A site-specific sound installation in the nave and choir of Minoritenkirche in Krems/Stein that engages with the architecture and sound of this church space from composer Michael Moser working with Berndt Thurner, Klaus Lang, Hannah Schwegler and Nik Hummer.
Named for Shipwreck Studios, this is the first meeting between San Francisco Bay Area improvisers Darren Johnston (trumpet), Aaron Bennett (sax) and Lisa Mezzacappa (bass) with Chicago drummer Frank Rosaly, for 6 tracks of outstanding interactive and playful improvisation.
West Coast cornetist Bobby Bradford captured live in 2013 for a superb set at the Center for the Arts in Los Angeles, part of the Open Gate Theatre Sunday evening concert series, in a quartet with Hafez Modirzadeh on alto sax, Mark Dresser on bass, and Alex Cline on drums.
Mesmerizing electric free improvisation from the Portugese quintet of Marcelo Dos Reis on guitar, Luis Vicente on trumpet, Joao Guimaraes on sax, Jose Miguel Pereira on double bass, and Joao Pais Filipe on drums, recording live at Salao Brazil in Coimbra, Portugal in 2014.
Two recordings from multi-reedist Peter Kuhn from 1978-79; a reissue of an LP of a '78 radio broadcast with Toshinori Kondo (trumpet), Arthur Williams (trumpet), William Parker (bass), and Denis Charles (drums); and a live concert with Denis Charles in Massachusetts in '79.
Multi-reedist Peter Kuhn's 1st release as a leader in over 30 years, picking up from the NY loft scene after years of struggle, here in a collective free improv album with Kyle Motl on bass and Nathan Hubbard on drums, promoting spiritual values through creative music.
Bassist Jason Roebke leads his octet with Keefe Jackson, Greg Ward, Jason Stein, Josh Berman, Jeb Bishop, Jason Adasiewicz, and Mike Reed in a set of collaborative compositions, lyrical yet free improvisation from some of Chicago's finest players.
A very open album of improvisation, using an intensely responsive section of three drums and one bass, with Wooley in amazing form playing above the fray, from introspective reserve to seething runs, supported by a wicked undercurrent of astounding, criss-crossing rhythm.
Never before released radio recordings at WKCR in 1979 of NY trumpeter Arthur Williams, a member of the loft scene, in a quintet with Toshinori Kondo on trumpet, Peter Kuhn on sax, Denis Charles on drums and William Parker on bass, a great example of probing free jazz from that period.
Two aspects of reed & string duos, side A presents Chicago cellist Fred Lonberg-Holm with Danish/NY saxophonist Lotte Anker in 4 free improvisations of unusual technique; side B is UK saxophonist Dave Jackson & Dirk Serries on electric guitar for an extended improv live at Cafe Oto.
Earle Brown conducts a chamber ensemble including John Tilbury on piano through a number of compositions, including versions of "October", "November", & "December", "Corroboree 1964 For Three Pianos", "Trio For Five Dances", and "Tracking Pierrot For Ensable".
Reissue of Italian improvising rock band of Jacopo Andreini (sax), Pino Montecalvo (bass), Carlo Lupori (drums), Efisio Biancofiore (guitar), Edi Leo (trumpet), active from 1993 to 2005, in their first demo tape recorded live in studio in 1994 plus two 7" split with NO and God Is My Co-Pilot.
With members of Wolf Eyes and Volebeats, Crime and the City Solution, &c. this Detroit quartet blends acoustic and electronic instruments in spontaneous composition with a rock aesthetics, a dark fusion of sound that plays both burning improv and mysterious soundscape.
Recorded live at the Huddersfield Festival of Contemporary Music in 2006, this is the 3rd and final volume of works by Morton Feldman performed by the Smith Quartet with John Tilbury on piano, recorded in high quality DVD audio and with extensive liner notes by Tilbury.
Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.
Recording in Brooklyn in 2014, this collaboration between Olive and Ben Owen presents four tracks of electronic improvisation using shortwave radio, oscillators, paper, contact microphones and magnetic pickups, creating a mysterious and well-paced album of sound experimentation.
Flutist Leah Paul presents two engaging compositions in multiple movements, performed with a chamber ensemble of Chris Speed (reeds), Rob Jost (french horn), Sara Schoenbeck (bassoon), Peter Sachon (cello), Tanya Kalmanovitch (viola), Ben Kono (oboe) and Michel Gentile (flute).
Drummer/percussionist Hubert Zemler's second solo album with two compositions inspired by electronic music, particularly by works of the ensemble Suaves Figures, recorded in the vaults of the Camaldolese Church in Bielany, Warsaw with Milosz Pekala on vibraphones.
A unique approach to solo reeds and winds from French multi-reedist Matthieu Prual, also on flute and ORLA Keyboard, maintaining lyrical and comprehensible approaches with strong technical skills in captivating and succinct statements, truly excellent work.
An extended and far-ranging acoustic free improvisation from the trio of Ernesto Rodrigues on viola, Phillip Greenlief on tenor sax, and Tom Wafford on violin, recorded live at the Gallery 1412 during the Seattle Improvised Music Festival of 2006.
A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre d’Alfortville and in the studio.
A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.
Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.
The third solo venture for Lisbon-based guitarist and visual artist Filipe Felizardo, performing without effects and loops over a lush and spare framework, for a "ghost blues meditation" in 8 movements of focused, beautifully paced and sonically oriented playing.
Emilie Girard-Charest is a Montreal cellist, composer and improviser, here presenting 5 works, one of her own and 4 from Fredrik Gran, Sergio Castrillon, Maxime Corbeil-Perron and Joane Hetu, using extreme techniques and electroacoustic accompaniment in both joyful and terrifying ways.
The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from all acoustic sources.
The second volume of the project heard in the previous Creative Sources album, "Suspensao", here in a 9-piece electroacoust ensemble with viola, cello, doublebass, alto sax, trombone, piano, electric guitar, computer and percussion, suspenseful lowercase music that unfolds in mysterious, beautiful and rewarding ways.
A beautiful collaboration between Luis Jose Martins on classical guitar, percussion & electronics, and Joan Sa on piano, toy piano, celestra, idiophones & electronics, gentle music that's nearly a song, but actually sophisticated, textured, and lovely contemporary improvisation.
Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.
Joining noise rock and free jazz, the Louis Minus XVI quartet is fronted by two saxophonists--Adrien Douliez on alto and Jean Baptiste Rubin on tenor--with Maxime Petit on bass and Frederic L'homme on drums, in a balanced album of powerful and introspective compositions.