Portuguese percussionist Sofia Borges and Brazilian saxophonist Yedo Gibson explore seven spontaneous improvisations recorded in Lisbon, combining prepared percussion, metallic objects, tenor and soprano saxophones, and extended techniques in a restless dialogue of breath sounds, fragmented phrases, shifting rhythms, and delicate resonances, balancing playful interaction with abstract textures and expressive restraint.
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Sofia Borges-drums, percussion
Yedo Gibson-saxophones
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UPC: 5904224875428
Label: Relative Pitch
Catalog ID: RPR1281
Squidco Product Code: 38033
Format: CD
Condition: New
Released: 2026
Country: USA
Packaging: Cardboard Gatefold
Recorded at Namouche Studios, in Lisboa, Portugal, on August 8th, 2024, by Joaquim Monte.
Portuguese percussionist Sofia Borges and Brazilian saxophonist Yedo Gibson come together for their debut duo recording, Puxe Means Pull, a collection of seven free improvisations recorded in Lisbon in August 2024. Working with drums, percussion, objects, and prepared sounds alongside tenor and soprano saxophones, the two musicians develop an unpredictable dialogue that emphasizes timbral exploration, shifting densities, and the expressive possibilities of unconventional instrumental techniques.
Borges, whose work spans electroacoustic composition and experimental improvisation, approaches percussion with an unusually detailed vocabulary of sounds, incorporating metallic objects, bells, cymbals, and other materials alongside her drums. Her playing combines delicate articulations, subtle polyrhythms, and carefully measured silences, often creating intricate textures without relying on conventional rhythmic accompaniment. Gibson responds with an equally expansive approach to the saxophone, using breath sounds, key clicks, multiphonics, and fragmented phrases that move between dry, almost percussive gestures and forceful, resonant tones.
Throughout the album, the musicians engage in a restless exchange of ideas, frequently challenging the distinction between foreground and background. On pieces such as "Instruções para Desarrumar" and "Brincando com a Calma," Gibson's extended techniques produce startling vocal-like sounds, while Borges introduces contrasting metallic resonances and finely articulated percussion. Elsewhere, the duo moves toward more assertive improvisation, developing brief rhythmic figures and sudden changes in intensity without settling into predictable patterns.
The recording's seven pieces reveal a collaboration marked by an underlying sense of playfulness, even when the music becomes tense or abrasive. Rather than pursuing continuous escalation, Borges and Gibson frequently interrupt or redirect the momentum, allowing small gestures and unexpected silences to reshape the conversation. Their responsiveness creates a remarkably cohesive musical language despite the absence of predetermined structures.
Puxe Means Pull offers an engaging exploration of the spaces between free jazz and abstract sound improvisation, where instrumental technique becomes a means of discovering new forms of interaction. Combining physical immediacy with considerable sensitivity to texture and dynamics, Borges and Gibson create a recording that is simultaneously restless, intimate, and unpredictable.
Artist Biographies
• Show Bio for Sofia Borges "Sofia Borges is a versatile musician active as a composer, performer, percussionist and sound designer. She focuses on interdisciplinary work and blending a variety of genres, traditions, materials and technologies. Her compositions cover a wide spectrum ranging from chamber, orchestra and vocal music up to theatre, dance and multimedia performances and installations. Sofia has participated in numerous international festivals all over Europe, U.S.A, Brazil, Macao, Taiwan, Australia and New Zealand. She was selected to take part in the TENSO Young Composers Workshop 2015 (Mechelen), 2016 (Marseille) and 2017 (Nova Gorica). When performing as a composer-performer, she not only uses self-programmed electronics but also instruments she has developed herself. Sofia is also a dedicated educator, having among other projects headed the composition lab with school children at Klangradar Berlin since 2015. Sofia Borges began studying Percussion and Drums in Lisbon both at the Conservatório Nacional de Lisboa and the Luís Villas-Boas Jazz School. Later she devoted herself to composition, studying at the Escola Superior de Música de Lisboa. In 2012 she completed her MA in Multimedia Composition at the Hamburg University of Music and Theater. Sofia Borges lives in Berlin, Germany." ^ Hide Bio for Sofia Borges • Show Bio for Yedo Gibson "My story is quite simple, I was living in São Paulo (Brazil) a big city with 21.000.000 people and a incredible concrete jungle and it happen to be playing music too, after many years playing Brazilian music, free improvisation started to take place in my music. Waking up and sleeping with this constant noise that this huge city makes it was inevitable to not have it on my music. As any 3rd world citizen I had to improvise every day and that is what happen to my "forró" (Brasilian music from the north east), became more and more full of noises and freer in the form and content. So in 2005 after recording "Abaetetuba" and "Contra Mão" I thought that it was time to leave São Paulo and meet some other improvisers around the world. Now I am based in Amsterdam but have been for two years in London where I spent most of my time making music with some amazing musicians as Marcio Mattos, Veryan Weston, John Edwards, Steve Noble, Mark Sanders and also was part of the London Improvisers Orchestra together with Lol Coxhill and Evan Parker between other great musicians from the London free improv scene, that was to me a great school. This orchestra has inspired me to start the Royal Improvisers Orchestra (RIO) in Holland and it has been playing since 2006, with 20 musicians from all over the world and from completely individual angels of music with musicians from Baroque to Punk Noise but with the same passion for the improvisation. Here in Holland, beside my fix groups RIO, Caetitu, Abaetetuba and EkE, I have also been playing with some great musicians that I have learned a lot from as Han Bennink, Michael Vatcher, Luc Ex, Marcos Baggiani, Ab Baars, Cor Fuhler and other ZAAL100 (our free improv place in Amsterdam) friends." ^ Hide Bio for Yedo Gibson
10/26/2026
Have a better biography or biography source? Please Contact Us so that we can update this biography.
10/26/2026
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. Solta e Asfixiada 05:16
2. Instrucoes para Desarrumar 04:17
3. Cada Coisa em Varios Lugares 04:47
4. Brincando com a Calma 07:02
5. Brincando com o Fogo 04:52
6. Saudades de Nana 06:42
7. Livres de Quase Tudo 05:29
October 2026
Improvised Music
Free Improvisation
European Improvisation, Composition and Experimental Forms
Duo Recordings
Percussion & Drums
Recordings by or featuring Reed & Wind Players
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