Four sessions on a 2 CD set, all featuring Steve Lacy and Kent Carter: (1) DISPOSABILITY, the 1965 trio record with Aldo Romano of jazz standards, originals and free improv; (2) SORTIE, the 1966 free improv quartet + Enrico Rava album; (3) previously unissued 1967 'Free Fall' Film Cues in a quintet with Rava, Karl Berger, & Paul Motian; (4) two never issued '72 quintet pieces with Steve Potts, Irene Aebi on cello and Noel Mcghie.
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Catalog ID: 5210
Squidco Product Code: 24725
Format: 2 CDs
Packaging: Cardboard Gatefold 3 Panels
Recording Information: Tracks 1-1 to 1-9: Roma, 1965 December 21/22; Tracks 1-10 to 1-22: New York, 1967 July; Tracks 2-1 to 2-6: Milano, 1966 February 7; Tracks 2-7 to 2-9: Paris, 1972 March 25.
Steve Lacy-soprano saxophone
Steve Potts-alto saxophone
Kent Carter-double bass
Karl Berger-vibraphone, piano
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1. Shuffle Boil 5:19
2. Barble 3:30
3. Chary 2:56
4. Tune 2 8:23
5. Pannonica 3:34
6. M's Transport 4:06
7. Coming On The Hudson 3:30
8. There We Were 3:04
9. Generous 1 3:52
10. Cue 15 Part 2 1:13
11. Cue 16: Unannounced 0:55
12. Cue 17: Lisa In The Air 0:35
13. Undecipherable Jump 0:56
14. Cue 23: Lisa Lies In Bed 1:12
15. Cue 24: Jump Montage 5:27
16. Cue 25: Jump Montage Continues 0:56
17. Cue 29: Dinner 0:59
18. Cue 30: End Of Lisa*s First Jump 1:03
19. Unannounced Cue 1:25
20. Cue 7: Bedroom Part 3 0:55
21. Cue 9: Frank Fellows 1:44
22. Cue 12: Death Scene 1:56
1. Sortie 10:49
2. Black Elk 10:04
3. Helmy 2:09
4. Fork New York 14:01
5. Living T. Blues 3:41
6. 2 - Fou 0:15
7. The Rush 5:48
8. The Thing Part 1 11:27
9. The Thing Part 2 7:55
Melodic and Lyrical Jazz
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"Four sessions of music involving different degrees of free improvisation - all featuring Steve Lacy and Kent Carter. (1) Disposability, the 1965 trio record with Aldo Romano which features versions of jazz standards and originals as well as some free improvisation. Originally issued in 1966 as Vik 200, this is the first reissue without distorted cymbal 'tap dancer' noise. (2) Sortie, the 1966 quartet record with Enrico Rava added, based on free improvisation. Originally issued in 1966 as GTA 1002, this is the first complete reissue, and the first CD reissue with correct track titles. (3) The previously unissued 1967 'Free Fall' Film Cues performed by a quintet with Rava, Karl Berger, & Paul Motian. Improvisation moulded to fit with mainly short visual film sequences. (4) Finally, two previously unissued 1972 quintet pieces with Steve Potts (alto saxophone), Irene Aebi (cello) and Noel Mcghie (drums). The best recorded version of the Lacy original The Rush, and a partially controlled improvisation called The Thing. 124 minutes."-Emanem
• Show Bio for Steve Lacy
"Steve Lacy (July 23, 1934 - June 4, 2004), born Steven Norman Lackritz in New York City, was a jazz saxophonist and composer recognized as one of the important players of soprano saxophone. Coming to prominence in the 1950s as a progressive dixieland musician, Lacy went on to a long and prolific career. He worked extensively in experimental jazz and to a lesser extent in free improvisation, but Lacy's music was typically melodic and tightly-structured. Lacy also became a highly distinctive composer, with compositions often built out of little more than a single questioning phrase, repeated several times.
The music of Thelonious Monk became a permanent part of Lacy's repertoire after a stint in the pianist's band, with Monk's songs appearing on virtually every Lacy album and concert program; Lacy often partnered with trombonist Roswell Rudd in exploring Monk's work. Beyond Monk, Lacy performed the work of jazz composers such as Charles Mingus, Duke Ellington and Herbie Nichols; unlike many jazz musicians he rarely played standard popular or show tunes.
Lacy began his career at sixteen playing Dixieland music with much older musicians such as Henry "Red" Allen, Pee Wee Russell, George "Pops" Foster and Zutty Singleton and then with Kansas City jazz players like Buck Clayton, Dicky Wells, and Jimmy Rushing. He then became involved with the avant-garde, performing on Jazz Advance (1956), the debut album of Cecil Taylor,:55 and appearing with Taylor's groundbreaking quartet at the 1957 Newport Jazz Festival; he also made a notable appearance on an early Gil Evans album. His most enduring relationship, however, was with the music of Thelonious Monk: he recorded the first album to feature only Monk compositions (Reflections, Prestige, 1958) and briefly played in Monk's band in 1960:241 and later on Monk's Big Band and Quartet in Concert album (Columbia, 1963).
Lacy's first visit to Europe came in 1965, with a visit to Copenhagen in the company of Kenny Drew; he went to Italy and formed a quartet with Italian trumpeter Enrico Rava and the South African musicians Johnny Dyani and Louis Moholo (their visit to Buenos Aires is documented on The Forest and the Zoo, ESP, 1967). After a brief return to New York, he returned to Italy, then in 1970 moved to Paris, where he lived until the last two years of his life. He became a widely respected figure on the European jazz scene, though he remained less well known in the U.S.
The core of Lacy's activities from the 1970s to the 1990s was his sextet: his wife, singer/violinist Irene Aebi,:272 soprano/alto saxophonist Steve Potts, pianist Bobby Few, bassist Jean-Jacques Avenel, and drummer Oliver Johnson (later John Betsch). Sometimes this group was scaled up to a large ensemble (e.g. Vespers, Soul Note, 1993, which added Ricky Ford on tenor sax and Tom Varner on French horn), sometimes pared down to a quartet, trio, or even a two-saxophone duo. He played duos with pianist Eric Watson. Lacy also, beginning in the 1970s, became a specialist in solo saxophone; he ranks with Sonny Rollins, Anthony Braxton, Evan Parker, and Lol Coxhill in the development of this demanding form of improvisation.
Lacy was interested in all the arts: the visual arts and poetry in particular became important sources for him. Collaborating with painters and dancers in multimedia projects, he made musical settings of his favourite writers: Robert Creeley, Samuel Beckett, Tom Raworth, Taslima Nasrin, Herman Melville, Brion Gysin and other Beat writers, including settings for the Tao Te Ching and haiku poetry. As Creeley noted in the Poetry Project Newsletter, "There's no way simply to make clear how particular Steve Lacy was to poets or how much he can now teach them by fact of his own practice and example. No one was ever more generous or perceptive."
In 1992, he was the recipient of a MacArthur Fellowship (nicknamed the "genius grant").
He also collaborated with a wide range of musicians, from traditional jazz to the avant-garde to contemporary classical music. Outside of his regular sextet, his most regular collaborator was pianist Mal Waldron,:244-245 with whom he recorded a number of duet albums (notably Sempre Amore, a collection of Ellington/Strayhorn material, Soul Note, 1987).
Lacy played his 'farewell concerts to Europe' in Belgium, in duo and solo, for a small but motivated public. This happened in Brussels, Antwerp, Ghent, Bruge and Bergen. This recollection is published by Naked Music. In Ghent he played with the classical violinist Mikhail Bezverkhni, winner of Queen Elisabeth Concours. He returned to the United States in 2002, where he began teaching at the New England Conservatory of Music in Boston, Massachusetts. One of his last public performances was in front of 25,000 people at the close of a peace rally on Boston Common in March 2003, shortly before the US-led invasion of Iraq.
After Lacy was diagnosed with cancer in August 2003, he continued playing and teaching until weeks before his death on June 4, 2004 at the age of 69."-Wikipedia (https://en.wikipedia.org/wiki/Steve_Lacy)
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• Show Bio for Steve Potts
"Born January 21 1943 in Columbus, Ohio, Steve Potts comes from a musical family. At a very early age, he was fascinated by the saxophone after having heard his cousin, Buddy Tate, play sax in Count Basie's orchestra. While simultaneously studying architecture in Los Angeles, he also studied music with Charles Lloyd. But he dedicated himself to music after that by moving to New York to study with Eric Dolphy. He became friends with Ron Carter and frequented Coltrane, Tony Williams, Jimmy Garrison, Herbie Hancock, Chick Corea, Larry Coryell and Wayne Shorter. He played with Roy Ayers, Richard Davis, Joe Henderson, Reggie Workman and Chico Hamilton, the latter of whom he worked with for four years.
In 1970, leaving behind his New York life, Steve left to launch himself in Europe. He landed in Paris, and immediately started working with Brigitte Fontaine and performing with Dexter Gordon, Johnny Griffin, Mal Waldron, Ben Webster and Hal Singer with whom he enjoys a continuing musical and personal relationship ... not to mention the Art Ensemble of Chicago and other American and French groups.
He formed his own group in 1973 with Christian Escoudé, Boulou Ferré, Oliver Johnson and Gus Nemeth. He also met Steve Lacy at this time. They traveled the world performing together for over 23 years and recorded over 25 albums. This did not prevent Steve Potts from leading other projects such as accompanying Jessye Norman in 1982, or working with the African group Ghetto Blaster in 1986, or composing film music. He created a new group in 1990 and recorded the CD " Pearl " with Richard Galliano, Jean-Jacques Avenel and Bertrand Renaudin. As eclectic as ever he also recorded with Imaran a group of Touareg musicians and in 2000 released "Wet Spot" with a new quartet consisting of Michael Felberbaum, Stéphane Persiani, Richard Portier.
Also about this time, Potts started a very rich period performing regularly at the Sept Lézards club, where over a period of eight years it was possible fo invite more than 70 musicians such as Alain Jean-Marie, John Betsch, François Ripoche, François Théberge, Stéphane Belmondo, Médéric Collignon, Stéphane Guillaume, Olivier Ker Orio, Jérôme Rateau, Morena Fattorini, Romain Clerc-Renaud, to play with his three regular groups: Stevie and the Boogah Band (George-Edouard Nouel, Stéphane Persiani, Jean-Claude Montredon), the Institute of Advanced Harmony (Michael Felberbaum, Michel Edelin, Thomas Savy, Stephen Kerecki, Richard Portier) and Steve Potts and Family (Michel Edelin, Sophia Domancich, Jean-Jacques Avenel, Simon Goubert).
At the same time, Steve Potts started an improvization workshop, the Menilmontant Street Band which he participates at the Ateliers du Chaudron.
For the present, Potts is contemplating his next recording project, continuing to tour a bit, especially in Italy where he performs with pianist Gianni Lenoci and musicians around him, and preparing a surprise project which will be announced in the near future."-Steve Potts Website (http://www.stevepotts.net/html/press/bio.htm)
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• Show Bio for Irene Aebi
Irene Aebi (born July 27, 1939 in Zurich, Switzerland) is a Swiss singer, violinist and cellist. She is noted for her work with jazz saxophonist Steve Lacy, her husband, from the 1960s to his death in 2004.
Initially a classically trained instrumentalist, she only began to sing at Lacy's request. In a review of a 1999 concert, critic Frank Rubolino describes Aebi as possessing a "brusque, forceful style of singing".-Wikipedia (https://en.wikipedia.org/wiki/Irene_Aebi)
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• Show Bio for Kent Carter
"Kent Carter (born June 14, 1939 in Hanover, New Hampshire, USA. Carter studied several instruments before settling on bass. In the late 50s-early 60s, he studied at Berklee College Of Music, played with Lowell Davidson, and in New York with Jazz Composers Orchestra. From the mid-60s he was in Europe with artists including as Barry Altschul, Derek Bailey, Han Bennink, Carla Bley, Paul Bley, Bobby Bradford, Don Cherry, Steve Lacy, Michael Mantler, Enrico Rava, Max Roach, Roswell Rudd and Mal Waldron. During the 70s he continued his association with Lacy, was with John Stevens' Spontaneous Music Ensemble, TOK, a trio with Takashi Kako and Oliver Johnson, and formed his own trio with Carlos Zingaro and François Dreno.
By the 80s, Carter had relocated to France, teaching at the Beaux Art School, Angouleme, and with his wife forming MAD, a music, arts and dance studio. He worked in Detail, with Frode Gjerstad and Stevens, Project, with Karl Berger, Claude Bernard, Klaus Kugel, Charlie Mariano and Albrecht Maurer, and Voyage, with Beñat Achiary and David Holmes. Carter has also played with Billy Bang, Petras Vysniauskas, Theo Jorgensmann, Andreas Willers and Eckard Koltermann. Carter composes for theatre and film, and performs internationally."-All Music (http://www.allmusic.com/artist/kent-carter-mn0000086603/biography)
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• Show Bio for Aldo Romano
"Aldo Romano was born in France in 1941, the son of Italian immigrants. His first instrument was the guitar, but he decided to switch to drums in 1961. Essentially self-taught, he nonetheless benefited from the advice of Michel Babault and Jacques Thollot. He admired Philly Joe Jones, Elvin Jones, Tony Williams, Ed Blackwell, and Billy Higgins. Alto sax player Jackie McLean took notice of him and they played together on one of the McLean's Parisian sojourns. He met Jean-François Jenny-Clark around the same time and the two became inseparable for a long period. Both were hired by Bernard Vitet who formed, in 1964 with François Tusques one of the first European free jazz groups."-All About Jazz (https://musicians.allaboutjazz.com/aldoromano)
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• Show Bio for Noel McGhie
Drummer Noel McGhie was born in Jamaica, leaving the country in 1962 to move to England, and then France where he became a performer in the advancing free jazz scene. He has been a member of groups: Bobby Few Trio, Gil Evans And His Orchestra, Laboratorio Della Quercia, Noah Howard Quartet, Noel Mc Ghie & Space Spies, Steve Lacy Quintet.-Squidco 10/11/2017
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• Show Bio for Paul Motian
"Stephen Paul Motian (March 25, 1931 - November 22, 2011) was an American jazz drummer, percussionist, and composer. Motian played an important role in freeing jazz drummers from strict time-keeping duties.
He first came to prominence in the late 1950s in the piano trio of Bill Evans, and later was a regular in pianist Keith Jarrett's band for about a decade (c. 1967-1976). Motian began his career as a bandleader in the early 1970s. Perhaps his two most notable groups were a longstanding trio of guitarist Bill Frisell and saxophonist Joe Lovano, and the Electric Bebop Band which featured the drummer working mostly with younger musicians doing interpretations of bebop standards.
Motian was born in Philadelphia, Pennsylvania, and raised in Providence, Rhode Island. He is of Armenian descent. After playing guitar in his childhood, Motian began playing the drums at age 12, eventually touring New England in a swing band. During the Korean War he joined the Navy.
Motian became a professional musician in 1954, and briefly played with pianist Thelonious Monk. He became well known as the drummer in pianist Bill Evans's trio (1959-64), initially alongside bassist Scott LaFaro and later with Chuck Israels.
Subsequently, he played with pianists Paul Bley (1963-64) and Keith Jarrett (1967-76). Other musicians with whom Motian performed and/or recorded in the early period of his career included Lennie Tristano, Warne Marsh, Lee Konitz, Joe Castro, Arlo Guthrie (Motian performed briefly with Guthrie in 1968-69, and performed with the singer at Woodstock), Carla Bley, Charlie Haden, and Don Cherry. Motian subsequently worked with musicians such as Marilyn Crispell, Bill Frisell, Leni Stern, Joe Lovano, Alan Pasqua, Bill McHenry, Stéphan Oliva, Frank Kimbrough, Eric Watson and many more.
Later in his career, Motian became an important composer and group leader, recording initially for ECM Records in the 1970s and early 1980s and then for Soul Note, JMT, and Winter & Winter before returning to ECM in 2005. From the early 1980s he led a trio featuring guitarist Bill Frisell and saxophonist Joe Lovano, occasionally joined by bassists Ed Schuller, Charlie Haden, or Marc Johnson, and other musicians, including Jim Pepper, Lee Konitz, Dewey Redman and Geri Allen. In addition to playing Motian's compositions, the group recorded tributes to Thelonious Monk and Bill Evans, and a series of Paul Motian on Broadway albums, featuring original interpretations of jazz standards.
Despite his important associations with pianists, Motian's work as a leader since the 1970s rarely included a pianist in his ensembles and relied heavily on guitarists. Motian's first instrument was the guitar, and he apparently retained an affinity for the instrument: in addition to his groups with Frisell, his first two solo albums on ECM featured Sam Brown, and his Electric Bebop Band featured two and occasionally three electric guitars. The group was founded in the early 1990s, and featured a variety of young guitar and saxophone players, in addition to electric bass and Motian's drums, including saxophonists Joshua Redman, Chris Potter, Chris Cheek, and Tony Malaby, and guitarists Kurt Rosenwinkel, Brad Shepik, Wolfgang Muthspiel, Steve Cardenas, Ben Monder, and Jakob Bro.
In 2011 Motian featured on a number of new recordings, including Live at Birdland (with Lee Konitz, Brad Mehldau and Charlie Haden), Samuel Blaser's Consort in Motion, No Comment by Augusto Pirodda, and Further Explorations with Chick Corea and Eddie Gómez. Bill McHenry's Ghosts of the Sun was released - by coincidence - on the day of Motian's death. Motian's final album as bandleader was The Windmills of Your Mind, featuring Bill Frisell, Thomas Morgan and Petra Haden.
Motian died on November 22, 2011 at New York's Mount Sinai Hospital of complications from myelodysplastic syndrome."-Wikipedia (https://en.wikipedia.org/wiki/Paul_Motian)
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• Show Bio for Karl Berger
"Karl Berger is a six time winner of the Downbeat Critics Poll as a jazz soloist, recipient of numerous Composition Awards ( commissions by the National Endowment for the Arts, the New York State Council on the Arts, the Rockefeller Foundation, European Radio and Television: WDR, NDR, SWF, Radio France, Rai Italy. SWF-Prize 1994 ). Professor of Composition, Artist-in-Residence at universities, schools and festivals worldwide; PhD in Music Esthetics.
Karl Berger became noted for his innovative arrangements for recordings by Jeff Buckley ("Grace"), Natalie Merchant ("Ophelia"), Better Than Ezra, The Cardigans, Jonatha Brooke, Buckethead, Bootsie Collins, The Swans, Sly + Robbie, Angelique Kidjo a.o.; and for his collaborations with producers Bill Laswell, Alan Douglas ("Operazone"), Peter Collins, Andy Wallace, Craig Street, Alain Mallet, Malcolm Burn, Bob Marlett a.m.o. in Woodstock, NY. New York City, Los Angeles, Tokyo, London, Paris, Rome.
He recorded and performed with Don Cherry, Lee Konitz, John McLaughlin, Gunther Schuller, the Mingus Epitaph Orchestra, Dave Brubeck, Ingrid Sertso, Dave Holland, Ed Blackwell, Ray Anderson, Carlos Ward, Pharoah Sanders, Blood Ulmer, Hozan Yamamoto and many others at festivals and concerts in the US, Canada, Europe, Africa, India, Phillippines, Japan, Mexico, Brazil.
His recordings and arrangements appear on the Atlantic, Axiom, Black Saint, Blue Note, Capitol, CBS, Columbia Double Moon, Douglas Music, Elektra , EMI, Enja, Island, JVC, Knitting Factory, In&Out, MCA, Milestone, Polygram, Pye , RCA, SONY, Stockholm, Vogue a.o.
Founder and director of the Creative Music Foundation, Inc., dba The Creative Music Studio, a not-for-profit corporation, dedicated to the research of the power of music and sound and the elements common to all of the world's music forms; and to educational presentations through workshops, concerts, recordings, with a growing network of artists and CMS members worldwide.Conducted CMS Residencies worldwide. In the 90s, Dr. Berger was Professor of Composition and Dean of Music Education at the Hochschule fuer Musik, Frankfurt / Germany. Chairman of the Music Department at UMass Dartmouth till 2006.Now re-establishing CMS programming in collaboration with producer Rob Saffer, directing the CMS Archive Project, recording and producing. Performing internationally with the Allstar Ensemble "In the Spirit of Don Cherry" and with numerous projects, collaborating with vocalist/poet Ingrid Sertso ( contact CreativeMusicAgency@gmail.com ). Recording a Trlogy of Piano Music for Tzadik Records. Collaborating with bassist Ken Filiano, vocalist Ingrid Sertso (KIK) + guitarist Kenny Wessel (KIKK). The Karl Berger Improvisers Orchestra, completed 75 performances in New York since the Spring of 2011 (see BLOG at www.karlberger.org). New collaboration in Europe with drummer Baby Sommer, bassist Antonio Borghini, guitarist Carsten Radtke, vocalist/poet Ingrid Sertso (DIFFERENT STANDARDS). Collaborating with cornetist Ken Knuffke, violinist Jason Hwang, saxophonists Ivo Perelman, Peter Apfelbaum, Mercedes Figueras, drummers Harvey Sorgen, Tani Tabbal, Warren Smith, Tyshawn Sorey. bassists Joe Fonda, Mark Helias, Max Johnson, William Parker, trumpeter Steven Bernstein and others for recordings and performances."-Karl Berger Website (http://www.karlberger.org/biography.html)
^ Hide Bio for Karl Berger
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