The 2nd release from the touring duo of Audrey Chen & trombonist Henrik Munkeby, Chen modifying her voice with amplification and performing on analog electronics, while Munkeby amplifies his trombone and also performs on analog electronics, feedback & sound files; often frighteningly intense improvisations that plays to the spectrum of sound in a mix of studio and live recordings.
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Audrey Chen-amplified voice, analog electronics
Henrik Munkeby Norstebo-amplified trombone, analog electronics, feedback, sound files
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Edition of 100 copies.
Label: Tripticks Tapes
Catalog ID: TTT 034
Squidco Product Code: 33223
Format: CASSETTE
Condition: New
Released: 2023
Country: USA
Packaging: Cassette
Recorded at Studio Boerne, in Berlin, Germany, on February 21st 2021, by Roy Carroll.
"Beam Splitter's second duo release Split Jaw has found its home on Nat Baldwin's Tripticks Tapes. This bite size format packs an entire universe of the duo's crafted sputter, breath and glitch inside its forty-five minute magnetic tape loop.
The BEAMs have been touring globally since 2015, playing close to two hundred concerts, in a wide variety of rooms - from cellars to art spaces to festivals stages, bringing their own brand of closely amplified dialog which is as highly intimate as it is equal amounts raw and entirely exposed.
Since their last release Rough Tongue on Corvo Records, the two have brought in the use of simple analogue electronics to offset their hyper extended physical play and have been pushing new territories with this augmented set up.
Split Jaw is one third introspective Berlin studio production and the rest, live from a splintering concert given at Wels Unlimited Festival in Austria, November 5, their last concert of 2022 where audience and the duo alike giving it their all center of room, split open like hollow bones head to clavicle, muscles twitching and air spewing, breaking ground and mending it with alien hums."-Tripticks Tapes
Edition of 100 copies.
Artist Biographies
• Show Bio for Audrey Chen "Audrey Chen is a 2nd generation Chinese/Taiwanese-American musician who was born into a family of material scientists, doctors and engineers, outside of Chicago in 1976. Parting ways with the family convention, she turned to the cello at age 8 and voice at 11. After years of classical and conservatory training in both instruments, with a resulting specialization in early and new music, she parted ways again in 2003 to begin new negotiations with sound in order to discover a more individually honest aesthetic. Since then, using the cello, voice and occasional analog electronics, Chen's work delves deeply into her own version of narrative and non-linear storytelling. A large component of her music is improvised and her approach to this is extremely personal and visceral. Her playing explores the combination and layering of the homemade analog synthesizer, preparations and traditional and extended techniques in both the voice and cello. She works to join these elements into a singular ecstatic personal language. **Over the past decade plus, her predominant focus has been her solo work with the cello, voice and electronics, but she has more recently begun to shift back towards the exploration of the voice as a primary instrument. "Audrey Chen has created an uncompromising and idiosyncratic music, tightly disciplined yet acoustically wild and heavy with implication. Her ultra-verbal vocalising, often reminiscent of the visceral and emotionally charged sound poetry of François Dufréne or Henri Chopin, exposes physiological aspects of utterance that are concealed within standardised articulation and day to day speech. Fleshy, breath-driven and flecked with spittle, Chen's voice emanates not just from her mouth but from an ensemble of upper body surfaces, channels, passages, and cavities." - Julien Cowley THE WIRE Recent projects, aside from performing solo, include her long running voices duo with Phil Minton, duos HISS & VISCERA with modular synth player Richard Scott, BEAM SPLITTER with Norwegian trombonist Henrik Munkeby Nørstebø, and the "romantic noise duo" AFTERBURNER with Doron Sadja (electronics/light projection). Past projects include work with German conceptual artist John Bock, a duo with NYC abstract turntablist Maria Chavez, and a quartet with Nate Wooley, C. Spencer Yeh, and Todd Carter. Her new projects include a double duo/quartet with BEAM SPLITTER and STREIFENJUNKO's, Eivind Lønning and Espen Reinersten and MOPCUT with Lukas König and Julien Desprez. Among her more recent album releases include, "By the Stream" with Phil Minton - Subrosa (Brussels), "Hiss & Viscera" with Richard Scott - Sound Anatomy (Berlin), "Rough Tongue", BEAM SPLITTER'S debut LP - Corvo Records (Berlin) and her long awaited new solo album "Runt Vigor" - Karl Records (Berlin). Chen has performed across Europe, Russia, Ukraine, Turkey, Australia, New Zealand, China, Japan, Taiwan, Brazil, Argentina, Ecuador, Canada and the USA. Some festival appearances include: Festival Beyond Innocence (Osaka, JP), Maerzmusik (Berlin, DE), Klangspuren Festival (Schwaz, AT), NUMA Circuit (Tenerife, ES), Sound of Stockholm (Stockholm, SE), Kongsberg Jazz Festival (Kongsberg, NO), Jazz Saalfelden (Saalfelden, AT), Plateaux Festival (Torun, PL), Color Out of Space (Brighton, UK), Wels Music Unlimited (Wels, AT), 2PI Festival (Hangzhou, CN), Jazz a Luz (Luz-Saint-Saveur, FR), Festival Muzzix (Lille, FR), La Voix est Libre (Toulouse/Paris, FR), Total Meeting (Tours, FR), NowNow Festival (Sydney, AU), Uncool Festival (Poschiavo, CH), the Next Festival (Bratislava, SK), Colour Out of Space (Brighton, UK), Donau Festival (Krems, AT), Musique Actuelle de Victoriaville/FIMAV (CA), Festival Ecuatoriano de Música Contemporánea (Quito,Ecuador) and Wien Modern (Vienna, AT). And venues such as: Covent Garden (London, UK), Radialsystem (Berlin, DE), Zacheta National Gallery (Warsaw, PL), Museé du quai Branly (Paris, FR), Radio France (Paris, FR), Theatre Bouffes du Nord (Paris, FR), Auditorio de Tenerife (Tenerife, ES), Teatro Colon (Buenos Aires, AR), Bimhuis, (Amsterdam, NL), Rote Fabrik (Zurich, CH), Teatro Fondamenta Nuove (Venice, IT), DOM (Moscow, RU), Anton Kern Gallery (NYC, US), Wiener Konzerthaus (Vienna, AT) and Robert Wilson's Watermill Center (Water Mill, NY, US). In 2011, in addition to her performances, she was awarded the prestigious Mary Sawyers Baker Prize, an award that was established to support individual artists living, and working in Maryland. Since 2011, she relocated to Berlin, Germany from Baltimore, MD USA and continues to maintain an active international touring schedule. David Harrington of the Kronos Quartet has described her work as "fascinating and gripping" and "possessing something extremely vital and vivid...." " ^ Hide Bio for Audrey Chen • Show Bio for Henrik Munkeby Norstebo "Henrik Munkeby Nørstebø (born 29 July 1986 in Trondheim, Norway) is a Norwegian trombonist. Nørstebø who was born and raised in Trondheim, is a trombonist mainly active on the free impro scenes of jazz, contemporary and improvised music. Since 2005 he has worked primarily with free-improvised music, and organizes and plays in bands like Nørstebø/Myhr/Järmyr, Teknokrat, As deafness increases, Ensemble Coordonnateur and PerdieusNørstebøWakolbinger. Nørstebø also plays solo concerts. The album SOLO was released on the Portuguese label "Creative Sources" in summer 2011. In addition, players Nørstebø with the Oslo-based new music ensemble "Axiom" and "Önczkekvist improvising orchestra" with members from Norway, Austria and Czech Republic. He collaborates with musicians like Nina de Heney, Daniel Lercher, Raymond Strid, Naoko Sakata, Tomas Jäderlund, Moritz Zopf, Bernd Klug, Danielle Dahl, Rosi Rehformen, Rasmus Borg. Nørstebø completed a bachelor of music performance (improvisation/jazz) at Högskolan för scen och musik in Gothenburg (2011)." ^ Hide Bio for Henrik Munkeby Norstebo
10/2/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
10/2/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
SIDE A
1. Purple Mouth 13:08
2. Breastbone 10:37
SIDE B
1. Down To Rock and Up To Fire 21:52
Cassettes
Improvised Music
Free Improvisation
Electro-Acoustic
Electro-Acoustic Improv
Jazz
European Improvisation, Composition and Experimental Forms
Recordings featuring brass instruments - trumpets, trombones, tubas, other horns
Electronic Forms
Duo Recordings
New in Improvised Music
New in Experimental & Electronic Music
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