The Squid's Ear Magazine


Allbee, Liz: Rille (Relative Pitch)

Berlin trumpeter Liz Allbee's solo work focuses on the interaction of voice, extended approaches to her instruments, which includes her self-designed quadrophonic trumpet, electronics and acoustic homemade instruments, on Rille presenting four enigmatic works of dramatic pacing--environmental and rhythmic--guided by impressionistic spoken words and moments of tonal clarity.
 

Price: $13.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units

Sample The Album:





product information:

Personnel:



Liz Allbee-electronics, trumpet, quadraphonic trumpet, voice, field recording, acoustic homemade instruments


Click an artist name above to see in-stock items for that artist.




UPC: 5902249003482

Label: Relative Pitch
Catalog ID: RPR1124
Squidco Product Code: 31210

Format: CD
Condition: New
Released: 2021
Country: USA
Packaging: Cardboard Gatefold

Descriptions, Reviews, &c.

"Liz Allbee is fascinated by the guttural, proto-linguistic qualities of musical voices. On Rille she performs with her trumpet, quad-trumpet, voice, and electronics. The pieces range from experimental, electroacoustic, ambient textures merged with dark jazz interludes to even a foray into quasi pop music. But it is all distinctively Liz and forms a coherent organic musical statement."-Relative Pitch



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!

Artist Biographies

"Liz Allbee (1976) is a composer-performer who works with the imaginarchic potential of sonic material. Recurring themes in her work include extensions & embodiments and their interplay with instruments, everyday objects, and high and low technologies. She is fascinated by the gutteral, protolinguistic qualities of musical voices and bodies. She performs often with her trumpet, quad-trumpet, voice, and electronics.

She has performed at Maerzmusik, Darmstadt, Donaueschingen, Huddersfield, Ostrava Days, Serralves, Bolzano Museum of Fine Art, Yerba Buena Center for the Arts, Berlin JazzFest, NorbergFestival, CTM, and Berghain, among others."

-Liz Allbee Website (http://lizallbee.net/wp/liz-allbee/about/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. To the Moon 3:40

2. Rille Estate 5:11

3. Walls and Windows 2:33

4. All the Light Let In 6:24

5. Tectonic Foundations 9:08

6. Kaspar Hauser 6:03

7. Burrows 7:06

Related Categories of Interest:


Electro-Acoustic
Improvised Music
Free Improvisation
Electro-Acoustic Improv
Recordings featuring brass instruments - trumpets, trombones, tubas, other horns
Electronic Forms
Spoken Word
Solo Artist Recordings
New in Experimental & Electronic Music
Staff Picks & Recommended Items

Search for other titles on the label:
Relative Pitch.


Recommended & Related Releases:
Mute Socialite
More Popular Than Presidents and Generals
(Dephine Knormal Musik)
Dynamic and hyperkinetic songs from this West Coast band with Moe! Staiano (Sleepytime Gorilla Museum), rugged and impressive instrumental rock including a cover of Massacre's "Killing Time".
Other Recommended Releases:
Vergara, Benjamin
The Impossibility Of A Single Sound
(Relative Pitch)
A "subterranean homage to trumpet players of the caliber of Don Cherry, Bill Dixon, Miles Davis, Lester Bowie, Tomasz Stanko, Wadada Leo Smith, Jaimie Branch and Chet Baker", in six improvisations of unusual technique and creative concept from Chilean trumpeter Benjamin Vergarda, known for his work with Fred Frith, Keefe Jackson, &c, and director of the Festival of Experimental Music Relincha.
Clotet, Amidea
Trasluz
(Relative Pitch)
Sorollets i catxarros—noises and rattles—from Barcelona electric guitarist and free improviser Amidea Clotet, who explores unusual possibilites from the instrument through textural approaches and amplification, evoking unusual soundscapes of inexplicable sound from the body, hardware and strings of the guitar, in seven unusual and fascinating expositions.
Lee, Robbie
Prismatist
(Relative Pitch)
With a history of both improvisation and rock, NY saxophonist and sound artist (Creature Automatic, Love As Laughter) concentrates on the sopranino saxophone in this solo album, performing acoustic feats of impressive technical skill, and on many tracks performing with tuning forks and live electronics, sequenced in a compelling journey of contrasts and wonder.
Richards, Steph / Joshua White
Zephyr
(Relative Pitch)
Exploring the sonic and visual territory of water, centering on concepts of metamorphoses and breathing underwater, pianist Joshua White and trumpeter & flugelhorn player Steph Richards also employ resonating water vessels and percussion as they present three fluid and introspectively fathomed works in multiple movements: "Sacred Sea"; "Sequoia"; and "Northern Lights".
Zethson, Alex Ensemble
Some Of Them Were Never Unprepared
(Relative Pitch)
Exploring how a composition can provide a sense of weightlessness, and influenced by the music of gamelan, krautrock, Tony Conrad & Arnold Dreyblatt, composer Alex Zethson structured these works to influence the 13 performers in his ensemble into a state of intense focus and listening as they strike, bow and pluck their instruments, creating an ecstatic sense of infinite motion.
Rogers, Erin
2000 Miles
(Relative Pitch)
Focusing intently on multiphonics and long-form statements on the saxophone, the second solo album from Canadian-American saxophonist based in New York City, Erin Rogers, is a tour-de-force of unusual language on the instrument, exploring every inch from the reeds to the pads in manners uniquely harrowing, ingenious, awe-filled, unorthodox, and always inspired.
Garcia, Violeta / Chris Pitsiokos
Uanmortaim
(Relative Pitch)
From fractured and fragmented to assertively raw improvisation in the unusual pairing of saxophone and cello from Chris Pitsiokos on alto and Argentinian cellist Violeta Garcia, using intense approaches to their instruments in a reactive set of 11 concise dialogs, a well-matched meeting of innovative improvisers uniquely responding to and clearly enjoying an eccentric conversation.
Lopez, Brandon Trio
Live at Roulette
(Relative Pitch)
Calling his music jazz and not jazz, bassist Brandon Lopez demands of his listeners to dance, as the quartet of Lopez, Steve Baczkowski on saxophones, Gerald Cleaver on percussion and Cecilia Lopez on synthesizer are heard in this energetic live concert at Roulette Intermedium in Brooklyn, blurring free jazz with experimental sound that never loses its strong grooves.
Lopez, Cecilia
Red (DB)
(Relative Pitch)
Argentinian sound artist based in NYC Cecilia Lopez engages fellow Brandon Lopez Trio double bassist Lopez and drummer Gerald Cleaver for a performance of improvisation, installation and architecture, using woven wire nets filled with instruments and hung from Roulette Intermedia's ceiling to act as a complex feedback organism with which the trio interacts.
Ulher, Birgit / Franz Hautzinger
Kleine Trompetenmusik
(Relative Pitch)
Translating to "Little Trumpet Music", the duo of trumpeters Birgit Uhler and Franz Hautzinger, Uhler also performing on radio & objects, use extreme techniques and approaches to their improvisations, focusing on extraneous sounds from their instruments in enigmatic and captivating ways, expansively defining reductionism in masterfully idiosyncratic ways.
Lubelski, Samara
Partial Infinite Sequence
(Relative Pitch)
Performing solo on violin with surrounding effects that emphasize the dramatic tension in her extended sequences, Samara Lubelski presents two substantial journeys into the infinite, swirling in delays and reverb as her bow transitions from rapid up and down to long drawing and sustaining, pulling a variety of sounds that elate her listeners in spirals and eddies.
Schindler, Udo / Jaap Blonk
Hillside Talks
(Relative Pitch)
Performing in Krailling-Munich at Udo Schindler's Salon fur Klang+Kunst in 2018, Netherland free improvising, brilliantly mad vocalist Jaap Blonk joins the reed master for ten acoustic improvisations with Schindler on a variety of reeds and brass instruments, the dialog authoritatively informed, masterful, slightly deranged, and continuously captivating.
Elks, The (Kai Fagaschinski / Liz Allbee / Billy Roisz / Marta Zapparoli)
This Is Not The Ant
(Mikroton Recordings)
An extremely balanced group of electroacoustic improvisers, Kai Fagaschinski on clarinet and Liz Allbee on trumpet make up the acoustic side, though sounding as electronic and other-worldly as Billy Roisz on e-bass and electronics and Marta Zapparoli on reel-to-reel tapes and tape machines, creating incredibly wide-ranging and psychedelic sonic environments.
Mayas, Magda / Jim Denley
Tempe Jetz
(Relative Pitch)
A pairing of two innovative players, Berlin-based pianist Magda Mayas and Australian sound and wind artist Jim Denley, Mayas playing inside and out of the piano and Denley on alto sax and bass flute, both providing field recordings adding unexpected elements in a set of extremely balanced recordings that entrance the listener with unlikely and captivating settings.
Phillips, Simon James
Blage 3
(Mikroton Recordings)
A reduction of composer Simon James Phillips' 5 hour improvisation performed with Tony Buck (drums), Werner Dafeldecker (bass), BJ Nilsen (electronics), Liz Allbee (trumpet), Arthur Rother (guitar) & Simon James Phillips (piano) exploring time, perception and place.
Bogan Ghost (Allbee / Caddy)
Zerfall
(Relative Pitch)
The duo of Liz Allbee on trumpet and Anthea Caddy on cello in beautifully paced, mysterious improvisations using a minimal approach of extended and often disconcerting techniques augmented with subtle electroacoustic touches.



Customers Who Bought This Item Also Bought:
Anderson, Fred Quartet (w/ Brimfield / Drake / Hayrod)
Milwaukee Tapes Vol. 2
(Corbett vs. Dempsey)
An original member of the AACM and owner & director of the Velvet Lounge jazz club leading Chicago's free and experimental music scenes, and a mentor to countless young jazz musicians, tenor saxophonist Fred Anderson is heard in the counterpart to the 2000 Unheard Music Series album, The Milwaukee Tapes, this 2nd unissued volume of material from the same 1980 concert.
Dimitriadis / Dorner / Freedman / Parkins / Williams
BeingFive
(Relative Pitch)
Hand selected by Montreal clarinetist Lori Freedman and assembled during a 2022 residency in Berlin, the BeingFive quintet brought together ea-improvisers Yorgos Dimitriadis (percussion), Axel Dorner (trumpet), Andrea Parkins (accordion & objects) and Christopher Williams (double bass) for a workshop approach to creating sonic environments of incredible depth and expressiveness.
Garcia, Violeta
FOBIA
(Relative Pitch)
The second album from Argentinian cellist, composer and improviser Violeta Garcia, exploring the amplified, prepared, expanded and extended violoncello through 15 succinct solo expositions in an album that she describes as a "very hyper-sensitive monster", using unconventional, extended and sometimes terrifying technique amidst powerful creative expression.
Shiraishi, Tamio
Moon
(Relative Pitch)
Known for his resonant solo alto saxophone work, often recording with the New York City subways, this album presents ten unusual duos between Tamio Shiraishi and improvisers on piano, voice, cello, electronics, bass, guitar and sax, with Tim Dahl, Steve Baczkowski, Mico, Mike Sidnam, Austin Sley Julian, Nina Dante, Tara Fenamore, Leila Bordreuil, Chris Libutti, and Ami Yamasaki.
Laubrock, Ingrid / Tom Rainey
Counterfeit Mars
(Relative Pitch)
Relentlessly playing through the pandemic, the husband & wife duo of tenor & soprano saxophonist Ingrid Laubrock and drummer Tom Rainey honed their skills, developing this album of primarily composed pieces worked out through improvising; thirteen succinct, fascinating and sometimes quirky dialogs, displaying a depth that only two such close collaborators could achieve.
Pitsiokos, Chris
Art of the Alto
(Relative Pitch)
Each of the eight tracks on NY saxophonist Chris Pitsiokos' 2nd solo release for Relative Pitch is named for a type of stone--"Obsidian", "Feldspar", "Anthracite", &c.--each a unique take on its mineral counterpart through incredible technique and concentration, taking the alto saxophone into extreme or reflective territory complementing the nature of each element.
Lipscomb, Jon
Conscious Without Function
(Relative Pitch)
Swedish guitar improviser Jon Lipscomb (LOPLOP, Swedish Fix) takes his listeners on a rugged trip across the strings, using distortion, tremolo and rapid-fire technique as he mines territories between free improv, noise and rock, his nimble mind stopping to explore areas of interest then cascading into new, turbulent environments; frightfully powerful.
Graham, Forbes (Forbes / Lopez / Lopez)
Another Day, Another Vector
(Relative Pitch)
An unusual set of electroacoustic improvisations recorded at Firehouse 12 from a New York trio led by trumpeter Forbes Graham, also on laptop and drum machine, Cecelia Lopez on analog synth, and bassist Brandon Lopez, Graham mutating his trumpet through sound processing, complemented by Cecelia Lopez's synthetic punctuations, all grounded by Brandon Lopez' solid bass work.
Tapscott, Horace Quintet
Legacies For Our Grandchildren: Live In Hollywood, 1995
(Dark Tree Records)
The French Dark Tree label continues its curation of the unreleased material of West Coast pianist and band leader Horace Tapscott with this exuberant and substantial collection of live sessions at Catalina's Bar & Grill in Hollywood with Michael Session on saxophones, Thurman Green on trombone, Roberto Miranda on double bass, Fritz Wise on drums and vocal stylist Dwight Trible.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC