The Squid's Ear Magazine


Khoury, Mike: Airwaves (Bug Incision Records)

Detroit area improviser Mike Khoury in live solo recordings from various radio broadcasts in Maine, Illinois, and DC, ribbons of lyrical, stream-of-consciousness violin playing.
 

Price: $12.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 1.00 units

Sample The Album:





product information:

Personnel:



Mike Khoury-violin


Click an artist name above to see in-stock items for that artist.




Color covers in plastic sleeves, numberd edition of 63

Label: Bug Incision Records
Catalog ID: bim 31
Squidco Product Code: 13124

Format: CDR
Condition: New
Released: 2010
Country: Canada
Packaging: Paper foldover in a plastic sleeve
Tracks 1 and 3 Recorded by Michael Thoresen on 12/5/2007 on the Tossed Salad Radio Show, WCBN-FM Ann Arbor, MI.Tracks 2 and 4 recorded by The Colonel on 11/11/2008 on Community Powered Radio, Washington, DC.Track 5 recorded by Dave X on 8/15/2009 on the ITDE Radio Show, WDBX-FM, Carbondale, IL.Announcer on Track 1 is Michael Thorsen

Descriptions, Reviews, &c.

"Five new tracks of solo violin improvisations by our friend Mike Khoury, a familiar face to the Detroit-area improvisation scene (his duos with Ben Hall and Chris Riggs are well worth seeking out). These tracks were all recorded live at various radio stations, legit and not-so-legit, around the US. Khoury on his own emits carefully wrought ribbons of lyrical, stream-of-consciousness violin playing, alternately leaving tons of space, letting his notes really hang, then obsessing over small, scratchy sounds or dissonant harmonies. It's worth mentioning his huge, full-bodied sound on the violin, reminding one of the his beautiful duet with Ben Hall (bim-09), one of the high points in Bug Incision's catalogue. A lovely, unified addition to his ever-expanding body of work."-Bug Incision


Color covers in plastic sleeves, numberd edition of 63

Artist Biographies

"Palestinian-American musician Mike Khoury (1969) was raised in Mt. Pleasant, MI. He studied violin in the local school systems with instructors Kerry Goodwin and Nancy Smith. During his formative years, Khoury also played electric bass in several rock groups. Exposure to the visual arts, especially abstract expressionism, played a large role in Khoury's early years.An interest in alternative tunings and the desire to create sonically intense music reflective of his ethnic background and interest in psychedelia led Khoury to the Urban Farmers. With multiple shows under their belt, the all instrumental trio issued one full length CD and had several of their pieces issued on various compilations. Khoury was one part of the proprietorship that was Uprising Records with childhood friend and musician Greg Marten. Uprising Records issued records by many notable groups of the era.Upon migrating to the metro Detroit area, Khoury resumed his violin performance and private studies on the instrument with a focus on free improvisation. Studies with violinist/composer David Litven helped to shape his technique and approach. Performance and recording credits include those with Faruq Z. Bey, Luc Houtkamp, Le Quan Ninh, Maury Coles, Dennis Gonzalez, John Voigt, Gunda Gottschalk, John Butcher, Paul Lytton, and John Sinclair. In 1997, Khoury formed the Entropy Stereo Recordings music label where he documented new and archival works by improvisors. The label is still active today.In an effort to document his work on a personal level, Khoury formed the Detroit Improvisation label. Detroit Improvisation focused primarily on Khoury's journey as an improviser where his collaborations with other musicians were well documented including two DVDs of duets with dancer/choreographer Leyya Tawil. Khoury is a firm believer in learning the rules in order to break them, although the learning and breaking sometime happen simultaneously. His studies in improvisation parallel his work in studying traditional violin technique and music theory. He cites Halim El-Dabh, Lata Mangeshkar, Bill Dixon, Lucia Dlugoszewski, and Charlie Patton as influences. As a trained economist, Khoury's approach to improvisation and music theory is informed by his knowledge of statistics, mathematics and the behavioral sciences. Khoury has also curated a long standing Detroit creative music series and has composed or contributed to music for film, television and radioToday, Khoury conducts both ethnographical, sonic and historical research from his laboratory and studios in Redford, MI. He has authored a chapter on the composer Halim El-Dabh published in an anthology on the Arab Avant Garde by Wesleyan University Press. Khoury also divides his time between his improvisational work and the Redford Civic Symphony Orchestra of which he is a member of the first violin section. Current active projects include Inscribe (with members of Northwoods Improvisers and Wisaal), a duet with percussionist Ben Hall, a duet with dancer/choreographer Leyya Tawil, his work performing as an improvisational soloist and as the bass player for a garage rock band, the Confessions."-Mike Khoury Website (http://www.mikekhoury.com/bio.html)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Track 01 4:15

2. Track 02 3:14

3. Track 03 3:56

4. Track 04 4:04

5. Track 05 8:37





Related Categories of Interest:


Improvised Music
Stringed Instruments
Limited Editions & Out of Print
Free Improvisation

Search for other titles on the label:
Bug Incision Records.


Recommended & Related Releases:
Cramp, Dominic / Mike Khoury / Philip Greenlief / Gino Robair
Compassion & Evidence
(Creative Sources)
Recorded live at Temescal Art Center in Oakland, CA as part of their Babylon 2018 evening, the quartet of Gino Robair (electronics), Phillip Greenlief (tenor sax and clarinet), Mike Khoury (viola) and Dominic Cramp, aka Lord Tang (lyra) improvise in 2 short and 2 extended electroacoustic conversations of detailed restraint, unique pointillism and unforseen atmospheres.
Coltrane, Andrew & Mike Khoury
Concrete Shoes
(Bug Incision Records)
Violinist Mike Khoury and electronic artist Andrew Coltrane in an album of thick and blurry sonic environments and effected string interaction, a bit like a drive in an ancient auto on alien moons.
Khoury, Mike / Christopher Riggs
Abandon Rate
(Bug Incision Records)
Detroit creative improvisers Christopher Riggs on guitar and Mike Khoury on violin in six studio tracks demonstrating unique approaches to their respective instruments.
Other Recommended Releases:
Hall's, Ben Racehorse Names (w/ Joe Morris)
The New Favorite Thing Called Breathing
(Relative Pitch)
Out and unusual compositions from drummer Ben Hall and his sextet with Mick Dobday on electric piano & organ, Anthony Levin Decanini on electronics, Ronnie Zawadi on percussion, John Dierker on reeds, Mike Khoury on viola & violin, and joined by Joe Morris on guitar, for 6 "Spines", free compositions using odd compositional structures leading to superb solo and group playing.



Customers Who Bought This Item Also Bought:
Chemical Composition
Uttered Fast But Without Haste
(Chemical Composition)
The New York improvising trio Chemical Composition with pianist Constance Cooper, percussionist John Cacciatore, and electric guitarist Tom Desisto, free improvisation steeped in jazz traditions.
Epps, Ellwood / Joshua Zubot
Land of Marigold
(Bug Incision Records)
The debut recording from the duo of Montreal-based frequent collaborators, trumpeter Ellwood Epps and Joshua Zubot on violin and low octave violin, excellent extended dialog with elegant flair and great insight into each other's playing.
Martin / Lozano / Lewis / Wiens / Duncan
At Canterbury
(Barnyard)
Saxophonist Frank Lozano brings together four other artists for a first time collaboration that results in this groovy, soulful, and passionate live studio recording.
Chrysakis, Thanos / James O'Sullivan / Jerry Wigens
Syneuma
(Aural Terrains)
The Syneuma Trio is the free improvising trio of Thanos Chrysakis playing inside and out of the piano + chimes and vibes, James O'Sullivan on guitar, and Jerry Wigens (Astrakan) on clarinet.
Massaron, Simone feat. Carla Bozulich
Dandelions on Fire
(Long Song Records)
A captivating collection of songs encompassing blues, ballads, and folk music with improvised moments of free jazz that were written and arranged by guitarist Simone Massaron and sung by lyricist Carla Bozulich.
Bon, Piero Bittolo & His Original Pigneto Stompers
Mucho Acustica
(Long Song Records)
Young Italian artist Piero Bittolo Bon (saxophones) with his new band, the Original Pigneto Stompers (Massaron, Sorrentini, Scettri) and special guest Jamaaladeen Tacuma (electric bass) in a powerful improvised session.
Cavallanti, Daniele & Tiziano Tononi's
Rings of Fire
(Long Song Records)
Italian saxophonist and composer Daniele Cavallanti and drummer/percussionist Tiziano Tononi produced these two enterprising suites played here by a powerful octet that includes Jenny Scheinman.
Brenders, Kyle / Brandon Valdivia
S/T
(Bug Incision Records)
Toronto creative improviser multi-reedist Kyle Brenders (AIMToronto, The Rent) in an unhurried and intuitive duo with the drummer & percussionist of his quartet Brandon Miguel Valdivia (Not The Wind, Not The Flag).
Clockwork + Poprawski
Myopic
(Clockwork Jazz)
Clockwork is the Polish duo of drummer Maciej Wrobel and bassist Szymon Orlowski, who for the last two years have worked with saxophonist Lukasz Poprawski (Urszula Dudziak, Michal Urbaniak, &c) here in their first album together.
WPB3 (Werchowska / Pontevia / Boubaker)
A Floating World
(Mikroton Recordings)
The French WPB3 trio explores areas between abstract minimalist, contemporary concrete instrumental improvised music and energetic noisy free jazz with an uncompromisingly totally free approach.
Rampersaud / Shaw / Neal / Martin / Krakawiac
Halcyon Science130410
(Barnyard)
Intelligent and inspired compositions by saxophonist Evan Shaw and trumpeter Nicole Rampersaud performed with Jean Martin (drums and laptop), Wes Neal (double bass), and Tomasz Krakowiak (percussion).
Mezei, Szilard
Ho
(Aural Terrains)
Serbian string player and band leader Szilard Mezei in an impressive solo performance of three works - Heat; Snow; and Chrom - performed on viola and double bass.
Sclavis / Taborn / Rainey
Eldorado Trio
(Clean Feed)
Reedist Louis Sclavis' new cooperative trio with keyboardist Craig Taborn and drummer Tom Rainey in a mix of studio and live recordings from Casa da Musica, Porto.
Parker, Evan / Leimgruber, Urs
Twine
(Clean Feed)
British sax giant Evan Parker meets Swiss tenor and soprano explorer Urs Leimgruber in an album of intertwining sax discussion using an unusual and unique language.
Perelman / Levin / Zetterberg
Soulstorm
(Clean Feed)
Saxophonist Ivo Perelman in a trio with cellist Daniel Levin and bassist Torbjorn Zetterberg, impressionist and lyrical free playing in a uniquely textured chamber jazz.
Mitzlaff / Mira
cellos
(Creative Sources)
The unusual cello duo format is explored by Mitzlaff and Mira in these experimental contemporary improvisations using acoustics and techniques mimicking live electronics to create a uniquely informed music.
Townhouse Orchestra (E.Parker/ Sandell / Flaten / Nilssen-Love)
Belle Ville
(Clean Feed)
An all-star lineup for European free jazz with Evan Parker, Sten Sandell, Ingebrigt Haker-Flaten and Paal Nilssen Love on a double CD recorded live at Belleville.
Moor, Andy
Marker
(Unsounds)
The Ex's guitarist Andy Moor plays solo on 16 tracks of overdubbed and multi-tracked guitar that was recorded between 2003 and 2006.
Philadelphia Company, The
#1: The First Meeting
(Roeba)
A plater, a teacher & a drummer walk into a rehersal room... parts 1-5
Fernandez, Agusti / Peter Kowald
Sea Of Lead
(Hopscotch Records)
The duo of late bassist Peter Kowald and inside-and-out pianist Agusti Fernandez in a set of extraordinary energetical, rhythmic and irrepressible improvisations.
Moor, Andy / Matthews, Kaffe
Locks
(Unsounds)
Guitarist Andy Moor of The Ex plays his guitar while electronic artist Kaffe Matthews reprocesses the sounds live into loops, drones, and static buzz, allowing Moor to respond to the manipulated sounds.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC