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© 2002-2017, Squidco LLC


MAP (Halvorson / Nakatani / Radding): Fever Dream [VINYL] (TAIGA)

A beautifully produced 3-sided double LP from New York's MAP, guitarist Mary Halvorson, percussionist Tatsuya Nakatani and bassist Reben Radding, amazing contemporary improvisation.
 

Price: $19.11

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product information:


Limited edition of 1000, black vinyl.

UPC: 879198004561

Label: TAIGA
Catalog ID: TAIGA 009LP
Squidco Product Code: 12752

Format: 2 LPs
Condition: New
Released: 2010
Country: USA
Packaging: Vinyl LP in a Gatefold Sleeve
Recorded and mixed by Reuben Radding at Studio STATS, Brooklyn, NY. Mastered by


Personnel:

Mary Halvorson-guitar

Tatsuya Nakatani-percussion

Reuben Radding-bass

Highlight an artist name or instrument above
and click here to Search
track listing:


Side A:



1. In a Season of Calm Weather

2. Fever Dream

3. The Time of Going Away



Side B:



1. All Summer in a Day

2. The DAy it Rained Forever

3. A Medicine for Melancholy

4. The Machineries of Joy

5. A Flight of Ravens

6. The Anthem Sprinters



Side C:



1. Embroidery

2. Sun and Shadow

3. Golden Apples of the Sun

4. Dandelion Wine



Side D:



etched surface




Related Categories of Interest:

Vinyl Recordings

Improvised Music
Jazz
NY Downtown & Jazz/Improv
Staff Picks & Recommended Items
Trio Recordings

sample the album:
descriptions, reviews, &c.

"MAP is Mary Halvorson (guitar), Tatsuya Nakatani (percussion) and Reuben Radding (bass). Fever Dream is a vinyl-only release of high-temperature improvisations that elicit abstract thought. Following their first album, Six Improvisations for Guitar, Bass and Drums, a somber black & white affair with former bassist Clayton Thomas released on CD in 2004, Fever Dream blasts forth from the sweaty sheets of a sleepless night in vivid color. Meticulously recorded by new bassist Radding and mastered by James Plotkin, the trio sounds dense, bright and clear.

Prolific in myriad collaborative configurations, all three members of MAP have been carving their own paths in the world of contemporary improvisation. According to Steve Dollar in the New York Sun, Halvorson "plays guitar in a way that fractures conventions, restlessly inventing her own paradigms." Julian Cowley wrote for the Wire magazine, "Nakatani's sparse punctuation suggests observance of esoteric ritual." All About Jazz's Troy Collins praised Radding, "Whether throttling gnarled motifs or eliciting spectral harmonics, his resonant tone and agile phrasing is captivating." More than a side-project, MAP is intrinsic to these musicians' collective maturation and Fever Dream is evidence of advancement.

This three-sided double LP was cut direct to metal and pressed on 200g virgin vinyl, including a lacy D-side etching. It comes housed in an old-style Stoughton tip-on gatefold jacket designed by Minneapolis firm Loaf Nest. The jacket is printed in blinding full color on uncoated paper with cyan flooded pockets."-Taiga


Limited edition of 1000, black vinyl.

Artist Biographies:

"One of improvised music's most in-demand guitarists, Mary Halvorson has been active in New York since 2002, following jazz studies at Wesleyan University and the New School. Critics have called her "a singular talent" (Lloyd Sachs, JazzTimes), "NYC's least-predictable improviser" (Howard Mandel, City Arts), "one of the most exciting and original guitarists in jazz-or otherwise" (Steve Dollar, Wall Street Journal), and "one of today's most formidable bandleaders" (Francis Davis, Village Voice). The Philadelphia City Paper's Shaun Brady adds, "Halvorson has been steadily reshaping the sound of jazz guitar in recent years with her elastic, sometimes-fluid, sometimes-shredding, wholly unique style."

After three years of study with visionary composer and saxophonist Anthony Braxton, Ms. Halvorson became an active member of several of his bands, including his trio, septet and 12+1tet. To date, she appears on six of Mr. Braxton's recordings. Ms. Halvorson has also performed alongside iconic guitarist Marc Ribot, in his bands Sun Ship and The Young Philadelphians, and with the bassist Trevor Dunn in his Trio-Convulsant. Over the past decade she has worked with such diverse bandleaders as Tim Berne, Taylor Ho Bynum, Tomas Fujiwara, Ingrid Laubrock, Myra Melford, Jason Moran, Joe Morris, Tom Rainey and Mike Reed.

As a bandleader and composer, one of Ms. Halvorson's primary outlets is her longstanding trio, featuring bassist John Hébert and drummer Ches Smith. Since their 2008 debut album, Dragon's Head, the band has been recognized as a rising star jazz band by Downbeat Magazine for five consecutive years. Ms. Halvorson's quintet, which adds trumpeter Jonathan Finlayson and alto saxophonist Jon Irabagon to the trio, has released two critically acclaimed albums on the Firehouse 12 label: Saturn Sings and Bending Bridges. Most recently she has added two additional band members-tenor saxophonist Ingrid Laubrock and trombonist Jacob Garchik-to form a septet, featured on her 2013 release Illusionary Sea. Ms. Halvorson also co-leads a longstanding chamber-jazz duo with violist Jessica Pavone, the avant-rock band People and the collective ensembles Thumbscrew and Secret Keeper."

-Mary Halvorson Website (http://www.maryhalvorson.com/bio/)
3/23/2017

"Tatsuya Nakatani. Acoustic Sound Artist, Master Percussionist. b. 1970, Osaka Japan

Tatsuya Nakatani is an acoustic sound artist and master percussionist originally from Osaka, Japan. He has released over eighty recordings in North America and Europe. Residing in the USA since the mid-nineties, he has performed countless solo percussion concerts and has collaborated with hundreds of artists in international music festivals, university concert halls, art museums and independent venues. Infamous for his constant touring, Nakatani criss-crosses the country every year inspiring audiences with his pioneering sound. In addition to his solo performances, he conducts the Nakatani Gong Orchestra (NGO), a mobile community engagement project which organizes local ensembles performing on multiple bowed gongs.Nakatani teaches master classes and workshops at universities, giving students an opportunity to share his unique musical approach and philosophy for creating visceral, non-linear music.

He has created his own instrumentation, effectively inventing many instruments and extended techniques. Utilizing drums, gongs, cymbals, singing bowls, wooden sticks, metal objects, and the bows and mallets he handcrafts in his Kobo; he creates an intense, intuitively primitive, expressive music that defies genre. His work references improvised-experimental music, free jazz, and noise, while still retaining the sense of space and beauty found in traditional Japanese folk music."

-Tatsuya Nakatani Website (http://www.hhproduction.org/tatsuya_bio.html)
3/23/2017

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