A much-needed reissue of this 2000 CD of three orchestral works from late composer Morton Feldman--"String Quartet and Orchestra" (1973), "Oboe and Orchestra" (1976), and "Atlantis" (1959)--demonstrating the evolution of his incredible control in working with tone, mood and instrumental combinations, from his earliest large-scale work to later mature works.

Works for piano, percussion, and one including magnetic bands, from Luc Ferrari, composed between 1956-1988, here performed by pianist Satoko Inoue and percussionist Toshiyuki Matsukua.

Swiss drummer & percussionist Fritz Hauser's solo album creates a fictional percussion center that he uses as as springboard to compose solo works for spaces within the [non-existent] environment, depicted in both spacious and active sound work, generating open-air locations with bird sounds and cymbals and areas of quick-paced activity; absolutely impressive.

Oliver Lake's 1970's trio live at the Willisau Jazz Festival in 1979 playing all Lake compositions.

A much needed reissue of the ROVA Saxophone Quartet's historic 1983 tour of Russia, Latvia and Romania, as Jon Raskin on alto, baritone & soprano sax plus clarinet, Andrew Voigt on alto, sopranino & soprano sax + flute, Bruce Ackley on soprano sax & clarinet, and Larry Ochts on tenor & sopranino sax tear apart six incredible multi-reed improvisations; incredible!

Stockhausen's late 60s composition "Mantra" was a return to his intricately systematised approach to musical construction, expanding the possibilities and potentialities of the serial principle to allow for more melodic and embraceable compositions.

A diverse set of works from Australian composer Cat Hope, employing acoustic instrumentation--strings, keys, flutes, reeds & percussion--along with electronics and field recordings, in chamber configurations from duos to quintets, performed by the Western Australia Decibel new music ensemble for which Hope is both director and a performer.

With masterful technique and remarkable creative drive, the Canadian duo of clarinetist François Houle and Joe Sorbara explore unorthodox sound worlds through microtones, pad percussives, circular breathing to stretch phrasing, Houle taking apart his instrument to affect tone and pitch, and Sorbara using idiosyncratic percussive instruments including "back porch piano guts".

Reissuing three essential album from trumpeter Bill Dixon's work in the 60's, first his 1962 album with saxophonist Archie Shepp in configurations of trio & quartet; then Dixon's septet album from 1964 in two compositions; and his orchestra album from 1967, showing the evolution of the trumpeter's work, approach to soloing, and his unique sense of orchestration.

Reissuing and remastering two seminal albums on the Riverside label from pianist and composer Bill Evan's trio with double bassist Scott LaFaro and drummer Paul Motian — Sunday At The Village Vanguard and Waltz for Debby — yielding jazz standards and helping define the modern jazz trio through impressive technical underpinnings and lyrical sophistication.

Calato, the quartet of Javier Areal Vélez, Jorge Espinal, Agustín Genoud and Pablo Verón based in Buenos Aires, formed in 2010 as an improvisation and experimental composition group exploring music notation and graphic scores in convergence with free improvisation, performing on prepared electric guitars, drums, sampler and amplified voice, here taking on two works by John Cage: Variations I-III, and Four6.

Born from a project from the "Jazz in Chur" association where Swiss jazz musicians team up with a musical partner from a country with a different language and cultural region, here between Swiss saxophonist Hans Koch and Lebanese saxophonist Christine Abdelnour, the two recording their half of the duo independently, joined in the studio and split left & right for a stunning and unanticipated collaboration.

Restoring and remastering the 1979 Atlantic album Mingus at Antibes from bassist & composer Charles Mingus, an extraordinary concert from the 1960 Antibes Jazz Festival with the masterful sextet of Eric Dolphy on alto sax & bass clarinet, Ted Curson on trumpet, Booker Ervin on tenor saxophone, and Dannie Richmond on drums, with Bud Powell or Mingus himself on piano.

Transcription of Soviet writer Isaac Babel's The Sin of Jesus into music by applying a rule system where words determine melody, letters determine rhythm & harmony, &c.

Twelve short improvised pieces by Mike Adcock on a variety of different instruments that were recorded over a three year period.

Internationally acclaimed for both his solo and ensemble music performed, Dutch multi-wind player Ab Baars presents a studio album of solo playing on the clarinet, saxophone, and shakuhachi, inspired by and focusing on the traditions of ballads from great saxophonists, with improvisations colored by songs like "Naima", "Body and Soul", "Solitude", &c.

A vinyl-only limited edition album of Ran Blake's live performance on December 10, 2010 at St. Catherine's Church, performing mostly solo, and in duos with guitarist David "Knife" Fabris.

On the 30th anniversary of the Victo Festival Anthony Braxton took to the stage for a magnificent solo performance on the alto sax, performing 8 spontaneous compositions and an 8+ minute version of "Body and Soul", seamlessly crossing lyrical and complex approaches to the horn using his unique intervallic, trimbral and diagrammatic language, a stunning and embraceable accomplishment.

A collective West Coast trio from double bassist Kyle Motl (Treesearch) with cornetist Dan Clucas, also on violin and moxeno (an Andean wind instrument) and drummer Nathan Hubbard, imbued with a spiritual and natural chamber jazz feeling, their improvisations influenced by concepts of daydreams, incandescence and zephyrs; a beautiful and open-minded album.

A 4-CD box set of 9 "Spontaneous Sweets", elaborate, magnificent and melodic piano improvisations, recorded by Connie Crothers & David Arner performing in the Richard B. Fisher Center for the Performing Arts, NY.

Montreal Musique Actuelle turntablist Martin Tetreault and sound artist Erick d' Orion created this project as a tribute to the original explorers of electronic music and musique concrete -- GRM, Stockhausen, Henry, Oram, Schaeffer, &c. -- using historic sound recordings and new sources, presenting this incredible concert live at Au Mois in Quebec.

UK Composer Michael Edwards wrote these quiet compositions using his "slippery chicken" software, originally written as a challenge to pianist Rei Nakamura, in contrast to his technical skills, instead requiring pensive accuracy over a steady line of quiet chords.

The first trio collaboration between London pianist and innovator Pat Thomas and Swedish improvisers, Sture Ericson on saxophones, and Raymond Strid on drums, performing live at Cafe OTO in London in 2019 for four improvised soundscapes about the fictional character "Bagman", using extended and prodigious technique with both disruptive and melodic intentions.

An eclectic guitar trio album from Dave Gisler and his trio of Raffaele Bossard on bass and Lionel Friedli on drums, an impressive display of skill and style from languorous ECM-dreaming lyricism to hard driving and gritty electric hard bop, a collection characterized by its determination in a variety of settings and approaches to improvisation.

In 2004 legendary European Free Jazz pianist Georg Graewe and German multi-reedist Frank Gratkowski met with Chicago cellist Fred Lonberg-Holm on the stage at LOFT in Cologne, Germany to perform these six collective improvisations with an innate chamber jazz feeling, particularly the four part "Trilinear Polarity"; a spectacular set available for the first time.

A collection of compositions from clarinetist Guillermo Gregorio alongside collective improvisations from the trio with bassist Joe Fonda and drummer Ramon Lopez, sophisticated chamber-oriented jazz from masterful players recording in the studio in New Jersey, as they explore the musical intersection of disparate cultural, geographic and life experiences.

The trio of Guillermo Gregorio (clarinet), Steve Swell (trombone) and Pandelis Karayorgis (piano) use their unique selection of instruments to play an original set of composition and improv.

A remarkable, intense and startlingly virtuosic solo performance from Berlin violinist Sarah Saviet in a long-form extension of an originally 15-minute work commissioned by Saviet of UK composer Bryn Harrison, developed together to allow the score to be variable in length through performer choices to re-sequence the events and repetition of the composition.

Free improvising vocalist and story spieler Shelley Hirsch teams with Simon Ho and a great set of musicians including Tony Buck, David Hofstra, Tomas Ulrich, for an engaging and fascinating set of songs and stories.

An evening of free improvisation recorded in Berlin at au Topsi Pohl in 2020 from the Swedish trio of Euro Free Jazz legend Sven-Ake Johansson on drums, Niklas Fite on acoustic guitar and Joel Grip on double bass, performing two extended and dynamic improvisations, and then settling into jazz standard form for "Isn't It Romantic" and "Out of Nowhere" sung by by Johansson.

Drummer Sven-Ake Johansson is also a poet, writer and visual artist; here he joined forced with Alexander von Schlippenbach in 1988 to record these songs, never previously released, sung in German and English, for a set of 9 fascinating narrations that engage the listener independent of language, as von Schlippenbach improvises with prodigious technique.

The long-running Boston trio of Pandelis Karayorgis on piano, Nate McBride on bass and Luther Gray on drums explore the music of Hasaan Ibn Ali through four compositions transcribed by Karayorgis from Hasaan's so-called "lost" Atlantic album Metaphysics, interleaved with six of the band's favorite tracks from Thelonious Monk and three tracks from Monk peer Elmo Hope.

Electronic artist (and on this release, pianist) Olivia Block and radical trumpeter Greg Kelley meet for five works that range from breathy meditations to active "slapstick" routines of bewilderingly interesting sound.

A live recording of two extended improvisations at Audio Rebel's Quintavant in Rio de Janeiro, Brazil from the quartet of Arthur Lacerda on guitar and electronics, electric bassist Felipe Zenicola, guitarist Eduardo Manso, and drummer/percussionist Paal Nilssen-Love.

Reissuing the first release on the Ictus Records label run by percussionist Andrea Centazzo, this 1976 album was the culmination of two weeks of touring through Italy with saxophonist Steve Lacy, presented as a set of improvised free duets investigating timbral relationships, the fragmentation of melody, and abrasive, provocative noise.

The Steve Lacy Quintet's final tour with vocalist Irene Aebi, trombonist George Lewis, bassist Jean-Jacques Avenel and drummer John Betsch, performing live in Boston for an impressive set punctuated with words from Burroughs, Waldman, Kaufman, Creeley & Schelling.

The 2nd Intakt release for the trio of Oliver Lake (sax), Christian Weber (bass) and Dieter Ulrich (drums) performing live at the Zurich JazzFestival Unerhort 2011 with guest trombone player Nils Wogram.

Cellist Daniel Levin's quartet with Nate Wooley on trumpet, Peter Bitenc on bass and Matt Moran on vibraphone performing live at the Jazz ao Centro Festival, Salao Brazil.

Daniel Levin's quartet with trumpeter Nate Wooley, vibraphonist Matt Moran and bassist Peter Bitenc, modern and organic improvisation with incredible technique and aesthetic.

The West Coast trio of Michael Vatcher on drums & percussion, Steuart Liebig on electric bass, and Vinny Golia on reeds and winds recording live in Los Angeles, 2001, astonishing free improvisation from three seasoned players.

The long-running Chicago free-rock trio Mako Sica currently comprised of Przemyslaw Drazek (trumpet & guitar), Brent Fuscaldo (guitar) and Chaetan Newell (drums & piano) are joined by free improvising legend Hamid Drake on drum kit, tablas and frame drum for a beautiful and rich album of genre merging, spiritually warm, primarily instrumental music, inclusive and persuasive.

Pianist/composer Myra Melford's first solo album, original compositions inspired by Sacramento artist Don Reich, with a 16-page booklet that includes full color photographs of Don Reich's artwork and liner notes by Melford and Charles Johnson.

Tonewheel organ meditations along with feedback and sound forms using processed guitar, keyboards and field recordings from sound artist Jamie Newton, 2 slowly evolving tonal works sandwiching three more turbulent pieces in a journey of drone, noise and reflection.

Dutch multi-instrumentalist/composer Jeroen Kimman conceived this album and performs most of the instruments on this album, assisted by Dutch musicians including Michael Moore, Mark Morse, Koen Kaptijn, Michiel van Dijk, &c., for music blending contemporary compositional music, jazz, experimental electroacoustic, math-rock, pop, exotica and even vaudeville.

A 2022 concert of acoustic and electroacoustic interaction at The Jazz Centre UK from the Trans Map duo of Evan Parker on soprano saxophone and Matthew Wright on laptop processing, the "+" in Transmap+ being trombonist Robert Jarvis, a versatile collaborator since London Improvisers Orchestra and here a 3rd voice expanding their spectacular open collective free improv.

The excellent trio of Alfred Harth on sax, Kevin Norton on percussion, and the late Wilber Morris on bass, performing at the 2001 Vision Festival VI in New York City.f

"To document the 1989 edition of the Festival International de Musique Actuelle de Victoriaville, the label Disques Victo released a compilation album -- a one-time project. Dix Improvisations Victoriaville 1989 culls short to medium-len...

Grooves with Energy, or Sandunga Jazz Fusion as guitarist and leader Allen Weber describes his mix of jazz rock fusion infused with Latin, Carribeo, Funk, Blues, R & B and Rock.

The third release from the Toronto-based Brodie West Quintet of Evan Cartwright on drums, vibraphone & guitar, Josh Cole on bass, Nick Fraser on drums, Tania Gill on piano and Brodie West on alto saxophone, performing Brodie's uniquely inclusive and sometimes atypically metered compositions, leading to fascinating solo and group interplay from reflection to fire.

A series of solos and duets between Kalimba player Rainer Wiens and an impressive set of improvisers including Jean Derome, Malcolm Goldstein, Frank Lozano, &c.

With incredible skill and nuance, using extended and stunning technique, and through intent listening of nearly telepathic communication, the trio of Florian Stoffner on guitar, John Butcher on tenor & soprano saxophones and Chris Corsano on drums & half clarinet, perform seven subtle and detailed improvisations live at Le Singe, in Biel/Bienne, Switzerland in 2022.

Pushed on by new approaches to jazz as the be-bop era ended, alto saxophonist and composer Jackie McLean assembled a new quintet including soon-to-be Miles drummer Tony Williams to record One Step Beyond, here remastered and matched with his 1967 quintet album New and Old Gospel that included Ornette Coleman on trumpet and Coleman drummer Billy Higgins; two exceptional albums "revisited".

Reissuing and remastering both volumes from saxophonist, trumpeter and violinist Ornette Coleman's 1966 Blue Note album of his 1965 performance at the Golden Circle in Stockholm, Sweden in a trio with double bassist David Izenzon and drummer Charles Moffett, two days of exceptional concerts and the first example of Ornette's violin playing on any recording.

John Cage and Pierre Boulez met in 1949, forging a long and valuable musical friendship, as seen through the parallels in these works by both composers, performed by Pi-Hsien-Chen & Ian Pace.

Composer and pianist Russ Lossing explores the eloquence of silence as his music grows out of silence and the space between thought and gesture in this trio with Ed Schuller (bass) and Paul Motian (drums).

Max Nagl (composer, saxophones), Otto Lechner (accordion, piano, voice) and Bradley Jones (double bass) play ten pieces inspired by Charles Mingus but with a unique signature that is Nagl's own.

Three configurations of sophisticated duos & trios from four remastered albums recorded between 1962 and 1966 by pianist Bill Evans: first in duos with guitarist Jim Hall (Undercurrent); then with his trio of bassist Gary Peacock & Paul Motian (Trio 64); then with bassist Chuck Israels & drummer Larry Bunker (Trio 65); and last full circle to 1966, again with Jim Hall (Intermodulation).

Remastering previously unavailable and vital performances from three configurations of saxophonist Albert Ayler's bands, including their 1967 Newport Festival concert with Milford Graves, their performance at John Coltrane's 1967 Funeral at St. Peter's Lutheran Church in NYC, and an incredible 1962 concert with Cecil Taylor's group with Jimmy Lyons and Sunny Murray in Copenhagen.

Restoring two essential albums from alto saxophonist Eric Dolphy: first his '61 live album at NYC's Five Spot in a quintet with Booker Little, Mal Waldron, Richard Davis & Ed Blackwell; then his '63 studio sessions in varying configurations with Clifford Jordan, Woody Shaw, Sonny Simmons, Prince Lasha, Bobby Hutcherson, Eddie Kahn Richard Davis, Garvin Bushell & J.C. Moses.

A transformative experience for John Coltrane, whose 1957 studio sessions with pianist Thelonious Monk, recorded after Monk's residency at the Five Spot, came at a transitional point for the iconic tenor saxophonist, expanding his knowledge of harmonic structure and refining his approach to soloing; with Coleman Hawkins, Art Blakey, Gigi Gryce, Ray Copeland, Wilbur Ware and Shadow Wilson.

Recording remotely in a call-and-response, vibraphonist Sergio Armaroli and saxophonist Evan Parker resolved an issue of recording in the same physical space by interleaving recordings of solo improvisations recorded in response to each other's sequential recordings, Armaroli with the 6-part "Two Rooms One Vibraphone" and Parker with the 5-part "Interludes".

Remastering and reissuing two vital Blue Note albums from alto saxophonist Jackie McLean: 1963's Let Freedom Ring in a quartet with Walter Davis (piano), Herbie Lewis (double bass) & Billy Higgins (drums); then 1964's Destination... Out! in a quintet with Grachan Moncur III (trombone), Bobby Hutcherson (vibes), Larry Ridley (double bass) and Roy Haynes (drums).

An exemplary set of explorative hard bop compositions from composer/trumpeter Alan Shorter, first Mephistopheles from Wayne Shorter's The All Seeing Eye in an octet with legends Wayne Shorter, James Spaulding, Freddie Hubbard, Grachan Moncur III, Herbie Hancock, Ron Carter & Joe Chambers; and then Alan Shorter's own Orgasm with Gato Barbieri, Charlie Haden, Reggie Johnson, Muhammad Ali & Rashied Ali.

Unofficial jazz documentarian Boris Rose captured these recordings on reel-to-reel tape of the Bill Evans Trio in 1960, an artistically fulfilling concert at Birdland in NYC and a rare recording of this particular trio with bassist scott LaFaro and drummer Paul Motian; originally issued in 1992 on the Cool & Blue label, here properly restored and remastered.

Joining with two of London's finest free improvisers, Swiss saxophonist Christoph Gallio of DAY & TAXI fame and performing on alto, soprano & c-melody saxophones, meets drummer Mark Sanders and double bassist Dominic Lash at London's Cafe OTO for a remarkable concert of free collective playing in two large works: "Wildlife" in three parts, and "Homelife" in two parts.

The third album of piano works from Japanese composer Jo Kondo performed by pianist Satoko Inoue, known for her interpretations of Morton Feldman, John Cage, Luc Ferrari, &c., here performing Kondo works written between 2013 and 2020 that apply different methods and approaches to form and interpretation, including works that incorporate improvisation and choices left to the performer.

A live album at Kunstraum Walcheturm from Swiss double bassist Daniel Studer's quintet of strings and piano, with Harald Kimmig on violin, Frantz Loriot on viola, Alfred Zimmerlin on violoncello, and Philip Zoubek on piano, performing an inventive set of Studer compositions extending string improvisation to extremes through unorthodox structures and techniques.

Three sides of Charles Mingus in this remastered reissue set: the 1961 Candid album Mingus Presents Mingus with the classic quartet of Eric Dolphy, Ted Curson and Dannie Richmond; then the Mercury release Pre-Bird from the same year, in ensembles performing the music of or influenced by Duke Ellington, along with the ambitious and brilliant through-composed work, "Half Mast Inhibition".

Giusto Chamber Orchestra performs three works for twelve strings by German composer and visual artist Nikolaus Gerszewski, whose music of shifting pitches, vibrations and volumes--compared with experimental sound & noise work--is influenced by composers Radulescu and Dumitrescu's spectral music, James Tenney's "swell form" and Cornelius Cardew's graphic scores.

Presented in two versions--a stereo mix and a binaural mix for headphones--flugelhorn improviser and composer Franz Koglmann leads his septet of exceptional players through 10 original Koglmann compositions, sophisticated works that show influences from Ellington to Franz Joseph Haydn or Johann Strauss, in pieces influenced by or tipping the hat to modern artists, musicians and writers.

The third album of piano works from Japanese composer Jo Kondo performed by pianist Satoko Inoue, known for her interpretations of Morton Feldman, John Cage, Luc Ferrari, &c., here performing Kondo works written between 2013 and 2020 that apply different methods and approaches to form and interpretation, including works that incorporate improvisation and choices left to the performer.

Remastering and restoring Marion Brown's 1967 Impulse! album with Grachan Moncure III, Dave Burrel, Stanley Cowell, Sirone, Beaver Harris & Bobby Capp, and his 1968 album on the Calig label with Gunter Hampel, Steve McCall, Ambrosa Jackson & Buschi Niedergall; two albums of essential "New Thing" work through fascinating composed forms by Brown, plus Archie Shepps' "Delicado"; essential.