New York's Transit with Jeff Arnal, Seth Misterka, Reuben Radding and Nate Wooley, intelligently designed, unpredictable static and the hyper active free-jazz!
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Label: Clean Feed
Catalog ID: CF 143
Squidco Product Code: 11499
Packaging: Cardstock Gatefold Sleeve
Recorded by Reuben Radding at Studio Stats, Brooklyn, NY on December 18th, 2006 and January 9th, 2007, Mastered by Seth Misterka at Newsonic.
Seth Misterka-alto saxophone
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1. Strata 3:01
2. Walking on Fire 5:31
3. The Science of Breath 9:08
4. Flip 4:48
5. Rapid Eye Movement 3:37
6. Z Train 5:13
7. Meeting Ground 5:31
8. Time Isn't What You Think 4:16
9. Speaking in Tongues 8:08
10. Myrtle Avenue Revival 7:45
NY Downtown & Jazz/Improv
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Recordings featuring brass instruments - trumpets, trombones, tubas, other horns
Squidco's Clean Feed $12.00 Sale
sample the album:
"Quadrologues is the second Clean Feed release by the New York based quartet Transit. This collection of pieces integrates the tradition of jazz and the never obvious approaches to music. Each piece reveals an intelligent design with a clarity of purpose. Static and the hyper activity of free-jazz are equal partners in Transit's compositions. Falling in and out of tradition - Transit has created it's own "thumbprint" that reveals an individual sensitivity within a group consciousness. Jeff Arnal (percussion), Seth Misterka (alto saxophone), Reuben Radding (double bass) and Nate Wooley (trumpet) contribute choices in the moment - Impulse - Silence - Response - from a rich palette of individual style within a non linear structure. Each moment is unique and unpredictable. Quadrologues can count itself as apart of a new emerging music - unknown sounds of the 21st century. This collective is informed by decades of experimentation in the trenches of the Avant Garde. Full of risk but quick to reveal the importance of cooperation and the synergy of true dialogue. In conclusion: this music creates an innovative landscape that mirrors the complexities of the environment from which it emerged."-Clean Feed
At The Squid's Ear!
• Show Bio for Reuben Radding
"Reuben Radding is a bassist, free improviser, teacher, and recording engineer based in Brooklyn, NY. He was born in Washington DC in 1966. After relocating to New York City in 1988 he studied the double bass with Mark Dresser and quickly became a busy stalwart of the so-called "Downtown" scene, performing with many of the most prominent new Jazz musicians of the time. Radding has taught master classes on extended bass techniques and free improvisation workshops He is also an accomplished recording engineer and producer, and owns Studio STATS, in Brooklyn, NY."-Nuscope Recordings (http://nuscope.org/musicians/reuben-radding/)
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• Show Bio for Nate Wooley
"Nate Wooley was born in 1974 in Clatskanie, Oregon, a town of 2,000 people in the timber country of the Pacific Northwestern corner of the U.S. He began playing trumpet professionally with his father, a big band saxophonist, at the age of 13. His time in Oregon, a place of relative quiet and slow time reference, instilled in Nate a musical aesthetic that has informed all of his music making for the past 20 years, but in no situation more than his solo trumpet performances.
Nate moved to New York in 2001, and has since become one of the most in-demand trumpet players in the burgeoning Brooklyn jazz, improv, noise, and new music scenes. He has performed regularly with such icons as John Zorn, Anthony Braxton, Eliane Radigue, Ken Vandermark, Fred Frith, Evan Parker, and Yoshi Wada, as well as being a collaborator with some of the brightest lights of his generation like Chris Corsano, C. Spencer Yeh, Peter Evans, and Mary Halvorson.
Wooley's solo playing has often been cited as being a part of an international revolution in improvised trumpet. Along with Peter Evans and Greg Kelley, Wooley is considered one of the leading lights of the American movement to redefine the physical boundaries of the horn, as well as demolishing the way trumpet is perceived in a historical context still overshadowed by Louis Armstrong. A combination of vocalization, extreme extended technique, noise and drone aesthetics, amplification and feedback, and compositional rigor has led one reviewer to call his solo recordings "exquisitely hostile".
In the past three years, Wooley has been gathering international acclaim for his idiosyncratic trumpet language. Time Out New York has called him "an iconoclastic trumpeter", and Downbeat's Jazz Musician of the Year, Dave Douglas has said, "Nate Wooley is one of the most interesting and unusual trumpet players living today, and that is without hyperbole". His work has been featured at the SWR JazzNow stage at Donaueschingen, the WRO Media Arts Biennial in Poland, Kongsberg, North Sea, Music Unlimited, and Copenhagen Jazz Festivals, and the New York New Darmstadt Festivals. In 2011 he was an artist in residence at Issue Project Room in Brooklyn, NY and Cafe Oto in London, England. In 2013 he performed at the Walker Art Center as a featured solo artist.
Nate is the curator of the Database of Recorded American Music (www.dramonline.org) and the editor-in-chief of their online quarterly journal Sound American (www.soundamerican.org) both of which are dedicated to broadening the definition of American music through their online presence and the physical distribution of music through Sound American Records. He also runs Pleasure of the Text which releases music by composers of experimental music at the beginnings of their careers in rough and ready mediums."-Nate Wooley Website (http://natewooley.com/about)
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