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SKIF++ (Carey / van Heumen / Koolwijk): .next (Creative Sources)

This laptop trio create a dense and scurrying sound world of a surprising freeform nature that avoids cliches by combining sound-generation tools for ever-shifting results.
 

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product information:


UPC: 5609063401752

Label: Creative Sources
Catalog ID: cs175
Squidco Product Code: 12908

Format: CD
Condition: New
Released: 2009
Country: Portugal
Packaging: Jewel Tray
The music on this album is performed by Jeff Carey and Robert van Heumen at STEIM's Studio 2 in February & September 2008.


Personnel:

Jeff Carey-Laptop (Sound)

Robert van Heumen-Laptop (Sound)

Bas van Koolwijk-Laptop (Visuals)



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track listing:


1. 1.00 5:41

2. 1.01 4:37

3. 1.02 4:19

4. 1.03 4:20

5. 1.04 6:33

6. thinner 27:56

7. a_ 3:17

8. ffffffffffffff++ 4:42
Related Categories of Interest:

Creative Sources

Improvised Music
Electro-Acoustic
Electro-Acoustic Improv
Electronic Forms
Free Improvisation
Quartet Recordings

sample the album:








descriptions, reviews, &c.

"A laptop trio, this Skif++, consisting of Robert Van Heumen on a laptop playing LiSa, Jeff Carey (whom you may know as 87 Central, who plays with Super Collidor on his laptop)) and Bas van Koolwijk who plays with Jitter and is responsible for the groups' visual side. They already had a CD release on Fridgesound (see Vital Weekly 627) and now there is a new one, simply called Next. If the word laptop trio scares you, thinking of microsound, careful crackles and minor beeps, then this is something you should investigate as its nothing like that at all. The first piece, cut into five separate pieces, explodes loudly in your face. A bumping collision of collidors and LiSa, with heavy bass end and noisy top end. Think Merzbow running on a random generator. A blast of laptop burning. Great, heavy weight noise, and words like carefull simply don't apply here. That happens in '[Thinner]', in which Skif++ expand their horizon and show us that they also know how to play a piece that is quietas well as unsettling. Maybe a bit long as a whole this piece (lasting well over twenty minutes this one), but then such is the nature of improvised music. Using computers means also that there are repeating blocks of sound, so that the average listener - say the type who is not used to improvised music - has some form to hold on to. The final two pieces are excursions again into distinctly louder music again. This is not an easy work to digest, but certainly with some great untamed power. Sadly no visuals here."-Frans de Waard, Vital Weekly



"I've carped a bit above about excess activity on the part of some of the musicians. Well, this trio of electronicists can be as active, scurrying and scrabbling as anyone...but it works. Freewheeling while managing to maintain some kind of control, they're perhaps comparable to Lehn/Schmickler in approach when they have pedal to the floor. But also quite capable of reining things in as on the lengthy "[thinner]", a fine, low, rumbling series of quivers and rustles. Good, solid recording."-Brian Olewnick, Just Outside



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