Live recordings from the trio of Paul Dunmall on soprano and tenor sax, Philip gibbs on guitar, and Ashley John Young on double bass, performing at Cardiff University School of Music Concert Hall in 2016, a great example of concentrative, complex and lively interplay.
Frode Gjerstad returned to Chile after his 2013 Trio tour to meet with guitarist Ramiro Molina, both to sample the amazing fish recipes Molina introduced him to, but more importantly, to perform live and to record these delicate and sophisticated improvisations.
A lyrical and sincere dialog from the Scottish duo of Rob Hall on clarinets and Chick Lyall on piano, recoreded at the chapel in St Mary's Music School in Edinburgh, blending improvisation with chamber music, free jazz, contemporary classical and folk idioms.
Working together in various ensembles since the early 90s, Stefan Keune on sopranino, alto and baritone saxophone and Paul Lovens on drums and cymbals captured these three extraordinary improvisation in the studio in Brussels, Belgium and live Munich Underground in Germany.
The debut album by the chamber-jazz quartet resAUnance of Jonathan Golove on electric cello, Michael McNeill on piano, John Bacon on vibraphone and percussion, and Esin Gunduz on voice, blending compositional, improvisation, & Turkish folk music into passionate and beautiful works.
Saxophonist Trevor Watts and pianist Stephen Grew improvised these pieces at a distance, Grew sending recordings of two separate solo concerts from Newcastle, which Watts improvised over resulting in these intricate and exuberant "Improvised Compositions".
A site-specific sound installation in the nave and choir of Minoritenkirche in Krems/Stein that engages with the architecture and sound of this church space from composer Michael Moser working with Berndt Thurner, Klaus Lang, Hannah Schwegler and Nik Hummer.
Named for Shipwreck Studios, this is the first meeting between San Francisco Bay Area improvisers Darren Johnston (trumpet), Aaron Bennett (sax) and Lisa Mezzacappa (bass) with Chicago drummer Frank Rosaly, for 6 tracks of outstanding interactive and playful improvisation.
West Coast cornetist Bobby Bradford captured live in 2013 for a superb set at the Center for the Arts in Los Angeles, part of the Open Gate Theatre Sunday evening concert series, in a quartet with Hafez Modirzadeh on alto sax, Mark Dresser on bass, and Alex Cline on drums.
Mesmerizing electric free improvisation from the Portugese quintet of Marcelo Dos Reis on guitar, Luis Vicente on trumpet, Joao Guimaraes on sax, Jose Miguel Pereira on double bass, and Joao Pais Filipe on drums, recording live at Salao Brazil in Coimbra, Portugal in 2014.
Two recordings from multi-reedist Peter Kuhn from 1978-79; a reissue of an LP of a '78 radio broadcast with Toshinori Kondo (trumpet), Arthur Williams (trumpet), William Parker (bass), and Denis Charles (drums); and a live concert with Denis Charles in Massachusetts in '79.
Multi-reedist Peter Kuhn's 1st release as a leader in over 30 years, picking up from the NY loft scene after years of struggle, here in a collective free improv album with Kyle Motl on bass and Nathan Hubbard on drums, promoting spiritual values through creative music.
Bassist Jason Roebke leads his octet with Keefe Jackson, Greg Ward, Jason Stein, Josh Berman, Jeb Bishop, Jason Adasiewicz, and Mike Reed in a set of collaborative compositions, lyrical yet free improvisation from some of Chicago's finest players.
A very open album of improvisation, using an intensely responsive section of three drums and one bass, with Wooley in amazing form playing above the fray, from introspective reserve to seething runs, supported by a wicked undercurrent of astounding, criss-crossing rhythm.
Never before released radio recordings at WKCR in 1979 of NY trumpeter Arthur Williams, a member of the loft scene, in a quintet with Toshinori Kondo on trumpet, Peter Kuhn on sax, Denis Charles on drums and William Parker on bass, a great example of probing free jazz from that period.
Two aspects of reed & string duos, side A presents Chicago cellist Fred Lonberg-Holm with Danish/NY saxophonist Lotte Anker in 4 free improvisations of unusual technique; side B is UK saxophonist Dave Jackson & Dirk Serries on electric guitar for an extended improv live at Cafe Oto.
The duo of Zachary James Watkins on guitar and electroncis and Marshall Trammell on drums in a dark album of distorted riffs and heavy polyrhythmic drumming, free playing that demands attention while entrancing the listener in gritty sound.
Earle Brown conducts a chamber ensemble including John Tilbury on piano through a number of compositions, including versions of "October", "November", & "December", "Corroboree 1964 For Three Pianos", "Trio For Five Dances", and "Tracking Pierrot For Ensable".
Reissue of Italian improvising rock band of Jacopo Andreini (sax), Pino Montecalvo (bass), Carlo Lupori (drums), Efisio Biancofiore (guitar), Edi Leo (trumpet), active from 1993 to 2005, in their first demo tape recorded live in studio in 1994 plus two 7" split with NO and God Is My Co-Pilot.
With members of Wolf Eyes and Volebeats, Crime and the City Solution, &c. this Detroit quartet blends acoustic and electronic instruments in spontaneous composition with a rock aesthetics, a dark fusion of sound that plays both burning improv and mysterious soundscape.
Recorded live at the Huddersfield Festival of Contemporary Music in 2006, this is the 3rd and final volume of works by Morton Feldman performed by the Smith Quartet with John Tilbury on piano, recorded in high quality DVD audio and with extensive liner notes by Tilbury.
A live recording at the Outpost from a tour in 2013, the first time the Desert Sweets trio of Biggi Vinkelo on sax & flute, Mark Weaver on tuba and didgeridoo, and Damon Smith on double bass, reuniting after their 2001 recording for a beautiful album of intimate improvisation.
Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.
Recording in Brooklyn in 2014, this collaboration between Olive and Ben Owen presents four tracks of electronic improvisation using shortwave radio, oscillators, paper, contact microphones and magnetic pickups, creating a mysterious and well-paced album of sound experimentation.
Flutist Leah Paul presents two engaging compositions in multiple movements, performed with a chamber ensemble of Chris Speed (reeds), Rob Jost (french horn), Sara Schoenbeck (bassoon), Peter Sachon (cello), Tanya Kalmanovitch (viola), Ben Kono (oboe) and Michel Gentile (flute).
Referencing sci-fi, C.S. Lewis, and alien worlds, the compositions of Marek Poliks each have a central metaphor like alien environment and warmth, spaceship and cradling, performed by ensembles using traditional and electronic instruments and objects.
Drummer/percussionist Hubert Zemler's second solo album with two compositions inspired by electronic music, particularly by works of the ensemble Suaves Figures, recorded in the vaults of the Camaldolese Church in Bielany, Warsaw with Milosz Pekala on vibraphones.
A unique approach to solo reeds and winds from French multi-reedist Matthieu Prual, also on flute and ORLA Keyboard, maintaining lyrical and comprehensible approaches with strong technical skills in captivating and succinct statements, truly excellent work.
A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre d’Alfortville and in the studio.
A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.
Pianist Myra Melford joins frequent collaborators, double bassist Joelle Leandre and flutist Nicole Mitchell, in a live performance at Galerie Zurcher, in Paris in 2016, for a set of spontaneous improvisations with a warm chamber jazz feeling of masterful dialog.
Composer-Improviser-Percussionist Ehran Elisha presents two quintets interpreting two of his extended compositions: "Kindred Soul" and "Spirit Suite", with collaborators including Roy Campbell, Sam Bardfeld, Dave Phillips, Yoni Kretzmer, Michael Attias, Sean Conly, &c.
A tremendous CD of duos, disc one presents Israeli bassist JC Jones in duos with Steve Horenstein, Barre Phillips, Mark Dresser, Damon Smith, Yoni Kretzmer, and Carmel Raz; Disc 2 presents NY saxophonist Yoni Kretzmer in duos with Pascal Niggenkemper, Reuben Radding, Sean Conly, and JC Jones.
The trio of NY free improvisers Yoni Kretzmer on tenor sax and Kevin Shea on drums (Talibam, Mostly Other People Do the Killing) with bassist Jason Ajemian in an intense album of "immaterial tangibility, the raw flesh, dirty concreteness, thoughtlessness and stuff called music."
An excellent example of collective free improv from a quintet led by NY tenor saxophonist Yoni Kretzmer with collaborators Steve Swell (trombone), Thomas Heberer (cornet), Max Johnson (double bass) and Chad Taylor (drums), capturing the horn sound of the late 60's Blue Note era.
The 11 piece Systematic Distortion Orchestra is led by composer and viola player Frantz Loriot, with Brooklyn Downtown players Nathaniel Morgan (sax), Brad Henkel & Joe Moffet (trumpet), Ben Gerstein, Sam Kulik (trombone), Sean Ali & Pascal Niggenkemper (bass), and 3 drummers.