The Squid's Ear Magazine


Trapist (Brandlmayr / Siewert / Williamson): Highway My Friend (Hatology)


 

Price: $18.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units

Sample The Album:


product information:

Personnel:



Martin Brandlmayr-drums, percussion

Martin Siewert-guitar, lapsteel, electronics

Joe Williamson-bass, trackball


Click an artist name above to see in-stock items for that artist.




UPC: 752156058625

Label: Hatology
Catalog ID: Hatology586
Squidco Product Code: 9857

Format: CD
Condition: New
Released: 2002
Country: Switzerland
Packaging: Cardstock Gatefold Sleeve
Recorded live at Rhiz Vienna on October 5, 2000 by Christina Bauer and Martin Siewert.

Descriptions, Reviews, &c.

"Faith in wide time frames and a preference for self-supporting structures allow the musicians to dispense with fixed patterns or forms. In doing so, they create this hybrid music, which defies explanation in the discourse of both the improvisers, even the free ones, and the composers, even those who stick to open formats. This is a matter of an interwoven three-step. The single steps aren't really new, they are, however, applied without compromise, fragmented further, and questioned not matter what. Thus they throw a new light upon the creation of music: the need to employ an aesthetic filter, the development of supporting structures, and the possibilities of storing and repeating."-Christian Scheib, from the liner notes



"This trio chose their name well; although they haven't quite taken a vow of silence, they get pretty close to it at times. If Trapist are a power trio (and a casual glance at the guitar, bass, drums lineup might lead you to think so), they're running on an ancient car battery rather than the national grid.

This deliberate, sparse improv is about what isn't played as much as anything else. If Morton Feldman, John Cage and David Tudor had formed a rock band, they might have sounded a bit like this. On the opening tracks, Martin Siewert's minimalist guitar is hardly there; faint pencil strokes of melody or resonant drones are framed by clicks, buzzes and static. Martin Brandlmayr's drumming is as much about texture as rhythm, while Joe Williamson's bass adds a warm, dark throb.

Williamson is also credited with 'trackball'. Whether this is connected to a laptop or not isn't made clear, but occasionally more obviously electronic elements creep in, though what generates them isn't clear either. "Impex" appears to feature a modem undergoing torture, and many of the sounds here resemble equipment malfunction as much as anything else. As the album goes on Trapist get progressively less interested in silence, engaging in comparatively hyperactive exchanges which hum with a repressed, focussed energy, sometimes settling into spare, sinewy grooves.

Siewert's guitar is alternately abstract scrabble or desolate, almost bluesy in best John Fahey mode. This is best heard on the fragile "Mine Was The Shoulder You Cried On That Day", where he carefully places long, mournful notes over a soft, tumbling bed of drums and bass. It's the most conventionally beautiful moment on a CD stuffed with moments of stranger, alien beauties. Brilliant stuff."-Peter Marsh - BBC online



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!

Artist Biographies

"Martin Brandlmayr is an Austrian percussionist, drummer, composer and electronic artist.

He is widely recognized for his work in a variety of so-called "post-rock" bands, namely Radian, Trapist, and Autistic Daughters, among others. Critic Brian Olewnick has called Brandlmayr's work "extraordinarily precise".

Among others, Brandlmayr has recorded or performed with John Tilbury, Fennesz, Chad Taylor, and Otomo Yoshihide.

He was artist in residence 2002 at Podewil, Berlin. He now lives in Vienna, Austria and is an active member of Polwechsel."

-Wikipedia (https://en.wikipedia.org/wiki/Martin_Brandlmayr)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Martin Siewert (born 11 May 1972) is a German guitarist and film composer.

Siewert has been living in Vienna since the age of 10. He studied guitar at the University of Music and Performing Arts Graz. As a guitarist, he started his public performances in 1995. In his early performances, he played with Herwig Gradischnig, Freier Fall, Franz Hautzinger, and his band Duckbilled Platypus. With this band, he recorded two albums for the label Extraplatte.

He began to separated himself from the jazz idiom and developed an abstract sound on guitar. He became a member of Efzeg with Burkherd Stangl and Hauf and Komfort. He invited Dafeldecker, Hinteregger, Wayne Horvitz and Tony Buck to the group Komfort. In the group Trapist, he played with Joe Williamson and Martin Brandlmayr. On My Kingdom for a Lullably, he played with Christof Kurzmann, Axel Dšrner, and Billy Roisz, the video artist of Efzeg. He was a member of the guitar quartet SSSD with Taku Sugimoto, Werner Dafeldecker, and Burkhard Stangl.

He has worked with Oskar Aichinger, Christian Fennesz, Wolfgang Mitterer, Elliott Sharp, Franz Koglmann, Thomas Lehn, Karlheinz Essl, Ken Vandermark, Michael Sarin, Jamaaladeen Tacuma, Kammerflimmer Kollektief, Georg GrŠwe, Frank Gratkowski, Michael Vatcher, and Klangforum Wien. He has composed music for, ballet, film, theater, remix recordings, and sound art."

-Wikipedia (https://en.wikipedia.org/wiki/Martin_Siewert)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Born 1970 in Canada, Joe Williamson has toured the world as a bass player in various setting and He moved to Europe in 1992 and has lived in Amsterdam, Berlin and London, and Stockholm. Projects include The Inconvenience, Trapist, Alex Ward and The Dead Ends, Tobias Delius 4tet, Weird Weapons, the Duck Baker Trio, King of Herrings, The Green Valley Players, Booklet, The 7 Seas Orchestra,The Wardrobe Trio... Past and present collaborators include Duck Baker, Steve Beresford, &c.

-Squidco 3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Mascoma 8:57

2. FM 9:32

3. Impex 7:59

4. E101 12:52

5. Mine Was The Shoulder You Cried On That Day 4:22

6. Fenrus 6:54

7. Mile 6:47

Related Categories of Interest:


Hat Art
Electro-Acoustic
Electro-Acoustic Improv
Trio Recordings

Search for other titles on the label:
Hatology.


Recommended & Related Releases:
Weber, Christian
3 Suits and A Violin
(Hatology)
Postmarks (Boris Hauf / D Bayne / Martin Siewert)
National Parks
(Monotype)
The duo of saxophonist Boris Hauf and pianist D Bayne team up with guitarist Martin Siewert in this collection of tracks inspired by different U.S. national parks and their representation in iconic posters.
efzeg
krom
(Hatology)
Fish-Scale Sunrise (Ab Baars / Kaja Draksler / Joe Williamson
No Queen Rises
(Relative Pitch)
Their name taken from a poem by Wallace Stevens, the Netherlands-based trio of Ab Baars on sax and clarinet, Kaja Draksler on piano, and Joe Williamson on bass represent the spirit of the poem in seven compositions from Ab Baars plus two collective improvs, a great mix of serious and playful performance that diverts from detailed interaction to spacious reflectiveness.
Postmarks (Boris Hauf / D Bayne / Martin Siewert)
National Parks
(Monotype)
The duo of saxophonist Boris Hauf and pianist D Bayne team up with guitarist Martin Siewert in this collection of tracks inspired by different U.S. national parks and their representation in iconic posters.
Platform 1
Takes Off
(Clean Feed)
A first and exceptional release from the Platform 1 quintet of Chicago reedist Ken Vandermark, NY trombonist Steve Swell, European trumpeter Magnus Broo, Canadian ex-pat bassist Joe Williamson, and Amsterdamn based drummer Michael Vatcher.
Moser, Michael
Resonant Cuts: (2 CDs AND BOOK)
(Edition Rz)
Book and 2 CDs documenting a 2010 concert and sound installation by Carsten Seiffarth and Michael Moser, with Polweschsel & guests (Burkhard Beins, Axel Dorner, &c) performing the concert.
efzeg
krom
(Hatology)
Various Artists
Kraakgeluiden: Document 1
(Unsounds)
A series of improvised performances with the central idea of acoustic and electronic artists experimenting with the electronic medium in a live setting with musicians with whom they have never played with before.
Other Recommended Releases:
Friedl / Siewert
Lichtung
(KARLRECORDS)
Dry Thrust (Georg Graewe / Martin Siewert / Dieter Kern)
The Less You Sleep
(Trost Records)
The trio of German pianist/composer Georg Graewe, guitarist Martin Siewert (Radian, Trapist, Also), and drummer Dieter Kern (DEK Trio, Bulbul, Fuckhead) bring together diverse attitudes in free improv from avant jazz to ea-/experimental approaches and bristling rock forms, sharing a unique collective voice with an oddly implied sense of humor and disconcertingly ingenious skill.
Polwechsel / Klaus Lang
Unseen
(ezz-thetics by Hat Hut Records Ltd)
The innovative acoustic free improvising ensemble Polwechsel, bridging contemporary music and free improvisation in ways that sound deceptively electroacoustic and comprised of Michael Moser on cello, Werner Dafeldecker on double bass, and Martin Brandlmayr & Burkhard Beins on cymbals & percussion, are joined by Klaus Lang performing on the church organ of St. Lambrecht's Abbey.
Gustafsson, Mats / Wendy Gondeln / Wolfgang Voigt / Martin Siewert
The Shithole Country & Boogie Band
(Corbett vs. Dempsey)
A unique album blurring acoustic recordings from saxophonist Mats Gustafsson with the electronic machinations and rhythms of Wendy Gondeln, aka Albert Oehlen, a German experimental electronic artist, the two inviting Martin Siewert for additional guitar on two tracks, and Wolfgang Voight to remix two tracks; funky, unpredictable, amusing, and seductively tantalizing.
Raulin, Francois Trio
Trois Plans Sur La Comete
(Hatology)
Pianist Francois Raulin's trio with soprano saxophonist Francois Corneloup and double bassist Bruno Cheviloon, also providing vocals recording in the studio in France, 2000.
Gallio / Streuli
Road Works [CD & DVD]
(Percaso)
72 extractions of electroacoustic improvisation from saxophonist Christoph Gallio, and an accompanying DVD from director Beat Streuli, with music and sound coming from Dominique Girod (bass), Julian Sartorius (drums), Andrea Neumann (piano), and Ernst Thoma (synth).
Thieke, Michael Unununium
Nachtlieder
(Mikroton Recordings)
A diverse and fascinating release from clarinetist Michael Thieke, also on zither and providing field recordings, with guitarist Martin Siewert, accordionist Luca Venitucci, and two bassists--Christian Weber & Derek Shirley, and two drummers--Steve Heather and Eric Schaefer.



Customers Who Bought This Item Also Bought:
Baker, Jim / Brandon Lopez / Bill Harris
Dura
(Amalgam)
Recorded while double bassist Brandon Lopez was in Chicago, frequent collaborators from two generations--keyboardist Jim Baker on piano and Arp Synth and drummer/percussionist Bill Harris--joined together to record this live-in-the-studio album of highly interactive, explorative, propulsive and often cathartic free improvisation.
Charles, Xavier / Bertrand Gauguet
Spectre
(Akousis Records)
Using the interference points of closely pitched sound, long-time collaborators Xavier Charles and Bertrand Gauguet use acoustic and amplified clarinets and saxophones to create frequency landscapes that change slowly, ringing with harmonics while finding unison and conflict in their tones, creating meditative aural environments of great beauty and reflection.
Morris, Joe
Instantiation: Versioning
(Glacial Erratic)
The 2nd album in guitarist Joe Morris' "Instantiation" series, where each part is composed with specific notated and operational components such that it is impossible to perform any part the same way twice, performed with the quintet of Daniel Klingsberg on bass, Alex Quinn on trumpet, Michael Sabin on trombone, Raef Sengupta on saxophone.
Morris, Joe
Instantiation: Paradoxical
(Glacial Erratic)
One part of New York improvising guitarist and composer Joe Morris' "Instantiation" project, where each part is uniquely composed with specific notated and operational components making each impossible to perform the same way twice, here in a studio recording with clarinetist Dan O'Brien, bassist Brad Barrett, and violinist Elinor Speirs.
Speak Easy (Wassermann / Minton / Lehn / Blume)
@ Konfrontationen
(Confront)
Since 2009 the UK & European ea-improvising quartet Speak Easy with two remarkable vocalists, Phil Minton and Ute Wasserman (also on birdcall whistles), Thomas Lehn on analog synthesizer and Martin Blume on drums & percussion, have startled and amazed listeners, as heard here in this extended performance at the 2016 Festival Konfrontationen in Nickelsdorf.
Butcher, John / Philippe Lauzier / Eric Normand
How Does This Happen?
(Ambiances Magnetiques)
The Montreal free improvising, experimenting duo "Not The Music" of bassist Eric Norman & bass clarinetist Philippe Lauzier invited UK saxophonist John Butcher for concerts in Ottawa and Montreal, recording the two impressive 5-part series heard on this album--"en consequence" (consequently) and "par irruption" (by bursting), of masterful and profoundly pensive prowess.
Schmid, Silvan Quintet
At Gamut
(Hatology)
Swiss trumpeter Silvan Schmid is a cofounder of the Gamut Kollektiv, organizing festivals and concerts, here caught live in 2016 at Gamut Series No 1 at Amboss Rampe in Zurich with his own quintet of Tapiwa Svosve on sax, Silvan Jeger on cello, Vincent Glanzmann on drums, and Lucas Wirz on tuba performing 6 Schmid compositions of profoundly lyrical free jazz.
Mitchell, Matt plays Tim Berne
Forage
(Screwgun)
Pianist Matt Mitchell, a member of saxophonist Tim Berne's Snakeoil, releases a solo album of Berne compositions, taking the reedist's typically frenetic material into unexpected territory, revealing dark beauty and intensely introspective aspects to Berne's music.
Archer, Martin
Story Tellers
(Discus)
Martin Archer introduces a new sextet based on Chicago's AACM approach to free improvisation, in a 2-CD set of 6 large works divided into 5 or 6 chapters each, presenting character themes, rhythm ideas, composed duets, and improvised instructions; superb!
Tin (Dominic Lash / Axel Dorner / Roger Turner)
Uncanny Valley
(Confront)
A new trio at the time, TIN is trumpeter Axel Dorner, bassist Dominic Lash, and drummer/percussionist Roger Turner, captured live in three locations during their 2015 UK tour, presenting masterful avant improvisations of sound-oriented work using an immense technical vocabulary to creative inventive and captivating dialog.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC