A supergroup of the AM collective with Derome, Hetu, Labrosse, Roger, Tanguay and Tetrault, in adventurous and far-reaching improvisation that have to be heard to be believed!

A 71 minute unedited improvisation between guitarist Zai Kuning, Otomo Yoshihide on guitar and turntable, and Dickson Dee on electronics, Asian improv moving between turbulence and stillness.

The first release from the duo of Katsura Mouri and Tim Olive was recorded near Kyoto on a sweltering summer day in 2010, heard in these gritty and rich ea-improv pieces from Tim Olive on pickups and metals, and Mouri on turntables.

Named for the IKLECTIK performance space in London, England, Jeck's four part piece creates beautiful atmospheric passages which transition with field recordings, muted spoken word, symphonic-like passages, and other obscure sources, occasionally increasing in assertiveness but never leaving an exotic dream state of beautiful tonal environments.

With discographies reaching back to the 80s, the trio of Beat Unternahrer on trombone and Furst-Pless-Horn, Jan Schacher on contrabass, objects and voice, and Pelayo Arrizabalaga, known for his reed work, on turntables and sine-generator, create 16 mostly improvised, succinct works that are influenced by free jazz, ea-improv, and sonic composition.

A highly unusual performance in 10 parts from cellist Honsinger and pre-existing media manipulist Simonini that falls between radio art, music theatre, and the inexplicable

Using recordings of Polish Jewish cantors with cello arrangements from Marek Czerniewicz, DJ Lenar (aka Marcin Lenarczyk) dedicates an album to the memory of Polish Jews by reimagining the recordings in subtle and sincere ways, reinforcing the powerful voices that guide the liturgical music of the Jewish faith, accompanied by a booklet of inspirational text.

Recording in Seoul, South Korea at Mullae Arts Village in 2016, the duo of Australian drummer/percussionist Will Guthrie and improvising noise artist Hong Chulki release 8 pieces with concise works under 1 minute to larger improvisations up to 8 minutes, contrasting interesting rhythms with indescribable electronics, found sounds, and unusual environments.

The titles places this unearthly experimental improvisation into the solar system, exactly where the blend of electronics, tapes, contact mics, spring, tubing, pickups and synth demand that the unusual soundscapes from the trio of Frans de Waard, Takuji Naka, and Tim Olive belong, in an alien dialog of interplanetary psychedelia using mutated and mesmerizing sound.

Vocalist Savoldelli in an exquisitely-crafted album of overdubbed vocal work, with help from trumpeter Paolo Fresu and bassist Jimmy Haslip; elaborite harmonies, interlocking rhythms, exultant influences.