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© 2002-2017, Squidco LLC


NOW Orchestra, The (with guests George Lewis, Vinny Golia): Wowow (Spool)

Drawing from some of the finest of the West Coast and Vancouver scenes, The Now Orchestra present 3 long works in multiple section, with performers including Peggy Lee, Vinny Golia, George Lewis, Dylan van der Schyff, &c. &c.
 

Price: $12.95


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product information:


UPC: 778224102120

Label: Spool
Catalog ID: SPL107
Squidco Product Code: 15065

Format: CD
Condition: New
Released: 1999
Country: Canada
Packaging: Jewel Tray
Recorded live at The Roundhouse, Vancouver, B.C. on November 14th and 15th, 1997 by Andy Bowmer.


Personnel:

Coat Cooke-tenor saxophone, alto saxophone, baritone saxophone, flute

Ron Samworth-guitar

Paul Plimley-piano

Kate Hammett-Vaughan-voice

Graham Ord-tenor saxophone, alto saxophone, soprano saxophone, flute, piccolo

Saul Berson-alto saxophone

Mark Nodwell-soprano saxophone

Ralph Eppel-trombone

Rod Murray-trombone

Brad Muirhead-bass trombone, tuba

John Korsrud-trumpet, flugelhorn

Bill Clark-trumpet, flugelhorn

Peggy Lee-cello

Paul Blaney-bass

Clyde Reed-bass

Dylan van der Schyff-drums

George Lewis-trombone

Vinny Golia-clarinets, flutes, saxophones

Paul Cram-clarinet, tenor saxophone

Highlight an artist name or instrument above
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track listing:


1. Wowow (Coat Cooke) 26:12

2. The Yellow Sound (Ron Samworth) 23:25

3. The Tyranny Of Interest (Paul Cram) 24:04
Related Categories of Interest:


Improvised Music
Jazz
West Coast/Pacific US Jazz
Unusual Vocal Forms
Vancouver and Western Canada
Instant Rewards

sample the album:








descriptions, reviews, &c.

"Incorporating three very long pieces of multiple sections -- by mainstays Cooke and Samworth, as well as by guest soloist Paul Cram -- this date demonstrates the NOW Orchestra's synergy as well as its knowledge of the large ensemble continuum that stretches from Ellington, Fletcher Henderson, and Basie to Sun Ra, the AACM Experimental Band, and Braxton's Creative Orchestra, all the way to Globe Unity, LJCO, and ICP. Yes, I mean that. Yes, they're that good. Coat Cooke's "Wowow" is one of the best performances I've heard all year ... And perhaps the finest compliment I can muster, this music had me itching to pick up my own instrument and join in. By all means, listen to this."-Jason Bivins, Cadence


Artist Biographies:

"Vancouver-based guitarist/composer Ron Samworth is a high profile presence on the Canadian scene, equally at home playing in the jazz tradition or the extended sound worlds of new and improvised music. Nominated for the 2002 National Jazz Writers Award "Best Jazz Guitarist", he leads the acclaimed quartet Talking Pictures and co-leads the 15-piece NOW Orchestra. He has appeared at all of the major jazz festivals across Canada, the Jazzfest Berlin, Chicago Jazzfest, New York's Knitting Factory, Vienna's Let's Cool One Chamber Jazz Festival, and at prestigious venues in France, Belgium, Holland and Germany. He has performed and recorded with many leading international artists including John Zorn, John Medeski, Han Bennink, Marc Ribot, Wayne Horvitz, Butch Morris, Bobby Previte, Marilyn Crispell, George Lewis, and Canadian jazz legend Claude Ranger. His inter-disciplinary work includes composition, performance and sound design for theatre, spoken word, film, and dance."

-Capilano University (https://www.capilanou.ca/jazz-studies/bios/Ron-Samworth/)
1/17/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Paul (Horace) Plimley (born 16 March 1953 in Vancouver, British Columbia) is a free jazz pianist and vibraphonist. He is one of the doyens of the Canadian jazz avant-garde, a co-founder of the New Orchestra Workshop Society and frequent collaborator with the bassist Lisle Ellis. He is well versed in classical music and in all styles of jazz; he was one of the first and most convincing interpreters of Ornette Coleman's music on the piano (an instrument usually seen as antithetical to Coleman's music).

Plimley studied classical piano under Kum-Sing Lee at the University of British Columbia (1971-3). In 1978-9 he studied with Karl Berger and Cecil Taylor at the Creative Music Studio in Woodstock, NY. In 1977 he founded the New Orchestra Workshop (NOW), and he has been active in many of the ensembles associated with NOW, including the NOW Orchestra.

His work with Lisle Ellis is extensive, and includes the duo CD Both Sides of the Same Mirror (Nine Winds, 1989); When Silence Pulls, with Andrew Cyrille (Music & Arts, 1990); Noir, with Bruce Freedman and Gregg Bendian (Victo, 1992); Density of the Lovestruck Demons with Donald Robinson (Music & Arts, 1994); and Safecrackers with Scott Amendola (Victo, 1999). Most notable, perhaps, are two recordings for Hat Art: the collection of Ornette Coleman interpretations, Kaleidoscopes (1992), and (under Joe McPhee's leadership), a revisiting of Max Roach's Freedom Now Suite called Sweet Freedom, Now What? (1994). In May 2000 he recorded a live act at the 17th International Festival of New Music in Victoriaville, Quebec with John Oswald, Marilyn Crispell and Cecil Taylor. The album was released at Victo Records.

The still Vancouver based musician is a regular at the annual Vancouver International Jazz Festival."

-Wikipedia (https://en.wikipedia.org/wiki/Paul_Plimley)
1/17/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"On the Vancouver jazz scene, the Talking Pictures era began in the '90s, not the '30s. Trumpeter Bill Clark has been recording and performing with the ensemble of that name since its initial formation in 1993; his collaborative gait reliably pliable; his long-term dedication a hallmark of his own career as well as the ensemble itself. Clark has been intrinsic to a series of invitations involving musicians from outside Vancouver to work on specific projects with Talking Pictures, a casting call which has brought forth respondents from across the border in the United States as well as across the ocean in Europe -- such as Wayne Horvitz and Jorrit Dijkstra, respectively.

The other original members of Talking Pictures are cellist Peggy Lee, guitarist Ron Samworth, and drummer Dylan van der Schyff. Clark has also performed with another cooperative venture, the Vancouver Ensemble of Jazz Improvisation. He is a freelance composer who is particularly proud of "Pavel and the Puck," a piece originally written to be performed by a theater group on ice. Having contributed to the unusual genre of "ice theater" makes this artist distinct among other performers named Bill Clark, something a trumpet by itself cannot. Thus, this trumpeting Clark should not be confused with the one in the horn section of the Esther Phillips band, nor is he the same William Clark who played drums on many mainstream jazz records."

-All Music, Eugene Chadbourne (http://www.allmusic.com/artist/bill-clark-mn0000066134)
1/17/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Cellist, improviser, composer Peggy Lee was born and raised in Toronto, Ontario. She studied classical cello, completing a bachelors degree in performance at the University of Toronto as a student of Vladimir Orloff and Denis Brott. She furthered her studies on the cello with lessons with Martha Gerschefski in Atlanta Georgia. In the fall of 1988 Peggy began a year residency with a string quartet at the Banff Centre in Banff, Alberta. It was here that she first became interested in collaborating with artists from different mediums and in veering away from the classical path. This led to a decision to move away from the known and thus to her relocating to Vancouver, B.C. where she now makes her home.

Peggy's first forays into improvisation in Vancouver happened with dancers at the EDAM (experimental dance and music) studio at the Western Front and eventually led to her meeting and joining guitarists Ron Samworth and Tony Wilson in their respective bands; as well as becoming a member of the New Orchestra Workshop, which went on to have interesting and fruitful collaborations with Butch Morris, Wadada Leo Smith, René Lussier, Barry Guy and George Lewis.

Peggy continues to collaborate frequently with Ron and Tony and with her husband, drummer Dylan van der Schyff, as well as with many other longtime musical associates including Dave Douglas, Wayne Horvitz, Robin Holcomb, Veda Hille and Lisa Miller. She also leads or co-leads a number of musical projects: The Peggy Lee Band, Film in Music, Waxwing (with Tony Wilson and Jon Bentley) and Beautiful Tool (with Mary Margaret O'Hara).

She has also collaborated extensively in theatre and dance with companies and artists such as Ruby Slippers, Rumble Theatre, Presentation House, David Hudgins, Peter Bingham and Delia Brett.

In 2005, Peggy received the Freddie Stone Award for integrity and innovation in music and in 2010 she was awarded a Jesse Richardson Theatre Award for outstanding composition."

-Peggy Lee Website (http://www.peggylee.net/about-peggy.html)
1/17/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Dylan van der Schyff was born in Johannesburg, South Africa in 1970. He now makes his home in Vancouver, Canada, where he lives with his wife, cellist Peggy Lee, and their two children. Van der Schyff attended the schools of music at the University of Victoria and, briefly, McGill University; and he studied military drumming while with the Band of the Ceremonial Guard in Ottawa. He received his MA from Simon Fraser University and is currently engaged in graduate research in music psychology at the University of Sheffield in the UK.

As a performer and producer, van der Schyff has appeared on close to 100 recordings spanning the genres of jazz, electro-acoustic, improvised, experimental and new music; he has performed in almost every major centre in Europe and North America including international festivals in Berlin, Lisbon, Stockholm, New York, Chicago, Montreal, Trento (Italy) and Molde (Norway); and he has collaborated in numerous interdisciplinary projects involving theatre, dance and film. A partial list of notable performance and recording collaborators includes: George Lewis, Joelle Léandre, Dave Douglas, Mark Helias, Peggy Lee, Eyvind Kang, Nicole Mitchell, Brad Turner, Tony Wilson, Wayne Horvitz, Marilyn Crispell, Torsten Muller, Robin Holcolmb, Michael Moore, Ellery Eskelin, Sylvie Courvoisier, Rob Mazurek, Talking Pictures, Ken Vandermark, Paul Rutherford, John Butcher, Tobias Delius, Louis Sclavis, Evan Parker, Mark Dresser, Fred Frith, and Gary Peacock. Van der Schyff has also performed as a sideman with Roswell Rudd, John Zorn, Butch Morris, Misha Mengelberg, Georg Graewe, Oliver Lake, Wadada Leo Smith and the Kenny Werner Sextet with Randy Brecker.

Van der Schyff has served on the music faculty at Capilano University in Vancouver, Canada, since 2009. He also served on faculty at the Banff International Workshop in Jazz and Creative Music between 2002-2005, and at the Vancouver Institute for Creative Music in 2006. Additionally, he has given seminars and workshops at the University of Indiana and at the National Arts Centre in Ottawa. Van der Schyff has appeared on Austrian television and Swedish radio as well as NPR, the CBC and Radio Canada. Articles about his work as an improviser have appeared in publications such as Downbeat, Jazz Times, The Globe and Mail, The New York Times, The Village Voice, The Chicago Reader, The Wire, Coda, and MUZIK."

-Capilano University (https://www.capilanou.ca/jazz-studies/bios/Dylan-van-der-Schyff/)
1/17/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"George E. Lewis is the Edwin H. Case Professor of American Music at Columbia University. A 2015 Fellow of the American Academy of Arts and Sciences and a Corresponding Fellow of the British Academy, Lewis has received a MacArthur Fellowship (2002), a Guggenheim Fellowship (2015), a United States Artists Walker Fellowship (2011), an Alpert Award in the Arts (1999), and fellowships from the National Endowment for the Arts. In 2015, Lewis received the degree of Doctor of Music (DMus, honoris causa) from the University of Edinburgh.

A member of the Association for the Advancement of Creative Musicians (AACM) since 1971, Lewis's work in electronic and computer music, computer-based multimedia installations, and notated and improvisative forms is documented on more than 140 recordings. His work has been presented by the BBC Scottish Symphony Orchestra, London Philharmonia Orchestra, Radio-Sinfonieorchester Stuttgart, Boston Modern Orchestra Project, Talea Ensemble, Dinosaur Annex, Ensemble Pamplemousse, Wet Ink, Ensemble Erik Satie, Eco Ensemble, and others, with commissions from American Composers Orchestra, International Contemporary Ensemble, Harvestworks, Ensemble Either/Or, Orkestra Futura, Turning Point Ensemble, San Francisco Contemporary Music Players, 2010 Vancouver Cultural Olympiad, IRCAM, Glasgow Improvisers Orchestra, and others. Lewis has served as Ernest Bloch Visiting Professor of Music, University of California, Berkeley; Paul Fromm Composer in Residence, American Academy in Rome; Resident Scholar, Center for Disciplinary Innovation, University of Chicago; and CAC Fitt Artist In Residence, Brown University.

Lewis received the 2012 SEAMUS Award from the Society for Electro-Acoustic Music in the United States, and his book, A Power Stronger Than Itself: The AACM and American Experimental Music (University of Chicago Press, 2008) received the American Book Award and the American Musicological Society's Music in American Culture Award. Lewis is co-editor of the two-volume Oxford Handbook of Critical Improvisation Studies (2016), and his opera Afterword, commissioned by the Gray Center for Arts and Inquiry at the University of Chicago, premiered at the Museum of Contemporary Art Chicago in October 2015 and has been performed in the United States, United Kingdom, and the Czech Republic.

Professor Lewis came to Columbia in 2004, having previously taught at the University of California, San Diego, Mills College, the School of the Art Institute of Chicago, the Koninklijke Conservatorium Den Haag, and Simon Fraser University's Contemporary Arts Summer Institute. Lewis studied composition with Muhal Richard Abrams at the AACM School of Music, and trombone with Dean Hey."

-Columbia University (http://music.columbia.edu/bios/george-e-lewis)
1/17/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"As a composer Vinny Golia (born March 1, 1946) fuses the rich heritage of Jazz, contemporary classical and world music into his own unique compositions. Also a bandleader, Golia has presented his music to concert audiences in Europe, Canada, Mexico, Japan, Australia, New Zealand and the United States in ensembles varying dramatically in size and instrumentation. Mr. Golia has won numerous awards as a composer, including grants from The National Endowment of the Arts, The Lila Wallace Commissioning Program, The California Arts Council, Meet the Composer,Clausen Foundation of the Arts, Funds for U.S. Artists and the American Composers Forum. In 1982 he created the on-going 50 piece Vinny Golia Large Ensemble to perform his compositions for chamber orchestra and jazz ensembles.

A multi-woodwind performer, Vinny's recordings have been consistently picked by critics and readers of music journals for their yearly "ten best" lists. In 1990 he was the winner of the Jazz Times TDWR award for Bass Saxophone. In 1998 he ranked 1st in the Cadence Magazine Writers & Readers Poll and has continually placed in the Downbeat Critic's Poll for Baritone & Soprano Saxophone. In 1999 Vinny won the LA Weekly's Award for "Best Jazz Musician". Jazziz Magazine has also named him as one of the 100 people who have influenced the course of Jazz in our Century. In 2006 The Jazz Journalists Association honored him with a Lifetime Achievement Award.

Golia has also contributed original compositions and scores to Ballet and Modern Dance works, video, theatrical productions, and film. As an educator Vinny has lectured on music & painting composition, improvisation, Jazz History, The History of Music in Film, CD & record manufacturing and self-production throughout the United States, Europe, Mexico, New Zealand and Canada. He currently teaches at California Institute of the Arts. In 1998 Golia was appointed Regent's Lecturer at the University of California at San Diego. In 2009 Vinny Golia was appointed the first holder of the Michel Colombier Performer Composer Chair at Cal Arts.

Vinny has been a featured performer with Anthony Braxton, Henry Grimes, John Carter, Bobby Bradford, Joelle Leandre, Leo Smith, Horace Tapscott, John Zorn, Tim Berne, Bertram Turetzky, George Lewis, Barre Phillips, The Rova Saxophone Quartet, Patti Smith, Harry "the Hipster" Gibson, Eugene Chadburne, Kevin Ayers, Peter Kowald, John Bergamo, George Gruntz Concert Jazz Band, Misha Mengelberg, Han Bennick, Lydia Lunch, Harry Sparrney and the Los Angeles Philharmonic Orchestra amongst many others."

-Vinny Golia Website (http://www.vinnygolia.com/bio.html)
1/17/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Other Releases With These Artists:
Sick Boss (Schmidt / Meger / Peggy Lee / JP Carter / Naylor / Page)
Sick Boss
(Drip Audio)
Samworth, Ron (Samworth / Adler / JP Carter / Naylor / Peggy Lee / James Meger)
Dogs Do Dream
(Drip Audio)
Burke, Rob / George Lewis / Paul Grabowsky / Mark Helias
Shift
(FMR)
Braxton, Anthony
Ensemble (Victoriaville) 1988
(Les Disques Victo)
Lazro, Daunik / Joelle Leandre / George Lewis
Enfances 8 Janv. 1984
(Fou Records)
Bailey, Derek / Joelle Leandre / George Lewis / Evan Parker
28 Rue Dunois Juillet 1982
(Fou Records)
Film In Music
Tell Tale
(Drip Audio)
Lewis, George & Splitter Ochester
Creative Construction Set
(Mikroton Recordings)
Braxton, Anthony
Quintet (Basel) 1977
(Hatology)
Braxton, Anthony
Live At The Rainbow Gallery '79
(Hi Hat)
Lacy, Steve Quintet
Last Tour (2004)
(Emanem)
Wilson, Tony 6tet
A Day's Life
(Drip Audio)
Sands, The
Beast To Bone
(Self Released)
Parker, Evan ElectroAcoustic Septet
Seven
(Les Disques Victo)
Smith, Wadada Leo / Lewis, George / Zorn, John
Sonic Rivers
(Tzadik)
Zingaro, Carlos / Peggy Lee
Western Front, Vancouver 1996
(Hatology)
Glasgow Improvisers Orchestra & George Lewis
Artificial Life 2007
(FMR)
Houle, Francois Trio
Schizosphere
(Red Toucan)
Blur, Rosco
Stable Chaos
(Red Toucan)
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Amalgam(e): 10 Years of Red Toucan [2 CDs]
(Red Toucan)
Golia, Vinny Large Ensemble
Overview; 1996-2006 [CD + DVD]
(Nine Winds)
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Invitation
(Drip Audio)
Way Out Northwest
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Sponge
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(RogueArt)
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SoundDance
(Pi Recordings)
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Floating 1..2..3
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Lowest Note
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More News For Lulu
(Hatology)
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Tetralogy 2CD
(Emanem)
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Treize
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The People Look Like Flowers at Last
(Drip Audio)
Dark Blue World
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(Drip Audio)
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(Hatology)
Mitchell, Roscoe
L-R-G/ The Maze/ S Ii Examples
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Cline, Alex
Continuation
(Cryptogramophone)
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(Leo)
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Hook, Drift & Shuffle
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Streaming
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Recommended & Related Releases:
Other Recommended Releases:
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Burke, Rob / George Lewis / Paul Grabowsky / Mark Helias
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Davis, Anthony / Paul Plimley / Al Neil / John Kameel Farah
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