A biting and propulsive recording of free noise improv and rock from rising stars of the UK/European avant scene--Colin Webster on alto, tenor and baritone sax, and Mark Holub on drums--in their 4th album as a power duo playing ecstatic, guttural free jazz.
"Berlin-based guitarist Andreas Willers injects a bit of hoodoo voodoo into the realm of solo guitar, complete with effects-drenched overlays. A longtime participant in Europe's avant-garde, progressive jazz and jazz-rock contingent, th...
Outrageous sounds produced by a workshop orchestra directed by John Stevens - an SME-type improvisation; instrumental & vocal drones; a mechanically rhythmic yet unpredictable piece; and an all-out improv featuring non-vocal mouth sounds, vocal sounds & instruments.
1967 recordings from the duo of John Stevens (percussion) and Evan Parker (soprano & tenor sax), plus Peter Kowald making the group a trio on two tracks; seminal work from three incredibly influential players.
Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
Deconstructed sounds from Ralf Wehowsky (RLW) on electronics & Johannes Frisch on double bass, citing Ornette Coleman's "Free Jazz" album as an (abstract?) influence, using noise, glitch, acoustics and jump-cut compositional styles that surprise but won't make you want to dance.
Five idiosyncratic compositions by English composer Frank Denyer with performers including The Barton Workshop, Elisabeth Smalt, Juliet Fraser, Kiku Day and Frank Denyer himself, using shakuhachi, voice, muted strings, percussion and an axe striking a block of wood.
April 2015 issue + Wiretapper CD: On the cover: Holly Herndon; The Wire Tapper 37 VA CD; Invisible Jukebox: Lightning Bolt ; The Primer: Moondog; Brighton Noise Poets; Liturgy (Heavy overload); Model 500 (The future returns); John Wiese (New noise mutations); Global Ear: The Hague.
Bassist J.C. Jones brings together science & music, enabling an evocative window into the illness MS by making the vibrations of myelin protein audible, over which Jones, Yoni Silver, Harold Rubin, Airel Shibolet, &c. improvise.
An amazing example of modern free improv from two modern masters--John Butcher on tenor and soprano sax, acoustic and amplified; and percussionist Gino Robair on energized surfaces, blippoo box--playing with frightening intensity in perfectly paced dialog.
A release from John Peel's personal tapes archive, recorded live at the Leicester De Montfort Hall in 1972 in the Spotlight Kid era tour, in a double LP edition showing Von Vliet to be in great form in front of an eager and receptive audience.
Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.
Using guidelines related to form, time, sound source and density, the trio of Tim Olive on magnetic pickups, Takahiro Kawaguchi and Makoto Oshiro on self-made instruments, recorded these compositions live, named for the atmosphere of the recording environment.
Recording in Brooklyn in 2014, this collaboration between Olive and Ben Owen presents four tracks of electronic improvisation using shortwave radio, oscillators, paper, contact microphones and magnetic pickups, creating a mysterious and well-paced album of sound experimentation.
Flutist Leah Paul presents two engaging compositions in multiple movements, performed with a chamber ensemble of Chris Speed (reeds), Rob Jost (french horn), Sara Schoenbeck (bassoon), Peter Sachon (cello), Tanya Kalmanovitch (viola), Ben Kono (oboe) and Michel Gentile (flute).
Referencing sci-fi, C.S. Lewis, and alien worlds, the compositions of Marek Poliks each have a central metaphor like alien environment and warmth, spaceship and cradling, performed by ensembles using traditional and electronic instruments and objects.
Drummer/percussionist Hubert Zemler's second solo album with two compositions inspired by electronic music, particularly by works of the ensemble Suaves Figures, recorded in the vaults of the Camaldolese Church in Bielany, Warsaw with Milosz Pekala on vibraphones.
A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre d’Alfortville and in the studio.
A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.
Pianist Myra Melford joins frequent collaborators, double bassist Joelle Leandre and flutist Nicole Mitchell, in a live performance at Galerie Zurcher, in Paris in 2016, for a set of spontaneous improvisations with a warm chamber jazz feeling of masterful dialog.