The Eventless Plot trio hails from Thessaloniki, Greece, borrowing elements from different genres and aesthetics to build a hybrid of free improv, noise, new electronica, electroacoustic composition and jazz.
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Label: Aural Terrains
Catalog ID: TRRN0619
Squidco Product Code: 17067
Packaging: Jewel Tray
Mastered by Thanos Chrysakis.
Thanos Chrysakis-synth, piano, inside piano, e bow piano, prepared piano, electronics, clarinet, field recordings, percussion, objects, psalterion, e bow psalterion
Stefanos Lazaristos-bass saxophone
Angelica Vasquez-prepared harp, harp
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• Show Bio for Thanos Chrysakis
"Thanos Chrysakis' output consists of composition, performance, and installation. He was born in Athens in 1971. After residing in the UK between 1998-2014 he moved in 2015 to Belarus. With several albums to his name his work has appeared in festivals and events in several countries, including CYNETart Festival, Festspielhaus Hellerau - Dresden, Academy of Arts / M:AI (Museum für Architektur und Ingenieurkunst NRW)- Berlin, TU - Berlin, Diapason Gallery - New York, ohrenhoch - der Geräuschladen Gallery - Berlin Neukölln, Spazioersetti Gallery - Udine, XXII "Sound Ways" International New Music Festival - St. Petersburg, Artus Contemporary Arts Studio - Budapest, CRUCE Gallery - Madrid, Fylkingen - Stockholm, Relative (Cross) Hearings festival - Budapest, ZEPPELIN festival - Barcelona, IVM (Institut Valencià de la Música) - Valencia, Motus/Festival Futura 2013 / 21 édition - Crest-Vallée de la Drôme-Diois, Xposed Club - Cheltenham, Festival de Música Contemporanea "Ramiro Guerra" - Monterrey, FACT Centre - Liverpool, Association Ryoanji - Salle Des Fêtes - Ahun, The Center for Advanced Musical Studies at Chosen Vale/International Chosen Vale Trumpet Seminar 2014 - Hanover-New Hampshire, Frost School of Music - Clarke Recital Hall - Coral Gables/Florida, XIII Festival Internacional de Música Nueva - Monterrey, Splendor - Amsterdam, VI European Clarinet Festival - Camerino - Italy, Logos Foundation - Ghent, Palacio de Bellas Artes - Mexico City, "On the Edge of Perceptibility - Sound Art" Műcsarnok Kunsthalle - Budapest, Festival del Bosque GERMINAL - Mexico City, Noise & Fury Festival - Moscow, Oosterkerk - Amsterdam, Center for New Music - San Francisco, Västerås Konstmuseum - Västerås, Störung festival - Barcelona, BMIC Cutting Edge concert series - The Warehouse - London.
His music has been frequently aired by RAI Radio 3, BBC Radio 3, Radio Portugal Antenna 2, Radio Nacional de España Radio 3, Ireland's RTÉ Lyric FM, Polskie Radio (Warsaw), RTS - Radio Belgrade 3 (Serbia), FM Brussel, Elektramusic (Strasbourg), CKCU FM - (Ottawa), Undae! Radio and Onda Sonora - Radio Circulo de Bellas Artes (CBA) (Madrid), Radio Horizon (Johannesburg), Motus/Radio Saint Ferréol -Les Territoires Du Son (la radio du Val de Drôme), Radio Nova (Oslo) among others. In addition, his texts have been also appeared in the Leonardo Music Journal (MIT Press), the Vague Terrain Journal, and in the volumes The Book of Guilty Pleasures and The Idea of the Avant Garde - And What It Means Today (Manchester University Press) edited by Marc James Léger. He composes for electronic and acoustic instruments, as well environmental sounds, focusing on the structural, aesthetic and transfigured capacity of sonic matter.
His formal training encompasses percussion (Dimitris Tzafestas), Sonic Arts (Hugh Davies) at the Lansdown Centre for Electronic Arts and a PhD in composition from Goldsmiths, University of London (EMS/Michael Young) as well as private studies in orchestration with Dmitri Smirnov. However it is the yearning of the creative praxis itself that transmitted the crucial aspect of artistic practice: that something has to be staked, that something must be ventured.
His work was amongst the selected works at the 32nd International Competition de Musique et d'Art Sonore Electroacoustiques de Bourges 2005, in the category œuvre d'art sonore électroacoustique, while received an honorary mention in 2006 at the 7th International Electroacoustic Composition Competition Musica Viva in Lisbon (the jury was constituted by Morton Subotnick (USA), François Bayle (France), and Miguel Azguime (Portugal).
He has written music for distinguished musicians such as Philippe Brunet (flugelhorn, trumpet), Wilfrido Terrazas (flutes), Chris Cundy (baritone saxophone, bass clarinet), the Stockholm Saxophone Quartet, Jason Alder (bass clarinet), Alexander Bruck (viola), Yoni Silver (bass clarinet), Natalia Pérez Turner (cello), Nadia Ratsimandresy (Onde), Mikael Rudolfsson (alto trombone), Matias Karlsen Bjornstad (soprano saxophone), Liam Hockley (clarinets), Michael Pelzel (church organ), Kate Ryder (piano, prepared piano), Tzenka Dianova (piano), Claire Chase (bass flute), Peter Evans (trumpet), Julie Kjaer (alto saxophone/alto, Luis Tabuenca (percussion), Philip Chase Hawkins (trumpet).
Recent compositions amongst others, include: Above the Hidden Track an Endless Blaze (Aural Terrains 2015), Terra Firma (for Mikael Rudolfsson [alto trombone] 2015), Astraea (for the Stockholm Saxophone Quartet, 2013), Undercurrent (for Liam Hockley [clarinet in A] 2014), Arché (for Chris Cundy [baritone saxophone] 2014), Nocturnal Flight (for Nadia Ratsimandresy [onde] 2014), Ingress (for Yoni Silver [bass clarinet] 2015), Canto Intrare (for Philippe Brunet & Philip Chase Hawkins [duo trumpets] 2015), Μήτε το Κύμα / Νé da'll onde (for Wilfrido Terrazas & Natalia Pérez Turner [bass flute / cello] 2014].
He has recorded/performed with a number of improvisers including among others Wade Matthews, Dario Bernal-Villegas, Jerry Wigens, James O'Sullivan, Philip Somervell, Jamie Coleman, Chris Cundy, Zsolt Sőrés, Sebastian Lexer, Javier Pedreira, Julie Kjaer, Artur Vidal, Christian Kobi, Christian Skjødt, Yoni Silver, Nuno Torres, Kurt Liedwart, Ernesto Rodrigues, Abdul Moimême. Furthermore, he has also closely collaborated with the visual artists Pascal Dombis, and Villő Turcsány. Since 2007 he operates the record-label 'Aural Terrains' focusing in electroacoustics, composed and improvised music.
He has held residencies at the Visby Centre for Composers (twice) and at the Artus Contemporary Arts Studio in Budapest. His work has been supported by PRS for Music Foundation and the Swedish Art Council.
Current and upcoming projects for 2016-17 include a residency at the Porticello Artist Residency in Calabria/Italy, a series of compositions for the Hyperion Ensemble, Tim Hodgkinson (bass clarinet), Yoni Silver (bass clarinet), Tibi Cenuser (trombone), for the Stockholm Saxophone Quartet, for Konus Quartett, for Liam Hockley (clarinets in A and E♭), Laura Faoro (bass flute), Philippe Brunet (trumpet), Elena Kakaliagou (french horn), Stephan Vermeersch (bass clarinet), Alexander Bruck (viola), Natalia Pérez Turner (cello), Chris Cundy (bass clarinets), Markus Wenninger (clarinet E♭), Serge Bertocchi (Tubax E♭), Shadanga Duo (alto flute/alto clarinet), Katalin Szanyi (alto flute), Jason Alder (contra bass clarinet), Alejandro Tello (oboe), Wilfrido Terrazas (flutes), Dana Jessen (bassoon) as well a new electronic music CD entitled 'Equinox'."-Aural Terrains (http://www.auralterrains.com/chrysakis/en/bio/)
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• Show Bio for Angelica Vasquez
"Angélica Vázquez is a harp player from Spain currently based in Oporto, Portugal. She studied with Maria Rosa Calvo-Manzano (Spain), Carrol McLaughlin (United States) and Ernestine Stoop (Holland). She performs in experimental music, new music and live improvisation. As a soloist she has performed in US and in Europe, working with composers like Takayuki Rai, Anne La Berge, Kaffe Matthews, Guus Janssen, Kate Moore or Joseph Waters and Improvisers like Butch Morris, Evan Parker, Han Bennink or Steve Hubback . She has performed with symphony orchestras like ¨Filarmonía¨ Symphony Orchestra, Radio Television Symphony Orchestra from Spain, Arizona University Symphony Orchestra, Casa da Música Symphony Orchestra from Porto and contemporary music ensembles like Insomnio (Utrech), Modelo 62 (The Hague), BrokkenFabriek (Amsterdão), RPM Electro Travelling Band (The Hague), DAMU collective (The Hague) and Remix (Porto). She holds a Bachelor from the Royal Conservatory of Madrid, a Master on contemporary harp and a ¨NAIP Music Master for New audiences and Innovative Practice¨ from The Royal Conservatory of The Hague. Currently she works as a harp professor at the Porto Conservatory of Music, is part of FMFX collective, Vertixe Sonora Ensemble, Pedra Contida and collaborates with Eventless Plot (Thessaloniki), Nova Orquesta Futurista do Porto, Kulter (Amsterdam), Jazz ao Centro (Coimbra), Eureka Discos (Córdoba), Cronica label (Oporto) and Sonoscopia (Porto)."-Angelica V. Salvi Website (http://angelicasalvi.com/wordpress/en/bio/)
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1. Nozema 6:45
2. Non 11:29
3. Recon 3:52
4. Piano - Part I 3:57
5. Piano - Part II 6:03
6. Chaos FOr Real 4:22
sample the album:
"Eventless Plot is a trio from Thessaloniki, Greece. They borrow elements from different genres and aesthetics to build their own hybrid of sound. From free impro and noise to new electronica, electroacoustic composition and jazz, their music remains always unconventional and contemporary. They are experimenting with a variety of instruments, analog sources, field recordings and Max/Msp patches.
Active from 2002 in the experimental scene, they participated in numerous festivals such as "Synch festival" (Athens, June 2008) and shared the stage with many artists like Giuseppe Ielasi, Angel, Vladislav Delay and more. They have several releases in their archive including the full album 'ikon' (Granny records 2009).
Eventless Plot are also working on designing sound and composing for art installations and film. In November 2008 after a request of Thessalonikiʼs International Film Festival along with Granny records label mates Good Luck Mr. Gorsky they composed and introduced a soundtrack for Victor Sjostrom' s "Phantom Carriage".
Currently e. plot's members are travelling between Thessaloniki and the Hague (Netherlands), extending their musical experience by researching on electronic music and participating in many electroacoustic and free improvisation projects (including workshops with Richard Barrett, Peter Evans, Evan Parker, Sarah Nicolls among others) with obvious influence on the development of their new sound."-Aural Terrains
Objects and Home-made Instruments
Instruments with Preparations
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