Freely improvised and unusual collective improv from the quintet of Christian Meaas Svendsen (double bass), Andreas Wildhagen (drums), Ayumi Nataka (piano), Adrian Loseth Waade (violin) and Agness Hvizdalek (voice), an abstract yet energetic album with Hvizdalek's voice adding an exotic edge to extended techniques based in free jazz strategies.

Freely improvised and unusual collective improv from the quintet of Christian Meaas Svendsen (double bass), Andreas Wildhagen (drums), Ayumi Nataka (piano), Adrian Loseth Waade (violin) and Agness Hvizdalek (voice), an abstract yet energetic album with Hvizdalek's voice adding an exotic edge to extended techniques based in free jazz strategies.

With his earliest and most current performance history tied to the enduring Manhattan jazz club The Village Vanguard, alto saxophonist Steve Coleman records his Five Elements in a 2017 live show with Jonathan Finlayson on trumpet, Miles Okazaki on guitar, Anthony Tidd on bass, and Sean Rickman on drums for a fiery, exuberant and masterful concert of modern jazz.

London-based free improvisers and members of the London Improvisers Orchestra (LIO), this ensemble consists of soprano saxophonist Adrian Northover, flautist Neil Metcalfe, acoustic guitarist Daniel Thompson, double bassist John Edwards and Italian-born drummer Marcello Magliocci, in their second album on the FMR label, a spectacular live performance at I'klectik in 2017.

The core trio of the Leap of Faith Orchestra is Boston area PEK on clarinets, saxophones, double reeds & flutes, Glynis Lomon on cello, aquasonic & voice, and Yuri Zbitnov on drums & percussion, here expanded with Eric Dahlman on trumpet, whistles and game calls, and and Jim Warshauer on saxophone, in an incredibly diverse live performance at Outpost 186, in Cambridge, 2018.

Eleven new works from New York pianist Jacob Sacks in a quintet with some of NY's finest--Ellery Eskelin on tenor saxophone, Tony Malaby on tenor & soprano saxophones, Michael Formanek on bass, and Dan Weiss on drums--referencing traditional jazz influences like Monk & Mingus with superbly creative soloing fostered by the freedom of Sack's compositions.

A great example of the Norwegian creative jazz scene, the quintet of Andree Roligheten on sax & clarinet, Thomas Johansson on trumpet, Oscar Gronberg on piano, Jon Rune Strom on double bass, and Tollef Ostvang on drums take their name from an Ornette Coleman LP, as they show us 'What's Next' by blending lyrical and free approaches with unexpected twists and turns.

Canadian guitarist Rene Lussier formed this quintette in 2016, with Julie Houle on tuba & euphonium, Luzio Altobelli on accordion, and drummers Marton Maderspach & Robbie Kuster, to play the intricate and lyrical pieces he developed, where up to five parts are overlaid at any given time, though the listener only hears the wonderful interplay and exultation of the resulting music.

Taking the reigns as composer, performer and bandleader, New York pianist Myra Melford's exceptional quintet Snowy Egret, with Ron Miles on cornet, Liberty Ellman on guitar, Stomu Takeishi on acoustic bass guitar, and Tyshawn Sorey on drums, present a brilliant album of creative jazz, with lyrical grooves and commanding soloing, a great and thoroughly modern album.

Slyly crossing modern improv and EAI approaches in a surreal take on early bottleneck, banjo and slide blues styles from the Quebec quintet of Arthur Bull on harmonica, voice, guitar & electronics, Eric Normand on banjo, voice & bass, Ben Grossman on "old wheel", Anne-Francoise Jacques on engines, and Gabriel Rochette on trombone; sincere and eccentric.

Two distinct works by Swiss composer and bass clarinetist Jurg Frey: the 1st, recorded in Connecticut, a quintet composition from 2009 for bass clarinet, cello, violin, keyboard and electric guitar, Frey's harmonies creating an open instrumentation for the clarinet and cello; the second a 1997 composition for multitimbral field recordings and bass clarinet.

Mesophase: matter that is neither liquid or solid, sharing properties of both; pianist and electronic artistZack Clarke's inspired album shares properties of improvisation, experimental/ea and through-composed music, performed with fellow NY-ers Chris Irvine (cello), Charlotte Greve (winds), Nick Dunston (double bass), and Leonid Galaganov (percussion, waterphone & shakuhachi).

Doc Chad took his Contemporary Rock Band, here as a quintet with Schroeder on drums, Fisten Titus Waldenfels on fiddle, Jan Fitsen on bass, and Marcello Del Bosco on drums, on a tour of Germany, Italy, Switzerland, Slovenia, Bulgaria, here presenting the best of the tour with recordings of Pink Floyd, Jimi Hendrix, plus a solo piece recorded on a vintage acoustic guitar.

Recorded on the last night of 577's Forward Festival 2017 in Brooklyn, the quintet of Daniel Carter (reeds & trumpet), Patrick Holmes (clarinet), Matthew Putman (piano), Hilliard Greene (bass) and Federico Ughi (drums) take their audience on three remarkable journeys of almost chamber-oriented collective free jazz, adventurous and not-to-be-missed examples of modern jazz.

The third album from drummer Rudy Royston features his new chamber-like quintet featuring Gary Versace (accordion), John Ellis (woodwinds), Hank Roberts (cello) and Joe Martin (bass) playing music inspired by Royston's upbringing in Texas, lyrical and sophisticated modern jazz from a drummer frequently called upon by jazz masters Bill Frisell, JD Allen, or Dave Douglas.

Returning to his native Chicago after a stint in NYC, saxophonist Greg Ward (Tortoise) formed this new group with Matt Gold and Dave Miller (guitars & effects), Matt Ulery (bass), and Quin Kirchner (drums), recording this impressive album of modern jazz: lyrical, funky and perfectly paced, engaging but never indulgent, with unexpected compositional twists and turns.

Uniting masterful players from across the East Coast into the Boston area, with Boston pianist Pandelis Karayorgis, Boston native/Chicago-based bassist Nate McBride, DC drummer Luther Gray, North Carolina/Chicago-based trombonist Jeb Bishop, and Chicago guitarist Jeff Parker, in a strong album of lyrical free jazz with compositions from all five players.

Four voices--Norbert Zajac, Brigitte Kupper, Gala Hummel, Iouri Grankin--sing and speak over the piano work of Russian improviser Andrei Razin in a moody and often startling album that set tonal environments or disorient the listener through constrasting layers of vocalization, as Razin darts among them or sets an atmosphere of lingering tones; often curious, frequently stunning.

Two compositions, one by composer Michael Pisaro-Liu and performed by the electroacoustic ensemble "Ordinary Affects" including violinist Morgan Evans-Weiler, then an acoustic composition from Evans-Weiler himself performed with violin, clarinet, cello, harpsichord and piano; both exquisite works that draw out tone and time in patiently unfolding fluidity.

A persuasive album of lyrical groove-based electric free improv from the Hungarian quintet of Daniel Vaczi on saxophones & piano, Balazs Horvath on double bass, Zsolt Sarvari Kovacs on drums, Marton Fenyvesi on electric guitar & effects and Aved Janos on saxophones, Vaczi also programming the Budapest Music Center's player piano in unusual ways for the 3-art "Fabula".

A quintet of strings, hurdy gurdy, and amplified objects from Elo Masing on violin, Ernesto Rodrigues on viola, Hui-Chun Lin on cello, Caroline Cecilia Tallone on hurdy gurdy, objects, and Ame Zek on 12 string guitar, objects, recording in the studio for this 5 part improvisation, the hurdy-gurdy adding sustained mystery to a balance of subdued and assertive interaction.

Using multiple voices, field recordings and electronics, Brazil-born composer living in Berlin Laura Mello works with spoken language as she explores human perception of acoustic phenomena in relation to spoken language, here in 8 compositions or excerpts that reveal hallucinatory and unusual aspects of speech complemented by elusive aural environments.

A quintet album of minimal/lowercase electroacoustic improvisation recordeded at Penedo in Portugal from Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, Miguel Mira on cello, Anna Piosik on trumpet, and Carlos Santos on electronics, each performer using extended techniques, contrasting atmospheric tones with percussive, often pointillistic approaches.

Recording live in Berlin at Werkhalle Wiesenburg, the quartet of Portuguese father/son string players Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, Danish saxophonist Mia Dyberg on alto sax, and Polish double bassist Tomo Jacobson present a precisely controlled concert of subtly detailed free improvisation using impressive technique and momentum.

A tour-de-force of modern creative jazz from the quintet of Larry Ochs on tenor & sopranino saxophones, Nate Wooley on trumpet, Ken Filiano on bass & effects, Pascal Niggenkemper on bass & effects, and Harris Eisenstadt on drums, the familiar history of the musicians and the staggering skill of each bearing out the album's title, in 2 collective and 3 Ochs compositions.

Picking up from flutist Sylvaine Helary's 2015 Ayler release "Spring Roll/Printemps", this evolved album of chamber jazz performed with Hugues Mayot on saxophone & clarinet, Antonin Rayon on piano & Moog, Sylvain Lemetre on vibes & percussions, and Kris Davis on piano, presents sophisticated compositions from Helary, Davis, Rayon Dan Blake, and Matt Mitchell.

A split 7": on one side Sleepytime Gorilla Museum percussionist/drummer/composer Moe! Staiano's West Coast rotating ensemble Surplus 1980 in a teaser for an upcoming release with G.W. Sok, Kyle Bruckmann, members of Fred Frith Trio and Total Shutdown; on the other side King Champion Sounds featuring G.W. Sok, formerly of the Dutch band the Ex.

A quintet of audio explorers that includes Otomo Yoshihide, recording in NY for 11 abstract non-idiomatic improvisations using electronics, drums, turntables, 4 electric guitars, double bass, analog synth, and effects to create identifiable and aberrant sound sources, elements used for reverie or building into unlikely yet cogent grooves; fascinating.

A live album from Birmingham of informed free improvisation, recorded at the Lamp Tavern in 2018 by the quintet of Mike Fletcher on alto saxophone, Tymek Jozwiak on drums, Paul Dunmall on tenor saxophone, Richard Foote on trombone, and Percy Pursglove on trumpet, slowly evolving each of two extended improvisations while allowing focused interplay between group members.

The Serbian trio led by violist Szilard Mezei with Istvan Csik on drums and Ervin Malina on double bass are joined by Hungarian flutist Gergely Ittzes performing on piccolo, alto and bass flutes, as Mezei's as Mezei's chamber-oriented free jazz trio reflects on the words of poet Szegedi-Szabo Bela.

Including musicians involved with the Canterbury scene (Sophia Domancich), Magma (Simon Goubert) and Henry Cow's own John Greaves narrating, French flutist Michel Edelin's Quintet takes on the music of Rock in Opposition legendary band Henry Cow, ten inventive "echoes" of their music as it has transformed performers and listeners over time; exceptional.

An absurdly paced and spectacular album of electronic improvisation, percussion and voice, as the West Coast improvising trio Monopiece of Nathan Corder on electronics, Matt Robidoux on guitar, and Timothy Russell on percussion meet legendary improvising vocalist and electronics artist Jaap Blonk, recording at The Center for Contemporary Music, at Mills College.

Brought together by dummer Paal Nilssen-Love for the 2018 Roskilde Festival in Denmark, this quintet merges Norwegians Nilssen-Love and long-time collaborator Frode Gjerstad on alto sax with the Brazilian trio of Felipe Zenicola on electric bass, Kiko Dinucci on electric guitar, and Paulinho Bicolor on cuica, for a thrilling and exuberant concert of energetic improvisation.

The sophisticated compositions of New York pianist Matt Mitchell on piano, also performing on synthesizer, are heard in this quintet with Miles Okazaki on electric & acoustic guitars, Patricia Brennan on vibraphone & marimba, Kim Cass on bass, and Kate Gentile on drums & percussion, a challenging album that rewards through intensity and incredible detail.

The 2nd concert at Eastside Jazz Club for the quintet of Paul dunmall on saxophone & penny whistle, Percy Pursglove on trumpet, Steve Tromans on piano, Dave Kane on bass, and Hamid Drake on drums, in a powerfully passionate and profoundly masterful set of lyrical free jazz, the perfect example of Dunmall's skill at assembling inspired jazz bands; highly recommended!

An absorbing album of free and electroacoustic improvisation from drummer/composer Joao Lencastre, introducing his Parallel Realities group of creative Portuguese avant jazz players Albert Cirera on sax, Rodrigo Pinheiro on piano, Pedro Branco on guitar and Joao Hasselberg on bass & electronics, composed for subgroups playing unique yet related passages in parallel.

Three detailed and fragile compositions from German minimalist composer Eva-Maria Houben reveal themselves over two CDs, performed by the Boston-based experimental music ensemble, Ensemble Ordinary Affects, with Houben herself on organ recording at Memorial Chapel, in Wesleyan University, CT: three movements from "echo fantasy"; "gesang XI"; and "unter anderen".

After pianist Simon Nabatov's return to NYC in 2018 he began assembling this quintet with the goal of pursuing a more traditional jazz setting, enlisting support from some of the city's finest and most versatile players--saxophonist Tony Malaby, drummer Gerald Cleaver, bassist Michael Formanek, and guitarist Brandon Seabrook--here in an exuberant set of Nabatov originals.

For this performance the Leap of Faith trio of PEK on clarinets, saxophones, double reeds & flutes, Glynis Lomon on cello, aquasonic & voice, and Yuri Zbitnov on drums & percussion was joined by Jim Warshauer (reeds) and Eric Dahlman (trumpet, overtone voice) to perform two improvisations, including a long work featuring transformations across highly varied sonorities.

Composed by saxophonist Evan Parker and electronic artist Matthew Right, "Trance Map" has Parker triggering interactions with samples from Wright's record collection, reshaped by live processing, here in an incredible expanded performance at Konfrontationen 2017 with Adam Linson on bass & electronics, John Coxon on turntable & electronics, and Ashley Wales on electronics.

Three variations of quartet settings from iconoclastic free jazz saxophonist Albert Ayler, remastering and combining two Debut Records albums, "Spirits" from 1964 with Norman Howard (trumpet), Sunny Murray (drums), and alternating bass between Henry Grimes & Earle Henderson; and 1965's "Ghosts" on Debut Records with Don Cherry (trumpet), Gary Peacock (bass), and Sunny Murray.

Merging and remastering two essential albums from free jazz saxophonist Marion Brown: his 1966 ESP album "Marion Brown Quartet" with trumpeter Alan Shorter, bassist Reggie Johnson and percussionist Rahied Ali; and his 1967 Fontana album "Juba-Lee" in a septet with Reggie Johnson, drummer Beaver Harris, pianist Dave Burrell, trombonist Grachan Moncur III & saxophonist Bennie Maupin.

Multi-instrumentalist Daniel Carter's Telepathic Band with Patrick Holmes (clarinet), Matthew Putman (keyboards), Hilliard Greene (bass) and Federico Ughi (drums) present their first volume of "psych-jazz", in actively mesmerizing music that explores the border between the "default world" and the "dream world", a meditation on electricity through profound playing.

Using the natural resonance of the St. Martin's Church, in Smartno, Slovenia, percussionist Zlatko Kaucic leads the quintet of Michael Moore on alto sax & clarinet, Marco Colonna on clarinet & bass clarinet, Albert Cirera on tenor sax, and Silvia Bolognesi on Double Bass, in ten conversations from cinematic conversation to commandingly interactive.

A 5 CD box set that tells the story of The Quintet, which brought two of the most important proponents of Norwegian free jazz in the 60s and 70s--saxophonist Carl Magnus Neumann and bassist Bjornar Andresen--together with younger generation drummer Paal Nilssen-Love, bassist Eivind Opsvik, and guitarist Ketil Gutvik, reissuing their 1999 album and adding 4 studio and live sessions.

12 compositions from bassist Dahlgren in a quintet including Gebhard Ullman performing works using a compositional matrix system and narrative from critiques written against Bela Bartok.

The Boston-are duo of reedist PEK and percussionsit Yuri Zbitnov cover a wide range of sonorities, always with the presence of Gongs, chimes, glockenspiel, Tibetan Bowls and many other metallic sounds and the horns of PEK, here in a sci-fi epic, with Eric Woods on modular synth and Englephone, Mike Gruen on bass, and Joel Simches with real-time signal processing.

After a 13-year hiatus KoenjiHyakkei is back with a thrillingly joyful album of unexpected song and extended, masterful instrumental sections that turn on a pin point, referring and redefining prog and RIO forms with honest enthusiasm, in a quintet with Tatsuya Yoshida on drumming, Sakamoto Kengo on bass, Koganemaru Kei on guitar, Yabuki Taku on keys and Komori Keiko on sax.

A new edition of Koenjihyakkei's landmark fourth album, blending progressive rock, jazz fusion, symphonic rock and neoclassicism with the energy of hardcore punk, the volume of metal and the attitude of Rock In Opposition, from Tatsuya Yoshida on drums, Sakamoto Kengo on bass, Kanazawa Miyako on keyboards Yamamoto Kyoko on voice, and Komori Keiko on reeds.

A new edition of Koenjihyakkei's landmark fourth album, blending progressive rock, jazz fusion, symphonic rock and neoclassicism with the energy of hardcore punk, the volume of metal and the attitude of Rock In Opposition, from Tatsuya Yoshida on drums, Sakamoto Kengo on bass, Kanazawa Miyako on keyboards Yamamoto Kyoko on voice, and Komori Keiko on reeds.

Brooklyn-based composer, bassist, and writer Nick Dunston in his debut album, blending jazz, contemporary, chamber and avant forms, in a uniquely voiced quintet with Louna Dekker on Vargas on flutes & piccolo, Ledah Finck on violin & viola, Tal Yahalom on guitar, and Stephen Boegehold on drums, in a sophisticated album of concisely fascinating compositions.

Recording in Toronto, the core trio of drummer Nick Fraser, saxophonist Tony Malaby and pianist Kris Davis are joined on four tracks by tenor saxophonist Ingrid Laubrock and trumpeter Lina Allemano, in an album of composed and collective improvisation, merging Toronto, NY and European influences in an accomplished album of diverse approaches and orchestrations.

A melodically subtle and sophisticated album of twenty improvisations composed by saxophonist Christoph Gallio and performed with Gerry Hemingway on drums and Silvan Jeger on electric bass, with Friederike Mayrocker providing words on several tracks, the compositions as short as 19 seconds and a long as 7:40, each dedicated to visual artists and colleagues.

A split vinyl release between Urge (Caen) and Tokyo's Sete Star Sept, with one track from the French free jazz trio Urge of Antoine Ulmann on sax, Bubu Pagier on gutiar, and Yann Fontbonne on drums, playing in a Borbetomagus mode; and the Japanese gridcore duo of drummer Ryosuke Kiyasu and bassist/vocalist Kae Takahashi providing a thick extended rock grindcore piece; a blistering combo.

Nicola L. Hein, performing on prepared guitar, and Etienne Nillesen on extended snare drum, present three trio recordings with three different pianists--Magda Mayas, Eve Risser, and Marta Warelis--each adding a different dimension to Hein & Nillesen's playing, as heard in these three live recordings from The Loft in Cologne, Germany in 2018.

Saxophonist Steve Lehman's trio with drummer Damion Reid and double bassist Matt Brewer is expanded with pianist Craig Taborn for an album of Lehman originals and compositions by Autechre, Kurt Rosenwinkel, Kenny Kirkland, and Jeff "Tain" Watts, plus three duo recordings between Lehman and Taborn; intricate cutting edge jazz made effortless and exuberant!

Bassist Ingebrigt Haker-Flaten (The Thing) and Stale Storlokken (Elephant9, Supersilent, Terje Rypdal) join the Nordic Krokofant trio of Axel Skalstad on drums, vibraphone, Tom Hasslan on guitar, and Jorgen Mathisen on saxophone for the band's 3rd album, performing the 4-part work "Q", an intense and sophisticated album of complex and passionate instrumental rock.

Two astounding and wide-ranging electroacoustic improvisations from 5 prominent musicians on the Swiss experimental scene--Joke Lanz (turntables), Jason Kahn (synth, radio, mixer), Norbert Moslang (cracked everyday electronics), Gunter Muller (ipods & electronics), and Christian Weber (bass, revolver)--captured live at the 2018 Mikroton Mikroten Festival in Kaliningrad and Moscow.

Hailed as the most pyrotechnic and adventurous concert of the 12th Ad Libitum Festival in Warsaw, Poland, the collective quintet of Agusti Fernandez on piano, Artur Majewski on trumpet, Albert Cirera on saxophones, Rafal Mazur on bass, and Ramon Prats on drums, rage and flow through three movements of "Flux", starting at the "Source" and ending in an "Estuary"; awesome.

A live performance at London's Cafe OTO from composer Thanos Chrysakis, performing compositions focused on the deeper reeds from composers Christian Wolff, Iancu Dumitrescu, Hannes Kerschbaumer, Georges Aperghis, and Chrysakis himself, in configurations from solo to quintet, with Tim Hodgkinson, Jason Alder, Chris Cundy, Heather Roce, Yoni Silver, and Shadanga Duo.

An impressive highly interactive and extended improvisation focused mostly on strings, with label leader Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, plus Red Trio's Hernani Fasutino on double bass and legendary Portuguese violinist Carlo Zingaro, with Jose Oliveira adding active percussive interaction, captured live at the CreativeFest XIII in 2019.

Russian-born Germany/NY-based pianist Simon Nabatov's Quintet with the new lineup of Chris Speed on tenor sax & clarinet, Herb Robertson on trumpet & cornet, John Hebert on double bass and Tom Rainey on drums, performing Nabatov's magnificently lyrical, sophisticated and often chamber-oriented compositions, an incredible achievement in writing and performance.

A melodically subtle and sophisticated album of twenty improvisations composed by saxophonist Christoph Gallio and performed with Gerry Hemingway on drums and Silvan Jeger on electric bass, with Friederike Mayrocker providing words on several tracks, the compositions as short as 19 seconds and a long as 7:40, each dedicated to visual artists and colleagues.

Three compositions from clarinetist and Wandelweiser peer Jurg Frey, performed by Luke Martin on electric guitar, Laura Cetilia on cello, J.P.A. Falzone on piano & vibraphone, Morgan Evans-Weiler on violin, and Jurg Frey himself on clarinet; beautifully reflective music indicating Frey's working method and his relationship with wide, quiet sound spaces.

The third volume of NY bassist, composer, and electronic/computer musician Carl Testa's amazing Sway project, giving an interactive electronic processor its own voice interfacing with any size ensemble, here with two new works--one for quintet among a set of Chicago improvisers, the other in Portland, Maine with a sextet--each uniquely voiced and excitingly unpredictable.

The 2nd album in guitarist Joe Morris' "Instantiation" series, where each part is composed with specific notated and operational components such that it is impossible to perform any part the same way twice, performed with the quintet of Daniel Klingsberg on bass, Alex Quinn on trumpet, Michael Sabin on trombone, Raef Sengupta on saxophone.

The follow-up to trombonist Steve Swell's Soul Travelers album with his quintet of saxophonist Jemeel Moondoc, pianist Dave Burrell, bassist William Parker, and drummer Gerald Cleaver, performing Swell's compositions, four instrumental pieces and two textual songs originally commissioned for Tom Buckner's Interpretation Series, with voice from Leena Conquest.

Oud player Gordon Grdina's Vancouver/NY project adapting Arabic and Persian forms to a modern jazz approach, in their 2nd release, a wonderfully rich and lyrical album infused with Middle Eastern melodies and rhythms, performed with his excellent The Marrow quintet Joshua Zubot on violin, Hank Roberts on cello, Mark Helias on bass, and Hamin Honari on tombak, daf & frame drum.

Starting in 2012 as a quartet with Oscar Noriega (reeds), Matt Mitchell (piano), and Ches Smith (drums/vibes), then expanded with guitar, saxophonist Tim Berne's Snakeoil now moves to the Swiss Intakt label, swapping guitarists for Marc Ducret, and releasing this fantastically intricate album of Berne compositions + 1 Hemphill piece, launching points for extraordinary soloing!

Working their way backwards from "Five" in 2017 to the new "Three" in 2020, the UK creative improvising quintet of Daniel Thompson on acoustic guitar, Adrian Northover on saxophones, John Edwards on double bass, Marcello Magliocchi on drums, and Neil Metcalfe on flute are heard live at London's Iklectik in 2019 for three profoundly exploratory free improvisations.

Rediscovered playing in NYC's Tompkins Square park in 2009, iconic saxophone player Giuseppi Logan enjoyed a second life in performing and recording up until his passing in 2020, heard here covering Coltrane, Ellington, and collective improvisation, in a quintet with Cooper-Moore (piano), Larry Roland (acoustic bass), Ed Pettersen (guitar) and Tracy Silverman (electric violin).

The 3rd release of improvising guitarist Joe Morris' "Instantiation" series, where each part is unique, composed with specific notated and operational components such that it impossible to perform any of them the same way twice; performed with Ben Hall on tympani & percussion, Andria Nicodemou on vibraphone, Dan O'Brien on tenor & baritone sax,and , Allison Burik on alto sax.

Though short-lived, the New York Contemporary Five brought together NY free players Don Moore on bass, J.C. Moses on drums, Archie Shepp on tenor saxophone, and Don Cherry on trumpet with Danish alto saxophonist John Tchicai, in a remastered edition of their 1966 album "Consequences", expanded with Shepp's revisiting of the material in a sextet with Sunny Murray and Ted Curson.

Not Two Records celebrates their 20th Anniversary with a festival in Wlen, Poland, inviting 13 of the finest European & US improvisers--Guy, Leandre, Mazur, Nilssen-Love, Kaucic, Fernandez, Gustafsson, Vandermark, Trzaska, Brotzmann, Swell, Holmlander, & Homburg--performing in configurations from duo to quintet, released in a limited 5-CD wooden box set.

The 1981 debut studio album of Von LMO, released independently in 1981 through his label StraZar, dedicated to the advancement of the United States space program, described by music journalist Chuck Eddy as being one of the 500 best albums of heavy metal in his Stairway to Hell book, here in the Flemish Masters edition with the track "Shake, Rattle and Roll".

Compatriots in bands over many years, the quintet of David Liebman on saxophones, Randy Brecker on trumpets, Marc Copland on piano, Drew Gress on bass and Joey Baron on drums, joined by trumpeter Ralph Alessi on 2 tracks, come together to bring joyfully lyrical enthusiasm and masterful skill to works by Liebman, Gress, Baron, Brecker, and Ellington.

The first of two volumes in celebration of legendary saxophonist Charlie Parker's 100th birthday, here remastering his landmark recordings for the Dial label on the US West Coast between 1946-47, performing with jazz greats including Miles Davis, Lucky Thompson, Erroll Garner, Barney Kessel, Red Calender, JJ Johson, Max Roach, &c. for some of Parker's best known and essential compositions.

The second of two volumes in celebration of legendary saxophonist Charlie Parker's 100th birthday, here remastering his landmark recordings for the Savoy label in New York City between 1945-48, performing with jazz greats including Bud Powell, Dizzy Gillespie, Miles Davis, John Lewis, Curley Russel, Max Roach, &c. for some of be-bop's finest and best known compositions.

Embracing a wide and diverse stylistic range, from burning modern electric jazz to introspective interplay, NY guitarist Adam Caines' band with fellow guitarist Bob Lanzetti, Adam Lane on acoustic bass, Billy Mintz on drums, and Nick Lyons on alto saxophone, perform with great taste, technical mastery and superb interplay, releasing an extremely well-balanced collection.

Recorded over 2 days in a Chicago studio in configurations from duos to an octet, drummer Quin Kirchner provides the compositions on this double CD for 11 pieces, alongside works by Frank Foster, Phil Cohran, Sun Ra & Carla Bley, presented as a story or a journey of differing styles and forms, made cohesive by Kirchner's remarkable drumming and coherently diverse interests.

Key artists in the San Francisco Bay Area, composers and bandleaders Larry Ochs on tenor and sopranino saxophones and Aram Shelton on alto saxophone join together with Swedish drummer Kjell Nordeson, joined by either double bassist Mark Dresser or Scott Walton, in an album drawn from two sessions featuring exhiliarating pieces of unique approach from both composers.

A live recording from 1999 at Hint House in Harlem of TEST, led by Tom Bruno on drums with Matthew Heyner on bass and Sabir Mateen on alto & tenor sax, flute & clarinet, joined by Daniel Carter on alto & tenor sax, trumpet & flute, the set recorded by Matt Motel who captures the essence of this freewheeling band who brought their music not only to jazz clubs, but also to the street and subway.

Unreleased material from Joe McPhee's archives, three live settings of the saxophonist and pocket trumpeter in upstate NY: a quartet with vibraphonist Ernie Bostic and the rhythm section of Tyrone Crabb and Bruce Thompson live at Vassar College; live in New Windsor with saxophonist Reggie Marks; and an outdoor concert at Poughkeepsie's Lincoln Centre.

From 1968-73 the German Modern Jazz Quintet Karlsruhe of Herbert Joos on flugelhorn, Wilfried Eichhorn on sax & winds, Helmuth Zimmer on piano & percussion, Klaus Bühler on double bass, Rudi Theilmann on drums, and Wolfgang Czelusta on trombone, and then Four Men Only after Bühler left, were a force in the European Free Jazz scene, here in a 3-CD box collecting their works.

The cooperative quartet Kaze of Satoko Fujii on piano, Peter Orins on drums, Christian Pruvost on trumpet, Natsuki Tamura on trumpet, joins with elextroacoustic improviser Ikue Mori for seven exploratory pieces recorded in the studio after a one-week tour in Austria, France, and Russia, their enthusiasm for their extraordinarily unique group sound clearly evident.