Named for the long history of collaboration over decades, the NY free jazz Telepathic Band of Daniel Carter on saxophones, clarinet & trumpet, Patrick Holmes on clarinet, Matthew Putman on piano, Rhodes, Hilliard Greene on bass and Federico Ughi on drums are heard live at the 2018 Forward Festival in Brooklyn, NY for four outstandingly informed improvisations.

A collage of styles and experimentation developed over several years by bassist and multi-instrumentalist Evan Strauss, using long-form graphically notated conceptual compositions based on bird calls along with thematic material from Ursula K. Le Guin, expanded with narration and poetry from Daniel Carter and titled from an excerpt by Virginia Woolf.

Working together in tours and recording since 2005, the NY trio of multi-reedist and wind player Daniel Carter, bassis William Parker and drummer/percussionist Federico Ughi are joined by saxophonist Watson Jennison also on flute, recorder and keyboards for this enlightened album of modern and transcendent jazz in a limited, remastered LP edition with bonus material.

Debut of this group named by NY multi-instrumentalist Daniel Carter, with Stelios Mihas on guitar, Federico Ughi on drums, and (mysterious) Irma Nejando on bass, presenting this studio album of free, well-matched and interactive collective improvisations of acoustic and electric instrumentation, each track dedicated to artists who inspired the members of the quartet.

The trio of Max Ridley (double bass, voice), Eleanor Elektra (guitar, voice), and Nat Mugavero (drums, voice) create an intimate and spiritually charged improvisation that weaves deep listening, expressive interplay, and moments of resonant silence into a continuous musical communion, recorded live in Cambridge as a heartfelt exploration of sound, stillness, and collective devotion.

Performing solo piano at the 2025 New York Forward Festival, Leo Genovese delivers a strikingly fluid and exploratory set where abstract, dreamlike themes move freely between lyricism, volatility, and spontaneous invention, revealing a deeply personal improvisational language shaped by risk, intuition, and the raw immediacy of live performance.

Balancing structure and spontaneity, pianist Haeun Joo presents an intimate and searching debut that moves between lyrical solo piano improvisations and sensitively interactive trio pieces with bassist Chris Tordini and drummer Steven Crammer, capturing music made fully in the moment with clarity, restraint, and a quietly compelling sense of forward motion.

New York pianist Eva Novoa joins bassist Drew Gress and drummer Devin Gray for their second trio release on 577 Records, weaving melodic themes with swing and groove as Novoa expands the palette with Chinese gongs and whistling, Gress layers in modular synth textures, and the ensemble explores freedom, interplay, and evocative electronic landscapes.

Born from weekly sessions in Oakland, this adventurous sextet of winds, cello, drums, and electronics channels old-school improvisational spirit into a modern orchestral sound that feels both cosmic and grounded, as spontaneous grooves, abstract textures, and Zachary James Watkins' remix work expand their collective language into a vibrant, deeply inventive debut.

A visionary solo exploration from tubist Ben Stapp, merging extreme extended techniques, circular breathing, and multiphonics with a science fiction narrative of consciousness and transformation, unfolding ten pieces that traverse volatile timbres, subterranean drones, and vocal-inflected abstractions in a deeply personal act of world-building beyond mere instrumental prowess.

The first collaboration between pianist Matthew Putman and drummer Francisco Mela, joined by bassist Hilliard Greene, in a trio whose remarkable chemistry balances lyrical melodies with adventurous free jazz, experimental energy, their performance radiating both spiritual intensity and the creative synergy of long-standing artistic bonds.

Brooklyn pianist Eva Novoa joins saxophonist Daniel Carter and drummer Francisco Mela for the second volume of The Freedom Suite, a set of twelve pieces blending piano, Rhodes, harpsichord, gongs, and vocals with Carter's multi-reed brilliance and Mela's Cuban-inflected drumming, creating an urgent, intimate, and fluidly improvised dialogue of words, sound, and fearless imagination.

Brooklyn pianist Eva Novoa joins saxophonist Daniel Carter and drummer Francisco Mela for the second volume of The Freedom Suite, a set of twelve pieces blending piano, Rhodes, harpsichord, gongs, and vocals with Carter's multi-reed brilliance and Mela's Cuban-inflected drumming, creating an urgent, intimate, and fluidly improvised dialogue of words, sound, and fearless imagination.

The first collaboration between pianist Matthew Putman and drummer Francisco Mela, joined by bassist Hilliard Greene, in a trio whose remarkable chemistry balances lyrical melodies with adventurous free jazz, experimental energy, their performance radiating both spiritual intensity and the creative synergy of long-standing artistic bonds.

Reuniting after a decade, guitarist George Draguns and percussionist Robert Cozzolino revive their duo Flying Sutra at Metropolitan Sound in Brooklyn with saxophonist Ayumi Ishito, their telepathic interplay and raw intensity yielding four vividly improvised tracks that expand their textural range and transcend genre through fearless, high-energy experimentation.

West Coast Bay Area guitarist Karl Evangelista leads his Apura ensemble — Lisa Mezzacappa (bass), Francis Wong (tenor sax), Rei Scampavia (keys, electronics), and Lewis Jordan (alto sax) — joined by drum legend Andrew Cyrille in a powerful statement of free improvisation, blending expressive intensity and forward-looking vision with deeply rooted passion and creative openness.

Debuting as a trio after meeting on the Long Island scene, Tony Orzano (saxophone, clarinet), Bryan Rohmer (guitar, pedals), and Jeremy Wexler (drums) deliver an unplanned 2025 studio session of raw, high-energy interplay, blending avant-punk edge, noise textures, and free improvisation into an immersive, genre-defying set of inventive and electrifying sonic collisions.

A formidable trio debut from Irish double bassist Alan Niblock with British improvisers John Butcher on saxophones and Mark Sanders on drums and percussion, recorded live at The Black Box in Belfast and unfolding across five tectonically inspired pieces that channel collective intuition, dynamic interplay, and seismic shifts of intensity and form.

A fascinating exploration of human-machine collaboration from UK trio Sveio — James Mainwaring on saxophone, Federico Reuben on laptop improvisation and live coding, and Emil Karlsen on drums — using AI in real-time to generate uncanny textures and forms, resulting in a spontaneously composed and constantly evolving electroacoustic sound world.

Recorded during an ambitious 15-day, 14-show European tour, this debut from pianist Eli Wallace, bassist Pablo Vazquez, and drummer Marcelo von Schultz captures the spontaneous chemistry of a trio forged in motion, weaving explosive rhythmic interplay, extended techniques, and melodic nuance into a vibrant and unpredictable tapestry of creative improvisation.

A fascinating debut from the trio GPS — clarinetist Guillermo Gregorio, saxophonist Jeff Pearring, and bassist Charley Sabatino — recorded in two sessions a year apart where they capture fourteen dynamic tracks of composed and spontaneous collective improvisation, blending intuitive interplay and diverse genre influences into a distinct, uncategorizable sound.

Barcelona-born pianist Eva Novoa leads bassist Masa Kamaguchi and drummer Gerald Cleaver in their second trio release for 577 Records, recorded in 2020 and blending melodic density with contrapuntal dialogue through a boldly experimental set on piano, Fender Rhodes, Chinese gongs, and improvisation, deepening the trio's inventive, textural interplay.

Barcelona-born pianist Eva Novoa leads bassist Masa Kamaguchi and drummer Gerald Cleaver in their second trio release for 577 Records, recorded in 2020 and blending melodic density with contrapuntal dialogue through a boldly experimental set on piano, Fender Rhodes, Chinese gongs, and improvisation, deepening the trio's inventive, textural interplay.

Uniting four visionary improvisers — Daniel Carter on trumpet, flute, and saxophones; Ayumi Ishito on saxophones and effects; George Draguns on guitar and bass; and Ed Wilcox on drums — this dynamic quartet merges free jazz, psychedelic textures, and experimental energy into a powerful collective session recorded at Brooklyn's Metropolitan Sound.

Emerging Swiss drummer Samir Boehringer unites musicians from Switzerland and New York — Caleb Wheeler Curtis on stritch and trumpet, Hery Paz on tenor saxophone, and Kenneth Jimenez on double bass — in his debut 577 Records album, blending fixed patterns and open improvisation into a captivating and creative quartet performance.

Drawing on a cross-continental journey of change and discovery, drummer and composer Jacobo Vega-Albela debuts with an expressive set of trio, quartet, and quintet pieces blending contemporary jazz with post-bop, rock, Latin, and modern classical influences, offering a vivid and deeply personal statement shaped by close collaborators and heartfelt narrative drive.

The debut album from the Sonic Chambers Quartet — co-led by multi-reedists Byron Asher and Tomas Majcherski with bassist Matt Booth and drummer Doug Garrison — presents a deeply expressive and texturally rich orchestration merging American avant jazz tradition with European chamber influences, shaped through collaborative composition, adventurous improv, and a strikingly unified ensemble sound.

A dynamic debut from multi-talented saxophonist Eric Shorter, joined by pianist David Shields and percussionist Gregg Bendian in a spirited trio session that replaces the traditional bass role with open, aleatoric freedom, creating an engaging interplay of spontaneous composition, expressive lyricism, and inventive harmonic exploration.

Pianist and vocalist Jackie Myers delivers a lyrically rich and microtonally innovative album recorded with an exceptional ensemble, including Bobby Watson, Rich Wheeler, Trent Austin, and members of the Fountain City String Quartet, blending spectral composition, soulful jazz vocals reminiscent of Billie Holiday, and detailed arrangements into an expressive and compelling release.

Pianist and vocalist Jackie Myers delivers a lyrically rich and microtonally innovative album recorded with an exceptional ensemble, including Bobby Watson, Rich Wheeler, Trent Austin, and members of the Fountain City String Quartet, blending spectral composition, soulful jazz vocals reminiscent of Billie Holiday, and detailed arrangements into an expressive and compelling release.

Room 31's debut explores the sonic possibilities of avant-rock, jazz, beats, experimental sounds, and ambient textures, as drummer Marlon Patton and saxophonist Greg Sinibaldi, inspired by their NYC experiences, transform six improvisations into intricately edited compositions, blending spontaneous creativity with a unique and evocative sonic footprint.

A first-time duo recording from multi-instrumentalist Daniel Carter and tenor saxophonist Ayumi Ishito, transforming an acoustic improvisation session into an evocative electronic dreamscape, blending Carter's expressive trumpet, saxophones, clarinet, flute, piano, and poetry with Ishito's textured tenor sax, synthesizer, and effects, creating a tranquil yet adventurous dialogue bridging soundscape with jazz.

Blending the cosmic textures of electronic experimentation with the raw energy of free improv, drummer and composer Dennis Egberth leads a handpicked sextet through hypnotic soundscapes of modal grooves, ambient flourishes, and dynamic interplay, channeling the spirit of late-'60s and '70s jazz while forging a forward-thinking approach to contemporary creative music.

Blending the cosmic textures of electronic experimentation with the raw energy of free improv, drummer and composer Dennis Egberth leads a handpicked sextet through hypnotic soundscapes of modal grooves, ambient flourishes, and dynamic interplay, channeling the spirit of late-'60s and '70s jazz while forging a forward-thinking approach to contemporary creative music.

Bringing together trumpeter Michael Sarian, keyboardist Matthew Putman, drummer Federico Ughi, and Cuban bassist-vocalist Ledian Mola to pay heartfelt tribute to Sun Ra's cosmic Afrofuturism, blending improvisational brilliance with Mola's folklore-inspired vocals and Putman's Rocksichord - the same keyboard model Sun Ra played - in a first-time collaboration and celebration of innovation.

Bringing together trumpeter Michael Sarian, keyboardist Matthew Putman, drummer Federico Ughi, and Cuban bassist-vocalist Ledian Mola to pay heartfelt tribute to Sun Ra's cosmic Afrofuturism, blending improvisational brilliance with Mola's folklore-inspired vocals and Putman's Rocksichord - the same keyboard model Sun Ra played - in a first-time collaboration and celebration of innovation.

A confluence of contrasting strings recorded in the studio in NYC, bringing bassist Brandon Lopez and gayageum master DoYeon Kim together in an acoustic dialogue of free improvisation, blending Lopez's explosive intuition with Kim's dynamic reinterpretation of tradition, resulting in a fascinating sonic journey that bridges ancient melodies and avant-garde exploration.

"Transoceanico" signifies the global reach of Rome, Italy-born improvising drummer Federico Ughi, celebrating 20 years since his first album recorded in London while residing there, leading to his current Brooklyn launchpad for many global tours and albums, this impressive LP realized in a superb free jazz trio with bassist Adam Lane and tenor saxophonist Rachel Musson.

Following the digital release of Roboquarians Volume 1, the trio of Ayumi Ishito on saxophone with effects, George Draguns on guitar and Kevin Shea on drums return with four wild jazz compositions by Draguns, their electrified performances infusing ferocious improvisations with an intense psychedelic energy and an avant-punk sensibility; wild!

Brooklyn-based Eva Novoa's new trio with sax legend Daniel Carter and drummer Francisco Mela debuts with their first volume, featuring compositions inspired by the four elements — earth, wind, fire, and water — and a Cuban piece, blending Novoa's piano, Fender Rhodes, electric harpsichord, and gongs with Carter's sax and Mela's rhythms for vibrant, free-flowing interplay.

Brooklyn-based Eva Novoa's new trio with sax legend Daniel Carter and drummer Francisco Mela debuts with their first volume, featuring compositions inspired by the four elements — earth, wind, fire, and water — and a Cuban piece, blending Novoa's piano, Fender Rhodes, electric harpsichord, and gongs with Carter's sax and Mela's rhythms for vibrant, free-flowing interplay.

(code named KM-53), is an energetic and sophisticated album of free collective improvisation and one Jeong composition, performed with Allison Burik on alto sax & bass clarinet, Max Ridley on double bass, Francisco Mela on drums and Mina Kim on cello, recorded live at Lilypad, in Cambridge.

A first time issue for these 2009 studio recordings between Paul Dunmall on tenor & soprano saxophones and bass & b-flat clarinets, Paul Rogers on 7 string acoustic bass and Tony Levin on drums, bringing to light both a great trio session that's sat on the shelf too long, and a superb example of the late great drummer Tony Levin's important contribution to UK free improv.

Argentinian pianist based in NY Leo Genovese, a frequent collaborator on 577 releases and a Grammy Award winner for solo improvisation, is heard in his solo debut on 577 in two extended free improvisations, building from quiet introspection into unbridled exuberance, technically fascinating structures of great momentum, captured live at the 2024 Forward Festival in Brooklyn, NY.

UK improviser and keyboard artist Pat Thomas makes his 577 debut with a solo album of abstract and active electronic experimentation with an urban edge, blending texture, depth, and 'mental stimulation' in unexpected, densely packed ways, with Thomas describing the album as the product of an alternative universe where JDilla and Morton Feldman collaborate.

At the forefront of Chile's experimental improv scene, the Nichunimu trio of Benjamin Vergara on trumpet, Nicolas Carrasco on synthesizer and Matias Mardones on percussion are both lyrical in a style that adheres to traditional jazz of a relaxed unrushed intention, but warped through unusual rhythmic approaches and odd punctuations from synthetics and radio.

Inspired by a poem Daniel Carter wrote about the transience and motion of modern life, the quartet of Daniel Carter on saxophone, Leo Genovese on piano, William Parker on bass, Gralla & Shakuhachi and Francisco Mela on drums & voice, turn in an ecstatic album of exotic collective improvisation in this second of two volumes from an excellent studio session.

Inspired by a poem Daniel Carter wrote about the transience and motion of modern life, the quartet of Daniel Carter on saxophone, Leo Genovese on piano, William Parker on bass, Gralla & Shakuhachi and Francisco Mela on drums & voice, turn in an ecstatic album of exotic collective improvisation in this second of two volumes from an excellent studio session.

Taking his cues from the electronic music of his Detroit roots, free jazz drummer Gerald Cleaver presents an album of synthetic rhythms and sonic landscapes, each piece composed in detailed arrangements of compelling and adventurous structures, from propulsive grooves to sinuous soundscapes, a surprising and exciting twist showing Cleaver's strong compositional skills.

Taking his cues from the electronic music of his Detroit roots, free jazz drummer Gerald Cleaver presents an album of synthetic rhythms and sonic landscapes, each piece composed in detailed arrangements of compelling and adventurous structures, from propulsive grooves to sinuous soundscapes, a surprising and exciting twist showing Cleaver's strong compositional skills.