The Squid's Ear Magazine


Marsh Quartet, Tony: Quartet Improvisations (psi)

Percussionist Marsh's quartet with Neil Metcalfe (flute), Alison Blunt (violin) and Hannah Marshall (cello) performing at the incredible acoustic space of Peter's Whistable, an intricate album of color and dynamic.
 

Price: $16.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units

Sample The Album:





product information:

Personnel:



Neil Metcalfe-flute

Alison Blunt-violin

Hannah Marshall-cello

Tony Marsh-percussion


Click an artist name above to see in-stock items for that artist.




Color sleeve insert.

UPC: 5030243110629

Label: psi
Catalog ID: 11.06
Squidco Product Code: 14906

Format: CD
Condition: New
Released: 2011
Country: Great Britain
Packaging: Cardstock 3 page foldover
Recorded at St. Peter's, Whitstable on August 11th, 2010 by Adam Skeaping.

Descriptions, Reviews, &c.

"A sequence of improvisations recorded in the warm natural acoustics of St Peter's Whitstable. This quartet plays music created in the moment. From a starting point of contrasting histories, energies and aesthetics, they weave together, forming a tapestry of colours and dynamics."-psi


Color sleeve insert.

Artist Biographies

Neil Metcalfe is a UK flutist who has been a member of groups Evan Parker Octet, Garage, London Improvisers Orchestra, Paul Rogers Freedom Orchestra, The Dedication Orchestra, The Intuitive Art Ensemble, The Runcible Quintet, Transatlantic Art Ensemble, Trio F O, and Unlaunched Orchestra.

-Discogs (https://www.discogs.com/artist/316930-Neil-Metcalfe)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Growing up in Kenya and Cumbria and starting out as a classical violinist, Alison Blunt has become an internationally respected artist creating music utilising or consisting of improvisation, Her solo and collaborative projects often reach beyond the music stage and involve film, text, dance, theatre and visual art.

Alison Blunt was born in Mombasa, Kenya, grew up in Nairobi and subsequently in the Lake District, UK. Finding her way from a classical violin training at Birmingham Conservatoire and the Guildhall School of Music and Drama, Alison's fascination with sound, motion and space has led her into national and international projects exploring the boundaries between art forms and genres and creating, performing and recording new music.

She has performed new and creative work in contrasting environments including Royal Albert Hall, BFI, Southbank Centre, Barbican, Sage Gateshead, Sesc Pompeia (Brazil), MS Stubnitz (Germany), Boat Ting, Colourscape Music Festival, Little Angel Theatre, Vortex Jazz Club, Cafe Oto, Colston Hall, Symphony Hall, Buckingham Palace Gardens, Latitude Festival, Bimhuis (Holland), SoundOut Festival and ACME (Australia), Musikhuset Aarhus (Denmark), St Magnus Festival & Mull Theatre (Scotland), European Storytelling Marathons (Holland & Belgium), Alte Gerberei (St Johann, Tirol), MS Stubnitz, Radialsystem, & B-Flat (Germany), Stockwerk Jazz Club (Styria), Wunderbar (South Island NZ) and The Kosmos (New Mexico USA) with a diverse array of creative artists including Apartment House, Apocryphal Theatre Company, Renee Baker, Julia Barclay-Morton, Barrel, Barcode Quartet, Cristiano Calcagnile, Lawrence Casserley, Viv Corringham, Guy Dartnell, John Edwards, Vinny Golia, HANAM Quintet, Elisabeth Harnik, Tristan Honsinger, Cat Hope, Birthe Jorgensen, Tony Marsh (RIP), Hannah Marshall, Lisa Mezzacappa, Gianni Mimmo, Phil Minton, Lode, London and Berlin Improvisers Orchestras, Evan Parker, Pierette Ensemble, Reciprocal Uncles, Gino Robair, Mark Sanders, Guillaume Viltard, Ove Volquartz and Michael Zerang.

Alison's activities range from composing for film, visual arts, theatre and contemporary dance productions to touring solo musical storytelling performances, from performances with interdisciplinary ensembles to arranging and recording children's albums, from gigging with rock bands to gigging with world folk music artists, from writing about new music to performing and recording new music. Alison resists being pigeonholed."

-Alison Blunt Facebook Page (https://www.facebook.com/AlisonBluntMusic/about/?ref=page_internal)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Hannah Marshall is a cellist who is continuing to extract and invent as many sounds and emotional qualities from her instrument as she can , playing experimental & freely improvised music and collaborating with other musicians, theatre and performing artists in the UK and Europe. She trained at The Guildhall school of music and Drama from 1992-1996. She plays regularly with The London Improvisors Orchestra and has performed at various festivals including VNM-Graz, Freedom of the City - London, Fete Qua Qua, Nickelsdorf-Konfrontationen, Banlieue Bleu-Paris, Jazz em Agosto-Lisbon, Barcelona Horta Cordel, ring ring-belgrade, Wels Unlimited- Austria, Alpen Glow - UK/Austria, Taktlos, Nantes festival, Saalfelden jazz festival, Red Ear Amsterdam, thirstyfish festival - London, Konfrontationen, Akouphene-Geneva, Europa Jazz Festival, Joyful Noise Festival- Swtizerland, Blurred Edges Festival- Hamburg. She has been invited by Fred Frith, Thomas Lehn and Suichi Chino in their residencies at café Oto, and by Evan Parker in his monthly residency at The Vortex Club."

-Music Teachers UK (https://www.musicteachers.co.uk/user/6fdca7e3c5ca7ab082f8/biography)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Tony Marsh, real name Anthony Vincent Stewart Marsh, was a British free jazz/improv drummer and percussionist (born 19 August 1939, Lancaster, died of cancer aged 72, 9 April 2012 in London, England).



"The percussionist Tony Marsh, who has died of cancer aged 72, was an inspired collaborator, combining intensity with restraint and stroking the drums more than he struck them. He worked with some of the most creative artists in European jazz of the past four decades, from the composer Mike Westbrook to the saxophonists John Tchicai and Evan Parker.

Marsh devoted his life to an art form short on cash and kudos, but long on creative satisfaction. In his last months he sought inspiration in the complex scores of the composer Iannis Xenakis; formed a new trio with two of London's most creative jazz 20-somethings; and, in March, played an impromptu London performance with the Chicago saxophone master Roscoe Mitchell that astonished those who witnessed it.

Marsh was born in Lancaster, the eldest of three brothers. The family moved to London after the second world war in search of better medical care for his tuberculosis, and he spent a long period of recuperation in St Thomas' hospital. That period of illness seriously hampered his formal education, but he became a good enough teenage footballer to enter trials for professional clubs.

He took up the drums as a military bandsman during national service in the 50s and would play them at Butlins' holiday camps and on cruise ships. In the 60s, he made a living in the West End of London as a jobbing drummer - also learning from records by the great American jazz bands of Clifford Brown (with the bebop drums pioneer Max Roach), Miles Davis and John Coltrane.

In the early 70s, Marsh joined the saxophonist Don Weller, the bass guitarist Bruce Colcutt and the guitarist Jimmy Roche in Major Surgery. The band only released one album, First Cut (1977), but it acquired lasting cult status. He also began productive relationships with the saxophonist Chris Biscoe, the Barbadian trumpeter Harry Beckett and the saxophonist Mike Osborne (in the last period of that cutting-edge artist's playing life, before mental illness incapacitated him in 1982).

Marsh then discovered Westbrook's brass band and big-band music, improv, cabaret and more. Marsh's relaxed dynamism powered an unusual Westbrook big band on an Ellington tribute at Amiens, France, in 1984. It became the landmark album On Duke's Birthday. Four years later, Marsh joined Biscoe's quartet, Full Monte.

Through his European tours with Westbrook, Marsh forged a link with the French jazz scene, regularly commuting between Paris and London until the early 2000s. In 1985, he joined Biscoe and a French brass section to record the bassist Didier Levallet's album Quiet Days, followed by a series of sessions led by Beckett - including one that Levallet considered among his best recordings, Images of Clarity (1992). He also played with the adventurous UK pianist Howard Riley, reeds player Paul Dunmall, and with the saxophonist Simon Picard and the bass virtuoso Paul Rogers on their recording News from the North (1991) for the Swiss experimental label Intakt.

Marsh then committed himself increasingly to life in London. He hugely enjoyed his monthly involvement in the experimental London Improvisers Orchestra (involving the composer/pianist Steve Beresford, Parker and a loose repertory company of others). He was also a permanent member of one of the most thrilling European free-improv trios of recent times, with Parker and the double bassist John Edwards. Marsh was also the driving force behind a genre-crossing quartet with the flautist Neil Metcalfe, the violinist Alison Blunt and the cellist Hannah Marshall.

Since 2011, he had begun a productive relationship with two hotly tipped newcomers, the reeds player Shabaka Hutchings and the bassist Guillaume Viltard. They played freely without prolixity, combined fine detail with spontaneity, and eschewed amplification.

"Listen closely, take a chance, keep going even if money's tight, and you'll find the real reward - that's why Tony was hip in the most meaningful sense," Parker says. "And he didn't need to play loud, or be loud, to get that intensity. It's like splitting diamonds or something. If you know exactly the right place to make the impact, you don't need to hit anything hard." [...]"-John Fordham, The Guardian

-Discogs, The Guardian UK (https://www.discogs.com/artist/321589-Tony-Marsh)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Quartet 112-5 4:57

2. Quartet 101-1 2:46

3. Quartet 103-3 6:32

4. Quartet 204-7 2:29

5. Quartet 102-2 1:30

6. Quartet 207-9 4:10

7. Quartet 203-6 5:08

8. Quartet 208-10 6:18

9. Quartet 206-8 4:23

10. Quartet 111-4 5:29

11. Quartet 209-11 6:20

12. Quartet 209-12 6:14

Related Categories of Interest:


Improvised Music
European Improv, Free Jazz & Related
London & UK Improv & Related Scenes
EMANEM & psi
Free Improvisation
Quartet Recordings
Instant Rewards

Search for other titles on the label:
psi.


Recommended & Related Releases:
Other Recommended Releases:
Dunmall, Paul / John Edwards / Tony Marsh
To Be Real
(FMR)
Hard working free improv session from the UK trio of Paul Dunmall on tenor sax, John Edwards on double bass and the late Tony Marsh on drums, performing live at the Vortex in 2010, and at UWE in Bristol, 2007, never released material reminding of Marsh's stature and skill.
Dunmall, Paul / Phillip Gibbs / Alison Blunt / Neil Metcalfe / Hanna Marshall
I Look At You
(FMR)
Blending free and compositional players, saxophonist Paul Dunmall leads the quintet of Neil Metcalfe on flute, Hanna Marshall on cello, Alison Blunt on violin and Phillip Gibbs on guitar for a refined and sprightly set of extended improvisations recorded at Birmingham Conservatory.
BARK!
Fume of Sighs
(psi)
The third CD by the trio of Rex Casswell (electric guitar), Phillip Marks (percussion) and Paul Obermayer (samples), creating beautiful jagged, sharp edged textures propelled by some of their tightest, strangest, most powerful rhythmic designs yet.
Watt: Smith / Marshall / Flinn
Alter Egos
(Creative Sources)
Active and interactive percussion using extended techniques from the London trio of trumpeter Ian Smith, percussionist Stephen Flinn, and cellist Hannah Marshall.



Customers Who Bought This Item Also Bought:
Rodrigues, Ernesto / Guilherme Rodrigues / Bruno Parrinha / Luis Lopes / Vasco Trilla
{ Lithos }
(Creative Sources)
Recording in the studio in Lisbon, Portugal, the free improvising lowercase/subtle momentum quintet of Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, Bruno Parrinha on bass clarinet, Luis Lopes on electric guitar, and Vasco Trilla on percussion, demonstrate intense control and remarkable concentration through the five parts of "{ Lithos }".
Sorey, Tyshawn
The Inner Spectrum of Variables [2 CDs]
(Pi Recordings)
New York drummer Tyshawn Sorey's impressive work for double trio is an ambitious chamber jazz composition using multiple harmonic, formal, rhythmic, and modal vocabularies in an exploratory and improvisational framework, inspired by the work of Lawrence D. Butch Morris.
Davis, Matt / Phil Durrant / Mark Wastell
Confront Collectors Series
(Confront)
Re-issue of one of the earliest Confront releases, the trio of trumpeter Matt Davis, violinist Phil Durrant and cellist Mark Wastell performing subtle and sophisticated free improvisation at St. Michael's and All Angels church, Chiswick, London in 2000.
Angles 9
In Our Midst [VINYL]
(Clean Feed)
Clean Feed's 2nd LP is their 4th Angles release, expanding saxophonist Martin Kuchen's band to 9 pieces with Mattias Stahl, Johan Berthling, Alexander Zethson, Mats Aleklint, Eirik Hegdal, Goran Kajfes, and Magnus Broo in an album of rare expressiveness and power.
Fujii, Satoko New Trio
Spring Storm
(Libra)
A set of new trio compositions from pianist Satoko Fujii with bassist Todd Nicholson and drummer/percussionist Takashi Itani, a magnificent set of compositions for the transformative season.
Kullhammar / Zetterberg / Aalberg
Basement Sessions Vol.1
(Clean Feed)
Following the traditions of the saxophone trio, tenor & baritone player Jonas Kullhammar releases this studio album of irrepressible compositions performed with bassist Tobjorn Zetterberg and drummer Espen Aalberg.
Mcphee, Joe / Ingebrigt Haker Flaten
Brooklyn DNA
(Clean Feed)
A project about the rich jazz history of Brooklyn, NY, recorded in that burrough by NY saxophonist Joe McPhee & bassist Ingebrigt Haker Flaten, referencing Putnam Central, The Blue Coronet, Sonny Rollins, and Brooklyn itself.
Hauf Sextet, Boris
Next Delusion
(Clean Feed)
Berlin-based saxophonist Boris Hauf's sextet with Keefe Jackson (sax), Jason Stein (bass clarinet), Frank Rosaly (drums), Steve Hess (drums & electronics) and Michael Hartman (drums) in 4 extended pieces of boiling intensity.
Ames Room, The
Bird Dies
(Clean Feed)
Bringing the lineage of saxophone trios into the 21st century, saxophonist Jean-Luc Guionnet, bassist Clayton Thomas and drummer Will Guthrie performed this extended recording live in Lille, France.
Nabatov / Reijseger / Schubert
Square Down
(Leo Records)
12th CD by Simon Nabatov on Leo Records recorded at the same time as his previous CD "Roundup" celebrating his 50th Birthday; powerful, high-energy free jazz sustained for over 50 minutes.
Wolff, Christian
Kompositionen 1950-1972 [2 CDs]
(Edition Rz)
A portrait of Christian Wolff, documenting the composer's early activity through recordings made close to the time of their composition from artists including Cornelius Cardew, Frederic Rzewski, David Tudor, &c.
Heyn, Volker
Sirenes
(Edition Rz)
Works from Volker Heyn, an outsider artist interested in acoustic process, tone gestures, friction, discontinuous movements, &c., with recordings by Pellegrini-Quartett, Ausfuhrende: Kammerensemble Neue Musik Berlin, &c.
Bynum Sextet, Taylor Ho
Apparent Distance
(Firehouse 12 Records)
The first recording of Ho Bynum's new sextet, with guitarist Mary Halvorson and drummer Tomas Fujiwara, augmented by bassist Ken Filiano, saxophonist Jim Hobbs, and tubist/bass trombonist Bill Lowe, in a 4-part suite.
Josephson / Wachsmann / Lindsay / Smith / Blume
Zero Plus
(Balance Point Acoustics)
The Triple D Trio of Aurora Josephson (voice), Jacob Lindsay (clarinet) & Damon Smith (bass) met with visiting European improvisers Philipp Wachsmann (violin) and Martin Blume (drums) to record these live concerts in Oakland and SF.
Golia Quartet, Vinny
Take Your Time
(Relative Pitch)
The third recording from this group of long-time collaborators, with Golia on soprano, alto and tenor sax, Bobby Bradford on cornet, Ken Filiano on bass and Alex Cline on drums in a set of Golia original compositions.
Ducret, Marc
Tower, vol. 2
(Ayler)
The 2nd volume of guitarist Ducret's Tower project, an incredible quartet with saxophonist Tim Berne, violinist Dominique Pifarly and drummer Tom Rainey, complex and exultant, intertwining improv.
Israelievitch / Reitzenstein / Stewart / Young
The Test Tubes
(Spool)
Part of a sound installation and exhibition of sculptural work by Reinhard Reitzenstein, the Test Tubes perform with strings, glass instruments, and unique instruments to create music of unusual and complex timbral combinations.
Beresford / Flinn / Tucker
Ink Room
(Creative Sources)
The trio of Steve Beresford on electronics, Stephen Flinn on drums and percussion, and Dave Tucker on electric guitar in a quirky, unique and exciting set of improvisations recorded in London.
Fields, Scott Multiple Joyce Orchestra
Moersbow Ozzo
(Clean Feed)
A live concert of Fields' Quite Large Orchestra (aka Multiple Joyce Orchestra) with Frank Gratkowski, Christina Fuchs, Thomas Lehn, Carl Hubsch, &c. &c. performing modular compositions for improvising chamber group, plus an homage to Merzbow.
Lopes, Luis
Lisbon Berlin Trio
(Clean Feed)
Genre-crossing improvisation with a jazz basis and far-reaching influences from guitarist Luis Lopez and his Berlin Trio of bassist Robert Landfermann and drummer Christian Lillinger.
Kolkowski, Aleks & Ute Wassermann
Squall Line
(psi)
A quirky and fascinating duo of unusual instrumentation from Ute Wasserman's voice & whistles, and Aleks Kokowski on stroh instrumements (viola, violin), noseflute, bird calls, musical saw, &c..
Leandre, Joelle / Phillip Greenlief
That Overt Desire of Object
(Relative Pitch)
Relative Pitch Records debuts with the excellent duo of bassist Joelle Leandre and Bay Area woodwind improviser Phil Greenlief in 11 variations for contrabass and woodwinds.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC