A soundtrack of sorts, organized from improvised recordings between Boxhead Ensemble leader Michael Krassner and Adam Busch (Manishevitz, Sonoi) and Wil Hendricks (Califone, Simon Joyner, Lofty Pillars, etc), creative and immersive music to get lost in.
Grey is the color of these murky recordings from Scott Konzelmann, AKA Chop Shop, sounding like they were recorded inside a furnace with distant punctuation occasionally contributing to the gloom of this oppressive audio environment.
Jason Crumer (Aluminum Noise, Now in Darkness World stops turning, Reverse Baptism, &c) in 3 detailed sound works ranging from building quiet burbles to extreme noise responses, a wild ride from rich to stark sound.
Two sides of "Banned" and "Bent" from experimental sound artist Aaron Dilloway, using synthetic and sampled sounds to create a revolving audio excursion of bizarre sonic substance, thickly mysterious and satisfying.
A collaboration of NYC sound artist Gen Ken Montgomery (Generator) and West Coast sound improviser AMK (Anthony Michael King), in an extended work of electronic improvisation presented over two cassette sides, a varied program that never overloads its listeners.
"Termites" features sounds that audio artist Gen-Ken Montgomery recorded in Pennsylvania in a wood shed, and also sounds of a bike ride in Belieze, in a cassette with an amazing photograph of a termite home in Namibia by Uschi Huber.
A split cassette, the first side presenting two live sets of vocals and tapes from Duncan Harrison; the second presenting Jeer Sabbath on vocals, tapes, trumpets, piano, clarinet, guitar, violin & other assorted instruments; both recording in the UK and reworking at Wino Lodge.
John Hudak created "listening to the wind" using wind chimes, half of a phone conversation, and digital manipulation, splitting the work into an "inner" and "outer" side, altering the character of this murky emission.
Los Angeles experimental sound artists Illusion of Safety (Daniel Burke-guitar, modular, samples; Mitch Enderle-dirty bass spring; Mark Klein-guitar; Mark Sorensen) in a 5 track cassette of ominous industrial sound, bridging free-form work with rhythmic passages.
Two pieces recorded in the Kustraum Walchetrum in Zurich, using a mixing board, contact microphone, radio and electro magnetic conductor, recording the resulting work with several microphones and line input to reflect direct and spacial aspects of the sound.
Machinefabriek, aka Rutger Zuydervelt, recorded the music on this release with tuning forks, steel wool, contact mics, memo recorders, looped cassettes from an answering machine tape, a ring modulator, and looper pedals.
3 cassette set from French composers Lionel Marchetti & Jean-Baptiste Favory; one dedicated to Favory's early work; one a composition from Marchetti performed with Favory and reed/synth player Pierre Jacob; one a multitrack duo improvisation from Paris, 2011.
Two works from electronic and noise artist Lasse Marhaug: "Purple Cane" recorded in Kuala Lumpur varying a 30 second noise sequence; and "Sleazy Tuk-Tuk", recorded in Bangkok and built from field recordings of a blind woman on the road with her Casio keyboard.
A collaboration mixing improvisation with sound & noise from sound artist Adam Denton, working primarily with the slithery tones that live within improvisation, and Sean Cotterill, who's work straddles the ocean of skronk guitar to live programming 'ones' and 'zeros'.
Sound artist Lee Noyes based this improvised laptop work on the 1776 work by James Beattie, "Essays: On the nature of truth, in opposition to Sopfifstry and Sceptifism", arguing that both consonance and dissonance are equally important to the perfection of harmony.
A freely improvised collaboration between Ahleuchatistas guitarist Shane Perlowin and trumpeter Jacob Wick, both using a contemplative approach of unusual and extended techniques while allowing space and tension to develop their deceptively rich dialog.
Avant rock duo of guitarist Scott Burton and drummer Scott Clark exploring the concept of merging metal with the timbres of experimental jazz within these complex compositions that defy simple categorization.
The Finnish trio of Sami Pekkola (tenor sax), Tero Kemppainen (double bass) & Jaakkoo Tolvi (drums) with guest Pekka Airaksinen on keyboard for two extended recordings of thick, frenetic, and euphoric free jazz live from Mental Alaska/Ravintola Piano in Helsinki, 2014.
On the A side Simon Hanes leads a 14 piece ensemble in an homage to the late 60s/70s Italian soundtracks with a film score to a fictional film "Vai! Vai! Vai!"; on the B side, the improvising Ensemble for the Exploration of New Perspectives in Collective Sound Exploration.
Guitarist Barry Chabala's interpretation of composer Pisaro's piece, instructing the performer on structure and pitch but allowing the precise timing and sound to the player; plus a reworking of Chabala's recording taking advantage of cassette hiss and sine tones.
Recorded in 2001 at Gallery 2310 in Oakland, California, young Bay Area double bassist Damon Smith met German free improvising master Peter Kowald for two sets of lively, explorative and technically superb improvisations: "Broken Mirrors" and "Reflections".
Hag is the trio of Sean Ali (bass), David Grollman (snare drum) and Brad Henkel (trumpet), joined for this, their 2nd release, by Dan Peck (The Gate) on tuba, using their instruments and objects in unusual ways to make a "joyfully frenetic dance of decadent noise".
Two saxes and a synth in long-form improvisations from the trio of Berlin-based synth player/mask-designer Liz Kosack and Brooklyn-based saxophonists Nathaniel Morgan and Anna Webber, using sophisticated approaches to the blending and contrasting of tones, rhythm and sound.
New York's Twins of El Dorado is a voice-trumpet duo exploring the concept of the art song and the intersection of text and music as a songbook concept, performed by Joe Moffett (trumpet), Nathaniel Morgan (alto sax), Cole Kamen-Green (trumpet), and Kristin Slipp (voice).
A split tape, side A is the Bouchons D'Oreilles duo of Lukasz Kacperczyk (synth) and Mateusz Wysocki (laptop) focusing on improvisation through electronics; side B is the Warsaw Improvisers Orchestra which includes Kacperczyk, focusing on instant composition.
New York tuba player Dan Peck's The Gate with Tom Blancarte on electric upright bass and Brian Osborne on percussion present two tracks of dark, deep improvisation, then join up with Nate Wooley on trumpet & amplifier and Tim Dahl on electric bass for an extended composition.
Electronics & drums in a duo from Portugese musician Rafael Toral and drummer Alfonso Simoes performing live at All Tomorrow's Parties in 2012, two extended improvisations that develop from slow psychedelic cries to blistering interactions of strong statements.
Houston based guitarist Sandy Ewen met BPA label leader, bassist Damon Smith, to record these open-minded improvisations in the studio, with Smith also using 7 string electric upright bass, laptop, and field recordings played in real time.
Legendary sound artist AMK in a 6 track cassette release of sounds performed on records and record players with sources including Elvin Jones, Gary Madeley, Aston Barrestt, Carlton Barrett, Joe Higgs, John B, John Bonham, Keith Moon and Howard Stelzer.
Gino Robair recorded this cassette of ham radio in Alaska while on tour with organist Dave Hyatt, taking his feed off the radio of a friendly operator while they listened to an anonymous operator trolling the airwaves and taunting others, over strange whines and radio timbre.
A recomposition of sound artists Howard Stelzer and Frans de Waard's album "Pink Pearl", reworked into two extended compositions of throbbing ambience that glacially grows over the life of each compositions.
Vocalist and guitarist Geraldine Celerier Eguiluz leads this Montreal string ensemble with voice and percussion through free improvisation that integrates musicians, language, friends, and accomplices in creating unique and explorative song environments.
Microtonal tubist Robin Hayward in a solo cassette release of two extended explorations of noise production, with the lips and tongue acting as noise generators that are filtered using half-valve techniques, using live electronics to create hallucinatory effects of motion.
Ben Owens presents the 1st of his "Birds and Waters" series, two long, unedited works created at the Experimental Television Centre in Owego, NY, using David Jones' image processing system including a multi-input syncable sequencer and a bank of oscillators.
Long form compositions using unidentifiable field recordings, amplified objects, and other inexplicable sound from the duo of Jack Harris and Samuel Rodgers, drawing the listener into complacency and then jarring them to awareness; an engaging release.
Two aspects of reed & string duos, side A presents Chicago cellist Fred Lonberg-Holm with Danish/NY saxophonist Lotte Anker in 4 free improvisations of unusual technique; side B is UK saxophonist Dave Jackson & Dirk Serries on electric guitar for an extended improv live at Cafe Oto.
With members of Wolf Eyes and Volebeats, Crime and the City Solution, &c. this Detroit quartet blends acoustic and electronic instruments in spontaneous composition with a rock aesthetics, a dark fusion of sound that plays both burning improv and mysterious soundscape.
Part of a series of 8 split release cassettes, all hand-painted & numbered; this release presents the collaborative long-form improvisation noise project Amalgamated backed with Odd Person, the ongoing project of Bicephalic label leader August Traeger.
Part of a series of 8 split release cassettes, hand-painted & numbered; Side A presents S27E152, aka Brisbane's Tristan Eyles, using field recordings and image synthesis; Side B is Chefkirk, aka Roger Smith, combining concrete sound with improvised drone and harsh electronics.
Part of a series of 8 split release cassettes, hand-painted & numbered; Side A is Dog Hallucination (D. Petri) for manipulated guitars, textural element, and organized sound; Side B is Ichtyor Tides (Nikola Akileus) for synthetic ambience, glitches, hazy drones, & field recordings.
Part of a series of 8 split release cassettes, hand-painted & numbered; Side A presents dark soundscapes from Jeff Winter, aka Faint Glow, in slowly unfolding electronic works; Side B a variety of electronic approaches from arpeggiated to slowly abrasive grumbling.
Part of a series of 8 split release cassettes, hand-painted & numbered; Side A presents a 3-part work and an extended track from electro-acoustic improviser Miguel A. Garcia; side B presents 3 tracks from Bicephalic label leader August Traeger using contact mic and broken instruments.
Part of a series of 8 split release cassettes, hand-painted & numbered; Side A is our very own Carl Kruger for improvised, manipulated acoustic recordings through an unusual peep hole; the mysterious NJ9842 presents a lurching sound collage of unusual sources.
Part of a series of 8 split release cassettes, all hand-painted & numbered; Side A is Promute (Shaun Sanders) using homemade instruments in a live recording of strange distractions; B is Phillip Klampe (Homogenized Terrestrials) in a rich electronic work.
Part of a series of 8 split release cassettes, hand-painted & numbered; this release presents the Dutch sound artist Steffan de Turck (Staplerfahrer) reworking material recorded in a duo with Jos Smolders; and 2 tracks from Korean sound artist Noizaki Eum Kyeong (Bonehole).
A cassette release of the NYC duo of guitarist Chris Welcome and upright bassist Shayna Dulberger, both doubling on electronics, exploring new approaches to improvisation in organic and intuitive ways.
Five hypnotic transmissions from the aether, as manifested by Chad Davis (Hour of 13/Night Magic, The Ritualist, US Christmas, Anu, Demoncy, etc.) Science Fiction soundscapes for the cosmic students of early electronic music.
An exhilarating and unusual set of duos for drum and cello from Daniel Pierce and Teddy Rankin-Parker, the latter known for Nicole Mitchell's Black Earth Ensemble, ICE, and work with Primus; together they deliver intense and captivating polyrhythms and unexpected string sonics.
The Turkish Konstrukt trio teamed up with 808 State guitarist Graham Massey and pianist David Andrew McLean (Charles Hayward's Anonymous Bash) for a live album at Islington Mill in Salford England for two sides of blistering avant-funk & cosmic space sounds.
An album of dark and cavernous sound in the second release from the sound-sculpting duo of R. Lee Dockery and Smoke Emery (aka Daniel Hipolito), two long tracks that evolve with the patience and intensity of a dark sacramental journey in deeply detailed drone.
The Downtown NY insanely creative duo Talibam! of Kevin Shea on drums and Matt Motel on keys is joined by free improvising legend, saxophonist Alan Wilkinson, for two incendiary improvisations performed live at Sant'anna Arresi Jazz Festival in Sardinia, Italy.
Chicago mainstays Keefe Jackson on tenor and sopranino sax, Jim Baker on piano and synths, and Julian Kirshner on drums, are caught live at the Constellation in 2015 for a forceful, demanding yet lyrical set of free improvisations, a great example of the fertile Chicago scene.
Acoustic guitarist Tim Stine and his trio with upright bassist Anton Hatwich and drummer Frank Rosaly, an all-star group of younger Chicago players in an album of buoyant, original improvisations with great give-and-take from a superb working band of contemporaries.
An unusual album of abstracted sound and spoken word, NY bassist Sean Ali's first solo album, using extraneous and unidentifiable sound and punctuation over layered voices of varying quality in a non-linear narrative, a curious album of impressive sonic interest.
A strange take on Captain Richards Phillips, who faced Somali pirates at sea, and who wrote of it and is the subject of a movie where he is played by Tom Hanks; here in a disjointed spoken narrative with sax, percussive balloons and snare drum over a live NYC soundscape.
The minimalist New York City performing duo of drummer/percussionist David Grollman and saxophonist Nathaniel Morgan, using words, space, innuendo and tension to tell unusual facets of stories or create unique sound environments rewarding the careful listener.
New York City poet Colleen McCarthy & drummer David Grollman both read and improvise on McCarthy's book of short verses, "Epitaphs", honoring the deceased and the not-dead-yet who suffer(ed) variously psychoses and suicide, with Grollman accompanying on snare drum.
A wonderfully bizarre set of free improvisations from the Downtown NY trio of Andy Haas on sax and electronics, Michael Evans on drums, electronics, objects & voice, and David Grollman on snare, objects, balloon and voice, pushing the limites of free sound in intelligent ways.
The title and album cover give no clue to David Grollman's actual intent in creating this layered work of ambient recordings and percussive sounds, using drums, percussion, percussive balloons, and voice recordings to create a uniquely opaque narrative of NYC.
An unusual duo of voice and percussion from New York City percussionist David Grollman (Prom Night, Wee Tapes) and vocalist Ryan Krause, using space, dynamics and acoustic to create improvised works that range from atmospherically tonal to bizarrely interactive.
A Downtown NY quartet of drummer percussionists--Carlos Costa, Flin van Hemmen, Max Jaffe, and David Grollman--all active in the NY improv scene, here merging for an album of unique approaches to their instruments, from thunderous drones to curious experiments.
Stream of consciousness improvisation in voice, violin harmonics, and unidentifiable percussive sounds, all over a NY neighborhood traffic drone, from the duo of violinist Natalia Steinbach and drummer/percussionist David Grollman, reporting from a strange dream.
Capturing 2 performances from '82 &'83, the improvising quintet of Howard Walmsley, Ken Hollings, Eddie Sherwood, Colin Seddon, Graham Massey present "an unpredictable "post-punk avant-funk" mix of spoken word, percussion, random tapes, films and free-form soloing".
The Amalgamated collective in a two cassette package including an extensive booklet of fractal images and a folding card with images; the music presents dark and detailed industrial sound, a mix of drone and collage that engulfs the listener into their alchemical world.
A split cassette and art booklet from US sound artists August Traeger performing as Odd Person, and Spanish sound artist Miguel A. Garcia, presenting works of experimental electronic sound, both diverse and extensive journeys through unusual sonic worlds.
5 artists in a split release of 3 cassette tapes, the artists (Somnoroase Pasarele / Alan Courtis / Directives / Crank Sturgeon ) are based in disparate geographical regions of Earth: Romania, Argentina, Massachussetts USA, San Francisco USA, and Normal IL USA.
During 2012 Patrick Farmer walked half of the Welsh Coast, writing a series of observations, which on this release are read in environmental settings by Antoine Beuger, Jeph Jerman, Bruno Guastalla, Sally Ann McIntyre, Holly Pester, Daniela Cascella, & Michael Pisaro.
Brooklyn-based Ben Owen recorded this work in 2010 at the Experimental Television Center in Owego, NY, presenting the original work "Birds And Water" and two edits, which are mastered by Giuseppe Ielasi.
Reissuing Japanese sound artist Minoru Sato's 1995 work, searching a stationary wave (SASW) based on "aspect" works, re-released on cassette with two additional tracks from an exhibition catalogue from ICC, 2000, and one unreleased piece, "days of the sky another mix".
Nate Wooley's Sound American online magazine presents a complete rehearsal of the trio of Philip White (electronics), Chris Pitsiokos (sax) and C. Spencer Yeh (violin), as they discuss their work and develop a piece entitled "Shredding Treatise"; and an interview by Nate Wooley of Baltimore music researcher, record producer, and writer Ian Nagoski.
A split tape from Austin-based More Eaze (aka Marcus Rubio) and San Diego-based duo A.F. Jones and Steve Flato, More Eaze presenting a work of surprising twists, drone, and audio turns; Jones & Flato create an electronic composition of strange detail using a wide auditory palette encompassing the lowest to highest tones.
With connections from both the free jazz and improvising rock scene, including Borbetomagus, Many Arms, Caribou, Anthony Braxton, William Parker, Zevious, &c, the trio of Colin Fisher (saxophone, guitar), Johnny DeBlase (electric bass) and Kid Millions (drums) debut their Monas project of intense, electronically spiked, free form improvisation.
Experimental sound artists Jeph Jerman and Tim Barnes continue the exploration heard in their erstwhile and Confront releases, here in two new tracks recorded in Arizona and Louisville as they prepared for their 2016 performance at the No Idea Festival in Austin, TX.
Two sides of the London trio of David Birchall on guitar, Rogier Smal on drums, and Colin Webster on alto saxophone, bringing a bit of madness into very free improv, the first side an immersion in unflagging collective improvisation of great detail, the second side bringing introspective dialog into an evolving collaborative free-for-all.
Excerpts from drummer/percussionist Tatsuya Nakatani's 2012 Taiga release on cassette, presenting pieces from his Gong Orchestra project, where Nakatani takes his large collection of gongs on the road and teaches members of the community how to bow, strike, and follow his conduction, creating an amazing ritual of sound.
Bristol sound artists Seth Cook presents a rendering of Stefan Thut's text-based score "aussen raum" realized in both stereo field recordings and no input field recordings, focusing on a botched water feature of the River Frome beneath Bristol's Harbourside that has been the subject of ridicule and reconstruction.
Chick White (Darcy Spidle) recorded this album while on residency in Economy, Nova Scotia, as part of the White Rabbit Arts Festival, displaying a truly unique approach to the jaw harp, along with seal bones, eagle feathers, and broken clam shells, as he floated in a raft in the world's highest tide, the Bay of Fundy, making these evocative recordings.
Using an eclectic set of audio tools, objects, voice and electronics, Ezio Piermantel creates a bizarre sound world of concrete and inexplicable sound that fascinates the listener in a strange non-narrative that still manages to tell a story in sound and noise; truly unique.
Ten tracks of unusual electroacoustic experiments from the duo of Ronnie Oliveras and Ruth Maria Adam, using sound boxes and a variety of instruments to create a psychedelic yet embraceable set of recordings that leave the listener scratching their head but still grounded by tangible music, albeit in the strangest of settings.
Toronto-based composer Nick Storring presents two highly textural, side-long pieces; "Field Lines" originally composed for Yvonne NG Peck Wan's dance piece, "Magnetic Fields", presenting a series of a brief, dreamlike clearings through clusters of tonal instruments; and "Yield Criteria" a work of drifting drones that ebb and flow in rich harmonies.
Montreal composer Chris Strickland used strategies of "deliberate uncertainty" to direct these 3 pieces of minimized technique, narrative, and emotion, performed by Montreal musicians Guido del Fabbro on violin and Solomiya Moroz on flute, with field recordings creating a hazy ambiance over the slowly evolving works.
The third solo venture for Lisbon-based guitarist and visual artist Filipe Felizardo, performing without effects and loops over a lush and spare framework, for a "ghost blues meditation" in 8 movements of focused, beautifully paced and sonically oriented playing.
The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from all acoustic sources.
The second volume of the project heard in the previous Creative Sources album, "Suspensao", here in a 9-piece electroacoust ensemble with viola, cello, doublebass, alto sax, trombone, piano, electric guitar, computer and percussion, suspenseful lowercase music that unfolds in mysterious, beautiful and rewarding ways.
A beautiful collaboration between Luis Jose Martins on classical guitar, percussion & electronics, and Joan Sa on piano, toy piano, celestra, idiophones & electronics, gentle music that's nearly a song, but actually sophisticated, textured, and lovely contemporary improvisation.
Originally a side-project of douBt, this new electric jazz/rock trio is led by Tony Bianco (drums and loops), Michel Delville (guitar, bouzouki and live effects), and Belgian saxophonist, clarinetist and flutist Jordi Grognard.
An uncommon solo guitar album from Andrew Smiley, a member of Little Women and the Chris Pitsiokos Quartet, creating textures on the guitar by applying unconventional techniques with his pick and fingers instead of using effects or guitar preparations, and accompanying himself on voice in Haino-esque ways, creating an album of sharp contrast and color.
The Brooklyn duo of saxophonist Sam Weinberg (Captain Phillips) and synth player Chris Welcome (Chris Pitsiokos, Mike Pride) in an album of abrasive, rhythmically abraded and contorted electro-acoustic improvisation, each player embedding themselves into each other's sound, at time making their instruments indistinguishable from one another.
The second release for the duo of Ben Bennett on drums, percussions and membranophones, and Michael Foster on tenor, soprano, sopranino saxophones and aerophone, in uniquely voiced improvisations that develop both carefully and, at times, erratically, but always with an ear to interesting dialog that captivates and confuses the listener.
Blurring the lines between experimental music, improv, and composition, the trio of Joe Houpert, Nathan McLaughlin, and Erich Steiger use the studio to rework their improvisations, accenting aspects of the acoustic and electronic elements and morphing them in unexpected ways; "think Henry Flynt meets Cluster meets Revolutionary Ensemble".
David Lee Myers, AKA Arcane Device, explores feedback in its most beautiful forms, over decades developing systems to capture the microscopic edges of errant signals and convert them into lovely long tones, using a series of matrix mixers to manipulate them in real time, creating works of fragile charm, impressive interstices of rhythm, and gorgeous melodic nodes.