Originally meeting in 2015 at a music festival, the Berlin-based duo of pianist Antonis Anissegos and cellist Anil Eraslan worked together in different ensembles, and formally declared their duo project in 2018, this their first album, a superb set of both spirited and contemplative dialogs, intricate yet clearly unfolding interaction of masterful skill.

SALON fur Klang + Kunst multi-reedist Udo Schindler met Japanese pianist Masako Ohta at Mohrvilla, Munchen/Freimann, Germany in 2017 to record this extended live improvisation, bringing Schindler's free jazz and non-idiomatic styles together with Ohta's contemporary classical background, in an intently educated and fascinating merging of styles and approaches.

New York drummer Tyshawn Sorey and pianist Marilyn Crispell first played toghether in 2014, this only their 3rd performance, at The Kitchen in 2018 as part of a 3-day career accomplishments series for Sorey, the two performing in the dark as they spontaneously evolve a brilliant piece of innate orchestration, color, texture, rhythm, and thematic development.

Two pianists--Vadim Neselovskyi and Craig Taborn--take on the 11th volume of composer John Zorn's 3rd book of Masada compositions, The Book Beri'ah, in settings from solo piano, piano duos, and three pieces for piano, bass and drums, performed with bassist Dan Loomis and drummer Ronen Itzik; beautifully lyrical work merging contemporary compositional and improvisation forms.

The duo of Japanese improvisers, pianist Satoko Fujii and drummer Tatsuya Yoshida, continue their collaborations which includes many albums with the Satoko Fujii Quartet, their duo "Erans" record on Tzadik, and the original "Toh-Kichi" album on Victo, here in a new studio album of intricate, energetic and ebullient improvised dialogs, named for the aquatic flower "Baikamo".

Subtle, beautiful, haunting, masterful and delicately commanding, the duo of pianist and vibraphonist Karl Berger and Jason Kao Hwang on violin and viola recorded these 8 dialogs in Berger's Woodstock studio, their familiarity from Hwang's participation in Berger's Creative Music Orchestra summoning lyrical and sensitive music, finding profundity in restraint.

The performing duo of pianist Alexander von Schlippenbach and drummer Dag Magnus Narvesen bring two strong voices from different generations of free improvisers, creating a unique sound that merges the creative energies and vocabulary of each in dynamic and subtle expressions of vigorous movements that unravel in layered improvisation, rewarding their listeners.

Contemporary composer, improviser and pianist Chris Burn in 4 lively, playful and fasciatingly structured works, as heard in Philip Thomas's renderings: "as if as"; "only the snow"; a transcription of Derek Bailey's "from ten, two, and three" in 6 parts; "pressings and screening" in 4 parts; and "the sky a silver dissonance" with Kate Ledger as a 2nd pianist.

Downtown NY cornerstone pianist Anthony Coleman is heard in a solo album of Coleman originals including a piece dedicated to Roscoe Mitchell, plus one piece each by Billy Strayhorn, John Klenner, and Ellington/George/Hodges/James, all beautifully captured at Boston's Jordan Hall as Coleman reveals his unique logic and inventive approach to solo performance.

Working together often over decades, free improvising drummer Sabu Toyozumi and composer/improvising pianist Masahiko Satoh are heard here in a 1997 duo concert at C S Aka-Renga, in Yamaguchi City, Japan, for an engaging concert of energetic interaction, emphasizing Satoh's percussive approach to the keys and Sabu's inherent melodicism in his approach to drumming.

Working together often over decades, free improvising drummer Sabu Toyozumi and composer/improvising pianist Masahiko Satoh are heard here in a 1997 duo concert at C S Aka-Renga, in Yamaguchi City, Japan, for an engaging concert of energetic interaction, emphasizing Satoh's percussive approach to the keys and Sabu's inherent melodicism in his approach to drumming.

Spending two days in a recording studio in Berne, pianist Stefan Aeby recorded these 14 short works, a mixture of improvised and composed works using preparations and electronics to evoke a set of diverse recordings, from energetic structural works to evocative lyricism, nothing overstaying its welcome, carrying the listener through an inquisitive and compelling set of ideas.

Having performed as duo in 2016 at Jazzfest Berlin, this album distills the chamber-like qualities of pianist Takase and saxophonist Laubrock bring, making playful interaction sophisticated through surprising twists and turns, each succinct conversation showing their empathetic connection, brilliant technical skills, and effortless ability to communicate.

German pianist and Euro Free Jazz stalwart Georg Graewe in a solo work, released a decade after his previous solo album, presenting a remarkable set of succinct compositions balancing astonishing technical skills with beautifully expressive playing, presented in several series of "stills" and "stories".

Gamelan Son of Lion partners Philip Corner and Evan Schwartzman perform this Fluxus composition where two pianists play piano notes on the chromatic scale in relationship to numbers counted out loud from 1 to 88, forward and backward, creating an unusual texture and counterpoint that when taken as a whole becomes hypnotic and obsessively absorbing; inexplicably interesting.

"Efflorescence", to reach an optimum stage of development or blossom, as heard through four studio-recorded CDs, expanding on the warm and enduring duo of saxophonist Ivo Perelman and pianist Matthew Shipp in beautifully flowing, succinct improvisations with a lyrical inclination, allowing for exploration through the sophisticated support each brings; beautiful.

Two Spanish improvisers of distinction meet at DADA Studio, in Brussels, Belgium to record ten diverse and extraordinary dialogs, from percussionist Ramon Lopez and pianist Josep-Maria Balanya, balancing radical jazz with experimental approaches to free and contemporary improvisation, a tour-de-force of expression and innovation.

Filled with mystery and innuendo, the duo of French pianist and keyboardist Loris Binot, performing on prepared piano, prepared Fender Rhodes, Moog & electronics, and French-based accordionist Emilie Skrijelj, also on samples & electronics, are heard in a recording at the performing arts theater at CCAM in Vandoeuvre-les-Nancy for two extended and superbly intriguing improvisations.

Three solo piano works from three composers--Mark Hannesson, Dante Boon, and Anastassis Philippakopoulos--are performed by Dante Boon in this studio album recorded in Berlin; three extremely compatible works that prove to be quintessential examples of Wandelweiser minimalism finding melody, progression and abstraction in subtle and elusive ways; sublime.

Four compositions for solo piano from Swiss composer Urs Peter Schneider, founder of Ensemble Neue Horizonte Bern, with four accompanying prose pieces with text in German from Schneider himself, Martin Luther, and Ita Wegman; unusual words to accompany Schneider's minimalist works of clear progressions, thoughtful direction and interesting concepts.

Two understated compositions for solo piano from Kuala Lumpur composer living in Berlin, Rishin Singh, both performed by pianist Dante Boon, with the first piece written for Boon himself, a minimal work of slowly rising and descending progressions; the other piece "For Eva-Maria Houben" dedicated to the Wandelweiser composer, using recurring yet distinctly varying patterns.

An album off free improvisations culled from the long-running Minneapolis duo of amplified acoustic guitarist Joseph Damman and multi-instrumentalist Milo fine, recorded in concert at Studio Toile d'Angles in 2018, with Fine performing on percussion, a Bosendorfer imperial piano, B-flat clarinet & marimba, for 8 pieces of explorative and accomplished dialog.

Wandelweiser member and composer Anastassis Philippakopoulos has twelve of her compositions for solo piano performed and realized by French composer/pianist ​Melaine Dalibert, each built around slow moving melodic progressions that resonate through patient performance, each fragment and note ringing beautifully, mysteriously, and dramatically.

Four duets of gracefully moving music that focuses on tone without repeating melodies or rhythms, from composer Kory Reeder in his first release, performed by Erin Cameron & Luke Ellard both on bass clarinet; Jonathan Kierspe (saxophone) & Samuel Anderson (bass trombone); Alaina Clarice & Linda Jenkins, both on flute; and Mia Detwiler (violin) & Kory Reeder (piano).

2 CDs of works for violin, piano & vibraphone, composed and performed by two young American composers and members of the ensemble Ordinary Affects, who have recorded music by the Jurg Frey, Magnus Granberg, Michael Pisaro, Eva Maria Houben, &c.; the 1st disc presents the Feldman-esque work of JPA Falzone, while the 2nd contains an exquisite new work by Morgan Evans-Weiler.

"Distant Radio Transmission" was originally recorded as an improvisation by Roscoe Mitchell, Craig Taborn, and Kikanju Baku in 2013, then transcribed by Stephen P. Harvey in 2016, extended for strings by John Ivers in 2017, and then fully orchestrated by Roscoe Mitchell himself in 2017; the album also includes "Noonah Trio", "Cutouts for Woodwind Quintet" and "8/8/88".

A split 7" release between Cremaster (Alfredo Costa Monteiro (electronics) and Ferran Fages (feedback mixing board and electroacoustic devices); and the Komora A trio of Karol Koszniec (electronics), Dominik Kowalczyk (laptop) and Jakub Mikolajczyk (modular synth).

This '93 solo concert at Norfolk Academy in Virginia finds free jazz pianist Joel Futterman reflecting on standards and jazz repertoire by inference & reference, improvising over 7 original compositions and Coltrane's "Naima", with moments of lyrical delicacy, savvy swinging sections, and reflective Monk moods, all filtered through his Futteran's powerful creative drive.

Recording with an Italian ELKA 400 electric accordion organ, pioneering electronic and sound aritst Kaffe Matthews presents two sonification of the word F O R E I G N E R, reflecting on her experience regularly moving from country to country, dealing with varying borders and governmental laws, by organizing sound in clusters that attempt to cross a compositional line.

With intricate interplay and textural passages, Chicago improvising cellist Tomeka Reid and UK pianist Alexander Hawkins present their first collaboration, an exciting set of rapid interchanges of pointillistic playing and introspective playfullness, 9 collective dialogs alongside Leroy Jenkin's piece for "Albert Ayler (His Life Was Too Short)".

Mark Mothersbaugh records five compositions for the Player Piano Forte composed by Nandor Nevai, each an impossible performance for a human being, with each piece named for the number of hands theoretically performing, from "1 Hand" to "5 Hands", driving the Pianoforte into extreme territory of rapidity and complexity in a fascinating set of compositions.

Japanese pianist Satoko Fujii and trumpeter Natsuki Tamura (The NatSat Duo) launch their project Pentas with this album, their 7th as a duo, with compositions from each musician and dedicated as a tribute to Eric and Chris Stern, elder inspirational fans who spoke with the duo after the NY premiere of this music, upon learning that Eric passed away that very night.

A beautiful, melancholic soundworld created by three musicians who have a rare rapport--Cyril Bondi on Indian harmonium, Pierre on Yves Martel on viola da Gamba, and Christoph Schiller on spinet--following their previous CDs tse and awire by moving on to new territory in 3 compositions allowing for freedom from each musician, two from Schiller and one from Bondi.

Two massive drone works for organ and pre-recorded tracks commissioned by Musica Festival Strasbourg for organist Hampus Lindwall, with tapes by Emanuel Schmelzer-Ziringer, each piece titled anagrammatically (ie. Nagro = Organ) and recorded with the composer at the Manufacture d'orgues Thomas and Orgelbau Klais organ in the Collegiale Sainte-Waudru, in Mons, Belgium.

Extremely patient compositions for electronics, cello, guitar and tenor sax from French sound and visual artist Pierre Gerard: "Air" using recordings from his duo partner of tenor saxophonist Bertrand De Lamalle with long sections of silence; "Cavity" employs previously recorded guitar improvisations that interact with Gerard's live electronic improvisations.

Instigated by Simon Reynell and Ryoko Akama and recorded on the last day of a residency at at Dai Hall in Huddersfield in early 2020, the long-standing collaborative relationship of violinist Angharad Davies and cellist Anton Lukoszevieze are joined by Klaus Lang on harmonium, heard in this incredibly rich, mesmerizing and fascinating journey in pitch, tone & timbre.

During the 2019 concert series dedicated to improvised music, "Improdimensija", Catalan pianist Agusti Fernández met with Lithuanian saxophonist Liudas Mockunas in the MAMAstudio in Vilnius to record the two part, 3 sections-each "Improdimensions", a masterwork of piano and sax dialog of incredible technique and taste, from rapid runs to profoundly impressionist sections.

Collecting 4 albums with pianist Keith Tippetts: The Bern Concert, a 1993 live duo with Howard Riley; Linückea, a 2000 studio album with The Kreutzer String Quartet plus a narrated work; The Dartington Trio of Keith Tippett, Julie Tippetts & Paul Dunmall live in 2003; and The Dartington Trio Live at The Priory at the Southend International Jazz Festival.

The second of four connected solo piano works by Morton Feldman, Triadic Memories is about that reality, the acoustic space created by the piano's strings and soundboard, as Feldman attempted to expand the temporal frame of his music, heard here in Judith Wegmann's 2019 recording, where thThe second of four connected solo piano works by Morton Feldman, Triadic Memories is about the acoustic space created by the piano's strings and soundboard, as Feldman worked to expand the temporal frame of his music, heard her in Judith Wegmann's 2019 studio recording where that space is revealed by a magnificent Bosendorfer 280VC piano.at space is revealed by a magnificent Bosendorfer 280VC piano.

Each of the three parts of NY pianist Joel Futterman's "Intervals" is unedited first takes, a referendum on 40 years of playing and expanding his powers at free jazz that embraces tradition and future, alway engaging his listeners through fully formed figures, phrase and motifs, a great combination of familiar jazz elements and imaginative free invention.

A meeting in the studio of long-time friends and collaborators, pianist Matthew Shipp and Daniel Carter performing on alto, tenor & soprano saxes, clarinet & trumpet, having played together in many groupings this is only their first duo recording, in a thoughtful set of free improvisations with an innate lyricism and beautiful sense of pacing; masterful and evolved.

Pianist Joel Futterman pays a tribute to late alto saxophonist Eric Dolphy through six Dolphy original compositions, plus one Mal Waldron track and two Futterman originals referencing Dolphy's well-known Blue Note record, "Out to Dinner" parts one & two, each track unedited with no overdubs and the album presented in the sequence in which it was recorded.

Four solo imporovisations from pianist Joel Futterman, starting with the nearly 20-minute "Blues For Ronnie" dedicated to his brother Ronald, a lyrical and soulful work that reflects traditional blues and ragtimes forms within a modern perspective, alongside 3 other rich works of the strong technical and melodic skill that define Futterman's mastery and intentions.

A meeting in the studio in 2001 between frequent collaborators, pianist Joel Futterman, also performing on curved soprano saxophone & wooden Indian flute, and Chicago tenor saxophonist Ike Levin, also on bass clarinet and Brazilian Kalimba, beautifully capturing the extraordinary conversation of strongly articulated dialog between the two improvisers; impressive!

A three-part solo improvisation recorded in the studio and presented in complete unedited first takes with no overdubs, sequenced in the order recorded, from NY-area pianist Joel Futterman, performing "The Fall" in two parts, and "Recovery", each an epic journey through rapid technical virtuosity and nimble creativity, balanced with periods of deep reflection and introspection.

A fascinating 2-CD retrospective of the solo piano and computer work from 1990 to 2016 of San Francisco Bay Area experimental composer Chris Brown, whose work focuses on evolving paradigms of human-machine interaction through live signal processing, generative polyrhythmic textures, and a cohabitation of both formal control and indeterminacy.

Seven improvisations for solo piano from Swedish composer and pianist Rasmus Borg, recording in Stockholm in a contemplative contemporary mode, as evidenced by titles like "Nocturne", "Waltz", "Toccata", &c, referencing established forms through instant compositions, a reflection of his statement that Borg likes "melody, harmony, going in circles, canons".

A graceful and beautiful set of 21 improvisations composed by German pianist and European Free Improv legend Alexander von Schlippenbach for Japanese pianist and von Schlippenbach's spouse Aki Takase, emphasizing a lyrical and passionate deceleration of his profound technical skills to ring lyrically and even romantically as he expresses Takase's musical portrait.

A dynamic and red-hot album of free improvisation from two New York legends--pianist John Blum and drummer/percussionist Jackson Krall--both in jaw-dropping form as they present two extended improvisations, "Blood and Bone" and "Wind and Wing", appropriate for the energy and intense and seemingly physically-defying technical skill each brings to their playing.

A gorgeous and sinuous album of piano and voice from Portuguese pianist Joana Sá, using preparations and props to accompany the incredibly illustrative voice of Greek vocalist Savina Yannatou, whose profound skills create a sense of mystery and narrative that surpasses language and intent, creating something uniquely fragile yet fiercely alluring.

A rich and lyrical album of solo piano improvisation from Lisbon-based Portuguese pianist Luísa Gonçalves, improvised yet merging elements of contemporary compositional music into beautiful and graceful forms that she reveals in a contemplative and pensive mood, savoring her notes and progressions while allowing melody to come forward in sophisticated ways.

Distilling his work with the trio The Necks, Australian pianist Chris Abrahams extends his solo discography with this gorgeous album of two extended improvisations recorded in the studio in Sydney, performing on a beautifully resonant acoustic piano as he unfolds each work, intensely personal and rich in Abrahams' unique way of evolving melody and form.

Eight melodically structured song pieces from French composer and pianist Melaine Dalibert, his fifth album, presenting an embraceable and heartfelt set of compositions quite different from his typical algorithmic approach to writing, conceived by David Sylvian and recorded with outstanding fidelity on a Steinway at the chapel of the Rennes Conservatory.

Two compositions for two pianos by Jürg Frey and performed Reinier van Houdt abd Dante Boon: "Entre les deux l"instant" (2017/2018) where pianist interchange playing "Melody" and note(s) from a "List of Sounds" with flexibility in performance; and "toucher l"air" (2019) where two pianists play each part at the same time with subtle similarities but in different tempos.

One of the most distinctive and introspective voices on the piano in modern improvised music, New York pianist Matthew Shipp presents a solo suite in four movements, each movement a side of this magnificently produced double LP, released to coincide with his 60th birthday, including liner notes from late poet and collaborator Steve Dalichinsky; a wonderful gift for 2020.

An immersive record of free improvisation from the French trio of analog synth player Jean-Marc Foussat, trombonist Christiane Bopp, and vocalist Emmanuelle Parrenin, 4 works inspired by a still life painting by Duane Keiser, each an impressive evolution and transmutation of sound in dream-like environments that envelop then surprise its listeners.

A suite of short pieces for solo piano subtitled "Images and Impressions for Piano", composed by John Zorn and performed by frequent Zorn interpreter Stephen Gosling, the works inspired by the sketches of English painter J.M.W. Turner, embracing influences including Ligeti, Scriabin, Bach, Glass, Debussy, Bartok, Berio, Feldman, Xenakis, Schoenberg &c.

Each side of these 2 LPs is take from one of four installations by Marina Rosendfeld in Frankfurt, Donaueschingen, and NYC, presenting the installation Deathstar; a piano performance within the Deathstar; a re-notation in the form of a concerto for piano and chamber orchestra; and the orchestration's reduction to something like chamber music.

Reissuing The Necks' pianist Chris Abrahams' 2004 solo album, a unique set of recordings that reflects both on his improvisational life and his explorative nature, recorded using a Positive Organ, Forte Piano, DX 7 and an acoustic piano, each piece evoking distinct sonic environments and approaches to playing and compositions that makes sense in the overall presentation.

A live concert at Area Sismica, Forlì, in 2019 between two masterful French improvisers--double bassist Joëlle Léandre and accordionist Pascal Contet-- each pushing each other in both melodic and abstract improvisations with occasional vocal asides, as they engage their listeners through surprising twists and turns while exploring the farthest reaches of their instruments.

Perhaps one of the quirkiest releases from the Klaxon Gueule trio of Michel F Côté, Bernard Falaise and Alexandre St-Onge, performing respectively on drums, guitar and bass, and all on synthesizers and computer, recalling early electronic albums while adding a whimsical and alluring edge to their often darker and more experimental prior releases.

A remarkable tour de force of solo piano improvisation on this self-released album from Virginia-based but New York-associated pianist Joel Futterman, recording in the studio in 2009 for a three-part series of exploratory and profoundly masterful improvisations, captivating with intense and technical passages that yield to lyrically beautiful and expansive playing.

An almost hour long "Rhizome" of free improvisation and a brief "Renewal" from the duo of Joel Futterman on piano and Ike Levin on tenor sax & bass clarinet, performing live at Constellation in Chicago in 2017, for a wonderfully evolving work of suspense, release, technical brilliance and exuberant expression, a dialog that only two such frequent collaborators can evoke.

The centerpiece of composer Kevin Good's "Slow" series is this evening-length glockenspiel solo, performed by San Diego based glockenspiel player Michael Jones, the composition of slow, melodic fragments that are increasingly permeated by swathes of silence of increasing length, exploring how the expressivity of the melodies are perceived and framed by these silences.

Four works by Argentinian composer Max Bober living in Warsaw, Poland, performed in solo, duo and trio configurations by pianist Alejandro Peña Gutiérrez, flutists Francisco Rojas and Clara Peláez Hidalgo, and soprano Natalia Jarosiewicz; fragile works of depth and beauty that unfold gracefully.

Tokyo sound artist Elico Suzuki attached or arranged "gadgets" including a small electric fan, a motor and a radio, to an upright piano whose upper and lower panels were removed and insides exposed, using their inherent sounds and those created by touching them to the piano strings to generate overlapping and evolving sound, ending each piece with force through the keyboard.

In 2019 pianist Thollem McDonas toured the US -- 12 months and 25 albums worth of recordings -- joining collaborators from a vast spectrum of improvisers and performers, this album presenting two such recordings: one a duo with drummer/percussionist Alex Cline from a live concert in Santa Monica; the other a duo with guitarist Susan Alcorn recorded in Baltimore.

A live recording without an audience and the start of the Welcome To Silkeborg project between Lisbon improvisers Tiago Varela (Equinox Quartet, Isotope Ensemble) on melodicas & voice, and Monsieur Trinité (Equinox Quartet, IKB, Potlatch, Variable Geometry Orchestra) on percussive objects, their first encounter finding the two in a relaxed dialog of creative conversation.

Taking modular synths into unusual territory, Autumn Records label leader and relentless audio explorer Greg Davis spent years using a computer controlled modular synthesizer system to generate an obsessive set of synthetic and electronic sounds -- swooping, burbling, chattering, &c. -- assembled into this quick witted and energetic set of compositions.

Stockholm composer Magnus Granberg's first visit to Japan was to perform at the 2019 Ftarri Festival, adapting his extended and subtle work "Come Down to Earth Where Sorrow Dwelleth", originally composed for the Boston ensemble Ordinary Affects, here reworked for sho, koto, prepared piano and electronics performed by Ko Ishikawa, Miki Maruta and Toshimaru Nakamura.

One circular and one continuous composition from Argentinian composer Sergio Merce, using rich tones like clouds of sound generated by a microtonal saxophone, synthesizer and wind synth, the title referring to his sense of music a channel to see, to reveal, a channel that opens through intuition, observation and attention but not through thinking; beautiful.

Exploring the difference between the two Greek concepts of time--chronos (measurable) and kairos (qualitative moments)--Bern composer Urs Peter Schneider's 1973 composition uses synthesizers to measure, divide, experience, forget, free from, and embody time; plus a 1968 composition with Ensemble Nueue Horizon Bern, and two recent works with Ensemble Montaigne.

A three part solo improvisation from pianist and composer Joel Futterman, also performing on Indian flute and curved soprano saxophone, each track a complete unedited first take with no overdubs, presented in the order performed, the first part a nearly 53 minute epic of powerful and consequential playing, from vigorous technical runs to beautifully languid moments; stunning.

The extended and absorbing live performance between Austrian pianist Elisabeth Harnik and Chicago drummer Michael Zerang at Španski Borci,in Ljubljana, Slovenia in 2019 begins in restful interaction, Harnik often inside the piano and Zerang scraping and coaxing sound, building to a disruptive dream of intense interaction that ends in a turbulent awakening.

The Hammond organ takes the lead sound on this straight-up, melodically grooving and fast-paced album, with compositions coming mostly from Finnish saxophonist Mikko Innanen, performed in this trio with French organist Cedric Piromalli and Danish drummer Stefan Pasborg; an album that puts one foot in the history of 60's jazz and one foot firmly in the creative present.

Frond, aka Richard Bultitude, is a UK sound artist who creates rich soundscapes of guitar, synthetics, field recordings and other ethereal elements, the mix of live instrumentation over drone and ambient environments adding warmth and personality to beautifully crafted works, each exuding a sense of inner calm through innately melodic music replete with detail.

Six variations in Lithuanian sound artist and composer Gintas K's work composed during an art residency in MoKS (moks.ee), Estonia, each variation between 8 to 12 minutes long evolving interactions between granulated and continuously shifting computer generated sounds, thick electronics that leaves space amidst the synthetics to create digestible and intriguingly compelling works.

Two concerts by improvising keyboardist and vocalist Jean-Marc Foussat, on the LP a recording at the Tout Rennes S'Emmerde event organized by From Town to Town, Capital Taboule, Consternation, L'Effroyable Association Western Soviets Satanist and Dream'in Noise, the 2nd a DVD of Foussat performing live on the beach as part of the 13th Farniente Festival.

A vinyl reissue of improvising synth, vocalist and multi-instrumentalist Jean-Marc Foussat's 2001 Potlatch album, originally released as a CD-ROM and here with an accompanying DVD titled "Hope for Happiness" including 3 silent films, two of which relate to the album; performed with Pascal Bouscailloux, Jac Berrocal, Jean-Francois Pauvros, Roger Turner, &c.

Five startlingly modern and fascinating dialogs from the duo of multi-instrumentalist and artist Alan Davie and percussionist Tony Oxley, active in the 1970s around The Alan Davie Music Workshop, is heard in Five startlingly modern and fascinating dialogs from the duo of multi-instrumentalist and artist Alan Davie and percussionist Tony Oxley, active in the 1970s around The Alan Davie Music Workshop, is heard in these never previously released recordings from 1977-78 captured at Davie's home studio, Oxley performing on percussion and electronics and Davie on piano, percussion and ring modulator.these never previously released recordings from 1977-78 captured at Davie's home studio, Oxley on percussion and electronics and Davie on piano, percussion and ring modulator.

"Regering" signifies "Government", the title and track names derived from the works of B. Traven, in the first meeting between sound artist and composer Matrijn Comes and guitarist Lukas Simonis (AA Kismet, Coolhaven), in a dark album of subtle innuendo and detail, running the spectrum from nightmarish environments to hopeful glimmers; an impressive collaboration.

Two works from Canadian composer Linda Catlin Smith and performed by cellist Anton Lukoszevieze and pianist Kerry Yong: "Through the Low Hills" a piece for constrained variations like an object viewed from different angles as it is turned over; and "Ballad" a major work intended for performance that unfolds slowly, allowing for delicate melodic interaction.

On their first concert as a duo in 2014, alto saxophonist Michael Attias and pianist Simon Nabatov recorded these five creatively lyrical improvisations at iBeam in Brooklyn, Nabatov on the keys and inside the piano and both using tremendous technique in a mix of perky and introspective free expression, including an extended work that melds into Herbie Nichol's "Spinning Song".

A series of diverse landscapes in the voluptuaries of guitarist Brandon Seabrook and pianist Simon Nabatov, evoking an imaginary garden of sensual pleasures expressed through dialogs running the gamut from elegant lyricism of lush and languid interaction to quirky runs of playful inventiveness; an elegantly complex and always sophisticated set of exchanges.

A trio sounding much larger than its three contributors--Oliver Schwerdt on grand piano, percussion & little instruments, Baby Sommer on drums, cymbals & percussion and Barry Guy on double bass--captured in concert at naTo, in Leipzig, Germany in 2019 for a joyful and assertive album of collective free improv that merges contemporary, free and jazz idioms seamlessly.