The Squid's Ear Magazine
Squidco Used CD sale - save 20%!



Branch, Jamie / Isaiah Collier / Gilles Coronado / Tim Daisy: Stembells (The Bridge Sessions)

As part of the transatlantic network The Bridge connecting creative musicians for performance, the quartet of Jaimie Branch on trumpet, synthesizer & electronics, Isaiah Collier on soprano & tenor saxophones, Gilles Coronado on electric guitar and Tim Daisy on drums, recorded this wildly building live performance after a 2022 tour across Chicago and the Midwest.
 

Price: $17.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units

Sample The Album:





product information:

Personnel:



Jaimie Branch-trumpet, synthesizer, electronics

Isaiah Collier-soprano saxophone, tenor saxophone, percussion

Gilles Coronado-electric guitar

Tim Daisy-drums


Click an artist name above to see in-stock items for that artist.




UPC: 3760131276176

Label: The Bridge Sessions
Catalog ID: TBS-17
Squidco Product Code: 34267

Format: CD
Condition: New
Released: 2023
Country: USA
Packaging: Cardboard Gatefold
Recorded at Experimental Sound Studio, in Chicago, Illinois, on Aopril 20th, 2022, by Brian Sulpizio.

Descriptions, Reviews, &c.

"This album is a trail left after an exploratory tour across Chicago and the Midwest that took place between April 16th to 29th, as part of The Bridge, a transatlantic network for creative music."

"All the music that ever was and ever will be is here now. It exists in a cloud just above our heads and when we play, we pluck it out of the ether for a lil' while before sending back it up."-Jaimie Breezy Branch



"The Bridge has been building itself since 2013, inspired by a simple observation: if it is now well known that jazz and improvised music, in France and in Europe, have found their flight, their specificity and their independence, some North American stages, particularly in Chicago and the Midwest, continue to develop at their own rhythm(s). The autonomy acquired and the originality developed by both sides should not prevent new forms of cooperation. On the contrary, we believe that they should even encourage them.

To durably bring together French and North American musicians (our network gathers more than 140 musicians from both countries, the list of whom is given in the chronology, and who have been divided into quartets and quintets, themselves divided into two cycles); to give them space, time and the opportunity to get to know each other, in their similarities and differences, to develop their exchanges and creative projects, in reciprocity and complementarity: such is the objective of The Bridge.

Our system therefore provides that each Franco-American ensemble circulates in turn on both continents during tours designed as exploratory trips: the ensembles that began in France then move to the United States, and vice versa.

Each tour is designed and produced as a series of concerts in all kinds of places (from the club to the festival, from the conservatory to the university, from the local association to the national museum, at least fifteen concerts and events are guaranteed each time - a documentary was directed by Hugo Massa to tell the fabulous story of one of these tours,; a recording was also made by Culture Box). But also as an opportunity for musicians on the move to better understand the social, cultural and economic environment of their partners, through multiple parallel events that are equally and differently addressed to the whole society.

This is why The Bridge does not only promote one transatlantic ensemble or another, but takes advantage of each tour to electrify a network. It is a question of creating a real circulation of experiences, ideas and perspectives, almost ethnographic in nature. To follow the long path of mutual understanding that cannot save the time spent, wasted and invented together, the economy of spaces and counterspaces to be repopulated. And through the bringing together of creative musicians, through the assembly of original music drawing on these experiences, filtering, transposing and transforming them, it is also a question of solidarity between the structures and institutions that work daily and year-round with these musicians, and which are our obvious partners. With them and through them, propose another economic model for the intelligent diffusion of this music; contributing to a better dialogue between music and the world.

The Bridge is not presenter anchored in a single physical space, a single territory, but a nebula associating such places all over France and Chicago. Our initiative would not have been possible without the steadfast support of these clubs, festivals, music schools, conservatories, universities, cultural centres, media, on both sides of the Atlantic, nor without a "knowledge of the field" that immediately made it possible to identify, from the "base", a first set of valuable partners. We would like to thank them here for their commitment to us."-The Bridge Mission


Get additional information at The Bridge

Artist Biographies

"Jaimie Breezy Branch (born 17 June 1983) is an American jazz trumpeter and composer.

Branch was raised in Red Hook, Brooklyn and started playing trumpet at age nine. At 14, she moved to Wilmette, a suburb of Chicago, before attending the New England Conservatory of Music (graduating in 2005). Later she moved back to Chicago, working as a musician, organizer and sound engineer on the local music scene, including with Jason Ajemian (on The Art of Dying, 2006), Keefe Jackson's Project Project (on Just Like This, 2007), and Tim Daisy' s New Fracture Quartet (on 1000 Lights, 2008), Anton Hatwich and Ken Vandermark. She has performed in Chicago and New York with her trio Princess, Princess, with bassist Toby Summerfield and drummer Frank Rosaly, and in trios with Tim Daisy and Daniel Levin, Matt Schneider and Jason Adasiewicz, and with Chris Velkommen/Sam Weinberg. Together with Jason Stein, Jeb Bishop and Jason Roebke, she founded the band Block and Tackle. To jazz she has contributed on five albums between 2006 and 2008.

In 2012 Branch moved to Baltimore, where she earned a master's degree in Jazz performance from Towson University. At this time she also founded the record label Pionic Records, where she releases the music of her group Bomb Shelter. In New York she has worked with Brandon Lopez, Fred Lonberg-Holm and Mike Stolthet among others. In addition, she performed on albums with the independent rock groups Never Enough Hope, Local H and Atlas Math. Currently, she works in a quartet with Chad Taylor (drums), Jason Ajemian (bass) and Tomeka Reid (cello), as well as with Brandon Lopez, Mike Pride, Shayna Dulberger and Weasel Walter, and with Yoni Kretzmer and Tobey Cederberg. She names Don Cherry, Axel Dörner, Booker Lite and Miles Davis among her musical influences. In 2017 she released her debut solo album, Fly or Die, with Tomeka Reid, Jason Ajemian, Chad Taylor, Matt Schneider (guitar), Ben LaMar Gay, and Josh Berman (cornet)."

-Wikipedia (https://en.wikipedia.org/wiki/Jaimie_Branch)
4/24/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Isaiah Collier is a Chicago-based writer, educator, arranger, and composer. An alumnus of the Jazz Institute of Chicago and The Chicago High School for the Performing Arts, Collier has worked and played with Chicago legends such as Willie Pickens, Delores Scott, Ernest Dawkins, Ari Brown, Dee Alexander, Maggie Brown, Robert Irving III, and Charles Heath IV, in addition to national and international artists such as Rene Marie, Chance the Rapper, Stefon Harris, Roy McCurty, Carmen Bradford, Carl Allen, Bennie Maupin, Bobby Broom, Quincy Phillips, Lisa Henry, Wyclef Gordon, Lewis Nash, and the AACM. Collier draws influence from saxophone masters such as John Coltrane,Ari Brown, Roscoe Mitchell, and Gene Ammons. He has had many mentors, including Antonio Hart,Joan Collaso, Ari Brown, Willie Pickens, Ernest Dawkins, Bennie Maupin, James Perkins, Charles Heath, Bobby Watson, and others. Collier and his band " The Chosen Few just recently returned from Europe. Collier is fascinated with sounds. He believes the stage to be a lab where he can experiment and explore with sounds. To make a new statement."

-Facebook (https://www.facebook.com/events/333269935227552/?ref=newsfeed)
4/24/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"A French guitarist and composer, Gilles Coronado is a near-constant presence on the French jazz and improvised music scene. Influenced by the muscular and uniquely French jazz-rock fusion of the '70s zeuhl scene as well as European guitarists like John McLaughlin and Robert Fripp, Coronado has played and recorded with such bands as Thot, AKA Moon Electric, Urban Mood, Triple Gee, and Collectif Alka; as well as composing and performing music for a variety of theater and dance performances. His albums as a leader include 1999's Urban Mood."

-All Music (https://www.allmusic.com/artist/gilles-coronado-mn0001410122/biography)
4/24/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Tim Daisy (percussion) has been an active member of Chicago' s creative music scene since moving there in 1997. He has performed, composed, recorded, and toured with many of the city's celebrated musicians and ensembles, including the Engines, KLANG, the Rempis Percussion Quartet, the Resonance Ensemble, and the Vandermark 5. In addition, Tim maintains an active composing schedule, writing for his own bands (such as Vox Arcana and Group 4-34) as well as contributing music to a number of collaborative projects- including chamber groups, jazz ensembles, dance, and film. He has had the fortunate experience to perform and record with many great improvisers both from around the world, including: Fred Anderson, Jim Baker, Jeb Bishop, Magnus Broo, Xavier Charles, James Falzone, Erik Friedlander, Per-Ake Homlander, Fred Lonberg-Holm, Nate McBride, Joe McPhee, Dave Rempis, Steve Swell, Mikolaj Trzaska, Havard Wiik, Waclaw Zimpel, and Michael Zerang. Besides a regular concert schedule in Chicago, Tim has toured throughout North America and Europe, and has performed at numerous international music festivals."

-Ken Vandermark Website (http://kenvandermark.com/2013/10/made-to-break-biography/)
4/24/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Stembells 37:26

Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
Chicago Jazz & Improvisation
European Improvisation, Composition and Experimental Forms
Quartet Recordings
New in Improvised Music
Staff Picks & Recommended Items

Search for other titles on the label:
The Bridge Sessions.


Recommended & Related Releases:
Rempis / Haker-Flaten / Daisy / Rosaly
Harvesters [2 CDs]
(Aerophonic)
The Rempis Percussion Quartet in their French debut after 15 years of touring elsewhere through Europe, with Dave Rempis on sax, both Tim Daisy & Frank Rosaly on drums and Ingebrigt Haker Flaten on bass, performing an exuberant concert recorded at Le Petit Faucheux in Tours, with trumpeter Jean-Luc Cappozzo joining for one extended improv, plus a live workshop for young immigrants and a rare studio session.
Feldman / Rempis / Daisy
SIROCCO
(Aerophonic)
Welcoming third improvisers into the long-standing duo, Chicago saxophonist Dave Rempis and drummer Tim Daisy invite New York/Chicago violinist Mark Feldman to perform at Elastic Arts, in Chicago, heard in two extended improvisations, superb examples of masterful technique and profound dialog.
Rempis / Harnik / Lonberg-Holm / Daisy
Earscratcher
(Aerophonic)
Formed in 2019, the quartet of Dave Rempis on alto sax, Elisabeth Harnik on piano, Fred Lonberg Holm on cello and Tim Daisy on drums celebrate Elisabeth Harnik's 50th birthday in 2020, originally planned as part of a European tour that year but prevented by pandemic, instead recording this well-balanced and often unbridled 2022 concert at Alte Gerberei, St. Johan in Tirol, Austria.
Parker, Christopher / The Band of Guardian Angels
Soul Food
(Mahakala Music)
An open and free album of modern jazz evoking loft-style collective improvisation but controlled under the compositions of pianist Christopher Parker, in his debut album as a leader with the incredibly talented sextet of Kelley Hurt on vocals, Daniel Carter on winds, Jaimie Branch on trumpet, William Parker on bass and Gerald Cleaver on drums
Machinefabriek
With Drums [VINYL + DOWNLOAD]
(esc.rec.)
Rutger Zuydervelt (aka Machinefabriek) invited 41 drummer/percussionists including Tony Buck, Vasco Trilla, Tim Barnes, Greg Stuart, Cyril Bondi, &c. to take part in a project by recording a few short fills or phrases, which Zuydervelt used as "Lego Bricks" to build a series of short rhythmical collages, the results being 24 diverse and fascinating compositions.
Mofaya! (John Dikeman / Jaimie Branch / Luke Stewart / Aleksandar Skoric)
Like One Long Dream
(Trost Records)
A fiery record of collective free improvisation from the Mofaya! Quartet of American saxophonist based in The Netherlands John Dikeman, Chicago trumpeter Jaimie Branch, US East Coast bassist Luke Stewart and Slovenian drummer Aleksandar Skoric, recording live at Roze Tanker in Amsterdam for three exhilarating improvisations that embody US & European Free Jazz forms.
Machinefabriek
With Drums
(Machinefabriek)
Rutger Zuydervelt (aka Machinefabriek) invited 41 drummer/percussionists including Tony Buck, Vasco Trilla, Tim Barnes, Greg Stuart, Cyril Bondi, &c. to take part in a project by recording a few short fills or phrases, which Zuydervelt used as "Lego Bricks" to build a series of short rhythmical collages, the results being 24 diverse and fascinating compositions.
Henneman, Ig / Jaimie Branch / Anne La Berge
Dropping Stuff And Other Folk Songs
(Relative Pitch)
Dedicated to the late Mike Panico, who requested that viola player Ig Henneman develop a concept for the Relative Pitch label, this trio brings together the Amsterdam-based Henneman and flutist Anne La Berge with US trumpeter Jaimie Branch, three women in an eccentric and fearless trio of energetic interaction marked by masterful technique and exuberant delivery.
Rempis / Piet / Daisy
Throw Tomatoes
(Astral Spirits)
Bringing together two live shows from 2017 of the trio of Chicago luminaries, Dave Rempis on saxophones, Tim Daisy on drums, and Matt Piet on piano, in an exhilarating album of free jazz that shows the excitement of all three in what are only their 3rd and 4th live gigs together, each driving the other to enthusiastic heights amidst contemplative and playful moments.
Piet, Matt & His Disorganization (w / Berman / Mazzarella / Daisy)
Rummage Out
(Clean Feed)
A young and fresh voice in the creative Chicago improv scene, pianist and composer Matt Piet, who leads his own trio and the band Four Letter Words, and one third of Rempis/Piet/Daisy, introduces a new quartet with saxophonist Nick Mazzarella, cornet player Josh Berman, and drummer Tim Daisy, a superb example of the energetic and active Chicago scene.
Rempis Percussion Quartet, The (w/ Haker Flaten / Daisy / Rosaly)
Cochonnerie
(Aerophonic)
13 years playing together and releasing this, their 8th album, the Chicago quartet of Dave Rempis on sax, Ingebrigt Haker-Flaten on electric bass, Frank Rosaly on drums, and Tim Daisy on drums, are captured live at Elastic Arts, in Chicago for three awe-inspiring collective improvisations of great energy, resolution, and focus.
Rempis Percussion Quartet, The (w/ Haker-Flaten / Rosaly / Daisy)
Cash And Carry
(Aerophonic)
After 10 years together, the Rempis Percussion Quartet led by saxophonist Dave Rempist, Frank Rosaly, Tim Daisy on drums and percussion, and Ingebrigt Haker-Flaten on bass, recorded this concert at Chicago's Hungry Brain for a superlative album of rhythmically simmering free improv.
Made to Break
Cherchez la Femme
(Trost Records)
The quartet of Ken Vandermark on saxes, Christof Kurzmann on electronics, Devin Hoff on bass and Tim Daisy on drums trace women's influence on contemporary art, especially music, painting and photography, through 3 incredible examples of modern jazz.
Rempis / Daisy Duo, The
Second Spring
(Aerophonic)
Since 1997 drummer Tim Daisy and saxophonist Dave Rempis have worked together as part of the vital Chicago improvising scene, heard here in these superb duo sessions of great technical, musical, and inventive skills.
Made to Break
Lacerba [VINYL]
(Clean Feed)
The electroacoustic quartet of Christof Kurzmann (electronics), Devin Hoff (bass), Ken Vandermark (reeds) and Tim Daisy (drums) performing live in Lisbon, an innovative and significant band developing new languages for improvisation.
Rempis Percussion Quartet ,The
Phalanx [2 CDs]
(Aerophonic)
A 2-CD set of live concert recordings from this brilliant improvising quartet headed by Dave Rempis (sax) with prominent members Ingebrigt Haker Flaten (bass), Tim Daisy (drums), and Frank Rosaly (drums).
Giallorenzo, Paul Trio featuring Ingebrigt Haker Flaten and Tim Daisy
Pg3 IHF & tD
(Not Two)
Chicago-based pianist Paul Giallorenzo trio with fellow Chicago drummer Tim Daisy and Norwegian bassist Ingebrigt Haker Flaten performing a set of Giallorenzo compositions that balance melodic and free moments with authoritative playing.
Arrive: Shelton / Adasiewicz / Roebke / Daisy
There Was
(Clean Feed)
Arrive, formed in 2001, is Aram Shelton's Chicago band with vibraphonist Jason Adasiewicz, bassist Jason Roebke and drummer Tim Daisy, a remarkable album of structured free playing.
Other Recommended Releases:
Johnson, Russ / Tim Daisy / Max Johnson
Live at the Hungry Brain
(Listen! Foundation (Fundacja Sluchaj!))
A patiently evolving collective performance at Chicago's Hungry Brain from the trio of New Yorkers--trumpeter Russ Johnson and bassist Max Johnson--and Chicago drummer Tim Daisy, whose arsenal of percussive devices adds unexpected asides to the trio's confident free jazz explorations, Johnson adding lyrical lines as the band moves as one through two extended improvisations.
Murcia, Sarah
Never Mind The Future
(Ayler)
Revisiting Sex Pistols' "Never Mind the Bollocks" in a band with Benoit Delbecq on piano, Gilles Coronado on guitar, Olivier Py on sax, Franck Vaillant on drums, and Sarah Murcia on bass, splitting the vocals with Mark Tompkins in a unique take on a punk classic.



Customers Who Bought This Item Also Bought:
Schindler / Zwang Eriksson / Rehling
Ritual Sound Exposures
(FMR)
The long-standing duo of German multi-reedist & brass player Udo Schindler and drummer Eric Zwang Eriksson are joined by percussionist Erwin Rehling (HAMMERLING) for the 4-part free and eclectically authoritative improvisatory work "Ritual Sound Exposure", recorded live at the music venue and bookstore BASIS_Klangraum at the Munich Community Arts Center.
Dunmall / Brackenbury / Brice / Bianco
Prema
(FMR)
Part of a series at Birmingham, UK's East Jazz Club by saxophonist Paul Dunmall with some of the UK's finest improvisers, here in a quartet of two string players—Olie Brice on bass and Faith Brackenbury on violin—plus long-time collaborator Tony Bianco on drums, the title Prema referring to divine love or higher love, as heard in this tremendous, extended performances.
Shipp, Matthew / Steve Swell
Space Cube Jazz
(RogueArt)
The first duo recordings from fellow New York jazz musicians, trombonist Steve Swell and pianist Matthew Shipp, having brushed shoulders together with Whit Dickey, Dom Minasai, Jemeel Moondoc, Allen Lowe &c., they bring a wealth of familiar knowledge and language to their binary concentration, through twelve concise dialogs themed around the dark expanse of space; masterful and intimate.
Bailey, Derek / Simon H. Fell
At Sound 323 [VINYL 180gm WHITE 2 LPs]
(Confront)
The full performance of legendary improvising guitarist Derek Bailey's 2001 exhilarating duo with bassist Simon H. Fell at Sound 323, originally released as a mini-CD and voted record of the year in 2002 by The Wire, then released on CD and now as a deluxe 2 LP set on 180gm White Vinyl.
Ballister (Rempis / Lonberg-Holm / Nilssen-Love)
Smash And Grab [VINYL]
(Aerophonic)
"Smash", "Even More Smashing" and "Grab" sums up the intense energy that the Ballister trio brought to their 2022 performance at Elastic Arts in Chicago as part of the Catalytic Sound Festival, impelled by Paul Nilssen-Love's powerful drumming and Fred Lonberg-Holm's demanding cello work, with Dave Rempis roaring on alto, tenor and baritone saxophones; wow!
Ballister (Rempis / Lonberg-Holm / Nilssen-Love)
Smash And Grab
(Aerophonic)
"Smash", "Even More Smashing" and "Grab" sums up the intense energy that the Ballister trio brought to their 2022 performance at Elastic Arts in Chicago as part of the Catalytic Sound Festival, impelled by Paul Nilssen-Love's powerful drumming and Fred Lonberg-Holm's demanding cello work, with Dave Rempis roaring on alto, tenor and baritone saxophones; wow!



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC