A reissue of the Bailey solo guitar cassette tape release of a 1983 concert in Milwaukee, Wisconsin from the same year, originally sold by Bailey in concert during his tour of Japan in the same year.

A soundtrack of sorts, organized from improvised recordings between Boxhead Ensemble leader Michael Krassner and Adam Busch (Manishevitz, Sonoi) and Wil Hendricks (Califone, Simon Joyner, Lofty Pillars, etc), creative and immersive music to get lost in.

Numbered edition of 250 cassette-only Bruire release

Grey is the color of these murky recordings from Scott Konzelmann, AKA Chop Shop, sounding like they were recorded inside a furnace with distant punctuation occasionally contributing to the gloom of this oppressive audio environment.

Jason Crumer (Aluminum Noise, Now in Darkness World stops turning, Reverse Baptism, &c) in 3 detailed sound works ranging from building quiet burbles to extreme noise responses, a wild ride from rich to stark sound.

Two sides of "Banned" and "Bent" from experimental sound artist Aaron Dilloway, using synthetic and sampled sounds to create a revolving audio excursion of bizarre sonic substance, thickly mysterious and satisfying.

Two solo performances from Thomas Dimuzio performing at the Edinburgh Castle Tavern in San Francisco, powerful sonic work with long sustained textures and nuanced sound.

A collaboration of NYC sound artist Gen Ken Montgomery (Generator) and West Coast sound improviser AMK (Anthony Michael King), in an extended work of electronic improvisation presented over two cassette sides, a varied program that never overloads its listeners.

"Termites" features sounds that audio artist Gen-Ken Montgomery recorded in Pennsylvania in a wood shed, and also sounds of a bike ride in Belieze, in a cassette with an amazing photograph of a termite home in Namibia by Uschi Huber.

A 4 track cassette of beats, robotic voices and other Greif oddities, definitely an obscure gem from the large discography of this experimental explorer.

A split cassette, the first side presenting two live sets of vocals and tapes from Duncan Harrison; the second presenting Jeer Sabbath on vocals, tapes, trumpets, piano, clarinet, guitar, violin & other assorted instruments; both recording in the UK and reworking at Wino Lodge.

Percussionist and composer Nick Hennies presents four tracks featuring sine waves paired with speech, vibraphone, hi-hat and voice recorded over several years in Austin, TX and Ithaca, NY, contrasting electronics and percussion with the starkness of the human voice.

Cassette Day release of "Demos, live tracks, outtakes, noise, assorted bullshit" from this Canadian band, who create the equivalent of modern electronic music without actually using the techniques associated with that music--looping, splicing, programming, &c.

John Hudak created "listening to the wind" using wind chimes, half of a phone conversation, and digital manipulation, splitting the work into an "inner" and "outer" side, altering the character of this murky emission.

2nd pressing: The Icepick trio features Nate Wooley on trumpet, Ingebrigt Haker-Flaten on bass & Chris Corsano on drums, freely improvising live in Brooklyn at Shapeshifter Lab in 2013 for two extended improvisations of superbly detailed technique, concept, and sonic approach.

Two recordings from live performances at Frantasia Festival, Livermore Falls, Maine in 2009 between sound artist Al Margolis and Chris Mann providing voice and texts.

Los Angeles experimental sound artists Illusion of Safety (Daniel Burke-guitar, modular, samples; Mitch Enderle-dirty bass spring; Mark Klein-guitar; Mark Sorensen) in a 5 track cassette of ominous industrial sound, bridging free-form work with rhythmic passages.

Two pieces recorded in the Kustraum Walchetrum in Zurich, using a mixing board, contact microphone, radio and electro magnetic conductor, recording the resulting work with several microphones and line input to reflect direct and spacial aspects of the sound.

Limited edition of 250, cassette-only release from 1990 from this important Quebecois composer and player.

Francisco Lopez created this work by dubbing a blank cassette back and forth for hundreds of generations in real time with no noise reduction; this is the reissue of the original 1997 release.

Machinefabriek, aka Rutger Zuydervelt, recorded the music on this release with tuning forks, steel wool, contact mics, memo recorders, looped cassettes from an answering machine tape, a ring modulator, and looper pedals.

3 cassette set from French composers Lionel Marchetti & Jean-Baptiste Favory; one dedicated to Favory's early work; one a composition from Marchetti performed with Favory and reed/synth player Pierre Jacob; one a multitrack duo improvisation from Paris, 2011.

Two works from electronic and noise artist Lasse Marhaug: "Purple Cane" recorded in Kuala Lumpur varying a 30 second noise sequence; and "Sleazy Tuk-Tuk", recorded in Bangkok and built from field recordings of a blind woman on the road with her Casio keyboard.

An unusual 18 piece work from Chicago trumpeter Rob Mazurek, entirely constructed through electro-acoustic means, using hundreds of samples selected for their audio quality, joined to electronics utilizing oscillators and modules, some of which sample acoustic sources.

A cassette release joining 910 Noise and Ack Recordings from Ryan Lewis and August Traeger, harsh American noise that "will destroy the speakers" (Feast of Hate and Fear).

A collaboration mixing improvisation with sound & noise from sound artist Adam Denton, working primarily with the slithery tones that live within improvisation, and Sean Cotterill, who's work straddles the ocean of skronk guitar to live programming 'ones' and 'zeros'.

Sound artist Lee Noyes based this improvised laptop work on the 1776 work by James Beattie, "Essays: On the nature of truth, in opposition to Sopfifstry and Sceptifism", arguing that both consonance and dissonance are equally important to the perfection of harmony.

Three works recorded in Germany and the US from sound artist Ortmann, who has recordings on Pan, Gameboy, Nihilist, and duo releases with Ben Vida, Weasel Walter, John Wiese, &c.

A freely improvised collaboration between Ahleuchatistas guitarist Shane Perlowin and trumpeter Jacob Wick, both using a contemplative approach of unusual and extended techniques while allowing space and tension to develop their deceptively rich dialog.

In a tribute to the late NY Shimmy Disc label, Posset secretly recorded bus chatter, posh Number Poetry skits and a hobo coven meets Ian (legalise it) Fleming, organizing them into a strange and unique Dictaphone melange of organized sound.

This third release from the Psychotic Quartet is composed of an unnerving set of improvised pieces from twisting microtonal lines to strained dynamic drones which reflect the strange nature of the fungus from which the album draws its name.

Two excellent side-long tracks from an incredible show in Munich recorded in April 2014 from Portugal's free improvising Red Trio of Rodrigo Pinheiro (piano), Hernani Faustino (bass) and Gabriel Ferrandini (drums), their first release on a US label.

Avant rock duo of guitarist Scott Burton and drummer Scott Burton exploring the concept of merging metal with the timbres of experimental jazz within these complex compositions that defy simple categorization.

Seattle alto saxophonist Wally Shoup's Trio + 1 with Neil Welch and Jacob Zimmerman on tenor and Carmen Rothwell on double bass in an amazing album of interactive improvisation in a diverse set of approaches from highly interactive to beautifully lyrical work.

Free improvisation from the Austin-based SSBT of Chris Cogburn (drums, percussion, electronics), Steve Jansen (electronics, tapes, guitar, saxophone), and Parham Daghighi (guitar, saxophone, vocals), a unique electro-acoustic blend of frantic and ecstatic playing.

Prolific sound artists Sindre Bjerga and Claus Poulsen jointly tweak various close-miked micro-sounds into a strange noise-oriented collage, crossing drone and concrete approaches in bizarre ways.

Limited cassette release of Sizlard's beautiful "colourpalette" loop series, featuring two side-length pieces composed for rotating loop-cycles, which adhere to strict compositional limitations.

The Finnish trio of Sami Pekkola (tenor sax), Tero Kemppainen (double bass) & Jaakkoo Tolvi (drums) with guest Pekka Airaksinen on keyboard for two extended recordings of thick, frenetic, and euphoric free jazz live from Mental Alaska/Ravintola Piano in Helsinki, 2014.

On the A side Simon Hanes leads a 14 piece ensemble in an homage to the late 60s/70s Italian soundtracks with a film score to a fictional film "Vai! Vai! Vai!"; on the B side, the improvising Ensemble for the Exploration of New Perspectives in Collective Sound Exploration.

The duo of Kawaguchi on tuning fork and Yamaguchi on guitar in a subliminal and resonant long composition that carries the listener through this long dream-like work.

Guitarist Barry Chabala's interpretation of composer Pisaro's piece, instructing the performer on structure and pitch but allowing the precise timing and sound to the player; plus a reworking of Chabala's recording taking advantage of cassette hiss and sine tones.

Recorded in 2001 at Gallery 2310 in Oakland, California, young Bay Area double bassist Damon Smith met German free improvising master Peter Kowald for two sets of lively, explorative and technically superb improvisations: "Broken Mirrors" and "Reflections".

Experimental free jazz with a vicious squall from the Norwegian duo of Dag Erik Knedal Anderson on drums and Dag Stiberg on saxophone, for a short but burning improvisation titled "North Hex", in a beautifully packaged, limited cassette.

Hag is the trio of Sean Ali (bass), David Grollman (snare drum) and Brad Henkel (trumpet), joined for this, their 2nd release, by Dan Peck (The Gate) on tuba, using their instruments and objects in unusual ways to make a "joyfully frenetic dance of decadent noise".

Two saxes and a synth in long-form improvisations from the trio of Berlin-based synth player/mask-designer Liz Kosack and Brooklyn-based saxophonists Nathaniel Morgan and Anna Webber, using sophisticated approaches to the blending and contrasting of tones, rhythm and sound.

New York's Twins of El Dorado is a voice-trumpet duo exploring the concept of the art song and the intersection of text and music as a songbook concept, performed by Joe Moffett (trumpet), Nathaniel Morgan (alto sax), Cole Kamen-Green (trumpet), and Kristin Slipp (voice).

An album of gradually moving electronics and organ written by Bruno Duplant and performed with Ryoko Akama, "immobile" focuses on texture and subtle harmonics, with faint inferences emerging around the sonic surfaces, for a rich and tense audio environment.

A split tape, side A is the Bouchons D'Oreilles duo of Lukasz Kacperczyk (synth) and Mateusz Wysocki (laptop) focusing on improvisation through electronics; side B is the Warsaw Improvisers Orchestra which includes Kacperczyk, focusing on instant composition.

A mysterious four part work made from organic drone sources and field recordings, like the soundtrack to a dark dream interspersed with unrecognizable sound posts, from sound artist Loren Chasse (Jewelled Antler, Thuja, The Blithe Sons, The Child Readers).

New York tuba player Dan Peck's The Gate with Tom Blancarte on electric upright bass and Brian Osborne on percussion present two tracks of dark, deep improvisation, then join up with Nate Wooley on trumpet & amplifier and Tim Dahl on electric bass for an extended composition.

Montreal improvisers Joshua Zubot on violin, Isaiah Ceccarella on drums, and Nicolas Caloia on double bass, with European improviser Tristan Honsinger (ICP) on cello and voice, in a diverse and informed album of free improvisation pushing strings to their limits.

While on a tour of Japan in 2014 Jason Kahn and Tim Olive recorded these two unhurried explorations for radio, synthesizer, and mixing board (Kahn) and magnetic pickups (Olive). building and releasing tension in a palette of unplaceable sound and structure.

The first meeting of the trio of Nick Mazzarella (sax), Ingebrigt Haker-Flaten (double bass) & Avreeayl Ra (drums) performing live at Chicago's Constellation club in 2014, an adventurous and sophisticated album spanning three generations of free improvisation.

The long-running trio of Joe McPhee on sax and pocket trumpet, Fred Lonberg-Holm on cello & electronics and Michael Zerang on drums, performing live at Jazzhouse Copenhagen, Denmark in 2013 for a classic Survival Unit set of open-ended and cathartic creative jazz.

Electronics & drums in a duo from Portugese musician Rafael Toral and drummer Alfonso Simoes performing live at All Tomorrow's Parties in 2012, two extended improvisations that develop from slow psychedelic cries to blistering interactions of strong statements.

Three free improvisations for voice & double bass + improvisations on Hugo Ball's Six Sound Poems from the duo of free improvising vocalist Jaap Blonk and double bassist Damon Smith.

Experimental "childrens jazz" in a 2-sided cassette from this Italian septet, the first side a free-form structured live performance, the second an unusual set of experiments using toys, balloons, objects, synths over strange rhythms and sound - a fun and odd release.

Houston based guitarist Sandy Ewen met BPA label leader, bassist Damon Smith, to record these open-minded improvisations in the studio, with Smith also using 7 string electric upright bass, laptop, and field recordings played in real time.

Sonic audiographer Jeph Jerman investigates an abandoned windmill in the Arizona desert via contact microphone, recording it three times to present its mysterious sonic properties at three different stages of its life and in differing weather conditions.