Improvising guitarist/bassist, writer, and educator Joe Morris spent four months as visiting scholar at the University of Calgary, during which time he recorded with University of Calgary professor and double bassist Rob Oxoby, this freely improvised album with Morris on electric guitar, a great confluence of strings in 6 concentrated and adept dialogs.
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Sample The Album:
Joe Morris-electric guitar
Rob Oxoby-double bass
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Label: Bug Incision Records
Catalog ID: bim-75
Squidco Product Code: 26185
Format: CDR
Condition: New
Released: 2018
Country: Canada
Packaging: Plastic Sleeve
Recorded at Arch Audio in Calgary, Alberta, on April 8th, 2017, by Lorrie Matheson.
"Last spring semester, renowned improvising guitarist/bassist, writer, and educator Joe Morris spent four months in our midst during his spell as visiting scholar at the University of Calgary. He taught open classes which vividly brought to life the basic tenets of his wonderful book Perpetual Frontier: The Properties of Free Music, hosted weekly playing sessions with whoever was interested, and performed a few packed, memorable concerts.
And behind this bounteous occasion for our community, double bassist (and U of C prof) Rob Oxoby was one of the people turning the cogs. Oxoby appeared in Calgary in the early 2000s after spending many years in San Francisco, where he played with the likes of John Tchicai and Eddie Gale, to name a few. In recent years he's logged hours with Not Now, Hamelin (with Jonathon Wilcke and drummer Eric Hamelin) and Muerte Pan Alley, a strange and ferocious take on blues and country.
Morris is widely regarded as one of the preeminent guitarists working in the field of free improvisation; his singular style, highly adept listening skills, and astonishing technique are bolstered by the strong conceptual frameworks from which he operates, and this combination has placed him alongside such contemporaries as Anthony Braxton, William Parker, Nate Wooley, Augusti Fernandez, Matthew Shipp, Ken Vandermark, and Evan Parker.
During those four months, Morris and Oxoby played frequently, often in the basement of an old Jugo Juice, and this resultant document clearly reflects that effort; the music they made together is of the parrying, sprinting variety, both men issuing forth impossibly dense reams of information-packed lines. Oxoby has never sounded better, his bass sound round, supple, and articulate; and Morris' signature saxophone-like guitar playing, beautifully articulated and breathlessly paced, is heard here to great effect. A fine document of an important period of time for Calgary's improvising community."-Jonathan Ronler
Artist Biographies
• Show Bio for Joe Morris "Joe Morris was born in New Haven, Connecticut on September 13, 1955. At the age of 12 he took lessons on the trumpet for one year. He started on guitar in 1969 at the age of 14. He played his first professional gig later that year. With the exception of a few lessons he is self-taught. The influence of Jimi Hendrix and other guitarists of that period led him to concentrate on learning to play the blues. Soon thereafter his sister gave him a copy of John Coltrane's OM, which inspired him to learn about Jazz and New Music. From age 15 to 17 he attended The Unschool, a student-run alternative high school near the campus of Yale University in downtown New Haven. Taking advantage of the open learning style of the school he spent most of his time day and night playing music with other students, listening to ethnic folk, blues, jazz, and classical music on record at the public library and attending the various concerts and recitals on the Yale campus. He worked to establish his own voice on guitar in a free jazz context from the age of 17. Drawing on the influence of Coltrane, Miles Davis, Cecil Taylor,Thelonius Monk, Ornette Coleman as well as the AACM, BAG, and the many European improvisers of the '70s. Later he would draw influence from traditional West African string music, Messian, Ives, Eric Dolphy, Jimmy Lyons, Steve McCall and Fred Hopkins. After high school he performed in rock bands, rehearsed in jazz bands and played totally improvised music with friends until 1975 when he moved to Boston. Between 1975 and 1978 he was active on the Boston creative music scene as a soloist as well as in various groups from duos to large ensembles. He composed music for his first trio in 1977. In 1980 he traveled to Europe where he performed in Belgium and Holland. When he returned to Boston he helped to organize the Boston Improvisers Group (BIG) with other musicians. Over the next few years through various configurations BIG produced two festivals and many concerts. In 1981 he formed his own record company, Riti, and recorded his first LpWraparound with a trio featuring Sebastian Steinberg on bass and Laurence Cook on drums. Riti records released four more LPs and CDs before 1991. Also in 1981 he began what would be a six year collaboration with the multi-instrumentalist Lowell Davidson, performing with him in a trio and a duo. During the next few years in Boston he performed in groups which featured among others; Billy Bang, Andrew Cyrille, Peter Kowald, Joe McPhee, Malcolm Goldstein, Samm Bennett, Lawrence "Butch" Morris and Thurman Barker. Between 1987 and 1989 he lived in New York City where he performed at the Shuttle Theater, Club Chandelier, Visiones, Inroads, Greenwich House, etc. as well as performing with his trio at the first festival Tea and Comprovisation held at the Knitting Factory. In 1989 he returned to Boston. Between 1989 and 1993 he performed and recorded with his electric trio Sweatshop and electric quartet Racket Club. In 1994 he became the first guitarist to lead his own session in the twenty year history of Black Saint/Soulnote Records with the trio recording Symbolic Gesture. Since 1994 he has recorded for the labels ECM, Hat Hut, Leo, Incus, Okka Disc, Homestead, About Time, Knitting Factory Works, No More Records, AUM Fidelity and OmniTone and Avant. He has toured throughout the U.S., Canada and Europe as a solo and as a leader of a trio and a quartet. Since 1993 he has recorded and/or performed with among others; Matthew Shipp, William Parker, Joe and Mat Maneri, Rob Brown, Raphe Malik, Ivo Pearlman, Borah Bergman, Andrea Parkins, Whit Dickey, Ken Vandermark, DKV Trio, Karen Borca, Eugene Chadborne, Susie Ibarra, Hession/Wilkinson/Fell, Roy Campbell Jr., John Butcher, Aaly Trio, Hamid Drake, Fully Celebrated Orchestra and others. He began playing acoustic bass in 2000 and has since performed with cellist Daniel Levin, Whit Dickey and recorded with pianist Steve Lantner. He has lectured and conducted workshops trroughout the US and Europe. He is a former member of the faculty of Tufts University Extension College and is currently on the faculty at New England Conservatory in the jazz and improvisation department. He was nominated as Best Guitarist of the year 1998 and 2002 at the New York Jazz Awards." ^ Hide Bio for Joe Morris • Show Bio for Rob Oxoby "Rob Oxoby is a professor of economics and the associate dean (research) for the Faculty of Arts at the University of Calgary. He is also a double bassist, currently performing with Muerte Pan Alley (with Bob Kellaghan and Jay Wooley), the Bobby Kork Orchestra, and the Du-Rite Aces (Greg Demchuk)." ^ Hide Bio for Rob Oxoby
5/1/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
5/1/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. 7:22 7:24
2. 7:08 7:10
3. 8:38 8:40
4. 7:54 7:56
5. 6:20 6:22
6. 9:16 9:16
Improvised Music
Jazz
Free Improvisation
NY Downtown & Metropolitan Jazz/Improv
Vancouver and Western Canada
Stringed Instruments
Duo Recordings
Canadian Composition & Improvisation
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