"Over the past decade, Darius Jones has created a recognizable voice as a critically acclaimed saxophonist and composer by embracing individuality and innovation in the tradition of African-American music. "Jones' concept is proudly his own," writes Philip Clark in The Wire. [His music] poses big questions about the relationship between the African-American tradition of spirituals, blues and gospel, and now." With New York City as his base since 2005, Jones has brought his unique sound to dozens of cities around the United States, Canada and Europe.

Jones early on established himself as a powerful voice in the jazz community and was nominated in 2013 for Alto Saxophonist of the Year, and for Up & Coming Artist of the Year two years in a row for the Jazz Journalists Association Jazz Awards. Jones was one of Jazz Times' Debut Artists of the Year for 2009 and was featured in the Wall Street Journal in 2011. In 2012 he was featured in DownBeat and on WBGO's The Checkout. Jones' 2012 release, Book of Mæ'bul (Another Kind of Sunrise) was listed among NPR's Best Top 10 Jazz Albums of that year. "Jones speaks through his alto in an original and unforced language," writes DownBeat's Joe Tangari. Critics have called him "robustly creative" (Nate Chinen, New York Times) and "one of NYC's most incisive and passionate saxists" (Time Out New York). AllAboutJazz.com reviewer Troy Collins writes, "Jones has set the stage for a winning series of albums designed to document his rise as one of the most impressive and unique voices of our time."

More recently The New York Times named Jones among the Best Live Jazz Performances of 2017 for his Vision Festival performance with Farmers by Nature.

Jones has collaborated with artists including Gerald Cleaver, Oliver Lake, William Parker, Craig Taborn, Jason Moran, Georgia Ann Muldrow, Trevor Dunn, Eric Revis, Mike Reed, Nasheet Waits, Orrin Evans, Branford Marsalis, Kris Davis, Vijay Iyer, Marshall Allen, Dave Burrell, James Carter, Harriet Tubman, JD Allen, Tyshawn Sorey, Andrew Cyrille, Yo La Tengo, Chad Taylor, Dan Weiss, Matt Mitchell, Ches Smith, Steve Lehman, Jim Black, Sun Ra Arkestra, Shazhad Ismaily, Fay Victor, Cooper-Moore, Imani Uzuri, Matthew Shipp and many more.

Signed to AUM Fidelity records in 2009, Jones has released a string of diverse recordings which comprise his Man'ish Boy Epic, featuring music and images evocative of Black Futurism.

In 2008 Jones was awarded the Van Lier Fellowship by Roulette, which he used to launch his chamber ensemble, the Elizabeth-Caroline Unit, a project dedicated to new works for voice. Roulette continued their support for Darius' work through a Jerome Foundation Commission, and he was a Jerome Artist-in-Residence when the Elizabeth-Caroline Unit premiered the first section of The Oversoul Manual, in the Spring of 2014. Jones made his compositional debut at Carnegie Hall with the same work in October of 2014. In March 2018, Jones presented a new composition entitled LawNOrder a dramatic commentary on social justice and American politics, at Willamette University in Salem, Oregon.

In 2013, Jones was awarded the French-American Jazz Exchange grant for a collaboration with French vocalist Emilie Lesbros.

Jones graduated from Virginia Commonwealth University with a Bachelors in Jazz Studies in 2003, earning a Master's Degree in Jazz Performance/Composition from New York University in 2008. He also taught New Music Improvisation there for a year as an adjunct professor. Jones taught saxophone and improvisation at Columbia University in 2017.

Of note, Jones was featured in the Wall Street Journal and BBC's Jazz on 3 in 2011. In 2012 he was featured in the New York City Jazz Record, JazzTimes.com, the Village Voice Blog, DownBeat, and on WBGO's The Checkout. Darius was featured on the cover of Portuguese magazine, Jazz.pt in 2012, and on the cover of Italian magazine, Jazz Colours, in 2013. Darius' 2012 release, Book of Mæ'bul (Another Kind of Sunrise) was listed among NPR's Best Top 10 Jazz Albums of that year."

"Gerald Cleaver (born May 4, 1963) is an African-American jazz drummer from Detroit, Michigan. Cleaver's father is drummer John Cleaver Jr., originally from Springfield, Ohio, and his mother was from Greenwood, Mississippi. Gerald had six older siblings. Cleaver joined the jazz faculty at the University of Michigan in 1995. He has performed or recorded with Joe Morris, Mat Maneri, Roscoe Mitchell, Miroslav Vitous, Michael Formanek, Tomasz Sta ko, Franck Amsallem and others.

Under the name Veil of Names, Cleaver released an album called Adjust on the Fresh Sounds New Talent label in 2001. It featured Maneri, Ben Monder, Andrew Bishop, Craig Taborn and Reid Anderson and was a Best Debut Recording Nominee by the Jazz Journalists Association. Cleaver currently leads the groups Uncle June, Black Host, Violet Hour and NiMbNl as well as working as a sideman with many different artists."

"Jesse Zubot is one of those unique musicians/producers whose praxis spans multiple genres and transcends contextualization into an idiom. Between moments of impassioned, visceral outburst and quite emotive sensitivies, Zubot exposes the full range of affects through a pristine sonic architecture. Zubot a 3-time Juno Award winning musician/producer with avant-rock band Fond of Tigers (2011), chamber folk-jazz ensemble The Great Uncles of the Revolution (2004) and roots instrumentalists Zubot & Dawson (2003). Zubot produced the Polaris Music Prize winning album 'ANIMISM' by Tanya Tagaq which was released in 2014. This album also garnered Zubot a nomination for 'Producer of the Year' at the 2015's Juno Awards. In the fall of 2010 Jesse won the 'Multimedia' award for his work on the score for Tungijuq (w/ Tanya Tagaq) at the 2010 Western Canadian Music Awards. Tungijuq was produced by Isuma (Atanarjuat) and was selected for Sundance, The Toronto Film Festival and the ImagineNATIVE film festival where it won for Best Short. Zubot has also composed extensively for modern dance. A recent highlight was the presentation of Body Scan (Choreographed by Benoit Lachambre & Su-Feh Lee : Score by Jesse Zubot) at the prestigious Centre Pompidou in Paris, France. In the past decade Jesse has delved heavily into the world of improvised and creative music having worked with the likes of Francois Houle, Tanya Tagaq, Peggy Lee, Evan Parker, Eugene Chadbourne, Mats Gustafsson, Matthew Bourne, Dylan van der Schyff, Joe Fonda, Fred Frith, Eyvind Kang and Nels Cline and many others. In 2005 Zubot started Drip Audio ("...one of the most original musical operations in the country." - CBC Arts Online), a record label dedicated to creative music. Drip Audio now has 35 albums under it's umbrella by musicians from Vancouver, Montreal, Los Angeles, New York and the UK. Zubot is also sought after in the contemporary/commercial music world and has been a guest musician working with artists such as Dan Mangan, Destroyer, Mira Calix, Hawksley Workman, Kelly Joe Phelps, Veda Hille, Amy Millan, Alpha Yaya Diallo, Mother Mother and Stars. J Zubot was named 'Violinist of the Year' at Canada's National Jazz Awards in '03, '08 and '09 and has also been commissioned by the CBC to write symphonies & arrangements for the Winnipeg Symphony Orchestra and Symphony Nova Scotia.

In 2014 Jesse premiered his first full string quartet at the Vancouver East Cultural Centre in conjuction with Vancouver's Western Front for the Rio Tinto Alcan Performing Arts Award. 2014 also saw the release of 'Hector and the Search for Happiness', a feature film starring Simon Pegg, Christopher Plummer, Stellan Skarsgard and Rosamund Pike in which Jesse did the score for with Vancouver's Dan Mangan. Jesse composed and arranged music for the film that was performed by the German Film Orchestra Babelsberg (Potsdam, Germany). This score was nominated for a Canadian Screen Award in January 2015.

Some of Jesse's performance highlights in the past few years include ARoS Aarhus Kunstmuseum (Aarhus, Denmark), Time-Based Arts Festival (Portand, OR), Luminato Festival (Toronto, ON), Festival International du Film Insulaire de Groix (Iles de Groix, France), End of the Road Festival (Wiltshire, UK), Expo (Shanghai, China), WOMAD (Australia / New Zealand), Druga Godba (Ljubljana, Slovenia), WOMAD (Wiltshire, UK), Festival of World Cultures (Dublin, Ireland), Centre Pompidou (Paris, France), Kronos in Glasgow (Glasgow, UK), London International Festival of Exporatory Music (London, UK), The Monterey Jazz Festival (Monterey, CA), The Winnipeg New Music Festival, Festival International de Musique Actuelle (Victoriavillle, Quebec), The Mulhouse Music Festival (Mulhouse, France), Era Jazzu (Poland), The Montreal International Jazz Festival, the New York Guitar Festival, The Guelph Jazz Festival, Traz & Folk Fest (Rudolstadt, Germany), The Vancouver International Jazz Festival, The Calgary Folk Festival, Spilimbergo Folkfest (Italy) and The Atlantic Jazz Festival (Halifax, NS)."

"Cellist, improviser, composer Peggy Lee was born and raised in Toronto, Ontario. She studied classical cello, completing a bachelors degree in performance at the University of Toronto as a student of Vladimir Orloff and Denis Brott. She furthered her studies on the cello with lessons with Martha Gerschefski in Atlanta Georgia. In the fall of 1988 Peggy began a year residency with a string quartet at the Banff Centre in Banff, Alberta. It was here that she first became interested in collaborating with artists from different mediums and in veering away from the classical path. This led to a decision to move away from the known and thus to her relocating to Vancouver, B.C. where she now makes her home.

Peggy's first forays into improvisation in Vancouver happened with dancers at the EDAM (experimental dance and music) studio at the Western Front and eventually led to her meeting and joining guitarists Ron Samworth and Tony Wilson in their respective bands; as well as becoming a member of the New Orchestra Workshop, which went on to have interesting and fruitful collaborations with Butch Morris, Wadada Leo Smith, René Lussier, Barry Guy and George Lewis.

Peggy continues to collaborate frequently with Ron and Tony and with her husband, drummer Dylan van der Schyff, as well as with many other longtime musical associates including Dave Douglas, Wayne Horvitz, Robin Holcomb, Veda Hille and Lisa Miller. She also leads or co-leads a number of musical projects: The Peggy Lee Band, Film in Music, Waxwing (with Tony Wilson and Jon Bentley) and Beautiful Tool (with Mary Margaret O'Hara).

She has also collaborated extensively in theatre and dance with companies and artists such as Ruby Slippers, Rumble Theatre, Presentation House, David Hudgins, Peter Bingham and Delia Brett.

In 2005, Peggy received the Freddie Stone Award for integrity and innovation in music and in 2010 she was awarded a Jesse Richardson Theatre Award for outstanding composition."

"James Meger was born and raised in Surrey, British Columbia. He began playing the electric bass in early high school and took up the double bass upon entering post-secondary. After a brief stint studying music and Capilano College in North Vancouver, James moved to Montreal where he earned his Bachelors in Jazz Studies from McGill University and studied with drummer/composer Chris McCann.

Despite working and studying primarily in the fields of jazz and improvised music, James' experience on the bass spans many different areas of music. In his late teens he was a member of the acclaimed Vancouver based indie-roots band, The Sumner Brothers, with which he recorded two studio albums over 3 years. Later he went on to tour Eastern Europe with art-rock band, Dark Blue World, as well as tour all over Canada with Vancouver folk act, The Fugitives.

While attending McGill University, James helped form the collective saxophone trio, Braveheart. They have toured several times around Canada and self-released one album of original music entitled Acoustic Music.

James currently resides in Vancouver, where he is an active member of many diverse groups including: The Bruno Hubert Trio, Squareheart, 4=4, O.A.B., Tom Wherrett Trio, Proud Animal, The Jaclyn Guillou Band and Cow Trance."