Graewe, Georg / Reijseger, Ernst / Hemingway, Gerry
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Catalog ID: Hatology638
Squidco Product Code: 8185
Packaging: Cardstock foldover
Remaster of Hat Art 6043 (1989)
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1. Alien Corn I (Hemingway) 8:26
2. Alien Corn II (Hemingway) 2:59
3. Alien Corn III (Hemingway) 6:04
4. Fibulation (Gräwe) 7:22
5. Aspects of Somnambulism/Demure Scuttle (Gräwe) 5:58
6. Aspects of Somnambulism/Sleepwaltzer (Reijseger) 11:50
7. Fangled Talk (Reijseger) 19:42
8. Masting (Hemingway) 6:27
Related Categories of Interest:
European Improv, Free Jazz & Related
descriptions, reviews, &c.
"This trio, all of whose members had played together in various settings before, had something going for them from the very beginning: They all distrust labels, and they all believe in spontaneous creation. Not every improvising musician can make this claim; many are tied to one tradition or another for their inspiration, whether it's classical, jazz, rock, whatever. Each of the individuals here -- Grawe on piano, Reijseger on cello, and Hemingway on all manner of percussion -- is a bandleader in his own right. Given this, each musician is very conscious of his partners in this recording. All members are, from the first part of the three-part suite "Alien Corn," fully invested in the process of coaxing not only the most suitable and exciting music from their own chosen instruments, but from the other two as well. For instance, in "Alien Corn III" Reijseger goes to the wall with Hemingway, drawing out more outrageous ideas and understated rhythms. In response, rather than play louder or faster, Hemingway keeps the volume dynamic the same and uses as many techniques on his instruments as he can. All the while Grawe hangs a backdrop for the duo to create a context from. It sounds and feels like play, like fun, and it probably is. But it is also a razor-sharp manner of listening to, and playing to, both individual and group dynamics. Reijseger makes great use of his exceptional ability to play pizzicato. More often than not, particularly in the smaller passages "Fangled Talk" and "Aspects of Somnambulism," he comes off as a bass player who studied Mingus' technical development as an improviser; he is always on top of the tempo yet never winding it tighter than it needs to be. Sonic Fiction is a kind of music made in the air, with three instrumentalists speaking to some point that all of them can see, but never touch. It's up to language -- and in this case, musical language comprised of the three sounds making a single new one -- to do that. And that it lasts only for the course of the hour of this recording is a fiction; it extends the reach of each of the players and the context of sonic possibility for the listener."-Thom Jurek, All Music
• Show Bio for Georg Graewe
"Georg Graewe began composing and performing professionally at the age of 15. He has since been leading a variety of ensembles - ranging from trio to chamber orchestra formats - which have involved some of the leading instrumentalists in contemporary music. His compositions, which include chamber music and works for full orchestra as well as scores for films, theater productions, radio drama, and video, have been performed and broadcast around the world.
Graewe has had a long-standing trio with Dutch cellist Ernst Reijseger and US-based percussionist Gerry Hemingway since 1989. He has also performed and/or recorded with Anthony Braxton, Evan Parker, Dave Douglas, Phil Minton, Roscoe Mitchell, Barry Guy, Barre Phillips, Hamid Drake, John Butcher, Robert Dick, John Butcher, Mark Dresser among others.
Over the last 10 years, he has also written three operas. Kopenhagen (based on the same-titled play by Michael Frayn) was produced by OPER KÖLN (Cologne Opera House) in 2003. His second opera, Quicksilver, (a commission by Semperoper Dresden) came out in November 2006. And his most recent opera, Barbara Strozzi oder die Avantgarde der Liebe, was staged by Theater Luzern in Switzerland in 2010 and Oper Bonn in Germany in 2011.
Since 1999, Graewe has been closely associated with CNMAT (Center for New Music and Audio Technology) at UC Berkeley. From 2002 - 2007, he taught at Hochschule für Musik Hanns Eisler in Berlin.
In 2010, Graewe curated a series of 27 events that presented different aspects of resonance between music, poetry, visual arts, and science as part of the European Cultural Capital RUHR 2010. A catalogue plus DVD edition documenting this project has been published on his own Random Acoustics label."-Nuscope Records (http://nuscope.org/musicians/georg-graewe/)
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• Show Bio for Gerry Hemingway
"Gerry Hemingway has led a number of quartet and quintets since the mid 1980's. In addition he has been a member of a wide array of long standing collaborative groups including Brew with Reggie Workman and Miya Masaoka, the GRH trio with Georg Graewe and Ernst Reijseger, the WHO trio with Michel Wintsch and Bänz Oester, as well as numerous duo projects with Thomas Lehn, John Butcher, Ellery Eskelin, Marilyn Crispell, and others. Mr. Hemingway is a Guggenheim fellow and has received numerous commissions for chamber and orchestral works as well as being noted for his innovative and multifaceted work as a solo performer which began in 1974. He was a member of the Anthony Braxton Quartet between 1983 and 1994 and is also well known for his collaborations with some of the world's most outstanding improvisers and composers including Evan Parker, Cecil Taylor, Mark Dresser, Anthony Davis, Derek Bailey, Leo Smith and many others. He currently lives in Switzerland having joined the faculty of the Hochschule Luzern in 2009."-Gerry Hemingway Website (http://www.gerryhemingway.com)
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