The Squid's Ear Magazine


Leandre / Vidal / Boni: Trace (Red Toucan)

The trio of bassist Joelle Leandre, saxophonist Maguelone Vidal and guitarist Raymond Boni performing live compositions at the Centre Choregraphique National de Montbellier.
 

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product information:

Personnel:



Joelle Leandre-doublebass and voice

Maguelone Vidal-soprano and baryton saxes, voice, tom bass

Raymond Boni-guitar


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UPC: 777078916778

Label: Red Toucan
Catalog ID: RT 9337
Squidco Product Code: 12563

Format: CD
Condition: New
Released: 2009
Country: Canada
Packaging: Jewel Tray
Recorded live at the Centre Choregraphique National de Montpellier Languedoc-Roussillon on January 15, 2008 by Jean-Marc Foussat.

Descriptions, Reviews, &c.

"Improvised music is created on the spur of the moment, the players looking for the common thread from which they can go in different directions as they spin their story. The logic of continuity is integral, even if they build it in pieces that may at first seem incongruent. Bassist/vocalist Joëlle Léandre, saxophonist/vocalist Maguelone Vidal and guitarist Raymond Boni blend their instruments and imaginations, delving into the unusual and fathoming the unexpected. The end result is fascinating.

Léandre has a large body of recorded work, a testament to her ability to see beyond boundaries. The seed for this was planted when she listened to and was influenced by Derek Bailey, Anthony Braxton and George Lewis, but it's her own germane sense of invention that has made her a dynamic staple of improvised music. Boni first studied piano and then harmonica before taking to the guitar, where he learned his craft from Gypsies. Django Reinhardt created an impression but so, too, did Cecil Taylor. Boni's wide interests have placed him in a comfort zone in a wide array of styles over the years and he finds it once more on this recording. Vidal who is also active on the French scene has performed in trio settings with singer Dalila Khatir and bassist Amanda Gardon. The underlying force is improvisation and experiment, and Vidal is adept at both. Recorded live, this CD provides the ideal setting for the trio. The acuity is instant as they fuse several shades into the music. Interaction is key but so are long lines of melody, fragments that jump and shard, careening lines and cool guitar chords. It all works together superbly. "le passe" has Léandre bowing a broad spectrum of phrases, changing the intensity and the thrust, adding drone while keeping the mood constantly compelling. Vidal stretches phrases, breathes heavily for added brassiness, a voice crying out loud against percussive taps and glissandi until it all rises into an explosive swell. "tube," on the other hand, kicks into high gear with voice, sax and bass. Words fall in a maze of sound complemented by the saxophone whooshing eerily. And just before silence drops its veil, the guitar counts down the final moments in a short but compellingly well-spun idea.

The three artists fuse melody, atonality and cohesion particularly well on the sweltering "gros dilemme." Stirred by the fire in their souls, the momentum is tensile, the thrust constant and the pulse pliant. Léandre, Vidal and Boni spin their tales with an insight that nails the attention."-Jerry D'Souza, All About Jazz


Get additional information at All About Jazz

Artist Biographies

"Joëlle Léandre is a famous French Bassist and is known for her collaborations with other musicians in the field of improvised music. Born in France on September 12th, 1951, she made her music debut in 1984 with Les Douze Sons. Her childhood was filled with music, and she was particularly interested in the piano during her early years. In her later years, she developed an interest in double bass, which won her many honors and scholarships during her education. Her double bass teacher Pierre Delescluse encouraged her to apply to the Conservatoire National Superieur de Musique de Paris, where she was formally trained and noticed for her talent in the bass. Her outstanding musicianship took her to the United States and to the Centre for Creative and Performing Arts in Buffalo through a scholarship. In the United States, she expanded her network and met some of the best composers, such as John Cage, Giacinto Scelsi, and Morton Feldman. Among them, John Cage greatly influenced her music and compositions. Her time in the United States also enabled her to experience downtown New York music, which was another significant influence that led to her continued involvement in the field of improvised music.

Some of her notable collaborations in the field of contemporary music are with Pierre Boulez, Merce Cunningham, John Cage, and Giacinto Scelsi. Among them, John Cage and Giacinto Scelsi were the biggest influences in her life and music. In an interview, Joëlle Léandre said that John Cage was her spiritual father and changed her perception of sound and music. In another interview, she tells how Giacinto Scelsi allowed her to discover her own music and how his music transported her into a new world of improved consciousness. In the field of jazz music, she collaborated with Derek Bailey, William Parker, and Sebi Tramontana. Her music was owned and distributed by different music labels, including FMP, Leo, RougueArt, and Red Toucan. Some memorable songs and albums she released throughout the years include Instant Replay, Les Douze sons, Trios, Sweet Zee, Frerebet, Joelle et Tetsu, Philippe Fenelon, Voyages, etc. Some of the recent releases include Can You Hear Me and Unleashed. She has also performed live at the Tampere Jazz Festival twice, where popular international artists compete with each other.

Joëlle Léandre is also the member of European Women's Improvising Group (EWIG). The group evolved from the Feminist Improvising Group, and Joëlle Léandre joined the group in 1983. In the early 1900s, she co-founded Les Diaboliques with Irene Schweizer and Maggie Nicols, who were her long-time musician friends. Besides that, she also teaches several classes in prestigious universities about contemporary and improvised music. She has lived in France, Germany, and U.S during her lifetime, teaching at academic institutions in the religions and playing concerts. In 2002, she was invited to Canada as a visiting professor for music and composition."

-Joelle Leandre Website (https://www.joelle-leandre.com/biography/2/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Influenced by musicians as diverse as Django Reinhardt and Cecil Taylor, French guitarist Raymond Boni has developed a unique and dazzling style derived from gypsy technique. After studying the piano and switching to the harmonica, Raymond Boni learned how to play the guitar with Gypsies living near his home. This empirical experience would leave a permanent imprint on Boni's approach to the instrument. In the early '60s, still a teenager, he decided to go study in London. Surrounded by a very diverse and creative musical environment, Boni decided to get serious about the guitar and to break from the musical framework of musical academia. Back in France, he settled in Paris where he was among the first French musicians to embrace free jazz and free improvisation. His first major collaboration was a long-lived duo he formed with guitarist Gérard Marais in 1973. In 1976, he joined the André Jaume/Gérard Siracusa duo and worked with saxophonist Claude Bernard. The latter was also responsible for allowing Boni to fulfill his ambition to compose for and perform with dancers.

In 1978, he started a long relationship with Joe McPhee, which produced some stellar albums such as Old Eyes & Mysteries and Oleo & a Future Retrospective and a tour in the U.S. and Canada (1985). In 1981, Boni moved to Marseille where he was not able to perform as often as in Paris. As an alternative, he focused on writing and diversified his projects. In 1982, he met dancer and choreographer Geneviève Sorin and started to compose music for her company. Raymond Boni also continued to foster some old partnerships while developing new ones with accomplished artists such as Les Mistrals with British improvisers Terry Day and Max Eastley. In the '90s, the guitarist worked extensively with musicians from younger generations, most notably Claude Tchamitchian and Eric Echampard. Boni also multiplied collaborations with artists having a background other than jazz but a bent for improvisation. Another worthy project is Boni's Family with Sorin and son Bastien Boni, which honors his Gypsy legacy and capitalizes on his talented household. In 2001, Boni reunited with McPhee for an album, Voices & Dreams, and several concerts in the U.S. and Europe."

-All Music, Alain Drouot (http://www.allmusic.com/artist/raymond-boni-mn0000352490)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Ada 4:34

2. Joseph Et Joseph 3:15

3. La Passe 7:16

4. Cumuls (Á Madame Louise) 4:24

5. Des Prunes 4:05

6. Tube 3:22

7. Tractile 6:05

8. Gros Dilemme 8:03

9. Improbable V. 2:51

10. De Mon Enf... 5:10

Related Categories of Interest:


Improvised Music
Jazz
Trio Recordings

Search for other titles on the label:
Red Toucan.


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