A Russian-Swiss collaboration between Boris Shershenkov (St. Petersburg), Kurt Liedwart and Mikhail Myasoedov (Moscow), Thomas Korber (Zurich), Christian Kobi (Berne) and Christian Muller (Biel), recording in the remote Vallée de Joux, on the border between Switzerland & France, leveraging diverse approaches to sound to create these six detailed electroacoustic improvisations.

Naples tenor saxophonist Antonio Raia's album of solo saxophone improvisations employs a mix of traditional and unusual techniques in 12 concise pieces that fragment "scraps" of melody into a diverse ruminating streams, recorded at the city's Filangeri Asylum by sound artist Renato Fiorito, using ten microphones to capture the unique qualities of the space.

A deluxe 2 album release: "Glassware" on CD was composed by Swiss saxophonist Christoph Gallio for a commission by the Art Council Of The Canton Aargau, performed with Raphael Loher (piano), Ernst Thoma (synth), Dominique Girod (bass), and Nicolas Stocker (drums); then reworked into something creatively experimental in the 2 LP "As If You Were Here"; engaging and spellbinding!

A Slovokian experimental group with rock roots and a somewhat DaDa approach to unusual song forms using perplexing repetitions and interventions, led by guitarist and vocalist Roman Radkovič with Josef Novák on keyboard, Jiří Šíla on accordion, Zdeněk Řihošek on harmonica & double bass Zdeněk Caha on drums & voice, and Miloš Šandera on percussion.

SNIK IS led by trombonist Kristoffer Kompen and bassist Ole Morten Vagan, who provide the compositions for their quartet with saxophonist Kristoffer Berre Alberts and drummer Erik Nylander, in an album that ranges from meditative free playing to hard swinging bop oriented jazz.

Rapid fire playing and a wicked humor fuels drummer Olie Steidle's album with guitarist Frank Mobus, keyboardists Kit Downes and Dan Nicholls, and bassist Phil Donkin, mashing together electro-jazz, art rock, hardcore and club music into upbeat and twisted music, building up to a narrative "Speed Junky on Funny Human Darts"; insanely embraceable and stunning.

Known more for his double bass work, Christian Meaas Svendsen releases a stunningly beautiful album of unusually orchestrated pop songs with an 8-piece band of Nordic improvisers and performers, a dramatic album of tension and release which, despite lyrics in Norwegian, draws all listeners in through inventive and innovative musical structures.

The NY duo of Ben Miller (voice) and Franck Vigroux (electronics) in a studio recording influenced by industrial, punk, and electroacoustic music.

After percussionist and composer Gerry Hemingway migrated to Luzern, Switzerland he joined forces with the creative improvising community in that city, in particular with guitarist Manuel Troller and saxophonist and bass clarinetist Sebastian Strinning, the trio taking the name Tree Ear, blending free and idiomatic improv in bold, uncommon and spellbinding ways.

The followup to their 2019 Corbett vs. Dempsey album and formalizing their trio name as "The Underflow", is an epic double LP of diverse and inspired free-ea from the trio of Mats Gustafsson on flute, fluteophone, baritone saxophone & live electronics, David Grubbs on electric guiar & voice, and Rob Mazurek on piccolo trumpet, wooden flute, electronics, percussion & voice.

Recorded during the 2002 studio sessions that yielded the albums A Short Visit to Nowhere and Broken English, this unreleased recording of a Mars Williams composition is issued as a 1-sided LP with the stellar lineup of Brötzmann with Williams, Ken Vandermark, Jeb Bishop, Fred Lonberg-Holm, Kent Kessler, Michael Zerang, Hamid Drake, Mats Gustafsson and Joe McPhee.

The project and ensemble "Songs" brings together Swiss trombonist & composer Samuel Blaser and pianist & composer Oscar Strasnoy, taking the instrumentation and concept of Lucio Berio's Folksongs and expanding it into Blaser's "Worksongs", a set of songs around Mississippi Delta blues, and Strasnoy's "Chanzuns Popularas Rumanchas" based on the traditional music of the Canton of Grisons.

With titles for the album and all compositions from a poem by US poet E.E. Cummings, guitarist Samo Salamon developed these structured improvisations during the pandemic, inviting a set of masterful improvisers including Martin Küchen, Luis Vicente, Vasco Trilla, Emanuele Parrini, &c. &c. to contribute to these magnificent long distance collective improvisations.

The 2nd Derviche album on Ayler Records from the French electric bass and drum improvising duo of Eric Brochard and Fabrice Favriou, in five sequences of assertive and masterful instrumental improvising rock, ecstatically heavy material of thick detail and ominous overtone, intended to be played as a continuous suite and clearly intended for maximum amplitude!

The soundtrack to the documentary Loving Highsmith about thriller novelist Patricia Highsmith, with music composed by Belgium guitarist Noël Akchoté along with pieces by Cole Porter, Mancini, Johnny Mercer, Frank Sinatra, Hildegard von Bingen, Carl Fischer, &c, presented in two CDs, one each of duets between Akchoté and New York guitarists Mary Halvorson and Bill Frisell.

A truly wild concert of free jazz from Cecil Taylor's transatlantic orchestra, captured live at the 1984 Jazz Jamboree in Warsaw, Poland, bringing together impressive improvisers from the US--William Parker, John Tchicai, Jimmy Lyons, Karen Borca, Frank Wright, & Henry Martinez--with European Free Jazz leaders Tomasz Stank, Enrico Rava, Conrd Bauer & Günter Hampel.

Three realizations of composer David Behrman's "Unforseen Events" work using computer algorithms to respond to pitch cues from an instrumentalist, first in Berlin in 1989 with Curran and Werner Durand on soprano sax, then in NY in 1999 with Jon Gibson on soprano sax; plus "ViewFinder" with Werner Durand using a motion-triggered camera to alter electronic & wind instrumental sound.

Reissuing the first release on the Ictus Records label run by percussionist Andrea Centazzo, this 1976 album was the culmination of two weeks of touring through Italy with saxophonist Steve Lacy, presented as a set of improvised free duets investigating timbral relationships, the fragmentation of melody, and abrasive, provocative noise.

Using environmental sounds & field recordings from 5 continents--Oceania: Tarkine Rainforest; Asia: Okinawa; Europe: Ancient Olympia And Iceland; Africa: Uganda, Botswana & Namibia; America: Amazon Rainforest & Niagara Falls--sound artist Thanasis Kaproulias takes listeners on an incredible journey through sound from reflective to cathartic, from ominous danger to awe-inspired beauty.

Using harmonic intersections and extraneous sonic emanations from two clarinets, the duo of Kai Fagaschinski and Michael Thieke (also of The Magic I.D.) continue their long-standing International Nothing project of composed works through patient interactions of powerfully focused technique, here in their fifth album presenting a 42-minute work of delicate, dark beauty.

This single extended performance brings together a collective of improvisers playing low range instruments in order to build an acoustic sonic sculpture, from the quintet of Daunik Lazro on baritone saxophone, Jouk Minor on contrabass sarrusophone, Thierry Madiot on bass trombone & telescopic tubes, and both David Chiesa and Louis-Michel Marion on 5-string double bass.

Two extended dialogs between New York City saxophonist Rob Brown and Argentinian-born NY-based drummer Juan Pablo Carletti, a member of the Rob Brown Quartet and associate with Tony Malaby, Daniel Levin, &c., here in energetic exchanges that bring out the depth of experience and skill from Brown and the quick-witted response from the younger generation drummer.

Using double bass, violin and objects to affect their instruments, Amsterdam violinist Miriam Den Boer Salmón and Chilean double bassist Amanda Irarrazabal present ten succinct sonic landscapes through fully free improvisation, their interactions building and scraping, intersecting and interacting in fascinating and frightening ways.

Collaborating since 2004, Berlin alto saxophonist Anna Kaluza and double bassist Jan Roda--a member of Kaluza's Quartet with trombonist Christof Thewes and drummer Kay Lübke--in a studio album of duo improvisations, documenting their live performances in the same configuration since 2020 through ten succinct dialogs of informed affinity.

Creating complex intervals that the players must "notice among each other" as a model for coexistence, cellist Stefan Thut's score for three string players and sine waves, here configured for double bass (Félicie Bazelaire), acoustic guitar (Fredrik Rasten) and cello (Thut) with Léo Dupleix on sine waves tuned to multiples of prime numbers and attached to the wooden boxes that serve as transducers.

Written by Catalan composer Ferran Fages for pianist Lluïsa Espigolé following a quote by Catalan author Carles Camps Mundó — "Barely anything: deformities of silence" — this delicate work of resonance, space and suspense slowly unfolds, the score giving Espigolé choices for timing and placement as each meaningful note or combination subsides.

Each track of the Meridian, or Eastern desert land's traditional noon-time middle of the day, represents various stages, chronologically understood, of the day of an ανθρωπός (human), represented through deep double bass, drums, objects and electronics from Turin, Italy improvisers Michele Anelli and Nicholas Remondino.

Focused on the unusual physical properties of their instruments as tubes and air chambers capable of remarkable palette of sounds, overtones, thumps and inexplicable manifestations, Berlin-based trumpeter Brad Henkel and recorder player Miako Klein present two extended conversation of intensely compatible and wildly controlled, extended approaches to improvisation.

Investigating the possibilities of instability with synthesizers and electronic instruments, sound artists Eryck Abecassis (France) and Lars Akerlund (Sweden) present 7 impressive tracks of "Dark Energy" in two parts, combining electronics and modular synth, with credits to VICC (Visby International Centre for Composers) and EMS (Electronic Music Studio, Stockholm).

Sound artist Radboud Mens and composer Michel Banabila collaborated with video artist Marco Douma in a series of live perofrmances in 2015, the audio of which is heard here in electronic beats of a triphop nature, detailed and compelling rhythms from their performances at Le Guess Who festival in Utrecht, Netherlands and at Steim Summer Party, at Bimhuis.

Legendary performer, writer and political situationist Lima Barreto (Telectu) in an electroacoustic work based around the piano and using short wave radio and CD players.

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Creative Sources regulars Ernesto Rodrigues on viola and Abdul Moimeme on electric guitar join the long-running duo of alto saxophonist Ilia Belorukov and electronics artist and Mikroton label-leader Kurt Liedwart to record these two lowercase electroacoustic improvisations, transmuting acoustic and electronic sound in both stark and subdued ways.

The alto sax duet of Jean-Baptiste Rubin and Sakina Abdou sculpt sound material that draws on the acoustic resources of the space within which they play, captured here in various locations in Northern France by the keen ear of saxophonist/conceptualist Jean-Luc Guionnet.

Swiss musicians, trumpeter Marco Von Orelli and drummer Sheldon Suter and their Portuguese partners, guitarist Luis Lopes and electronics artist Travassos, in an album of unconventional collective improvisation using extended techniques in a large work of evolving, subtle interactions, magnifying sound and gesture in an engrossing sonic environment.

A trio of free improvisers recording five detailed and subdued dialogs in the studio, from trombonist Matthias Muller (Splitter Orchester), cellist Guilherme Rodrigues, and guitarist Eric Wong, collective improvisation guided by long pointillistic passages that converge into lyrical focal points, a profound example of concentrative discourse.

Sebastien Branche (Insub Meta Orchestra, Miguel A. Garcia) uses the tenor saxophone as a sound source, meticulously applying extended techniques, circular breathing and the resonance of the saxophone itself during improvisation, using Supercollider software in a two-way collaboration where the instrument also transforms the sounds provided by the computer.

With a discography of both contemporary and improvised music, Beligan pianist residing in Norway Jonas Cambien (Platform, Karokh) joins forces with Norwegian double bassist Adrian Myhr (Delius, Dorner, Buck) for an album that balances concentrative and muscular interplay, influenced by Cambien's piano preparations and Myhr's sophisticated techniques.

Vocalist and electronic artist Lynn Cassier leads the "Yun" project, a sextet including fellow Octurn saxophonist Bo Van der Werf, plus two keyboardists (Erik Vermeulen & Jozef Dumoulin), bassist Manolo Cabras and drummer Marek Patrman, as she rearranges 12 pieces from the American Songbook, applying unique electroacoustic harmonic and rhythmic structures.

Sometimes frenetic, always exhilarating duo work between Portugese electric guitarist Antonio Chapparreiro and drummer/percussionist Pedro Alcada, succinct tracks, some as short as 36 seconds, where the two spar and unite over angular rhythms and abrupt changes, with a twisted sense of humor and a wealth of adventurous spirit.

Self-described as Scandinavian jazz rock noir, the Chrome Hill quartet of Asbjorn Lerheim on baritone guitar, Roger Arntzen on double bass, Torstein Lofthus on drums & vibraphone, and Atle Nymo on tenor saxophone, present a dramatic album of contrasts inspired by cinematic and musical moods, merging elements of folk, Delta blues and cowboy rock into their darkly cool sound.

A 5-part electroacoustic improvisation from the UK duo of electronic and sound artist Thanos Chyrsakis and reedist Chris Cundy, the former using laptop computer, synthesizers, and copicat tape echo to create mesmerizing sheens of sound that circle and complement Cundy's bass clarinet, who also performs on megaphone, voice changer, zither, & objects; entrancing and captivating.

Cilantro is the duo of multi-instrumentalists Angelica Castello on paetzold, ukulele, organ, tapes, & electronics, and Billy Roisz on electric bass, organ, tv, piezzo, computer & electronics, scrutinizing the activity in bordering areas between noise and silence, tenderness and rudeness, beat and drone, inner consciousness and outer awareness, control and freedom.

Drummer Quentin Conrate works in contemporary music, musical theater and experimental art, concerned with space, sound and movement; here he is caught live at Festival Becoq in La Cooperative, Montolieu, France for an album of refracted and reverberant sound using a collection of objects described as "incomplete drums", and a wall.

Seriously joyful and consequential "avant-garde party music" from the Norwegian Cortex quartet of Ola Hoyer on double bass, Gard Nilssen on drums & percussion, Kristoffer Berre Alberts on saxophone, and Thomas Johansson on trumpet, in their 6th album of irresistible, upbeat free jazz.

Using violin, viola, synth and effect pedals, Portuguese string player Maria da Rocha creates rich environments of sound and unusual rhythmic structures over which she plays with subtlety and transcendence, in her first solo album, using her unique language as she tells the story of a beet and a witch, inspired by Odyssey Ulysses and Circe from Cortazar.

A subtle album of acoustic interaction recorded at Berlin's Noiseberg from the quartet of Miriam den Boer Salmon on violin, Ernesto Rodrigues on viola & zither, Fredrik Rasten on acoustic guitar, and Guilherme Rodrigues on cello & percussion, sounding almost electronic in their frictional technique and harmonic overtones, ebbing and flowing from active interaction to tranquil discourse.

An exquisite and mysterious album of free improvisation merging acoustic and subtle electroacoustic elements, from the trio of Bertrand Denzler on tenor saxophone, Ernesto Rodrigues on viola and Abdul Moimeme on electric guitar & objects, recording in the studio for this extensive work in four parts that transitions between moments of transfixing sound and cautious motion.

Originally called Treffpunkt, or "meeting point", the partnership of violist Frantz Loriot and pianist Cedric Piromalli has evolved as they added collaborators to their idiosyncratic approach to improv, here with guests Antoine Chessex on tenor sax and Christian Wolfarth on percussion and cymbals for an extended, upbeat and wonderfully creative performance.

An electroacoustic octet drawn from the collaborative community surrounding Creative Sources, captured live during the Small Format Materials Festival at Galeria Monumental, in Lisbon in 2019, a subtle and substantial work of intimate tension and quietly detailed interaction, seemingly minimalistic yet dynamically a narrative evolution of sublime patience.

An extended improvisation of mostly quiet, occasionally cantankerous, but always intriguing free music, primarily acoustic playing with a strong cast of string players, plus reeds, keys, and computer, creating suspenseful music of great tension and impressive restraint as the sound evolves in gradations and facets of sound.

Performing on soprano and sopranino saxophones, French saxophonist Michel Doneda is heard in concert at Tiasci in Paris for three "Monstre" solo improvisations of quietly emphatic playing using extended techniques and unusual phrasing, released as a limited 250g paper card hand-printed by Normad with an accompanying download code, 1 of 2 art cards initiating an 8-card series.

An anniversary release for the 10 year collaboration of Ease, the duo of Klaus Filip and Noid, using Filip's ppooll software (formerly lloopp) to tailor both pure electronic sound and modified field recordings into subtle and mysterious sound environments.

Active in the modern creative music scene around Germany and The Netherlands, drummer/percussionist Hendrik Eichler explores a variety of "Dimensions" and "Transcendence" in solo percussive playing, using traditional and extended techniques, from highly active to deeply introspective moods, assisted at time through digital technology.

Lowercase free improvisation from the duo of Sabine Ercklentz and Andrea Neumann performing on trumpet and a specially designed amplified piano frame, recording 5 detailed and mysteriously constructed works using space and structure in intriguing sound work.

An unusual improvising string quartet plus alto saxophone, Thea Farhadian (violin), Ernesto Rodrigues (viola), Guilherme Rodrigues (cello), Klaus Kurvers (double bass) and Nuno Torres (alto saxophone) present the 11-part "De-col//age_", a slowly-developing work balancing unconventional approaches to their instruments with more conventional strategies.

Active Lisbon guitarist and producer André Fernandes formed the band Kinetic to perform the lyrically upbeat and sophisticated works of composers he admires--David Binney, Ohad Talmor, Akiko Pavolka, Sara Serpa, Perico Sambeat and Xan Campos--in a band that includes saxophonist Sambeat and pianist Campos, along with bassist Frederico Heliodoro and drummer João Pereira.

ppooll sound artist Klaus Filip and Japanese experimental vocalist Moe Kamura (10Tet, Taku Sugimoto) in a two-part improvisation of electronic tones, textures, silence, and minimalist vocalization and utterance, Filip using a dynamic frequency palette inspiring Kamura's wordless expression; lowercase or Onkyo, a meditative and moody work.

Primarily a creative filmmaker, Blick here provides narrative improvisation--phonemes, gutturals, word fragments, and spoken word--over improvising keyboardist Jean-Marc Foussat's Synthi AKS, creating expansive landscapes or curious audio aberrations, through four recordings demonstrating a diverse set of sonic environments interweaving voice and sound.

Fraqx, the Netherlands duo of guitarists Jacq Palinckx and Frank Crijns, both on electric guitar and "devices", debut their collaboration with this 7-part journey of rich deformations, from raw visceral energy to subdued experimentation, a diverse set of textures and powerful playing from two players with a long history of unusual improvisation.

Nine improvisations between Italian trombonist and tubes player Carlo Mascolo (Kerlox Dynamic Band) and guitarist Andreas Fulgosi (By-Spiel Project) on baritone guitar, recording in Lisbon in 2017 for calmly developing dialog using unusual techniques and approaches to both instruments.

Two compositions--"Unbearable" and "Nauseating"Ð-from the synth & electronics trio of Ken Ganfield, Kurt Liedwart and Petr Vrba, starting with improvisations on three synthesizers and electronics brought to the extreme edge, the results remixed by Liedwart to create these outer limit tracks of sci-fi psychedelia and Gameboy nightmare; truly unique and disquieting music.

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"While the previous Garcia/Branche CD seemed also improvised to me, this five-person work is of the two the more improvised one. The quintet of players also like their sounds to be sustaining, placing bows on strings, but also motorized...

A lovely album of friendly improvisation in the 1st meeting of French guitarist Guillaume Gargaud, who works in improvised music and composition for contemporary dance and film, and Finnish trumpeter Eero Savela, whose work is in dance, theater, circus and media art, this concert at the former mental hospital Lapinlahti finding the two exploring with lyrical insightfulness.

Saxophonist Herve Perez and double bassist Gus Garside spent much of the pandemic lockdown recording these intimate duos, interpretations of a 13th Century Poem, "The Guest House" by Rumi, recording in their respective homes using software designed for real-time audio collaboration, as they developed this introspective set of dialogs with strong lyrical affinity between the two.

A subtle album of soundscape from the French trio of Violaine Gestalder on saxophones, Louis Michel Marion on double bass, and Stefania Becheanu on field recordings, depicting 3 virtual aural views of a single landscape, the field recordings conveying a sense of location as the bass and sax use extended techniques and subliminal playing to create their vista.

French clarinetist Jean-Brice Godet leads the trio of bassist Pascal Niggenkemper and drummer Sylvain Darrifourcq in a live album of abstract free improvisation using tools like radios, dictaphones, object, and zithers, creating powerfully unique sound worlds.

"It will not have been included on purpose, but a phrase that Manuel Guimaraes says at the beginning of this solo piano record very well defines the music that is going to be proposed. He asks when the recording is already in progress, ...

Emphasizing unusual aspects of the pipe organ, composer and typically reedist Jean-Luc Guionnet (Hubbub, Return of the New Thing) performs solo on the organ at the Church of the Decollation of Saint-Jean Baptiste in L'Isle-verte, Quebec, Canada, taking a sound-oriented approach to the instrument with a minimalist attitude through four extended performances.

"Undeclared" refers to a 2006 drone attack in Pakistan that struck a school, killing more than 80 civilians including 70 children, which took place on a day that was intended for a peace agreement; Hanneson pays homage to the victims by finding a sound for each of them, rendering the piece 3 times by himself via electronics, by Rene Holtkamp on guitar, and by Antoine Beuger on children's glockenspiel.

Primarily a bass and guitar duo between Portugese natives Joao Hasselberg, on double bass and electric, and electric guitarist Pedro Branco, here in their second album together of delicately sophisticated string improvisations, joined by a a great set of collaborators to expand the duo to trio and quartet.

The meeting of Johnny Chang (viola), Jamie Drouin (suitcase modular synth), Dominic Lash (double bass), Dimitra Lazaridou-Chatzigoga(zither, and David Ryan (bass clarinet) recording at Bourough welsh Congregational Chapel, in London in 2013, recorded by Another Timbre label leader Simon Reynell, for a unique merging of disparate approaches to ea-improv.

The Scandinavian quintet of Ole-Henrik Moe on violin, Kim Johannesen on guitar; Ola Hoyer on double bass; Erik Nylander on drums & drum machine; and Klaus Ellerhusen-Holm on alto saxophone and Bb on clarinet, in a daring album of mostly Ellerhusen-Holm compositions, arranged collectively into these creative and energetic gems.

"HumaNoise Tutti is an opportunity to hear Rodrigues in a large group that's not of his own devising-though there is often such complex and varied activity here, it would be misleading to evaluate it in the context of any one individual...

Sonic sources of a wide variety of timbre, rhythm and tone, mixed with voice, feedback, even bird sounds, make up the strata of this intriguing album from Oslo Improvisers Agnes Hvizdalek (voice), Magnus Skavhaug Nergaard (electric bass, electronics, field recordings), Utku Tavil (snare drum, no input mixer, sampler), and Natali Abrahamsen Garner (voice, electronics).

Sonic sources of a wide variety of timbre, rhythm and tone, mixed with voice, feedback, even bird sounds, make up the strata of this intriguing album from Oslo Improvisers Agnes Hvizdalek (voice), Magnus Skavhaug Nergaard (electric bass, electronics, field recordings), Utku Tavil (snare drum, no input mixer, sampler), and Natali Abrahamsen Garner (voice, electronics).

With discographies reaching back to the 80s, the trio of Beat Unternahrer on trombone and Furst-Pless-Horn, Jan Schacher on contrabass, objects and voice, and Pelayo Arrizabalaga, known for his reed work, on turntables and sine-generator, create 16 mostly improvised, succinct works that are influenced by free jazz, ea-improv, and sonic composition.

IKB, a ten-piece reductionist electroacoustic ensemble of strings, reeds, guitar, computer, percussion, piano, drums & objects, continues their exploration of exotic animal species with this 2020 live performance at O'Culto da Ajuda in Lisbon, Portugal, detailing the long-billed shore bird Limosa through intricate, restrained and remarkable expression.

Portugal's IKB Ensemble is an electracoustic improvising ensemble with a strong string and wind section, balanced with electric guitar, electronics, and percussion, each album focusing on an object--an art work, Dracaena Draco (Dragon Tree), Chelonoidis Nigra (Giant Tortoise)--and here taking on the Ornithorhynchus Anatinus, or platypus, in 3 fascinating movements.

Recorded at CreativeFest#12 in Lisbon at O'Culto de Ajuda, the 21-piece electroacoustic ensemble Isotope takes on the chemical element Radium in a gripping piece of evolving improvisation, intensely restrained and extremely detailed, orchestrated with cello, baroque violin, double bass, acoustic & electric guitars, zither, psaltery, winds, brass, keys, electronics and percussion.

Recorded live in the studio in Sheffield in a single take, this first time meeting of the UK alto saxophone duo of Keith Jafrate and Herve Perez improvise freely, distinguishable by the stereo channel they reside in, as they display great technical skill and a unique sense of humor on tracks titled like "Something Funky in the Sauce" or "And a Hair in the Pudding".

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Free improvisation from the Norwegian trio of Dorothea Okland (voice), Ferdinand Bergstrom (guitar), and Olav Abildgaard (percussion), in 7 non-idiomatic interactions of quirky dialog, Okland's fragmented language interacting with Abilgaard's quick, scrabbly approach to nonspecific objects and Bergstrom's acoustic guitar abstract progressions or chord structures; enjoyably odd.

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