Hyperpianist Denman Maroney in a quintet with Ned Rothenberg, Dave Ballou, Reuben Radding and Michael Sarin, complex and rewarding structured & multi-tempo music.

The last recording of the trio of saxophonist and flutist Paul Dunmall, guitarist Phill Gibbs, and the late drummer Tony Marsh, a fitting tribute to the great drummer's long association with Dunmall and Gibbs.

Percussionist Tony Marsh in four percussion solos and eleven duos with Veryan Weston on church organ performed live at St. Peter's church in Whistable, England.

Saxophonist Frank Lozano brings together four other artists for a first time collaboration that results in this groovy, soulful, and passionate live studio recording.

Drummer and loopster Jean Martin with multi-instrumentalist Colin Fisher in a veritable orchestra of sound resources, inspired and imaginative studio work.

Much more than a simple duo, with overdubbed saxophone Martin & Shaw make large and complex environments & orchestral sections over which they nimbly improvise.

After touring Canada extensively for 3 years the trio of Jean Martin, Justin Haynes and Kevin Turcotte released this CD of wide-ranging and excellent recordings.

The dialog of two improvising guitarists who, since 2004, have explored "timbres, interspersed with fragments of chords, rhythms and melodies, parallel plays in imitation or opposition".

2001 recordings of Zorn's original Masada band with bassist Greg Cohen, drummer Joey Baron and trumpeter Dave Douglas, performing live at Tonic, NYC.

Tenor saxophonist Nicolas Masson's quartet mixes influences as far-ranging as Ornette Coleman, Black Sabbath, Wayne Short, Warne Marsh and Olivier Messiaen.

Legendary multi-reedist Sabir Matten in a live solo performance from URDLA in Vileurbanne, France, 2008; intensely logical playing from this unique voice.

Chicago cornetist/composer Rob Mazurek leads his Exploding Star Orchestra featuring Roscoe Mitchell with Nicole Mitchell, Matana Roberts, Steve Swell, Matt Bauder, Jason Adasiewica, &c. through a colossal 8 part work, and also provides a single CD of cosmic electronics.

A burning spiritual session inspired by John Coltrane's "Live at the Village Vanguard Again" that began when Jamie Saft told Joe Morris about his deep admiration for Alice Coltrane's playing, adding McPhee and Downs as the perfect complement to realize this excellent album.

In 1979 Joe McPhee, working with CJR produced Craig Johnson, recorded this set of overdubbed recordings of himself performing on saxes, trumpet and flugelhorn over original compositions showcasing solo, duo, trio and quartet contexts, an album of virtual McPhee ensembles!

Saxophonist and pocket trumpeter Joe McPhee and drummer Michael Zerang recorded this suite of superb duos live at Big Top in New Orleans, LA in the fall of 2009, extended, unusual and masterful improvisation.

A rich and unusual interpretation of Ornette Coleman's "Lonely Woman" recorded in Boswil, Switzerland in 1981 with McPhee, Pierre Favre, Irene Schweizer, Radu Malfatti, Daniel Bourquin, &c., in its first-ever release.

A much-needed reissue of McPhee's 1979 Hat Hut LP documenting his 1977 concert at Salle Ste Croix des Pelletiers, performing 3 original compositions and Monk's "Round Midnight" with incredible skill and inventiveness.

A project about the rich jazz history of Brooklyn, NY, recorded in that burrough by NY saxophonist Joe McPhee & bassist Ingebrigt Haker Flaten, referencing Putnam Central, The Blue Coronet, Sonny Rollins, and Brooklyn itself.

Medeski Martin and Wood performing John Zorn's lyrical Book of Angels Masada material, twelve exhilarating arrangements that shred and burn with passion.

Reedist and composer Tommy Meier's Root Down is a passionate tribal-percussive heavy band from Switzerland with a large set of players including pianist Irene Schweizer; irresistible new jazz!

London clarinetist Noel Taylor in a meeting with pianist Noel Taylor, delicate and beautifully paced duos that borrow from many genres and modern approaches to create informed and stimulating dialog.

Pianist/composer Myra Melford's first solo album, original compositions inspired by Sacramento artist Don Reich, with a 16-page booklet that includes full color photographs of Don Reich's artwork and liner notes by Melford and Charles Johnson.

1974 recordings at WKCR in NYC from the quintet of Charles Brackeen (flute & sax), Ahmed Abdullah (trumpet), William Parker (bass), Roger Blank (drums) and Tony Waters (percussion), beautifully recorded and essential free improvisation.

1974 recordings at WKCR in NYC from the quintet of Charles Brackeen (flute & sax), Ahmed Abdullah (trumpet), William Parker (bass), Roger Blank (drums) and Tony Waters (percussion), beautifully recorded and essential free improvisation.

With a sound that fits in the ea-improv world, the acoustic trio of Matt Bauder, Zach Wallace and Aaron Siegel provides a fresh and unique voice in the world of free improvisation.

Two improvisations with Misha Mengelberg on piano & Evan Parker on tenor saxophone, one in concert and the other before the audience arrived, recorded at the Bimhuis in Amsterdam in 2006.

Swiss trumpeter Manuel Mangis and his Gruppe 6 in 4 extended original compositions of post-Bop acumen and rollicking audacity in intrepid improvisation.

Trumpeter Manuel Mengis 3rd Hat release, 8 original compositions of sophisticated and enjoyable modern jazz from a sextet with dual sax and guitar leads.

The 20th volume of the Book of Angels series is led by virtuoso guitarist Pet Metheny as he creatively plays John Zorn's compositions with a large assortment of instruments and electronics.

Extending his own ensemble into a 10 piece orchestra of impressive range and tonal colors, Szilard Mezei presents 3 compositions that bridge modern classical and improvisational music.

Four extended compositions from the Tubass Quintet led by Szilard Mezei (performing on double bass instead of his usual viola) performing with a heavy group of 4 double bassists and tuba.

Serbian viola-player/composer Szilard Mezei and his Wind Quartet return with a release that crosses contemporary chamber music, European folk-jazz and improvisation in magnificent ways.

Bassist Mezzacappa and her Nightshade (Cory Wright (clarinet), John Finkbeiner (guitar), Tim Perkis (electronics), Kjell Nordeson (vibes & percussion)) performing compositions inspired by diverse composers from Messiaen to Zappa.

San Francisco Bay Area bassist Lisa Mezzacappa's "garage jazz" quartet, a raw collective with an energized approach to jazz that focuses on band sound and chemistry.

The duo of pianist Tonino Miano and trumpeter Brian Groder, both NY based, in a sophisticated jazz duo that borrows from melodic, avant and compositional jazz forms in a strong and compelling dialog.

An album of direct, succint and turbulent conversation between guitarist Pedro Gomes and pocket trumpeter Sei Miguel performing live-in-studio by-the-book (of visions, the panorama key)!

An album of direct, succint and turbulent conversation between guitarist Pedro Gomes and pocket trumpeter Sei Miguel performing live-in-studio by-the-book (of visions, the panorama key)!

A collection of "stories untold" with varying line-ups, from a duo with Fala Mariam to a sextet with Mariam, Nuno Torres, Rodrigo Amado, Jose Bruno Parrinha & Paulo Curado, including the participation of other musicians like Carlos Santos, Hernani Faustino, Luis Desirat & Moz Carrapa.

Guitarist Nick Millevoi leads an ensemble that includes Jamie Saft on Hammond Organ, Ches Smith on drums, Johnny Deblase on bass, Dan Blacksberg on trombone and June Bender on violin, for an album equally embracing and subverting a wealth of rock and jazz forms.

NY pianist and composer Matt Mitchell's quartet with reedist Chris Speed, bassist Christopher Tordini, and drummer Dan Weiss for an album of long-form improvisation that reflects on jazz tradition while expanding the possibilities between composition and improvisation.

The debut recording from NY pianist Matt Mitchell, in a duo with drummer Ches Smith on drums, percussion & vibes, 15 inventive original compositions written to push Mitchell's technical skills in improvisational settings, each an ingenious little puzzle.

An ambitious work from flautist, composer and conductor Nicole Mitchell writing for a large ensemble of improvisers, electronics, and chamber orchestra, a complex and layered work that reveals more with each listen.

Chicago flautist Mitchell's Black Earth Ensemble in a release inspired by the work of Afrofuturist writer Octavia Butler; powerful, dissonant and intense performances.

Chicago flutist Nicole Mitchell's NY band with Craig Taborn (piano & wurlitzer), David Boykin (sax), Chad Taylor (drums & guitar) in a tribute to her mentor, the late saxophonist Fred Anderson and his Velvet Lounge club, in an excellent mix of free and melodic playing.

Chicago flautist Mitchell in a quartet with pianist Craig Taborn, saxophonist David Boykin and drummer Chad Taylor playing Mitchell's fascinating compositions of complex twists and turns.

Flautist Nicole Mitchell's solo album of her own impromptu compositions and interpretations of other artists' works composed for her, reflecting her deep relationship with nature and her instrument.

Composer Roscoe Mitchell prepared two compositions with space for improvisation, as well as a Cards composition in which the musicians received six cards with written material that were then arranged in any order and played at any tempo.

Reeds and electronics from Art Ensemble's Roscoe Mitchell and improviser David Wessel in a DVD from the Paris IRCAM festival, 2004, and a CD of a 2002 live recording at UC Berkeley.

Seven days of "Vacation Music" titled by the weekdays from the duo of Liudas Mockunas from Lithuania on saxophones and clarinets, and Ryoji Hojito from Japan on piano, small instruments and voice.

Studio recordings and one live track from Lithuanian saxophonist Liudas Mockunas' trio with fellow homelanders, pianist Dmitrij Golovanov and drummer Marijus Aleksa, extended free jazz balancing heavy and beautiful approaches to improv.

The next step in Iranian-American saxophonist Hafez Modirzadeh's quest to create a seamless cross-cultural exchange of musical structures between the Persian dastgah and American jazz.

Norwegian reedist Frode Gjerstad in three extended duos with legendary South African drummer Louis Moholo for sensitive, creative and engaging freely improvised music from two masters, performed live in concert at Gallery Sult in Stavanger, 2013.

Reedist Frode Gjerstad leads the multi-national quartet of Louis Moholo on drums, Nick Stephens on bass and Fred Lonberg-Holm on cello, 4 superb players in a 4-part free improvisation of animated and intertwining dialog that enthusiastically carries the listener.

The first meeting by pianist Marily Crispell and drummer Louis Moholo-Moholo in seven extended and inspired duets that well show their vast wealth of experience.

Two New York jazz originals, pianist Connie Crothers and alto saxophonist Jemeel Moondoc, performing 6 improvisations and one original compositions from each artist; melodic and deeply sensitive playing.

A series of exceptional compositions by saxophonist Jemeel Moondoc plus one by Alice Coltrane, performed in a variety of group settings, from duos to quintet, with sidemen Matthew Shipp, Roy Campbell, Steve Swell, Hilliard Greene, and Newman Taylor Baker.

Secret Tempo juxtaposes NY saxophonist Jonathan Moritz' feel of jazz with elements of modern compositional and improvised music, from Bird to Webster, Webern to lowercase, as performed with his trio of bassist Shayna Dulberger and drummer Mike Pride.

Guitarist Joe Morris' continuing objective to record with his musical heroes results in this duo recording with the magnificent bassist Barre Phillips in a lively dialog.

Guitarist Joe Morris continues his duet parternships on Clean Feed, here with the innovative and amazing trumpeter Nate Wooley in an album of brilliant spontaneous improv.

For the first time, instrumentalists and improvisers Joe Morris (guitar), William Parker (bass), and Gerald Cleaver (drums) play together as a trio and create four excellent works of free jazz.

Joe Morris reunites his NY quartet as their last configuration from 2000, with violist Mat Maneri, bassist Chris Lightcap, drummer Gerald Cleaver, and Morris on guitar, bringing us an update on the intently informed collective improvisation that defines this great- band.

A 1985 recording of guitarist Joe Morris with Lowell Davidson (drums), Malcolm Goldstein (violin) and Butch Moriss (cornet) riffing on the idea of graffiti tags, performed live at the Cambridge Dance Center.

Dark, edgy and superb electric guitar work from Joe Morris in a trio with Stave Lantner on electric keyboard and Jerome Deupree on drums, the final part of what Morris calls "Big Loud Electric Guitar Trilogy" that started with "Sweatshop" and "Racket Club", following the Hendrix legacy.

All improvised quartet music by four acclaimed leaders in free jazz and improvised music, led by Joe Morris on bass, with Luther Gray on drums, Jimm Hobbs on alto and Petr Cancura on tenor sax.

Joe Morris on bass in the debut recording of his new trio with drummer Luther Gray and Czech saxophonist Petr Cancura, modern out jazz from this NY leader.

New York's brilliant band takes on Miles Davis' classic "Kind of Blue" in a note-for-note recreation, a head-scratching anomaly that is as close to performing a perfect replica as is imaginable.

With a cover borrowing heavily from the Impulse label, this incredible NYC band's 4th release blends 60s jazz with modern improv in creative and edge-of-your seat energetic music.

New York's MOPDTK (Evans/Irabagon/Shea/Elliott) performing band leader Moppa Elliott's post-uber-be-bop that smokes in the future tradition of 50s jazz.

Claiming to have been inspired by smooth jazz, the 6th MOPDTK album is a remarkable achievement of forward-thinking free jazz with a bizarre sense of humor and an irresistible love of poking fun at form while simultaneously paying homage.

Looking like the cover to Ornette's "This Is Our Music", the brilliant quartet of Peter Evans, Kevin Shea, Jon Irabagon & Moppa Elliott both pay homage to & move forward hard bop music.

The transnational quartet of artists from Germany, Latvia and Poland comprised of Karlis Auzins (sax), Lucas Leidinger (piano), Tomo Jacobson (double bass), and Thomas Sauerborn (drums), performing intuitive and collective free improvisation of great sensitify and skill.

Revisiting Sex Pistols' "Never Mind the Bollocks" in a band with Benoit Delbecq on piano, Gilles Coronado on guitar, Olivier Py on sax, Franck Vaillant on drums, and Sarah Murcia on bass, splitting the vocals with Mark Tompkins in a unique take on a punk classic.

Drawing from some of the finest of the West Coast and Vancouver scenes, The Now Orchestra present 3 long works in multiple section, with performers including Peggy Lee, Vinny Golia, George Lewis, Dylan van der Schyff, &c. &c.

12th CD by Simon Nabatov on Leo Records recorded at the same time as his previous CD "Roundup" celebrating his 50th Birthday; powerful, high-energy free jazz sustained for over 50 minutes.

The improvisational trio of Simon Nabatov (piano), Nils Wogram (trombone), and Tom Rainey (drums) play the third and last documentation of Nabatov's "Roundup" project at LOFT.