The Squid's Ear Magazine


Variable Geometry Orchestra: Mare Tranquillitatis (Creative Sources)

A dynamic and exciting concert captured during the 2018 CreativeFest XII of a conduction by Ernesto Rodrigues leading an ensemble of 28 free improvisors performing on a mix of traditional acoustic & modern electronic instruments, plus a toy piano, with powerful wind & string sections, as Rodrigues directs the musicians into both passionate and peaceful sections.
 

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Personnel:



Mariana Carvalho-accordion

Gianna de Toni-acoustic guitar

Etienne Brunet-alto saxophone

Jose Lencastre-alto saxophone

Mia Dyberg-alto saxophone

Juan Cato Calvi-bass clarinet

Noel Taylor-bass clarinet

Guilherme Rodrigues-cello

Helena Espvall-cello

Miguel Mira-cello

Ricardo Jacinto-cello

Yu Lin Humm-cello

Andre Holzer-clarinet

Bruno Parrinha-clarinet

Miguel Almeida-classical guitar

Ernesto Rodrigues-conductor

Johan Moir-double bass

Rui Sousa-electric bass

Paulo Curado-flute

Joao Valinho-percussion

Pedro Castello-Lopes-percussion

Ramon Lopez-percussion

Biagio Verdolini-objects

Catarina Loura-piano

Carla Santana-synthesizer

Carlos Santos-synthesizer

Armando Pereira-toy piano

Joao Silva-trumpet

Maria do Mar-violin


Click an artist name above to see in-stock items for that artist.




UPC: 5609063406122

Label: Creative Sources
Catalog ID: cs612
Squidco Product Code: 28197

Format: CD
Condition: New
Released: 2019
Country: Portugal
Packaging: Cardboard Gatefold
Live recording on November 10th 2018 at O'Culto da Ajuda, Lisbon, during the CreativeFest XII.

Descriptions, Reviews, &c.

"The "Mare Tranquilitatis" is the "Sea of Tranquility" on the moon. It is the place where the first moon landing took place, 50 years ago. It is unclear whether the album in any way wants to join the celebrations of this event, since the performance itself was recorded live recording on November 10th 2018 at O'Culto da Ajuda, Lisbon, during the CreativeFest XII.

We've reviewed albums by the orchestra before, and I think this is one of their best. Ernesto Rodrigues, acting as the conductor of this large ensemble, leading his 28 musicians through sonic soundscapes that alternate between light-textured minimalist moments

"The "Mare Tranquilitatis" is the "Sea of Tranquility" on the moon. It is the place where the first moon landing took place, 50 years ago. It is unclear whether the album in any way wants to join the celebrations of this event, since the performance itself was recorded live recording on November 10th 2018 at O'Culto da Ajuda, Lisbon, during the CreativeFest XII.

We've reviewed albums by the orchestra before, and I think this is one of their best. Ernesto Rodrigues, acting as the conductor of this large ensemble, leading his 28 musicians through sonic soundscapes that alternate between light-textured minimalist moments to dense and dramatic eruptions of sound, does it with verve. The music's unpredictability and especially the cohesion of the orchestra within this unpredictability is fascinating to listen to, and a testament to Rodrigues' skills to move the music forward along his wishes. This is no small feat.

But what does "Variable Geometry" mean? In the European political context, it refers to different levels of cooperation between countries in the European Union (like their willingness to participate in the Schengen zone, or participate in the common euro currency). It means integration and participation at different speeds and levels. In the context of aerodynamics, it means that an airplane may change the configuration of its wings during a flight. Whatever the real and original name that triggered Rodrigues to use the term for his orchestra, the concepts of collaborative difference, of changing dynamics and openness to variation appear essential.

The orchestra's sound is a collective sound, one that avoids solo voices, and even if they are discernable at times, often in short phrases and shouts, emanating from the voluminous mass of the orchestra's groundswell, they are more like birds straying from a flock to return before you've noticed their separate movement. The sound is not about the voices, it's about the total sonic experience of changes in depth and intensity, the dynamic swirling of sonorities and pitch, the flowing of harmonies and dissonance, of unity and chaos.

In case you wondered, the Mare Tranquilitatis may be tranquil at some moments, and there's even a short span of absolute silence, yet there is more to it than tranquility. It's worth the trip. Join us to the moon."-By Stef, The Free Jazz Collective

to dense and dramatic eruptions of sound, does it with verve. The music's unpredictability and especially the cohesion of the orchestra within this unpredictability is fascinating to listen to, and a testament to Rodrigues' skills to move the music forward along his wishes. This is no small feat.

But what does "Variable Geometry" mean? In the European political context, it refers to different levels of cooperation between countries in the European Union (like their willingness to participate in the Schengen zone, or participate in the common euro currency). It means integration and participation at different speeds and levels. In the context of aerodynamics, it means that an airplane may change the configuration of its wings during a flight. Whatever the real and original name that triggered Rodrigues to use the term for his orchestra, the concepts of collaborative difference, of changing dynamics and openness to variation appear essential.

The orchestra's sound is a collective sound, one that avoids solo voices, and even if they are discernable at times, often in short phrases and shouts, emanating from the voluminous mass of the orchestra's groundswell, they are more like birds straying from a flock to return before you've noticed their separate movement. The sound is not about the voices, it's about the total sonic experience of changes in depth and intensity, the dynamic swirling of sonorities and pitch, the flowing of harmonies and dissonance, of unity and chaos.

In case you wondered, the Mare Tranquilitatis may be tranquil at some moments, and there's even a short span of absolute silence, yet there is more to it than tranquility. It's worth the trip. Join us to the moon."-By Stef


Get additional information at The Free Jazz Collective

Artist Biographies

"Mariana Carvalho is a brazilian pianist, improviser and performer, keen on body, gender and transdisciplinarities. Experiments objects inside the piano and explores corporealities via eutony. Interested in weaving sonic relations in space, installations, expanded sonic bodies, free improvisation, experimental music, theatre, dance."

-Audible Women (http://www.audiblewomen.com/?listing_tag=improv)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Italian double bassist Gianna de Toni is a member of the Portuguese-based groups IKB and String Theory.

-Squidco 3/13/2024

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"Étienne Brunet is a musician, composer and improviser, born in Paris on January 2, 1954. He plays saxophone alto and soprano, bass clarinet , bagpipes, harmonicas and electronic instruments.

He took part in children's choir at the Opéra de Nice at the age of seven, then re-learned music as a self-taught musician as a teenager and took classes with Steve Lacy whose originality of musical thought will influence his entire career. He will do many jobs in addition to music (press modelist, book worker, saxophone tuner, operator on synthesizer writing for television channels). In 1979, he founded the trio Axolotl (not to be confused with other homonymous groups that came one or two decades later) with Marc Dufourd and Jacques Oger. In 1984 he founded the group Aller Simple Paris, with the accordionist Odile Lavault known as Gina Sbu, devoted to folk music arrangements from Eastern Europe. From 1987 he collaborated with the poet Julien Blaine . He performed with musicians such as Jac Berrocal , Anthony Coleman , Wayne Dockery , Jean-Jacques Birge , Jean-François Pauvros , Guillaume Loizillon, Erik Minkkinen, Jean-Jacques Avenel , Yasuaki Shimizu , Emiko Ota, and the Romanian drummer Cornelius Stroe; he writes various music and rides the Zig Rag Orchestra, then 3D Jazz and Ring Sax Modulator with Thierry Negro (bass) and Erick Borelva (drums). In 1995, he inaugurated a contract for several discs with the Saravah label of Pierre Barouh with a disc dedicated to Louis Jordan composed of exploded songs, La Légende du Franc Rock And Roll . In 1997 he recorded duets with Daunik Lazro , Daniel Mille , Thierry Madiot , Hubert Dupont , Camel Zekri and Fred van Hove, which were transformed into samples and mixed in the album B / Free / Bifteck . In 2007, he plays in duo with Diemo Schwarz (electronics). In recent years, it happens a little less, mainly solo, sometimes within the group of Senegalese grilet Djeour Cissokho.

He wrote numerous columns: Journal Web Intime from 1998 to 2001 (before fashion blogs ), then, from 2003 to 2007, Petite Fleur Electronique for Jazz Magazine devoted to the tune of time in music. His musical career is atypical. Initially impassioned by improvisation , he studied Indian music and electronic music which he mixes in a ferociously post - modern , jazz , funk , folk and free approach in the same composition."

-Wikipedia (Translated by Google) (https://fr.wikipedia.org/wiki/ƒtienne_Brunet_(musicien))
3/13/2024

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"José Lencastre, also known as Zé Lencastre, is a Lisbon, Portugal saxophonist, composer and arranger. He studied at the Hot Clube de Portugal, Chichester College of Arts(England), and Eastman Community Music School ( Rochester, NY). He Has played several festivals and venues in Portugal, Spain, Italy, Poland, Germany, Czech Republic, Eslovakia, Hungary, Brasil, Morroco.

TSUKI - Looking For Principles In Others (2006)/// TSUKI - I Wish That Mountain Had An Eye (2007)///TSUKI - Sea Snail (2009) ///THE MOST WANTED- The Most Wanted EP (2008) ///CACIQUE97 - Colectânea Novos Talentos Fnac (2007) - EP (2007) - Cacique97 (2009) ///BA MBO - Colectânea Intolerant? Me? (2008) ///POTLATCH - Live at Fabrica (2009) ///THE GRASSPOPPERS - DUB INNA WEEK (2010)/// SOCIAL SMOKERS - MAGNETIC POETRY (2011)/// THE GRASSPOPPERS - LOVERS ROCK INNA WEEK (2011)/// COOLTOUR - COOLTOUR (2012)

He has also appeared as a guest musician recorded with Gnu, Gazua, Philharmonic Weed, Tiago Gomes&Tó Trips, Tércio Borges & os Democratas do Samba, André Sampaio e os Afromandiga, etc. He currently resides in Recife, PE - Brazil."

-Facebook (https://www.facebook.com/pg/zelencastre/about/?ref=page_internal)
3/13/2024

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"Mia Dyberg (b, 1986) is a Danish saxophonist, improviser and composer currently residing in Berlin, Germany, where she works as a freelance musician. Performing with improv-musicians such as Clayton Thomas, Dag Magnus Narvesen, Casey Moir and Tobias Delius.

Her ability to combine sound experiments with melancholy in a unique melodic expression, makes her one of the new exciting voices on the European jazz scene. She is active project leader & co-founder of the international improvisers collective The Community.

Mia is a part of the Copenhagen jazz/improv. scene and holds a Master Diploma in Music '2015 from the Conservatory of Copenhagen. She grew up in the Swedish archipelago and her both wild and impressionistic music is often affected by grand nature. But there is also a pulse of the city.

The last couple of years she has made roots on the international scene as a leader of projects as: Mia Dyberg Trio, Dyberg 4 Ra, Kovacs & Dyberg, Christian Balvig/Mia Dyberg feat. Clayton Thomas[AU] in Germany, Sweden, Poland, and Egypt. She also participates in different ad hoc projects for example in New York, Berlin and Stockholm with musicians as Herb Robertson[US], Niklas Barnö [SE] Oscar Noriega[US] og Michael Evans[US].

Mia Dyberg is co-founder and active project leader in the international improvisers collective The Community, which is an organisation, creating and expanding relations between improvising musicians worldwide - by producing events with interaction as the driving force."

-Mia Dyberg Website (http://www.miadyberg.com/about/)
3/13/2024

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Juan Cato Calvi is a Lisbon-based bass clarinetist, known for his work with the Diceros and Variable Geometry Orchestra.

-Squidco 3/13/2024

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"Noel Taylor's main instruments belong to the clarinet family - soprano, alto and bass clarinet. He lives in Lisbon, Portugal, where he moved in 2017. He has performed widely in the UK, Portugal, Germany, Poland and Italy. He is a dedicated improviser, but his work also includes short compositions, conductions with large scale orchestras, and organising musical events. .

Recent projects have involved the trio 'Redstart' , 'Splatter (with Anna Kaluza, Pedro Velasco & Tom Greenhalgh), 'Happenstance' (with Chris Biscoe, Tom Greenhalgh, Guillaume Viltard), Grimwald (with Steve Beresford, Terry Day & Roberto Sassi). 'Plank' (with Pedro Velasco,Rachel Musson, Asuman Biswas) and 'Bay's Leap' (with James Barralet & Clare Simmonds)

Splatter have released three albums to date. Many other ad-hoc partnerships have happened along the way - always with the emphasis on improvisation. Two of these shorter collaborations have resulted in CD releases, one with Niko Meinhold and one with Alberto Popolla.

Noel Taylor is a member of the London Improvisers Orchestra, where he is one of the most frequent conductors. He has also led conductions with the Berlin Improvisers Orchestra and at festivals. He has played with Rome's Iato Orchestra. He has performed in Krakow in Poland, Germany, Italy, Sicily and Portugal, as well as London & other parts of the UK.

Other musicians he has performed with include Theo Jorgensmann, Claudio Puntin, Shabaka Hutchings, Eugenio Colombo, Steve Beresford, Mick Beck, Carlos Zingaro, Harrison Smith, Mark Sanders, Terry Day, Dominic Lash, Rafal Mazur, Cleveland Watkiss, Steve Noble, Liam Noble, Luca Venitucci, Stefano Guist, diatribes, Pat Thomas, Lawrence Casserley, Satoko Fukuda, Henrik Wallsdorf, Tony Marsh & Veryan Weston, Nick Stephens, Fumi Okiji, Marcio Mattos,Ricardo Tejero, Alex Ward, Orphy Robinson & many others.

His most regular collaborators have been Guillaume Viltard, Chris Biscoe, Alberto Popolla, Andrea Caputo, Anna Kaluza, Niko Meinhold, Julie Kjaer, Beibei Wang, Tommaso Vespo, Benedict Taylor, Noura Sanatian, Pedro Velasco , Tom Greenhalgh, Clare Simmonds, James Barralet, Tom Wheatley & John Garcia.

From 2009-2013 he curated a series of events called the Luna Fringe, a series of monthly events at Arch1 in West Ham. Bay's Leap toured Portugal in 2018 and a modified version of Spaltter, which included lthe Portuguese drummer Pedro Melo Alves and guitarist Luis Marins, also toured in 2018."

-Noel Taylor Website (https://www.noeltaylor.net/index.htm)
3/13/2024

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"Was born 1988 in Lisboa, Portugal and started playing cello and trumpet at Orquestra Metropolitana de Lisboa at the age of 7. In 1999 joined Conservatório Nacional de Música de Lisboa to study classical and music theory and in the current year recorded his first album - Multiples - with Ernesto Rodrigues and José Oliveira out on Creative Sources Recordings.

Apart from work in music ensembles ranging for contemporary classical to free improvisation, also works with live music poetry, theatre and film-music. After lengthy residency in Lisboa, (1988-2016) moved to Berlin and has been active as composer and improviser in the scene.

Worked with some international and renewed artists like Ernesto Rodrigues, Jean-luc Guionnet, Margarida Garcia, Manuel Mota, Alfredo Costa Monteiro, Sei Miguel, Tim Goldie, Jeffrey Morgan, Oren Marshall, Gerhard Uebele, Klaus Kurvers, Gabriel Paiuk, Nicolas Field, Jaime Fennelly, Blaise Siwula, Will Guthrie, Pawel Grabowski, Michael Thieke, Wade Matthews, Leonel Kaplan, Diego Chamy, Gabriel Paiuk, Barry Weisblat, Joe Giardullo, Jassem Hindi, Tisha Mukarji, Masahiko Okura, Taku Unami, Toshihiro Koike, Sharif Sehnaoui, Christine Abdelnour, Alexandre Bellenger, Carlos Zingaro, Romaric Sobac, Nuno Rebelo, Nuno Torres, Naoto Yamagashi, Heddy Boubaker, Gerhard Uebele, Guillermo Torres, Tomas Gris, Carlos Santos, Bruno Parrinha, Miguel Leiria Pereira, Miguel Ivo Cruz, Alberto Cirera, Nuno Morão, Mark Sanders, Dennis Gonzaléz, Alípio Carvalho Neto, Raymond Macdonald, Neil Davidson, David Stachenas, Lisa Ullén, D'incise, Cyril Bondy, Miguel Mira, Rodrigo Amado, Abdul Moimême, Monsieur Trinité, João Madeira, Álvaro Rosso, Gil Gonçalves, Marian Yanchyk, Filipe Passos, Rodrigo Pinheiro, Christian Wolfarth, Thanos Chrysakis, Bechir Saade, Kurt Liedwart, Miguel A. Garcia, Ilia Belorukov, Andrew Lafkas, Gao Jiafeng, Eric Wong, Johan Moir, Casey Moir, Magda Mayas, Matthias Muller, Alexander Frangenheim ...

Has performed and toured in all Europe. Released more than 30 albums of his own projects."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
3/13/2024

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"Helena Espvall is a cello player who is comfortable in indie rock and improvised music circles. She was born and raised in Sweden, playing guitar and cello in rock bands and a silent movie orchestra. Moving to the U.S. and settling in Philadelphia in 2000, Espvall further explored Arabic music, performed with the Amnesiac Music & Dance Ensemble, and joined the contemporary psychedelic-folk group Espers, recording the CDs Weed Tree and II with them. Her penchant for playing free jazz has resulted in collaborations with guitarist Eugene Chadbourne. She is a featured artist with saxophonist/flutist Oluyemi Thomas on his recording Before the Beginning, and with From Quagmire on Habitats in the Wound. Espvall's debut CD as a leader, Nimis & Arx, from the Pax/Fire Museum label is produced by George Korien, where she plays cello, guitar, and recorder, sings and uses electronics. Other artists she has worked with include Katt Hernandez, Lukas Ligeti, Masaki Batoh, Gui Mallon, Nick Castro, Bert Jansch, Sharron Kraus, Fürsaxa, Vashti Bunyan, Samara Lubelski, Marissa Nadler, Damon & Naomi, Arborea, Curia, Golden Ball, the Valerie Project, Polineros, and Scorces.

Helena Espvall is a Swedish-American musician noted for her participation in the post-millennial psych-folk and free improv scenes. Her primary instruments are cello, guitar and voice."

-Helena Espvall Website (https://helena-espvall.keepvid.io/fr)
3/13/2024

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"Born in 1958, studying guitar at the Academy of Music Amateurs, in the 70s, with Prof. Nagy. In the late 70 studying bass at the Hot Club, in the early '80s, with Prof. Zé Eduardo.

"Intrigue and permanent and persistent unease with stringed instruments, jazz and improvisation itself. During the last forty years, in concert, in private or in the studio, I had the honor of having played and learned (chronologically) Nuno Grande, Armindo Neves, Emilio Robalo, Celso Carvalho, António Ferro, Arthur Costa, Ze Bitch John Vinegar, John Lucas, Francisco Medina, Abdul moimeme, Rashiim Ausar Sahu, Patrick Brennan, Rodrigo Amado, Scott Fields, Francisco Trindade, Ernesto Rodrigues, Harvey Sorgen and Joe Giardullo.

Today, honor me play (and perpetuate my restlessness) with Rodrigo Amado, Abdul moimeme, John Lucas, Joseph Bruno Parrinha, John Parrinha, João Pedro Viegas, Alipio Carvalho Neto, Gabriel Ferrandini, Ernesto Rodrigues, Armando Gonçalves Pereira, Hernani Faustino, Rodrigo Pinheiro, Zé Lencastre, Louis Desirat, Peter Castello Lopes, Luís Lopes, Luís Vicente, Philip Sousa, Pedro Roxo, Johannes Krieger, George Lamprey, Marcello Maggi, Paulo Curado, Diogo Leal, D' Incise, Virginia and Eduardo Chagas. With some of my friends. I share my musical day in broader bands or ensembles, with other I highlight specific musical encounters and they are my entire curriculum." "

-JACC Records (http://www.jacc-records.com/en/musicians/miguel-mira)
3/13/2024

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"Ricardo Jacinto / Lisbon (1975). Lives and works in Lisbon and Belfast. Working as an artist and musician mainly focusing on the relation of sound and space. Currently pursuing a PHD at the Sonic Arts Research Center / Belfast. Graduated in Architecture at the University of Lisbon-Faculty of Architecture, and Sculpture and Advanced Visual Arts at Ar.Co / Lisbon. Graduate courses at the School of Visual Arts, New York. Musical studies at the Hot Clube de Portugal and Academia de Amadores de Música / Lisbon. Since 1998 has presented his work in individual and group exhibitions, concerts and performances, in Portugal and abroad. Has collaborated extensively with other artists, musicians, architects and performers. Founder of OSSO - Cultural Association

Presented is installation work in several contemporary art venues in Portugal and across Europe: Projet Room CCB_Lisboa, Círculo de Belas Artes em Madrid, MUDAM_Luxemburgo, Centro Cultural Gulbenkian_Paris, Manifesta 08_European Bienal de Arte Contemporânea de Itália, Loraine Frac- Metz, OK CENTRE_Linz_Austria, CHIADO 8_Culturgest_Lisbon, Casa da Música / Porto e Bienal de Arquitetura de Veneza de 2006.

As a cellist has mainly worked in the field of free improvised music playing in several formations and with different musicans: Nuno Torres, Rodrigo Pinheiro, David Maranha, Hernani Faustino, Ernesto Rodrigues, Luis Lopes, Ricardo Guerreiro, C Spencer Yeh, Shiori Usui, Manuel Mota, Pedro Rebelo, Franziska Schroeder, Simon Rose, Paul Stapletton, Jean Luc-Guionnet, Gabriel Ferrandini, Orquestra de geometria variável, PinkDraft, Cacto, FOIRMFADA, among others. Has played in different venues in Portugal and abroad: Fundação de Serralves / Porto, Palais Tokyo / Paris, SARC / Belfast, Festival VERBO / São Paulo, Festival Temps d' Images_Lisbon, Festival Rescaldo_Lisbon, Festival BigBang_CCB_Lisbon, Culturgest_Porto e Lisboa, ZDB / Lisboa, Dança Base_Edimbrugh, Kabinett 0047_Oslo, Fundação Calouste Gulbenkian / Paris, among others."

-Ricardo Jacinto Website (http://www.ricardojacinto.com/about)
3/13/2024

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Cellist Yu Lin Humm is a member of String Theory and Suspensão. She studied music at the Accademia Internazionale della Musica in the field of study of classical music.

-Squidco 3/13/2024

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Guitarist Andre Holzer is known for his work in groups Diceros, Isotope Ensemble, and Octopus.

-Discogs (https://www.discogs.com/artist/6583839-Andre-Holzer)
3/13/2024

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"Bruno Parrinha - alto sax / soprano, Clarinet Sb / Alto, flute

Around the age of 10 began playing the clarinet. At 17 he bought a flute and entered the Academy of Music where he Amateurs solfeggio and instrument with Paulo Curado for two years . Later he was always playing clarinet and tenor saxophone ( self-taught ) and at age 21 he was invited to join the band Pop Radar Gaddafi with whom he recorded . Later he was cast of musicians on the play " Vieux Carré " in teatro da Graça playing tenor sax . Spent a year on the scene . At 87 he began to attend formations of Sei Miguel resulting in vinyl LP recorded at 88 " Songs love and against terrorism ." Since then he has dedicated his commitment to free improvisation and has participated in numerous trainings and concerts with illustrious musicians including Rodrigo Amado , Rodrigo Pinheiro , Miguel Mira , João Lucas , Paulo Curado , Ernesto Rodrigues , Guilherme Rodrigues , Ulrich Mitzlaff , Manuel Guimarães Cyril Bondi , " D' Incise ," Raphael Ortiz , Nicolaus Gerwinsky , Phill Niblock , Raymond McDonald , Victor Nubla , Nuno Rebelo , Marco Franco, Gabriel Ferrandini , Hernani Faustino , Luís Lopes , José Oliveira , Carlos Santos , Carlos " Zingaro " João Pedro Viegas , Victor Rua , Abdul " moimême " , Luís Vicente , João Lancaster , Luis Gil , Paulo Pimentel , Francisco Andrade , Albert Cicera and many others.

Presently a part of groups : ARGUE, IKB , VGO , Miguel Mira Quartet , Open Mind and Puma. "

-Bruno Parrinha MySpace Page (https://myspace.com/brunoparrinha/bio)
3/13/2024

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"Guitarist Miguel Almeida is also a researcher and educator, locate in the Lisbon area of Portugal. He is associated with Universidade Nova de Lisboa, Conservatório de Música de Sintra, and was educated at Universidade Nova de Lisboa."

-Linked In (https://pt.linkedin.com/in/miguelalmeidamusic/en)
3/13/2024

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"He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio.

His main interest shifted towards contemporary improvised and composed music.

The relationship with his instruments is focused in sonic and textural elements.

Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning.

Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups.

Music for Dance, Cinema, Video and Performance.

Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
3/13/2024

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"Johan Moir graduated with his Bachelor of Improvisation at the Academy of Music and Drama, in Gothenburg, Sweden 2011.

After a couple of years in Berlin and Melbourne, Johan is now based in Stockholm dwelling deeper into his solo project where he explores acoustic improvisation on the double bass, focusing on extended techniques, preparations, Just Intonation and psychoacoustic phenomens.

Other main projects for the moment includes his duo IGNITE (with vocalist Casey Moir) as well as a duo with the Portuguese Cello player Guilherme Rodrigues

Johan also participates in several Ad-hoc projects with different musicians, dancers and artists. Among others, Johan has been collaborating with Burkhard Beins (DE) Emilio Gordoa (MX/DE), Brad Henkel(DE/US), Guillherme Rodrigues(POR/DE), Nicola Hein(DE), Casey Moir (AUS/SE), Reuben Lewis(AUS), Alice Hui-Sheng Chang (TW), Ingo Reuelucke (DE) & Mattias Windemo(SE)

Johan has also toured with various groups in Sweden, Norway, Australia, Estonia, Denmark, Poland, Austria, Hungary , Taiwan and Palestine.

Previous projects that Johan has been the composer and bandleader for includes his own quintet called The Johan Moir Ensemble, the Swedish / Australian quintet SVELIA, as well as the alternative pop duo Mother Jack. Johan has released several albums with different projects, such as "transitions" with SVELIA (2015) and "Chasing Shadows" with Johan Moir Ensemble (2015).

Johan is one of the directors of the Swedish based label 'HearHere Records' and has also been co-organizing the festivals "SUBURBIA" and "HEARHERE FESTIVAL".

-Johan Moir Website (http://johan.moir.se/about.html)
3/13/2024

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"I was born in December 1969 in Lisbon. The first contacts I had with the arts began around the age of 5 in the holiday camps of (CRGE) the current EDP, and it was certainly this exhibition until the age of 12 which led me to develop a taste for music and also by the theater that I did in an amateur way but with some cadence during my childhood, my starting point, an awakening in this case for the music that has accompanied me throughout life. Much later I attended 2 training courses at UNL directed to early childhood and preschool with the theoretical basis and practice of Edwin Gordon's Musical Learning Theory (Musical Orientations for children from 0 to 9 years of age / Musical Orientations 1st Childhood and preschool) with teachers Edwin Gordon, Helena Rodrigues, Ana Paula Almeida and António Rocha. Later I developed the (PIS) Project Infante Sonoro - Musical learning for newborns and children of preschool age to put into practice what I had learned, I loved this project. I also attended the electric bass course of EJMA - Ecole de jazz et Musique Actuelle de Lausanne (Switzerland) 1992/1995. I have had some experiences as a monitor in activities related to children and music, various musical activities, and construction of musical instruments from waste. Also in this journey I wrote and played the puppet and marionettes theater piece "A trip of Dream" that toured the Algarve in 1999. I played in several original musical projects such as the IRS band and many others covers bands like, (JAB) that would later start my original band with 11 musicians the project (Adão & Elas). Still in the covers ... I was founder of the group (Zappanoia), project to pay homage to the work of Frank Zappa) with which I played in and out of Portugal doors, I participate in several activities and cultural events such Biennial Chaves / Vigo, Zappanale Music Festival (Germany) just to mention a few.

At the moment I am going through the meanders of the free improvisation music, but I worked last year with the guitarist Fernando Guiomar in his project (TRAPE-ZAPE) nevertheless I am always open for new experiences. I participated several times in (MIA) Encontro de música improvisada de Atouguia da Baleia. the larger event produced in Portugal related to free improvisation music.

Discography: Zappanoia - Portuguese Extraction 2003 (Portugal) / Participations: Miosótis - O Monstro e a sereia 2005 (Portugal) / Paulo Chagas - Songs From the books 2013 (Portugal) / Collecta: ZAPPANALE XIV 2004 (Germany) / ZAPPANALE 14 - Bad Doberan July 2003 (Germany) / You Can not do that In Spanish Anymore Vol.7 2004 (Spain) Videography: Zappanale 2003 Retrospective DVD 2004 (Germany)."

-Rui Sousa Website (https://ruionbass.wixsite.com/ruisousa/bio-eng)
3/13/2024

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"Flutist, saxophonist, improvisateur, composer.

With classical and jazz training at the Amadores de Música Academy, the Conservatório Nacional and the Portugal Hot Club school of jazz, Paulo Curado works within jazz and improvised music.

"O Lugar da Desordem" is a trio founded by Paulo in 1995, which comprises drummer Bruno Pedroso and bassist Pedro Gonçalves."

-Last.fm (https://www.last.fm/music/Paulo+Curado+E+O+Lugar+Da+Desordem/+wiki)
3/13/2024

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"João Valinho is a percussionist and Visual Artist based in Lisbon, Portugal."

-Soundcloud (https://soundcloud.com/joaovalinho)
3/13/2024

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Pedro Castello-Lopes is a percussionist currently living in Lisboa, Portugal. He is a member of Ensemble MIA, and Variable Geometry Orchestra.

-Squidco 3/13/2024

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"Ramon Lopez was born on August 6th 1961 in Alicante, Spain. Drummer, Percussionist and Composer. He began as a self-taught drummer in the mid-1970's. Witnessing a Max Roach solo concert in 1980 was a turning point that fundamentally changed his understanding of music. He was part of local groups until he decided to move to Paris in January 1985 and became increasingly involved in the experimental scene in France. At the same time, he developed an interest in Indian music, and took tabla lessons with Krishna Govinda K.C. He is currently a student of Pandit Subhankar Banerjee, while teaching Indian music himself with Patrick Moutal at the Paris Conservatory (1994-2001) His first recording as a leader, an album of solo drums, was released in 1997 on the British Leo label linked to free jazz music and improvisation. Besides Jazz and Indian music, he is attracted especially to flamenco music. He has worked with some of the great flamenco artists, among them Carmen Linares, Esperanza Fernández, Inés Bacán, Gerardo Núñez, Rafael de Utrera, Chano Domínguez, etc... His musical endeavours have always been challenging; his interpretation of songs from the Spanish civil war (2001) spring to mind, or his duos dedicated to Roland Kirk (2002). From 1997 to 2000 he was drummer in the renowned French Orchestre National de Jazz under Didier Levallet, who continues to expand the traditional vocabulary of the orchestra with new elements. Among many others, Lopez has worked at concerts and festivals and in the recording studio with the following musicians of the jazz avant-garde: Beñat Achiary, Rashied Ali, Majid Bekkas, Anthony Coleman, Andrew Cyrille, Sophia Domancich, Agustí Fernández, Glenn Ferris, Sonny Fortune, Barry Guy, Charles Gayle, Teppo Hauta-Aho, Howard Johnson, Hans Koch, Joachim Kuhn, Daunik Lazro, Jeanne Lee, Thierry Madiot, Roscoe Mitchell, Joe Morris, Ivo Perelman, Enrico Rava, Paul Rogers, Louis Sclavis, Alain Silva, Archie Shepp, John Surman, Claude Tchamitchian, Mal Waldron, Christine Wodrascka... Ramon Lopez is an un-typical percussionist. He is a musician who has mastered a number of different musical traditions. He loves to work with artists from other disciplines, with actors, choreographers or visual artists. He is currently one of the most respected European musicians in the area of contemporary jazz or improvised music. The French government named him "Chevalier of the Order of Arts and Letters" in 2008."-Jorge García, Institut Valencia de la Musica.

-Ramon Lopez Website (http://www.ramonlopez.net/bio.html)
3/13/2024

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Biagio Volandri Verdolini is an instrument maker, a member of IKB.

-Squidco 3/13/2024

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Carla Santana is a Portuguese electronic artist known for the bands Quarto com Luz, quatroconnection, Isotope Ensemble and Variable Geometry Orchestra.

-Squidco 3/13/2024

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"Studied painting with António Sena (Ar.Co, 1988 -1992), worked in advertising for a period of time, but nowadays works as graphic designer in corporate identity, packaging, web and audio-video production.

Started sound/music activities in 1989 when formed the VITRIOL project with Paulo Raposo, a laboratory for experimental sound actions, in a first stage with studio work followed in 1994 by live output, mainly live electronics, concrete music with a improvised or graphic score oriented approach. Uses the laptop with software written in MaxMsp, small resonant objects, microphones and piezo elements to produce a music that deals with space and its sound characteristics. Interests in "soundscape" and field recordings are a huge part of his work, for piece preparation or just for archival purposes, Always recording, events, spaces or music. Multi-channel acusmatic music and radio pieces.

Presents himself solo in site-specific audio-video works, or in duos with João Silva (video, sound, photography), "Inhabitaded Spaces" with Ricardo Guerreiro (computer, mics), "Venús Pistolletto" with Emídio Buchinho (elec. guitar, mics, objects) and trios with Ernesto Rodrigues (violin) and Guilherme Rodrigues (cello) or ZNGR electroacustic trio with Carlos "Zíngaro and Emídio Buchinho. Member of several formations, "(Des)Integração" laptop ensemble (2001-2003) or in more electroacoustic sets, uses live-electronics and sampling which is the case of "Suspensão" septep, VGO, variable geometry orchestra and specially a trio close related to the "near silence" aesthetics, with Ernesto Rodrigues (violin, harp) and Guilherme Rodrigues (cello) with already several CD releases, always with at least one international improviser guest. Presented his work in Portugal, Spain, France, UK and Germany. Worked with artists from several media: dance, performance and video. Music and sound design for video and animation. Video and sound editing for comercial projects. Played live or in recording projects throughout the years with a lot of musician and sound artists. His sound work is documented in several CD releases. Belongs to the Granular board of directors, a portuguese association for experimental art and does the image of Creative Sources label. Broadcasts "Boca Doce" show at Rádio Zero (web) and other special shows. Workshops and seminars in digital audio manipulation, Maxmsp programming and sound art practise."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
3/13/2024

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Accordionist and toy pianist Armando Pereira is a member of IKB and , Variable Geometry Orchestra, recording with Ernesto Rodrigues, Guilherme Rodrigues, Gil Gonçalves, Nuno Torres, Abdul Moimême, Carlos Santos & and José Oliveira.

-Squidco 3/13/2024

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João Silva is a Portuguese musician who performs on tibetan bell, seng gong, shruti box, &c.

-Squidco, Creative Sources 3/13/2024

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"Maria do Mar, violinist born in Lisbon, has a path marked by classical music and teaching, although she has always collaborated with artists from other musical areas. Since 2012, following her participation in the "Atelier de Improvisation et Direction de Ensemble in real-time (Conduction)" directed by Butch Morris, she began to explore free improvisation and other languages ​​in the contemporary music scene, taking part in a violin and Electric bass duo with the musician and composer Ricardo A. Freitas.She has developed improvisational work with various musicians, performing in concerts, cycles and festivals, with names like Carlos "Zingaro",., Joana Guerra, Ricardo Jacinto, Christophe Berthet, Maria Radich. In the context of the Moving Theater she participated in the Suzuki workshop / Viewpoints by Lowri Jenkins and Jane Pupo. She is seeking a broader musical universe and the development of a personal language, where the musical boundaries are fading and new possibilities opens up with no creative limits."

-Zaratan (Translated by Google) (http://www.zaratan.pt/en/event/74)
3/13/2024

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Track Listing:



1. Mare Tranquillitatis 29:54

Related Categories of Interest:


Creative Sources
Improvised Music
Free Improvisation
Electro-Acoustic
Electro-Acoustic Improv
Objects and Home-made Instruments
Large Ensembles
European Improvisation, Composition and Experimental Forms
Staff Picks & Recommended Items

Search for other titles on the label:
Creative Sources.


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A double opus of improvised String Quartets in four movements each, using impressive technique and exquisite pacing in this live recording captured at the Offene Ohren, in Munich, Germany, 2023 by Dietrich Petzold on violin, tenor violin, clavichord & bowed metal, Ernesto Rodrigues on viola, Guilherme Rodrigues on cello and Matthias Bauer on double bass.
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Emulating the Korean river Taedong through it's undulating flows, uproar, flux and treachery in eleven succinct chamber-oriented improvisations from the quartet of South Korean tenor saxophonist Jung-Jae Kim, French-born South Korean-based drummer Quentin Cholet, with the Portuguese father/son duo of Ernesto Rodrigues on viola and Guilherme Rodrigues on cello.
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Your Dramatic Joy
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Referencing the book Letters to Milena (Briefe an Milena) by Franz Kafka of his intense love affair with Czech journalist & writer Milena Jesenská, through four lettered parts of a subtly sophisticated set of improvisations by Ernesto Rodrigues (viola), Nuno Torres (alto sax), Guilherme Rodrigues (cello), Eric Bauer (electronics) and Stephen Flinn (percussion).
Suspensao
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Impromptu
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The Suspensao octet are heard in this live performance at SMUP, in Parede, Portugal in 2023, blending primarily acoustic instruments with electric guitar and analog synth, using a reductionist approach to highly concentrative and suspenseful free improvisation, their long-running collective history allowing an impressive level of articulation and control through the integration of diverse voices.



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