


""* This musical adventure arises from the conviction that Expression, Composition and the expression of the composition are the nourishment of the artistic identity.
* Expression is a pervasiveness of ineluctable art. It's, i...
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Sample The Album:



Felice Furioso-drums
Miguel Mira-cello
Yedo Gibson-saxophones
Click an artist name above to see in-stock items for that artist.
UPC: 199199233617
Label: 4DaRecord
Catalog ID: 4DRCD014
Squidco Product Code: 36225
Format: CD
Condition: New
Released: 2025
Country: Portugal
Packaging: Cardboard Gatefold
Recorded at Namouche, in Lisbon, Portugal, between 2022 and 2023, by Joaquim Monte.
""* This musical adventure arises from the conviction that Expression, Composition and the expression of the composition are the nourishment of the artistic identity.
* Expression is a pervasiveness of ineluctable art. It's, in itself, a will, a uniqueness of style. Pursuing the potential of the sounds, the expressive communication, is, in this case, the proposal.
* The relation between the figures and between these and their context is, in such case, the definition of the idea of Composition; nevertheless, in this path, its primary interdisciplinary inception, which has devised Architectonic treaties, and regulated ancestral guides of the Arts, absorbing mathematical certainties in their paramount connections, exemplified by dimension, position and proportion, is also considered. Given the premise of that universal genetic character of the underpinnings of the Arts, a natural transference of the visual thought to sound design takes place. And symmetry, interpenetration, tripartition, adjacency, etc., would be the preamble of that interdisciplinarity. This idea has defined the boundaries of this composition. The Premeditation of a writing, which doesn't exclude the Gregorian, but doesn't impose it, encompasses, on the contrary, extended techniques and others from the very rich lineup of experimental music and from the most diversecontemporary aesthetic lines, admitting only the limits of ignorance and adding the limitless possibilities of free invention.
* It is, thus, a musical creation that, at the very least, engages audition and vision and an implicit summoning of the psychology of perception and of the sensory system. Fact is, in the search for an object, all the circumstances described lead to the topic of the description of reality. A musical configuration of Figurative Expressionism, common in Visual Arts, but less explored in the context of music. The simulation through expressive equivalence rather than impressive information has fulfilled the role of driving force in this experience.
This idea has been a concern of mine for a long time! It entailed several attempts, made with persistence and conviction, in a process that has, in this score, in this interpretation, with this trio, its moment of recording on cd, because it was an already consistent approach in this ongoing stroll, and I'm very grateful to Yedo and Felice, incredible musicians I'm very proud of having had by my side. But I cannot forget the journey made before, by the magnificent Gabriel Ferrandini, Bruno Parrinha and Rodrigo Pinheiro, and, more recently, by the musicians Carlos Mascolo, Domenico Saccente and Angelo Manicone. With all of them I amassed concerts, recordings, nourishment for this cd."-Miguel Mira

Artist Biographies
• Show Bio for Felice Furioso Italian drummer and percussionist Felice Furioso is a member of 4! ^ Hide Bio for Felice Furioso • Show Bio for Miguel Mira "Born in 1958, studying guitar at the Academy of Music Amateurs, in the 70s, with Prof. Nagy. In the late 70 studying bass at the Hot Club, in the early '80s, with Prof. Zé Eduardo. "Intrigue and permanent and persistent unease with stringed instruments, jazz and improvisation itself. During the last forty years, in concert, in private or in the studio, I had the honor of having played and learned (chronologically) Nuno Grande, Armindo Neves, Emilio Robalo, Celso Carvalho, António Ferro, Arthur Costa, Ze Bitch John Vinegar, John Lucas, Francisco Medina, Abdul moimeme, Rashiim Ausar Sahu, Patrick Brennan, Rodrigo Amado, Scott Fields, Francisco Trindade, Ernesto Rodrigues, Harvey Sorgen and Joe Giardullo. Today, honor me play (and perpetuate my restlessness) with Rodrigo Amado, Abdul moimeme, John Lucas, Joseph Bruno Parrinha, John Parrinha, João Pedro Viegas, Alipio Carvalho Neto, Gabriel Ferrandini, Ernesto Rodrigues, Armando Gonçalves Pereira, Hernani Faustino, Rodrigo Pinheiro, Zé Lencastre, Louis Desirat, Peter Castello Lopes, Luís Lopes, Luís Vicente, Philip Sousa, Pedro Roxo, Johannes Krieger, George Lamprey, Marcello Maggi, Paulo Curado, Diogo Leal, D' Incise, Virginia and Eduardo Chagas. With some of my friends. I share my musical day in broader bands or ensembles, with other I highlight specific musical encounters and they are my entire curriculum." " ^ Hide Bio for Miguel Mira • Show Bio for Yedo Gibson "My story is quite simple, I was living in São Paulo (Brazil) a big city with 21.000.000 people and a incredible concrete jungle and it happen to be playing music too, after many years playing Brazilian music, free improvisation started to take place in my music. Waking up and sleeping with this constant noise that this huge city makes it was inevitable to not have it on my music. As any 3rd world citizen I had to improvise every day and that is what happen to my "forró" (Brasilian music from the north east), became more and more full of noises and freer in the form and content. So in 2005 after recording "Abaetetuba" and "Contra Mão" I thought that it was time to leave São Paulo and meet some other improvisers around the world. Now I am based in Amsterdam but have been for two years in London where I spent most of my time making music with some amazing musicians as Marcio Mattos, Veryan Weston, John Edwards, Steve Noble, Mark Sanders and also was part of the London Improvisers Orchestra together with Lol Coxhill and Evan Parker between other great musicians from the London free improv scene, that was to me a great school. This orchestra has inspired me to start the Royal Improvisers Orchestra (RIO) in Holland and it has been playing since 2006, with 20 musicians from all over the world and from completely individual angels of music with musicians from Baroque to Punk Noise but with the same passion for the improvisation. Here in Holland, beside my fix groups RIO, Caetitu, Abaetetuba and EkE, I have also been playing with some great musicians that I have learned a lot from as Han Bennink, Michael Vatcher, Luc Ex, Marcos Baggiani, Ab Baars, Cor Fuhler and other ZAAL100 (our free improv place in Amsterdam) friends." ^ Hide Bio for Yedo Gibson
Have a better biography or biography source? Please Contact Us so that we can update this biography.
5/28/2025
Have a better biography or biography source? Please Contact Us so that we can update this biography.
5/28/2025
Have a better biography or biography source? Please Contact Us so that we can update this biography.

Track Listing:
1. Machinerie 22:38
2. Pedreira 28:00

In Stock, Not Yet Cataloged
Improvised Music
Free Improvisation
Collective & Free Improvsation
European Improvisation, Composition and Experimental Forms
Trio Recordings
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4DaRecord.


