The Squid's Ear Magazine


Orins, Peter : Happened By Accident (Tour de Bras)

Two works for solo percussion from French drummer Peter Orins, a member of the Circum collective and Circum Grand Orchestra, and peer of Jean-Luc Guionnet, Satoko Fujii, &c.: the 6 part "Happened by Accident", a work of subtle, building percussive work using unusual techniques and sources; and James Tenney's "Having Never Written A Note For Percussion".
 

Price: $14.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units

Sample The Album:





product information:

Personnel:



Peter Orins-drums

James Tenney-composer


Click an artist name above to see in-stock items for that artist.




UPC: 193428328389

Label: Tour de Bras
Catalog ID: TDB90034cd
Squidco Product Code: 27472

Format: CD
Condition: New
Released: 2018
Country: Canada
Packaging: Cardboard Gatefold
Recorded at CCAM, in Vandoeuvre-les-Nancy, in Nancy , France, on June 26 and 27, 2018.

Descriptions, Reviews, &c.

"Time for a solo percussion! Peter Orins, a French drummer with whom we meet on these pages quite regularly, performs a six-part title composition, her own authorship, as well as a composed excerpt of a very interesting title, "Never never written a note for percussion"by James Tenney. Recorded during two June days in France (2017? 18?), It seems to resemble fairly free improvisation, but extremely planned in detail. It will take us 45 minutes and 51 seconds to listen to the whole thing.

The adventure with the recording, which happened by accident, we start with a drone of dry synthetics, which coexists exceptionally well with the quiet band of live drumming. After 120 seconds, in the background, seems to give birth to the second band of live music. The narration is focused, calm, but full of internal... anxiety. 5 minutes brings additional accents to the snare in the form of a preparation, but the synthetic drone does not budge. After a living time, it seemed to resonate with the synthetic one. When the latter goes out, the two strands of vivid senses resound. We smoothly go to the second part, whose start is determined by the preparation and sonorist treatment of the snare's glaze. Their three worse ones also add plates. The narrative takes place only with live elements of the drum set. Number threeon the player appears quite quickly. Continuation of the already set story, here decorated incidentally with deaf strokes of the foot. We are close to silence, music is very scrupulous, unhurried, full of filigree beauty. Seemingly, the action is not too fast, but I listen to it with great pleasure. The fourth part heralds the pulsating drone of meta acoustics. After a while, we realize that two drones are already accompanying us. Resonance, trembling membranes, noisy silence. On the elongation of this episode a delicate percussion, although the foot of the bass drum does not stop thundering from a distance. Another, more intense thunder opens the fifth part. Preparations on snare and volumes, and drummer set as if it grew in space - a kind of intriguing damming up of the narrative. A small orchestra of exclusively acoustic sounds. The final of the title composition is again very smooth. He seems to sum up all the ideas of the composer - the improviser - preparations, a handful of sonorities, resonance of plates. We have the impression that the musician draws three or even four stories of the story here. Scrubbing, shaking, and squeaking are the next stages of this story. A small singing percussion equally charming.

After a few seconds of silence, the seventh part of the album begins. A deaf echo of cosmic almost drumming. Trembling, rustling, percussive ambient. Flow gently but steadily increases, seems to flow ever wider stream. A few-minute, beautiful, sensual finale of an equally phenomenal whole! The entrance to the top itself is decorated with a disc resonance symphony. We come to the wall of sound of exceptional beauty, which after 8 minutes begins to gradually crumble. Very slow decay process - a kind of long-lasting extinguishing the flame of the narrative. Full acoustic ambient of cymbals, the reviewer notes at the end, and then closes the notebook in a state of enormous satisfaction with the journey he has traveled over the past three quarters."-Tribune of Spontaneous Music, translated by Google



James Tenney — "Having Never Written A Note For Percussion":

"The directions, written originally on the back of a postcard, are punishingly simple: play an extended roll on an undefined percussion instrument for an undefined period of time, from silence to a peak of quadruple fortissimo and back again."-Debashis Sinha, Canadian Music Centre



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!

Get additional information at Tribune of Spontaneous Music

Artist Biographies

"After classical music study, Peter Orins learns the drums, first in a rock and afro-cuban music school, then at the Conservatoire National de Région of Lille in the jazz section, where he studies with Guy Gilbert, Jean-François Canape, Gérard Marais... He graduates in 1997. In the meantime, he studies musicology at university, improvisation with Fred Van Hove, composition with Jean-Marc Chouvel and Ricardo Mandolini.

Playing jazz from the middle of the 90's, he plays in the bands that will create in 2000 the Circum collective : Impression (for which he composes, became Flu(o) in 2012), Quartet Base, Stefan Orins Trio. He coordinates the Circum collective till its fusion with the CRIME in 2010, and creates the Circum Grand Orchestra, band with the 10 musicians of Circum, for which he composes also occasionally. At the same time Peter Orins get in the CRIME projects, improvised and experimental music collective also based at la malterie in Lille. He plays especially in La Pieuvre, big improvisation orchestra conducted by Olivier Benoit (nowadays Artistic Director of L'Orchestre National de Jazz). It's with the Crime that he'll develop his solo work (drums and electronic with Pure Data application), and improvised and experimental projects with David Bausseron, Laurent Rigaut, Ivann Cruz, Christian Pruvost, Jean-Luc Guionnet, Benjamin Duboc, Yanik Miossec, Falter Bramnk, ... in bands like DBPO, De Nouvelles Erreurs, Signal Box, Electropus, Ternoy/Cruz/Orins (that will become Toc, free-rock progressive band)... In 2006, he leads a french-vietnamese project called Hué/Circum with the support of Region Nord Pas de Calais, which combines 4 musicians from Circum and 3 traditional vietnamese musicians from Hué (tour in Vietnam, Japan and France, from 2006 to 2009). In 2010, he creates a french-japanese quartet with pianist Satoko Fujii and trumpet players Natsuki Tamura and Christian Pruvost, band for which he composes with Satoko Fujii. Several international tours with this band (Japan, Israel, Germany, France, USA, Canada). In 2011, Ivann Cruz, guitar player from Muzzix, and Maciej Garbowski, polish double-bass player, invite him to play in their quartet with the finnish saxophone player Kari Heinila. He also collaborates with theatre, composes for cinema or animation movies, dance... Since the creation of Muzzix in 2010, Peter Orins coordinates the artistic direction of the collective.

He played with : Sophie Agnel, Jean-Luc Guionnet, Benjamin Duboc, Radu Malfati, Steve Dalachinsky, Andrew D'Angelo, Petr Cancura, Josh Sinton, Curtis Hasselbring, Joe Morris, Rene Hart, David Miller, Frank London, Nate Wooley, Renee Baker, Ernest Dawkins, Dave Rempis, Jeb Bishop, Michael Zerang, Jacques Di Donato, François Corneloup, Norbert Lucarain, Sylvain Kassap, Alain Vankenhove, Camel Zekri, ..."

-Peter Orins Website (http://www.peterorins.com/biography/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"James Tenney was born in 1934 in Silver City, New Mexico, and grew up in Arizona and Colorado, where he received his early training as a pianist and composer. He attended the University of Denver, the Juilliard School of Music, Bennington College (Bachelor's degree 1958), and the University of Illinois (Master's degree 1961). His teachers and mentors have included Eduard Steuermann, Chou Wen-Chung, Lionel Nowak, Carl Ruggles, Lejaren Hiller, Kenneth Gaburo, Edgard Varèse, Harry Partch, and John Cage.

A performer as well as a composer and theorist, Tenney was co-founder and conductor of the Tone Roads Chamber Ensemble in New York City (1963-70). He was a pioneer in the field of electronic and computer music, working with Max Mathews and others at the Bell Telephone Laboratories in the early 1960s to develop programs for computer sound-generation and composition. He has written works for a variety of media, both instrumental and electronic, many of them using alternative tuning systems.

Tenney is the author of several articles on musical acoustics, computer music, and musical form and perception, as well as two books: META + HODOS: A Phenomenology of 20th-Century Musical Materials and an Approach to the Study of Form (1961; Frog Peak, 1988) and A History of 'Consonance' and 'Dissonance' (Excelsior, 1988). He has received grants and awards from the National Science Foundation, the National Endowment for the Arts, the Ontario Arts Council, the Canada Council, the American Academy and Institute of Arts and Letters, the Fromm Foundation, the Deutscher Akademischer Austauschdienst, and the Jean A. Chalmers Foundation.

Tenney returned to the California Institute of the Arts in the fall of 2000 to take the Roy E. Disney Family Chair in Musical Composition, having taught there at its beginnings in the early 1970s. He has also been on the faculties of at the Polytechnic Institute of Brooklyn, the University of California at Santa Cruz and at York University in Toronto where he was named Distinguished Research Professor in 1994.

James Tenney's music is published by Sonic Art Editions (Baltimore) and the Canadian Music Centre, and is also distributed by Frog Peak (Lebanon, New Hampshire). Recordings are available from Artifact, col legno, CRI, Hat[now]ART, Koch International, Mode, Musicworks, Nexus, oodiscs, SYR, Toshiba EMI, and New World, among others."

-Plain Sound.org (http://www.plainsound.org/JTbio.html)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Happend By Accident 1 7:39

2. Happend By Accident 2 5:19

3. Happend By Accident 3 5:04

4. Happend By Accident 4 6:06

5. Happend By Accident 5 4:19

6. Happend By Accident 6 5:13

7. Having Never Written A Note For Percussion 12:12

Related Categories of Interest:


Compositional Forms
Percussion & Drums
Solo Artist Recordings
New in Compositional Music

Search for other titles on the label:
Tour de Bras.


Recommended & Related Releases:
Kaze (Satoko Fujii / Natsuki Tamura / Christian Pruvost / Peter Orins)
Unwritten
(Circum-Libra / Libra)
The Kaze quartet of trumpeter Natsuki Tamura, pianist Satoko Fujii, trumpeter & flugelhorn player Christian Pruvost and drummer Peter Orins, continues its avant-embracing and uniquely voiced project with this live performance at Lille, France, an episodic and spontaneously diverse set of three collective improvisations of intuitive, adventurous interaction.
Orins, Peter (Orins / Pruvost / Dang / Pym)
Dead Dead Gang
(Tour de Bras / Circum-Disc)
A musical work composed by French drummer Peter Orins inspired by Alan Moore's 2016 novel Jerusalem crossing geographical and temporal space, recorded during a residency with the Muzzix collective at La Malterie in Lill and performed with Maryline Pruvost on voice & indian harmonium, Barbara Dang on piano, and Gordon Pym on electronics & amplified objects.
Fujii, Satoko Orchestra Tokyo + KAZE
Peace (Tribute To Kelly Churko)
(Libra)
Pianist Satoko Fujii's Orchestra Tokyo + the band Kaze, bringing guests trumpeter Cristian Pruvost and drummer Peter Orins alongside trumpeter Natsuki Tamura into a spectacular big band of great power but also subtle meditation, in four works that include a tribute to the late guitarist and Fujii collaborator Kelly Churko.
Other Recommended Releases:
Kaze with Satoko Fujii / Natsuki Tamura / Christian Pruvost / Peter Orins & Ikue Mori
Crustal Movement
(Circum-Libra)
The cooperative Japanese/French quartet Kaze of pianist Satoko Fujii, trumpeter Natsuki Tamura, trumpeter Christian Pruvost and drummer Peter Orins are expanded for a second time with New York electronic artist Ikue Mori, embracing pandemic restrictions by creating this album through file exchange, adding complex layers of profound interaction to the virtual improvisations.
TOC (Orins / Cruz / Ternoy)
Did It Again [4 CDs]
(Tour de Bras / Circum-Disc)
TOC, the trio of Ternoy, Cruz & Orins respectively on keyboards, drums and electric guitar, celebrate fifteen years of free improvisation with this expansive 4-CD set of recordings from the 2021 Spontaneous Music Festival in Poland; Lumen in Budapest in 2021; the 2021 Festival la malterie in Lille, France; and reissuing their 2008 CD on the Circum-Disc label, Le Gorille.
Weston, Matt
Sparky 3 [CASSETTE w/ DOWNLOAD]
(4 Men With Beards)
The 3rd installment in percussionist & composer Matt Weston's serialized opera for percussion ensemble + electronics, a set of narratives and counter-narratives that explore mental health struggles as they develop over time in varying circumstances, realized through a combination of site-specific graphic, multidimensional and instantaneous scores.
Pisaro-Liu, Michael
Tombstones (performed by Barbara Dang & Muzzix)
(elsewhere)
Applying techniques that Michael Pisaro uses in his audio compositions to song formats, this album presents 11 new versions of songs from his 2013 Human Ear Music album, here reworked for clarity and recorded under the artistic direction of the Lille-based pianist Barbara Dang and six members of the Muzzix collective (Bellefont, Cruz, Orins, Pruvost & Pruvost).
Kaze (Fujii / Tamura / Pruvost / Orins) w/ Ikue Mori
Sand Storm
(Libra/ Circum-Disc)
The cooperative quartet Kaze of Satoko Fujii on piano, Peter Orins on drums, Christian Pruvost on trumpet, Natsuki Tamura on trumpet, joins with elextroacoustic improviser Ikue Mori for seven exploratory pieces recorded in the studio after a one-week tour in Austria, France, and Russia, their enthusiasm for their extraordinarily unique group sound clearly evident.
Metal Moves
Metalkymist
(FMR)
Percussionist Steve Hubback's project Metal Moves presents the percussionist, composer and instrument maker's work, using drums, gongs, bells, cymbals and percussive sculptures in well-developed compositions, evoking mysterious environments that evolve into muscular displays of extraordinary power, a beautifully balanced album of uniquely voice solo percussion.
Hauser, Fritz
Laboratorio - Solo Percussion
(Hat [now] ART)
Swiss drummer & percussionist Fritz Hauser's solo album creates a fictional percussion center that he uses as as springboard to compose solo works for spaces within the [non-existent] environment, depicted in both spacious and active sound work, generating open-air locations with bird sounds and cymbals and areas of quick-paced activity; absolutely impressive.
Hennies, Sarah (performed by Lenka Novosedlikova)
Sisters [VINYL]
(Mappa)
US Composer Sarah Hennies wrote these pieces for vibraphone for Lenka Novosedlíková to be performed at the church in Kyjatice, Slovokia, a medieval building the two discovered while traveling, and that they challenged each to bring life to the building while respecting it's contemplative character and using the psychoacoustic dimensions of space.
Smith, Linda Catlin
Wanderer
(Another Timbre)
Eight sophisticated chamber pieces composed by Linda Catlin Smith and realized by the Canadian Apartment House ensemble, including a solo piano performed by Philip Thomas, a piano duo with Thomas and Mark Knoop, and works for percussion & cello, 2 quintet pieces for strings, percussion and winds, and two 7-piece conducted works with two percussionists, strings and brass.
Fujii, Satoko
Ninety-Nine Years
(Libra)
Composer-pianist Satoko Fujii's new Orchestra Berlin, a ten-piece ensemble, presents a powerful work written specifically for this group in thought-provoking compositions of and uninhibited energy, with performers including saxophonists Gebhard Ullmann, Paulina Owczarek & Matthias Schubert, trombonist Matthias Muller, bassist Jan Roder, and drummers Peter Orins and Michael Griener.
Kaze (Fujii / Tamura / Pruvost / Orins)
Atody Man
(Libra)
The fifth album from the French and Japanese quartet Kaze, initiated by drummer Pter Orins, with two trumpeters--Christian Pruvost and Natsuki Tamura--and pianist Satoko Fujii, all using extended and unusual techniques as they perform innovative compositions from Fujii, Orins, and Tamura with a balance of serious and playful approaches; brilliant.
Trouble Kaze (Fujii / Agnel / Tamura / Pruvost / Lasserre / Orins)
June
(Helix Circum-Disc)
Drummer Peter Orins expands the Kaze quartet of trumpeters Natsuki Tamura and Christian Pruvost and pianist Satoko Fujii, with a second drummmer--Didier Lasserre--and a second pianist--Sophie Agnel--for a live recording of a 5-part suite of magnificently epic collective improv.
Kaze
Uminari
(Circum-Libra)
Natsuki Tamura & Christian Pruvost on trumpets, Satoko Fuji on piano and Peter Orins on drums for a quartet where all members are active compositional contributors, creating a powerful ensemble sound with strong soloing using modern creative techniques; excellent!
Kaze
Tornado
(Circum-Libra)
With two trumpets, drums and piano, Kaze's 2nd release with Satoko Fujii, Natsuki Tamura, and Muzzix members Christian Pruvost and Peter Orins, hits like the album title, but surprises with contrasts from torrential power to beautiful melodic interplay.



Customers Who Bought This Item Also Bought:
Shelton, Skeeter / Hamid Drake
Sclupperbep
(Two Rooms Records)
After meeting in Detroit when tenor saxophonist & flutist Skeeter Shelton subbed for a sick player in a duo concert with drummer/percussionist Hamid Drake, the two found a bond through Shelton's father, Ajaramu Shelton, who had been one of Drake's mentor at Chicago's AACM; the concert was so successful that this recording was immediately planned, based around many of Shelton's themes.
Bruckmann / Djll / Heule / Nishi-Smith
Brittle Feebling
(Humbler)
The title gives a sense of the unusual acoustic improvisation this West Coast collective perform, along with their description "prickles and bleats, an abrasive delicacy; fricative rasp and withheld breath seethe together in a discomfiting cuddle" — from Kyle Bruckmann on oboe & English horn, Tom Djll on trumpet, Jacob Felix Heule on floor tom, and Kanoko Nishi-Smith on koto.
Charles, Xavier / Bertrand Gauguet
Spectre
(Akousis Records)
Using the interference points of closely pitched sound, long-time collaborators Xavier Charles and Bertrand Gauguet use acoustic and amplified clarinets and saxophones to create frequency landscapes that change slowly, ringing with harmonics while finding unison and conflict in their tones, creating meditative aural environments of great beauty and reflection.
Branche, Sebastien
Lignes de Fuite [CASSETTE]
(Mappa)
Sebastien Branche (Insub Meta Orchestra, Miguel A. Garcia) uses the tenor saxophone as a sound source, meticulously applying extended techniques, circular breathing and the resonance of the saxophone itself during improvisation, using Supercollider software in a two-way collaboration where the instrument also transforms the sounds provided by the computer.
Olencki, Weston
Solo Works
(Creative Sources)
New York City-based trombonist/composer Weston Olencki, specializing in the performance and production of experimental music & art, presents four compositions for brass instruments exploring a sound-based and psychoacoustic approach to solo performance, applying extended instrument preparations and fundamental principles of sound synthesis to this acoustic medium.
Thomson, Scott
Murray - Trombone Solos
(Tour de Bras)
Trombonist Scott Murray (Monicker, AIMToronto) performed this installment of his "Trombone Solos at Odd Hours" series by paying homage after the passing of his friend, painter and drummer John Heward, recording this concert at Heward's studio in his home on Murray Street in Montreal, in a far-ranging and emotional solo performance of fascinating technique and expression.
Gabriel, Julius
Geminga
(Creative Sources)
Using the natural resonance of the chapel of Oficinas do Convento, in Montemor-o-Novo, Portugal, saxophonist Julius Gabriel recorded these ten diverse solo improvisations, performing on soprano, tenor & baritone saxophones, applying unusual and extended techniques to his playing in a mixture of technical prowess and implicit wit & melodicism.
Weston, Matt
A New Form Of Crime [VINYL]
(7272music)
Conceived and constructed over 16 years, composer, electronic artist & percussionist Matt Weston employs graphic and personal notation systems with elements including clandestine recordings in concert halls and athletic buildings while they were not in use, rural field recordings, and the sound of cars driving over a bridge at Weston's conducting; unique and fascinating.
Pavone, Mario Dialect Trio
Philosophy
(Clean Feed)
Three in-demand New York improvisers--Mario Pavone on double bass, Matt Mitchell on piano, and Tyshawn Sorey on drums-- recording in the studio in one of the premiere spaces in the Metropolitan area, Firehouse 12, resulting in this profoundly authoritatve piano trio album, with five Pavone original compositions, two from Annette Peacock, and one collective improv.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC