The Squid's Ear Magazine

Leap of Faith

Quest for Uncertainty [Used Item]

Leap of Faith: Quest for Uncertainty <i>[Used Item]</i> (Evil Clown)

PROMO W/CUT CORNER
 

Price: $6.00


Quantity:

Out of Stock.

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units

Sample The Album:





product information:

Personnel:



David Peck (PEK)-clarinet, contralto & contrabass clarinets, alto & tenor saxophones, bass flute, piccolo oboe, prophet, syntrx, korg m20, novation peak, moog subsequent, Linnstrument controllers, theremin with moogerfooger, [d]ronin, 17 string bass, spring & chime rod boxes, array mbira, gongs, plate gong, brontosaurus & tank bells, cow bells, orchestral chimes, chimes, temple & wood blocks, log drums, Tibetan bowls, almglocken, orchestral anvils, balafon, xylophone

Glynis Lomon-cello, aquasonic, voice

Bonnie Kane-tenor sax, flute, electronics

John Loggia-drums, percussion, gong


Click an artist name above to see in-stock items for that artist.




Label: Evil Clown
Catalog ID: 9357
Squidco Product Code: 34682

Format: CDR
Condition: VG
Released: 2024
Country: USA
Packaging: Digipack
Recorded at Evil Clown Headquarters, Waltham MA, November 11, 2023.

This is a USED (previously owned) item

Descriptions, Reviews, &c.
Previously played Squidco store copy, used for cataloging and samples, in excellent condition.

"Leap of Faith is the core duet of the Leap of Faith Orchestra (LOFO) comprised of PEK on clarinets, saxophones, clarinets & flutes, and Glynis Lomon on cello, aquasonic & voice. The ensemble is based in Boston and dates back to the early 90s. We utilize a huge arsenal of additional Evil Clown instruments to improvise long works featuring transformations across highly varied sonorities. At times, the core unit has been a trio or even a quartet. The longest running core unit was comprised of PEK, Glynis and drummer Yuri Zbitnov, who played for the last couple of years of the archival period and the first 5 years of the reboot starting in 2015. The ensemble has always been highly modular, and our many recordings (well over 100) feature the core unit in dozens of configurations with a huge list of guests and occasionally as only the core unit with no guests. Currently, the core unit is the duet of PEK and Lomon and we are regularly presenting LIVESTREAMs to YouTube from Evil Clown Headquarters with other guest performers.

Bonnie Kane (tenor sax, flute, electronics) and John Loggia (drums) are great and very experienced improvisors who both live outside of the Boston area a few hours away. Despite their remote locations, they are fairly frequent participants here at Evil Clown Headquarters, having performed with Leap of Faith and Turbulence Orchestra formations. They have been regular musical partners with each other for years.

I have been interested in the aesthetic problem of large ensemble pure improvisation for years. The Evil Clown Roster is very large (roughly 50 musicians) who have varying levels of participation. Consequently, it is more common for our Livestreaming performances to have 6 or more players in the performance as well as the crew for audio and video recording. Free Improvisation is most often performed by smaller units, with trios and duets being very common. I also like ensembles of this size and we do perform less often with units of this size.

The Leap of Faith edition for Quest for Uncertainty is a quartet comprised of two duets with each duet having a very long history. I like this dynamic in improvisation since the long-standing musical relationships create multiple levels of interaction: Both player to player and duet to duet."-David Peck, from the liner notes




Artist Biographies

"PEK (aka David Peck) is a multi-instrument improviser who plays all kinds of instruments including saxophones, clarinets, double reeds, percussion, electronics and auxiliary sound making devices of all kinds.

PEK was born in 1964 and started playing clarinet and piano in elementary school. In 7th grade he started saxophones, first on alto, then switching to tenor in high school. He spent 10 years playing in rock bands and studying classical and jazz saxophone with Kurt Heisig in the San Jose CA area before moving to Boston in 1989 to attend Berklee where he studied performance with George Garzone. While Berklee was an excellent place to study harmony, voice training and other important aspects of a conventional formal music training course of study, it was not a very good environment for learning contemporary (or pure) improvisation (apart from his work with George). PEK did find, however, that Boston had a thriving improvisation scene, and it was here that he developed his mature pure improvisation language.

During the 90s, PEK performed with many notable improvisers including Masashi Harada, Glynis Lomon, William Parker, Laurence Cooke, Eric Zinman, Glenn Spearman, Raqib Hassan, Charlie Kohlhase, Steve Norton, Keith Hedger, Mark McGrain, Sydney Smart, Matt Samolis, Martha Ritchey, Larry Roland, Dennis Warren, Yuri Zbitnov, Craig Schildhauer, Keith Fullerton Whitman, Leslie Ross, Rob Bethel, Wayne Rogers, Eric Rosenthal, Taylor Ho Bynum, Tatsuya Nakatani, James Coleman, B'hob Rainey and George Garzone.

PEK met cellist Glynis Lomon when they played together in the Masashi Harada Sextet which existed between 1990 and 1992. They developed a deep musical connection which they continued following the MHS; first with the Leaping Water Trio for a few years and then with the first version of Leap of Faith in 1994. Leap of Faith was very active in Boston from that time until 2001 and went through a series of several core ensembles which always included both PEK and Glynis. Other key Leap of Faith core members during this period were Mark McGrain (trombone), Craig Schildhauer (double bass), Sydney Smart (drums), Yuri Zbitnov (drums) and James Coleman (theremin). Leap of Faith was always a very modular unit with constantly shifting personnel and many different guests. The early Leap of Faith period concluded in 2001 with a dual bill at an excellent room at MIT called Killian Hall with George Garzone's seminal trio the Fringe.

At this time, PEK changed careers for his day gig, returning to college for a computer science degree and beginning to work in the structural engineering industry at Simpson Gumpertz & Heger. He became far too busy to continue the heavy music schedule, and preferring not to do music casually, he entered a long musically dormant period.

Flash forward to early 2014. PEK was a regular mail order customer of Downtown Music Gallery, the premiere specialty shop in Manhattan for free jazz, contemporary classical and other new music. While in New York on SGH business, he went down to DMG and had a lengthy conversation with proprietor Bruce Lee Gallanter about the early Leap of Faith period. He then sent Bruce a package of about 15 CD titles from the 90s and was pleasantly surprised when Bruce managed to sell nearly all of it. This public interest in the old catalog spurred PEK into getting back into performance. He reformed Leap of Faith with Glynis Lomon (cello, voice, aquasonic), Yuri Zbitnov (drums) and newcomer Steve Norton (clarinets and saxophones) and started to record and perform in early 2015.

Now having access to financial resources always absent in the early period, PEK began to accumulate a huge collection of instruments both for himself and also to expand the palate of Leap of Faith and the other projects soon to follow. He acquired new recording equipment and many new saxophones, clarinets, double reeds, metal and wooden percussion instruments, electronic instruments, signal processing equipment and other sound-making devices from many cultures. He revived his old record label, Evil Clown, and created reissues and new releases for much of the early period work by Leap of Faith and many of his other projects to sell at shows, DMG and the internet (around 100 archival titles).

The Arsenal of equipment has a grand purpose: To establish a large scale aesthetic problem to use the instruments to make long form broad palate improvisations with dramatic transformation and development. The very broad palate enables the long improvisations to evolve with very different movements and pronounced development over their length. PEK started the Leap of Faith Orchestra, a greatly expanded Leap of Faith, to achieve this purpose along with a number of smaller ensembles which are sub-units of the full orchestra including String Theory (focusing on orchestral strings), Metal Chaos Ensemble (focusing on metallic percussion), Turbulence (horn players), Mekaniks (electronics) and Chicxulub (space rock). In all, the Evil Clown roster includes over 40 musicians who contribute to one or more of the various projects, with PEK participating in all of them. Leap of Faith has also had some special guests like Steve Swell (trombone), Thomas Heberer (trumpet), Jeremiah Cymerman (clarinet) and Jim Hobbs (alto sax). The Leap of Faith Orchestra happens whenever several of these groups play together at the same time, or the ensemble exceeds 7 or 8 players. The Full Orchestra is a special case discussed below.

The current roster is comprised in part of: - Core Leap of Faith: PEK, Glynis Lomon, Yuri Zbitnov (Steve Norton has since left to go to Graduate School) - Percussion: Andria Nicodemou (vibes), Kevin Dacey (perc), Joe Hartigan (perc), Syd Smart (drums) - Strings: Jane Wang (cello), Clara Kebabian (violin), Tony Leva (bass), Mimi Rabson (violin), Kirsten Lamb (bass), Brendan Higgins (bass), Silvain Castellano (bass), Rob Bethel (cello), Kit Demos (bass), Matt Scutchfield (violin), Helen Sherrah-Davies (violin) - Piano: Eric Zinman, Peter Cassino, Emilio Gonzales - Horns: Dave Harris (tuba, trombone), Charlie Kohlhase (saxes), Bob Moores (trumpet), Sara Honeywell (trombone), Forbes Graham (trumpet), John Baylies (tuba), Dan O'Brien (woodwinds), Zack Bartolomei (woodwinds), Kat Dobbins (trombone), Steve Provizer (trumpet, baritone horn), Matt Samolis (flute) - Electronics: Greg Grinnell, Jason Adams (electric bass, electronics) - Guitar: Dru Wesely, Grant Beale, Chris Florio - Voice: Dei Xhrist

Evil Clown is documenting the ongoing solutions to this aesthetic challenge by creating limited CD editions and digital download albums of every performance and studio session by this array of ensembles. Interested audience can track the development of the grand scale project over the many releases - over 80 albums recorded and released so far between Jan of 2015 and March of 2017. All of the bands are highly modular, changing personnel and instrumentation with each meeting. The result is an enormous amount of music that shares the same fundamental improvisational language but differs from event to event greatly both in sonority (overall sound) and specific detail.

For the full Leap of Faith Orchestra, PEK composes a graphic notation score to guide the improvisation. The full Orchestra is comprised of roughly 20 players from the roster and performs twice a year. Two performances have occurred to date - The Expanding Universe in June of 2016 and Supernovae in November of 2016. Composition for Possible Universes is completed and the work will be performed on May 28, 2017 with another performance (score not yet begun) scheduled for November.

The scores use a device called Frame Notation where written English descriptions of the overall sonority desired and simple graphic symbols are given durations for each player on their part along with direction on when to play and when not to play. The directions are put in little boxes called frames which are arranged on a timeline and are simple enough to be immediately understood by the performers. Horizontal lines, called Duration Bars, extend across the page indicating when each Event (the Frame + the Duration Bar) begins and ends. An Event can be intended for the full ensemble, a defined group within the ensemble (for example, Metal Chaos Ensemble), a custom group (for example, Tubas), or an individual (for example, Andria Feature).

Parts are the full score annotated with Hiliters so that each player's instructions stand out. They can clearly see their individual instructions, but can also see the big picture, enabling far more knowledge about the pending actions of the rest of the ensemble than typical in pure improvisation. The players track the elapsed time on a very large sports clock. There is no melodic, harmonic or rhythmic information specified. This system allows PEK to compose detailed Ensemble Events without having to notate pitches or rhythms which would require significant rehearsal to accurately achieve."

-All About Jazz (https://musicians.allaboutjazz.com/pek)
4/8/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Improvising cellist, vocalist and aquasonic player Glynis Lomon graduated from Bennington College in 1975 with a degree in Music/Black Music. At Bennington she studied with musician/composer Bill Dixon and continued to perform and record with his ensembles until his recent death. Glynis has also been privileged to play with Arthur Brooks, Jimmy Lyons, Cecil Taylor, Butch Morris, William Parker, Joe Morris, Greta Buck, Masashi Harada, Lowell Davidson, Raqib Hassan and many others. For almost a decade she and multi reed player PEK performed in the Boston area with their group Leap of Faith."

-Evil Clown Website (http://www.giantevilclown.com/bio-glynis-lomon-.html)
4/8/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Dedicated improvisor and electro acoustic pioneer, Bonnie Kane's music is formed from equal exposure to the avant-garde, hard core and the psychedelic.

Integrating saxophone, flute, feedback and electronics, her solo and group work traverse the genres of noise, free jazz and improvisation, psych rock, jam band, and bio-composition. She brought her "Fresh Sound Guarantee" to her first show at the Rochester Planetarium, performances at a Bosnian refugee camp, outdoor festivals, art spaces, rock, jazz, and punk clubs. She has toured nationally and worldwide, performing extensively throughout her Eastern USA base.

A bandleader since the 1990s, with over 30 releases, those she has performed and recorded with include: John Spencer, Tatsuya Nakatani, Chris Forsyth, Kevin Shea, Shayna Dulberger, Jeffrey Hayden Shurdut, Blaise Siwula, Ernesto Diaz-Infante, Chris Welcome, Federico Ughi, Walter Wright, Andrea Pensado, Chris Strunk, and John Loggia. New collaborations are continually evolving."

-Bonnie Kane Website (http://bonniekane.com/bio/)
4/8/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

John Loggia is a Boston-area drummer who has worked with Bonnie Kane, Blaise Siwula, and the Evil Clown Collective band Turbulence.

-Squidco 4/8/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Quest for Uncertainty 1:10:27

Possible Outcomes of Empirical Phenomena 5:17

Related Categories of Interest:

Used CDs

Improvised Music
Free Improvisation
Jazz
Electro-Acoustic
Electro-Acoustic Improv
Boston Area Improvisers
Quartet Recordings
Used CD Alphabetic List

Search for other titles on the label:
Evil Clown.


Recommended & Related Releases:
Neurodivergent
Cosmic Collisions
(Evil Clown)
A new ensemble emerging out of the Boston collective band Expanse with David Peck on reeds, percussion and innumerable instruments, Count Robot on voice & tapes, DNA Girl on guitars & mandolin, Tim Mungenast on guitar, and Michael Caglianone on reeds & winds, all adding percussion and electronics from the Evil Clown arsenal, exploring aspects of group improvisation.
Simulacrum
Mechatronics
(Evil Clown)
This ensemble features 3 core Evil Clown members--David Peck on reeds, winds, percussion & electronics; Eric Woods on analog synth; and Bob Moores on space trumpet, guitar & electronics--with guests Michael Caglianone on reeds & percussion, Robin Amos on electric zither and keyboards; Faruq Hassan on samplers & keys; Albey OnBass on bass; and Michael Knoblach on military devices.
Expanse
Extent
(Evil Clown)
Evoking the idea of space and restraint, Extent is a mostly acoustic improvisation project based around the trio of David Peck on clarinet, contralto & contrabass clarinet, saxophones flute, goat horn, synthesizer, theremin and percussion, fellow reedist Michael Caglianone, Michael Knoblach performing on percussion & objects, and joined by NY/Boston improviser Albey onBass on bass.
Leap Of Faith
The Origin Of Mass
(Evil Clown)
The second album of collective free improvisation from Leap of Faith expanded by Chinese musicians, from the core duo of multi-reedist David Peck and cellist Glynis Lomon, here with Chinese improviser, Boston-based Beijing guzheng player Jiaxin Wan, alongside trumpeter Bob Moores, for two exotic improvisations of patiently evolving global elements.
Leap Of Faith
Geodetic Drift
(Evil Clown)
Leap of Faith is the core duet of the Leap of Faith Orchestra (LOFO) of David Peck on clarinets, saxophones, double reeds & flutes, and Glynis Lomon on cello, aquasonic & voice, using a huge arsenal of instruments to improvise works featuring transformations across highly varied sonorities, joined here by trumpeters Bob Moores & John Fugarino, and percussionist Michael Knoblach.
Turbulence Orchestra
Trapped In A Whorl
(Evil Clown)
Turbulence is the extended horn section for the Boston collective Leap of Faith Orchestra, along with guests on other instruments, here in a large ensemble performance with Bonnie Kane (sax), Dennis Livingston (flute & winds), John Fugarino, Bob Moores & Eric Dahlman (trumpets), Duane Reed (double bell euphonium), with the rhythm section of John Loggia (drums) and Scott Samenfeld (bass).
Turbulence
Inversion
(Evil Clown)
Using his Broad Palate concept to introduce multiple sonorities to solve problems of large group improvisations, composer/multi-reedist David Peck's Turbulence project of the extended horn section of the Leap of Faith Orchestra is here represented by Peck, Jared Holiday, David Welans and Dennis Livingston (winds), and Bob Moores, Erich Dahlman and Duane Reeds (brass).
Metal Chaos Ensemble
Project Wildfire
(Evil Clown)
A working project of the Boston-based Evil Clown collective, Metal Chaos Ensemble explores chaotic rhythms on metallic instruments, in this live-streamed performance from 2022 as a quintet with strong jazz influences, from David Peck on reeds and percussion, Bob Moores on trumpet & keys, Michael Caglianone on sax, Albey onBass on bass, and Steve Niemitz on drums & percussion.
Simulacrum (Peck / onBass / Moores / Simches)
Semblance
(Evil Clown)
An offshoot of Metal Chaos Ensemble, Simulacrum features 3 the core members of that band--David Peck on winds, horns, percussion and electronics, Eric Woods on analog synth, and Bob Moores on space trumpet, guitar & electronics--substituting Joel Simches for Woods to provide maximum real-time signal processing for this extended and diverse set of free improv, jazz and soundscape.
Perturbations
Deviations Of A System
(Evil Clown)
Leveraging the real time signal processing of Evil Clown house engineer Joel Simches, this project from the Boston free improving collective centers around reedist & multi-instrumentalist David Peck and Simches, who provides the "perturbations" of each player through his processing, making him the 4th in this quartet with bassist Albey onBass and reedist Michael Caglianone.
Turbulence Orchestra
Find The Loophole
(Evil Clown)
The extended horn section from the Boston collective Leap of Faith Orchestra is heard in this ensemble session with reeds and winds from David Peck and Michael Caglianone, and brass from Eric Dahlman, Bob Moores and John Fugarino on trumpets and Duane Reed on double bell euphonium, plus Jared Seabrook on drums and all members performing on the Evil Clown extended percussion arsenal.
Leap Of Faith Chinese Orchestra
Jade Mirror of the Four Unknowns
(Evil Clown)
A unique and fascinating edition of the Leap of Faith Orchestra, bringing special guests Jimmy Zhao, Yazhi Gao, Jiaxin Winky Wan, Ziya Gao, and Jiangcheng Guan performing on Chinese instruments to join with the core duo of David Peck on clarinets, saxophones, clarinets & flutes, Glynis Lomon on cello, aquasonic & voice, along with percussionist/drummer Michael Knoblach.
Expanse
Swathe
(Evil Clown)
After receiving interest in joining the Evil Clown collective from Count Robot and DNA Girl (Deb Angelosanto), and in parallel from guitarist Tim Mungenast, collective director David Peck scheduled a session for this 7th Expanse album, adding drummer Michael Knoblach to complete this quintet configuration of the band's electric-oriented approach to space and restraint.
Axioms
Abstract Intensions
(Evil Clown)
Arranged around the core of bassist Albey onBass and poet Jane SpokenWord, who were a part of Cecil Taylor's final trio, this spoken word, drummer-less ensemble from the Boston-based Axiom collective is a live quartet performance with David Peck on reeds, winds, percussion & electronics, and Glynic Lomon on cello and aquasonic, in an extended, eclectic and electric discourse.
Metal Chaos Ensemble
The Korova Milkbar
(Evil Clown)
Simulacrum
Homunculus
(Evil Clown)
An offshoot of the Boston collective Evil Clown band, Metal Chaos Ensemble, orchestrated for additional electronics and without a drummer, featuring the three core members from MCE--David Peck on reeds, winds and percussion, Eric Woods on analog synth, and Bob Moores on space trumpet, guitar & electronics--expanded with Albey onBass on bass and moog, Eric Zinman on synth, and Michael Caglianone on reeds.
Leap Of Faith
Transmutations
(Evil Clown)
Leap of Faith (David Peck on reeds, winds & percussion and Glynis Lomo on cello & aquasonic) are joined by saxophonist Bonnie Kane, former Cecil Taylor bassist Albey onBass, John Loggia on drums, Joel Simches performing real time processing, and in his debut with the Boston collective, Chris Alford on guitar & signal processing, in a dynamic jazz-oriented extended set.
Leap Of Faith
The Energy Of Now
(Evil Clown)
Reuniting drummer Sydney Smart with Leap of Faith, the core duet from the Leap of Faith Orchestra of cellist Glynis Lomon and reed, wind & percussionist David Peck, in a sextet configuration of theÊBoston collective band with Ellwood Epps on trumpet, Eric Zinman on keyboards, Joel Simches performing real-time signal processing, and Smart on a variety of exotic drums and gongs.
Simulcrum
Meditations on Reality
(Evil Clown)
Simulacrum is an offshoot of Metal Chaos Ensemble featuring 3 the core members David Peck on reeds & winds, an arsenal of percussive devices & narration, Eric Woods on analog synth, and Bob Moores on space trumpet, guitar, & electronics, joined on this set by Michael Caglione on saxophones, plate gong & spring & chime rod boxes, and Joel Simches providing perturbations.
Leap Of Faith
Coherent Alternatives
(Evil Clown)
Leap of Faith is the core duet of the Leap of Faith Orchestra (LOFO) comprised of PEK on clarinets, saxophones, double reeds & flutes, and Glynis Lomon on cello, aquasonic & voice, here joined by John Fugarino performing on trumpet, slide valve trumpet, flugelhorn, trombone and leveraging the vast Evil Clown arsenal of percussion devices.
Simulacrum
Reincarnations
(Evil Clown)
A quartet of collective improvisors focused on the merging of percussion and electronics from the Boston project Simulacrum in an extended transmigration, here with Bob Moores on guitar and synths, former Cecil Taylor bassist Albey onBass, keyboardist Eric Zinman also performing on drum kit, and David Peck on reeds, winds, electronics and percussive devices.
Metal Chaos Ensemble
Nexus 6
(Evil Clown)
One of Evil Clown's most prolific groupings, Metal Chaos Ensemble was formed in 2015 by David Peck and Yuri Zbitnov as a working project to explore chaotic rhythms on metallic instruments, here in a live performance with real time signal processing by Joel Simches, performed with saxophonist Michael Caglianone, bassist Mike Gruen, analog synthesist Eric Woods and percussionist Steve Niemitz.
Axioms
Meaning And Truth
(Evil Clown)
Cecil Taylor trio associates, the working duo of poet Jane SpokenWord and bassist Albey onBass, joins the collaborative Boston duo of David Peck on reeds & percussion and Gylnis Lomon on cello and aquasonic, the "Axioms" focusing on statements or propositions that bridge the distance between poetic discussion of truths and abstract musical structures.
Expanse
Chromatic Spectrum
(Evil Clown)
The Boston-based Expanse, inspired by the concepts of space and restraint, configured as a trio in a livestreamed session where Evil Clown stalwart David Peck on clarinets, saxophones, fog horns & percussion is joined by Eric Woods on analog synth & percussion, and Michael Knoblach, who focuses on exotic percussion instruments, for a unique journey in electroacoustic improv.
Leap Of Faith
Ordered And Disordred Localities
(Evil Clown)
A 2022 recording at Evil Clown Headquarters, in Waltham, MA of the duo offshoot of the Leap of Faith Orchestra--David Peck on reeds & flutes, and Glynis Lomon on cello, aquasonic & voice--with guests, trumpeter Vance Provey, saxophonist Michael Caglianone, modular synth player Eric Woods and Albey on bass, with Joel Simches performing real-time signal processing.
Leap of Faith
Quatum Jitters
(Evil Clown)
The core duet of the Leap of Faith Orchestra of David Peck on clarinets, saxophones, clarinets & flutes and Glynis Lomon on cello, aquasonic & voice, are joined by Michael Caglianone on trumpet, Eric Woods on modular synth, Albey on bass, all processed in real time by Joel Simches, extending their previous acoustic-only approach to incorporate electronics.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC