustic improv altered and complemented by interactive electronics.

The mysterious French audio collective The Dead Mauriacs led by Olivier Prieur in a 3-part work of electroacoustic compositions sourced from field recordings made during time spent in Brussels, developing these works based on daily recordings of audio observations at cafes, parks, churches, plus manipulated objects and some parakeets in a park; truly inspired collage work.

The title an excellent reflection of the work, Seattle-based, Turkish-born Deli Kuvveti developed these two works that flow into each other to create an absorbing impression of a serene summer evening with dark undertones, using a granular synthesis configuration that creates movement through textured sounds, creating two complex and highly detailed narratives.

The history of the early Detail trio of Frode Gjerstad on tenor & soprano saxophones, Johnny Mbizo Dyani on double bass, and John Stevens on drums continues to be unearthed with this studio session at Staccato Studios, in Stavanger, Norway in 1982, in two extended improvisations demonstrating the impressive skill and direction the band possessed.

Two implicitly lyrical players -- trumpeter Kirk Knuffke and drummer Whit Dickey -- in their second album together of well-paced, thoughtful dialog, an intimate set of recordings that show the adept skills of both as they promote their inherent melodic intentions on their instruments, neither overpowering, but conversing in a warm and rewarding give and take.

The long-established trio Disorder At The Border of Zlatko Kaucic on drums, Giovanni Maier on bass and Daniele D'Agaro on saxophone & clarinet invitee multi-reedist Tobias Delius to perform this extended free improvisation, Kataklisma in four parts, captured live at the Brda Contemporary Music Festival, in Šmartno Goriska Brda, Slovenia in 2017.

A series of works from improvising DJ Lenar (Marcin Lenarczyk), using material from the large volumes of miniatures created by Polish Radio Experimental Studio (PRES) artist Eugeniusz Rudnik, transformed into new concrete compositions; in other words, reprising PRES.

An incredible concert at Sugar Maple in Milwaukee from the Chicago trio of Hamid Drake on drums, Kent Kessler on bass, and Ken Vandermark on reeds, a working trio of intense free jazz that formed in the 90s and has developed an almost telepathic rapport through energetic and cathartic collective playing, one of the exceptional examples of Chicago jazz.

Officially taking their group name from the title of their first album, The Dreamstruck trio of Marilyn Crispell on piano, Joe Fonda on bass and Harvey Sorgen on drums are heard in this innately lyrical and masterfully controlled, concise set of studio recordings, with compositions from each performer and two collective improvisations, a remarkable example of the modern piano trio.

A wildly explorative and masterful studio encounter for three of the UK's most well-known and well-recorded improvisers--Paul Dunmall on tenor & soprano saxophones, clarinet & flute; Paul Rogers on 7-string double bass; and Mark Sanders on drums--in four collective improvisations that run the gamut from explosive to introspective conversation; ferocious!

The DUOT pairing of Argentinian, Barcelona-based sax player Albert Cirera and Spanish drummer Ramón Prats is joined on their 6th album by the Portuguese string quartet ZARM Ensemble of Carlos Zingaro on violin, David Alves on violin, Ulrich Mitzlaf on cello and Alvaro Rosso on double bass for a dynamic concert at Igreja do Espírito Santo in Caldas Da Rainha, Portugal.

An immersive and often explosive set of dark compositions from Seth Nehil & Bruno Duplant, blending field recordings, electronics, percussion and percussive objects into a controlled chaos of inexplicably murky and uncategorizable sounds, at times like a surreal firework display, or inserted into a complex machine on the verge of collapse, all imbued with a consistent resonant hue.

A dark journey into a nocturnal world of synthetic tones and urban environments, emerging from footsteps and impressions of the passing world imbued through vaporous and skewed progressions, like moonlight piercing through a veil, from French composer and electroacoustic artist Bruno Duplant in an extended work dedicated to Belgian pianist Guy Vandromme.

Two encompassing and tranquil works of sound from French composer Bruno Duplant, the album title translating to Ageless Landscapes as Duplant envisions two terrains through slow motion tones, piano and synthetics, evocatively described in an accompanying poem that conjures expansive fog, blurred trees, hawks slowly spiraling, a history in a hillside.

From subtle dynamics to invigorating free exchanges, the collective improvising band Easter Quartet brings together New York luminaries Ken Filiano on bass with two drummer/percussionists--Lou Grassi and Todd Capp--and Leipzig, German pianist Simone Weissenfels, performing in the studio for three extended, forcefully confident, evolving improvisations.