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© 2002-2017, Squidco LLC


Tetreault, Martin / Yoshihide, Otomo: 1. Grrr (Ambiances Magnetiques)

Turntable duo of Martin Tetreault and Otomo Yoshihide in a collection of improvised recordings taken for a Spring tour in 2003 around parts of Europe.
 

Price: $14.95

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product information:


UPC: 771028113125

Label: Ambiances Magnetiques
Catalog ID: AM 131 CD
Squidco Product Code: 4402

Format: CD
Condition: New
Released: 2004
Country: Canada
Packaging: Cardstock foldover
Track 1 was recorded on April 22nd, 2003 in Best, France. Track 2 was recorded on April 25th, 2003 in Nijmegen, The Netherlands. Track 3 was recorded on April 27th, 2003 in Orleans, France. Tracks 4 and 5 were recorded on April 28th in Lyon, France. Tracks 6-8 were recorded on April 29th, 2003 in Grenoble, France.


Personnel:

Martin Tétreault-turntables

Otomo Yoshihide-turntables

Highlight an artist name or instrument above
and click here to Search
track listing:


1 Brest no 3 / Le Vauban 22.04.03 (2003) 19:08

2 Nijmegen no 4b / Extrapool 25.04.03 (2003) 8:22

3 Orléans no 3 / Astrolabe 27.04.03 (2003) 9:06

4 Lyon no 1 / Kafe Myzik 28.04.03 (2003) 3:13

5 Lyon no 6 / Kafe Myzik 28.04.03 (2003) 9:47 6 Grenoble no 1 / Le 102 29.04.03 (2003) 9:08

7 Grenoble no 3 / Le 102 29.04.03 (2003) 6:36

8 Grenoble no 8 / Le 102 29.04.03 (2003) 8:45




Related Categories of Interest:

Ambiances Magnetiques
Improvised Music
Turntablists
Yoshihide, Otomo
Asian Improvisation & Jazz
Free Improvisation
Duo Recordings
Before April-2006

sample the album:
descriptions, reviews, &c.

"In the spring of 2003, Martin Tétreault and Otomo Yoshihide toured part of Europe in a 15-date, 16-day marathon organized by Les Instants chavirés, in co-production with SuperMusique.
Out of these improv concerts, six were captured on various media: cdr, dat and minidisc. The thought of preserving these moments came naturally to the ears of our two turntablists and was motivated by the renewed pleasure of playing together and, of course, by the quality of the music, which, night after night, explored new forms, ranging from sonic economy to something much harsher. This spontaneous reaction from the musicians would come from the quality of both room and stage sound, the venue occupied - museum, auditorium, rock bar - or the attention of the audience."-Ambiance Magnetiques


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