The Squid's Ear Magazine


Futterman, Joel / William Parker: Why (Soul City Sounds)

Having worked together as members of the Kidd Jordan Quartet, pianist Joel Futterman and bassist William Parker recorded these collective duo improvisations in the studio in New York City in 2020, a perfect match of technical mastery pushing the boundaries of free playing through creative use of tonality, rhythm, and harmony from two extraordinarily compatibile improvisers.
 

Price: $13.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units

Sample The Album:





product information:

Personnel:



Joel Futterman-piano

William Parker-bass


Click an artist name above to see in-stock items for that artist.




UPC: 755491304853

Label: Soul City Sounds
Catalog ID: SCS_018
Squidco Product Code: 34795

Format: CD
Condition: New
Released: 2024
Country: USA
Packaging: Cardboard Gatefold
Recorded in New York City, in 2020, by Jim Clouse .

Descriptions, Reviews, &c.

"Mastery inhabits the borderlands of certainty and inexplicability. It erodes and then transcends the boundaries it spends lifetimes defining. As this album's title suggests, no one perceives this dichotomy with more clarity than Joel Futterman and William Parker. Just listen to the astonishing concluding piece of Why, the newest collaboration between these veteran musicians and philosophers, to witness the permeable beauty of dialogue in cross- section focused enough to be incendiary, burning through layers of ambiguity to reveal foundational relationships beyond the illusions of facile cognition.

Futterman begins that final excursion with pithy upper-register slides inside the piano accompanied by Parker's open-fifth rhythmic reiteration, a monolithic drone rife in equal measure with energy and intensity that fans out multi-directionally, even as converging constellations of counterpoint confound expectation even as they condense around multiple points. Futterman's sympathetic strings at 1:52 ring in the change, Parker switching to bow at 2:10 with such tenderness, such deep delicacy as he whispers the octave, that the transition registers long after it's occurred. His always exquisite arco exudes the same light as Futterman's glide across the piano strings in a semi-static but transient moment of transformation, a question answered in the instant it's posed.

Like the concentric layers of meaning rapped up in that three-letter title, the seven pieces cohere in brilliantly curved fragments around the fourth, the album's narrative center. The fluidly languid opening, rising and falling through half-articulated pitch and pure timbral exploration with the inevitability of tidal ebb and flow or of lunar magnetic pull, prefigures the album's translucent conclusion. The fourth section's nascent blues rhythmic repetitions masked only

by tonal freedom (7:03) prefigure the deep and gradually expanding blues of the sixth piece, while similarly Protean backlit balladry (2:46 and 15:48) echo and extend the first piece's crystalline conclusion. Yet, the vast fourth movement of this large opus is itself a series of connected vignettes, autonomous microcosms still connected at the deepest level, functioning in parallel modes of existence, each defining the others while redirecting listener attention via Titanic contrast and reenforcing re-acclimation with the passing of each fraught moment of tension and release.

Despite the many layers in continual upheaval and stratification, after the tropes, troughs, seismic redistributions and extended illuminations, Why is a series of queries floated over multi-hued uncertainty. Futterman regards the title as elucidating the unknown, embracing both interrogatives and the solutions hidden at the heart of their existence. When verbiage fails and practicalities prove insufficient, the music articulates solutions, to questions not yet posed and conflicts ancient and modern. Simplicity and complexity coexist in every tone and timbre. Soothing the hurt and applying the balm to wounds never quite healed, music inverts the frustrated parent's response to the ever-present titular question born of innocence: "Because."-Soul City Sounds


Artist Biographies

"Joel Futterman, Piano and Indian Flute

Determined to push the limits of the piano to techniques never heard in jazz, Joel began a 25-year regimen of practicing 8-10 hours a day. During this period, he developed a three-hand technique based on completely autonomous playing between the hands. With more than 70 recordings, he is considered one of the most innovative yet enigmatic new music pianists.

Known for his spirited, highly imaginative, and innovative piano technique, Joel Futterman is an internationally recognized veteran pioneer into the frontiers of spontaneous, improvised music. He is considered one of the foremost inventive and adventurous artists shaping the creative, progressive music scene today. Futterman continuously pushes the limits of the piano as he explores new musical horizons. He has performed across North America and Europe including at such noted music festivals as the Tampere Jazz Festival in Finland, the Vision Festival in New York, the New Orleans Jazz & Heritage Festival, and the Guelph Festival in Canada. He has performed with such notable jazz innovators as Jimmy Lyons, Rahsaan Roland Kirk, Paul Murphy, Joseph Jarman, Richard Davis, William Parker, Alvin Fielder, and Hal Russell; as well as Edward 'Kidd' Jordan, with whom he has had a highly productive association. For many years, Futterman has also played the Indian Wooden Flute.

Joel Futterman was born in Chicago, IL. He grew up and lived in Chicago until 1972. Joel had piano lessons from about age 9-11, then continued playing on his own, eventually studying theory and harmony with Alan Swain. Joel met Clarence (Gene) Shaw when he was 18 and studied with Clarence for two years. Clarence was an important influence at the time. One night Clarence invited Joel to his home for a party. He introduced Joel to Charles Mingus. Joel recalls that Mingus gripped his hand firmly and stared up at the ceiling.

Joel attended University of Illinois in Chicago obtaining a (B.S.). Herman Finer, professor of political science, was a profound influence and encouraged Joel to pursue his creative endeavors.

While Joel was in college, his mother passed away and he isolated himself and began practicing 12 to 16 hours a day. Practicing was the only comfort for him at this time.

Joel attended Northeastern University in Chicago and worked on an MS in Education. He was nine hours short of receiving the degree when he decided to leave Chicago. Joel did receive an MS in Education with an endorsement in Reading at Old Dominion University in 1975.

In 1972, Joel moved to Virginia, where he resides today, in a personal quest to develop his creative voice. His first album, CAFETERIA, was released in 1980 to considerable acclaim due to its originality. Since then, his recordings have included a number of jazz legends, such as Jimmy Lyons, Richard Davis, Hal Russell, William Parker and others. In 1994, photographer Michael Wilderman introduced Joel to Edward 'Kidd' Jordan, and since then Joel has enjoyed many rewarding musical collaborations with Kidd and drummer Alvin Fielder. Also, Joel Futterman has had a deep association with artist Ike Levin, founder of the Charles Lester Label."

-Joel Futterman Website (www.joelfutterman.com/about.htm)
4/24/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"William Parker is a bassist, improviser, composer, writer, and educator from New York City, heralded by The Village Voice as, "the most consistently brilliant free jazz bassist of all time."

In addition to recording over 150 albums, he has published six books and taught and mentored hundreds of young musicians and artists.

Parker's current bands include the Little Huey Creative Music Orchestra, In Order to Survive, Raining on the Moon, Stan's Hat Flapping in the Wind, and the Cosmic Mountain Quartet with Hamid Drake, Kidd Jordan, and Cooper-Moore. Throughout his career he has performed with Cecil Taylor, Don Cherry, Milford Graves, and David S. Ware, among others."

-William Parker Website (http://www.williamparker.net/)
4/24/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Part 1 4:46

2. Part 2 3:49

3. Part 3 10:52

4. Part 4 20:50

5. Part 5 3:09

6. Part 6 7:30

7. Part 7 6:38

Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
Collective Free Improvsation
NY Downtown & Metropolitan Jazz/Improv
Duo Recordings
Staff Picks & Recommended Items

New in Improvised Music
Recent Releases and Best Sellers

Search for other titles on the label:
Soul City Sounds.


Recommended & Related Releases:
Futterman, Joel / Michael Wimberly
Innerpause
(Creation Music)
The result of two formidably versatile improvisers--pianist Joel Futterman and drummer/percussionist Michael Wimberly--meeting in Futterman's home city of Virginia Beach for a session of collective, spontaneous improvisation, is this magnificent two-part work released as the unedited live first takes, an epic journey through masterful technique and compelling expression.
Nechushtan, Alon
For Those Who Cross the Seas [2 CDs]
(ESP)
Reflecting on the loft-oriented NYC free improvisation scene, this 2006 concert at Zebulon, in Brooklyn has keyboardist Alon Nechushtan bringing together a spectacular sextet with Roy Campbell on flute & trumpet, Daniel Carter and Sabir Mateen on reeds, William Parker on bass and Federico Ughi on drums, taking flight on two seemingly boundless Nechushtan compositions.
Lewis, James Brandon / Red Lily Quintet
For Mahalia, With Love [VINYL 2 LPs]
(Tao Forms)
Composer and tenor saxophonist James Brandon Lewis' exceptional Red Lily Quintet quintet (Kirk Knuffke on cornet; William Parker on bass; Chad Taylor on drums; Christopher Hoffman on cello) pays homage to gospel and jazz singer Mahalia Jackson through a suite of original Lewis compositions, reimagining some of Jackson's best known works; CD & LP issues include a bonus download track.
Lewis, James Brandon / Red Lily Quintet
For Mahalia, With Love [2 CDs]
(Tao Forms)
Composer and tenor saxophonist James Brandon Lewis' exceptional Red Lily Quintet quintet (Kirk Knuffke on cornet; William Parker on bass; Chad Taylor on drums; Christopher Hoffman on cello) pays homage to gospel and jazz singer Mahalia Jackson through a suite of original Lewis compositions, reimagining some of Jackson's best known works; CD & LP issues include a bonus download track.
Shipp, Matthew Trio
Circular Temple [VINYL]
(ESP-Disk)
Originally released in 1992 on the US Quinton Records label, this trio album by New York improvisers, pianist Matthew Shipp (this being his first CD under his own name), bassist William Parker and drummer Whit Dickey, presents the four-part "Circular Temple" composed by Shipp, leveraging the language of jazz in remarkable ways, particularly the 2nd movement, "Monk's Nightmare".
Parker, William
Conversations IV [BOOK]
(RogueArt)
The fourth book in New York improvising bassist William Parker's interview with other improvisers, here with 29 interviews, and 24 works of art by Jeff Schlangler; interviews include Peter Brötzmann, Darius Jones, Ava Mendoza, Zeena Parkins, Tom Rainey, Bobby Zankel, Evan Parker, James Brandon Lewis, Micheal Bisio, Mario Pavone, Taylor Ho Bynum, &c.
Carter, Daniel / Leo Genovese / William Parker / Francisco Mela
Shine Hear, Vol. 1 [VINYL]
(577 Records)
Inspired by a poem Carter wrote about New York's interminable motion, the quartet of Daniel Carter on saxophone, Leo Genovese on piano, William Parker on bass, Gralla & Shakuhachi and Francisco Mela on drums & voice, turn in an ecstatic album of exotic collective improvisation in this first of two planned volumes from an excellent studio session.
Carter, Daniel / Leo Genovese / William Parker / Francisco Mela
Shine Hear, Vol. 1
(577 Records)
Inspired by a poem Carter wrote about New York's interminable motion, the quartet of Daniel Carter on saxophone, Leo Genovese on piano, William Parker on bass, Gralla & Shakuhachi and Francisco Mela on drums & voice, turn in an ecstatic album of exotic collective improvisation in this first of two planned volumes from an excellent studio session.
Amba, Zoh / William Parker / Francisco Mela
O Life, O Light Vol. 2
(577 Records)
The second volume from the trio of Tennessee-to-NYC transplant Zoe Amba on tenor saxophone & flute, legendary double bassist William Parker and Francisco Mela on drums, performing three compositions by Amba recorded in the studio in NYC; emphatic free jazz with a powerful rhythm section elucidating Amba's spiritually fueled approach to compelling, lyrical improvisation.
Amba, Zoh / William Parker / Francisco Mela
O Life, O Light Vol. 2 [VINYL]
(577 Records)
The second volume from the trio of Tennessee-to-NYC transplant Zoe Amba on tenor saxophone & flute, legendary double bassist William Parker and Francisco Mela on drums, performing three compositions by Amba recorded in the studio in NYC; emphatic free jazz with a powerful rhythm section elucidating Amba's spiritually fueled approach to compelling, lyrical improvisation.
Swell's, Steve Fire Into Music ( w/ Moondoc / Parker / Drake)
For Jemeel: Fire From The Road [3 CDs]
(RogueArt)
A triple CD of extended and magnificent performances between 2004 & 2005 from the quartet of Steve Swell on trombone, William Parker on double bass, Hamid Drake on drums and Jemeel Moondoc on alto saxophone, to whom this album is dedicated; two concerts in Texas and one at the Guelph Jazz Festival, with compositions from Swell and Moondoc plus collective improvisations.
Futterman, Joel / Chad Fowler / Steve Hirsh
Ebb & Flow [2 CDs]
(Mahakala Music)
Continuing the connections from prior Mahakala Music albums Warp & Weft, (Futterman/Hirsch) and Two Five None (Fowler/Hirsch) this album brings the three together as a dynamic trio recording the two-part "Ebb & Flow", a spectacular convergence that, true to the title, shows tremendous momentum and moments of great introspection, an incredible collective free encounter!
Fowler, Chad / William Parker / Anders Griffen
Broken Unbroken
(Mahakala Music)
Led by New York wind and reed player Chad Fowler, who performs here on stritch, saxello & alto flute, this collective free jazz album brings together frequent collaborators, bassist William Parker (with whom Fowler plays in Dopolarians) and drummer & trumpeter Anders Griffen (heard on Thinking Unthinking and the Music of Frank Lowe) for two extended improvisations from contemplative to assertive.
Fowler, Chad / William Parker / Anders Griffen
Thinking Unthinking
(Mahakala Music)
Focusing on lyrically inclined grooves with a relaxed pace, the details and thoughtfully "unthought" playing from the NY trio of Chad Fowler on stritch, saxello & alto flute, William Parker on bass and Anders Griffen on drums, are heard in the Park West Studios in Brooklyn for three extended collective improvisations of passionate, expressive and empathetic playing.
Mela, Francisco feat. Cooper-Moore / William Parker
Music Frees Our Souls, Vol. 2 [VINYL]
(577 Records)
The second volume of Music Frees Our Souls, the trio of Francisco Mela on drums, Cooper-Moore on piano and William Parker on bass, recording in the studio in Brooklyn two extended, far reaching and powerful collective improvisations of music performed under the influence of Mela's work with, mentorship by and encouragement from pianist McCoy Tyner.
Futterman, Joel
Intervals 2
(Fundacja Sluchaj!)
Technically brilliant and creatively inventive, pianist Joel Futterman expands on his 2020 Listen! Foundation CD with a second three-part journey into his powerfully investigative approach to solo jazz improvisation, referencing a history of styles and techniques that display both a dynamo of intricate ability and a sensitivity to timing, space and melodic expression.
Carter, Daniel / Watson Jennison / William Parker / Federico Ughi
Live! Volume 1: Erie
(577 Records)
Working together in tours and recording since 2005, the NY trio of multi-reedist and wind player Daniel Carter, bassis William Parker and drummer/percussionist Federico Ughi are joined by saxophonist Watson Jennison also on flute, recorder and keyboards for this enlightened album of modern and transcendent jazz in a limited, remastered LP edition with bonus material.
Carter, Daniel / William Parker / Federico Ughi
Navajo Sunrise
(Rudi Records)
One of a pair of complementary CDs (Navajo Sunrise and Navajo Sunset) this 2010 trio recording of a live performance at Area Sismica, Ravaldino in Monte, Italy between Daniel Carter on alto sax & piano, William Parker on bass & shakuhachi and Federico Ughi on drums, is a solid example of the sensitivity and collaborative power of the Downtown NY creative jazz scene.
Carter, Daniel / Matthew Ship / William Parker / Gerald Cleaver
Welcome Adventure! Vol. 2 [CASSETTE + DOWNLOAD]
(577 Records)
The 2nd of two studio albums from the quartet of Daniel Carter on saxophone & flute, Matthew Shipp on piano, William Parker on bass and Gerald Cleaver on drums, recordings from the same sessions as the 1st volume with five shorter works, as the long-time collaborators and friends show their nearly telepathic rapport in adventurous and masterful modern jazz.
Futterman, Joel / Steve Hirsh
Warp & Weft [2 CDs]
(Mahakala Music)
With exceptionally quick spontaneity and astute anticipation, free improvising pianist Joel Futterman and drummer Steve Hirsh engage in a series of extended dialogs across two CDs of "Warp" & "Weft" in multiple parts, pushing each other in both technical and expressive interaction, weaving complex interplay with startling ease and creative intention.
Perelman, Ivo Quartet
Magic Dust [2 CDs]
(Mahakala Music)
Four extended collective improvisations of implicit lyricism and transcendent power from Brazilian-born New York-based tenor saxophonist Ivo Perelman, recording in the studio with his quartet of frequent collaborator and masterful bassist William Parker, also performing on shakuhachi, along with pianist Christopher Parker and drummer Chad Anderson.
Dopolarians (Chad Fowler / Kelley Hurt / Christopher Parker / William Parker)
The Bond
(Mahakala Music)
Reinventing their band with the late drummer Alvin Fielder and saxophonist Kidd Jordan, the core trio of vocalist Kelley Hurt, pianist Christopher Parker and alto saxophonist Chad Fowler bring together drumming legend Brian Blade, bassist William Parker and trumpeter Marc Franklin for three extended works, rich journeys in expressive, soulful and lyrical free jazz
Amba, Zoh / William Parker / Francisco Mela
O Life, O Light Vol. 1
(577 Records)
New generation New York tenor saxophonist Zoe Amba, a Tennessee transplant whose spirit is illuminated with free styles that harken back to Ayler, recording in the studio with a trio of luminary players--William Parker on bass and Francisco Mela on drums--performing three Amba compositions, one featuring Amba on flute; the CD edition contains one bonus improvisation.
Amba, Zoh / William Parker / Francisco Mela
O Life, O Light Vol. 1 [VINYL]
(577 Records)
New generation New York tenor saxophonist Zoe Amba, a Tennessee transplant whose spirit is illuminated with free styles that harken back to Ayler, recording in the studio with a trio of luminary players--William Parker on bass and Francisco Mela on drums--performing three Amba compositions, one featuring Amba on flute; the CD edition contains one bonus improvisation.
Carter, Daniel / Matthew Shipp / William Parker / Gerald Cleaver
Welcome Adventure! Vol. 2 [VINYL]
(577 Records)
The 2nd of two studio albums from the quartet of Daniel Carter on saxophone & flute, Matthew Shipp on piano, William Parker on bass and Gerald Cleaver on drums, recordings from the same sessions as the 1st volume with five shorter works, as the long-time collaborators and friends show their nearly telepathic rapport in adventurous and masterful modern jazz.
Carter, Daniel / Matthew Shipp / William Parker / Gerald Cleaver
Welcome Adventure! Vol. 2
(577 Records)
The 2nd of two studio albums from the quartet of Daniel Carter on saxophone & flute, Matthew Shipp on piano, William Parker on bass and Gerald Cleaver on drums, recordings from the same sessions as the 1st volume with five shorter works, as the long-time collaborators and friends show their nearly telepathic rapport in adventurous and masterful modern jazz.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC