Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
Deconstructed sounds from Ralf Wehowsky (RLW) on electronics & Johannes Frisch on double bass, citing Ornette Coleman's "Free Jazz" album as an (abstract?) influence, using noise, glitch, acoustics and jump-cut compositional styles that surprise but won't make you want to dance.
Five idiosyncratic compositions by English composer Frank Denyer with performers including The Barton Workshop, Elisabeth Smalt, Juliet Fraser, Kiku Day and Frank Denyer himself, using shakuhachi, voice, muted strings, percussion and an axe striking a block of wood.
April 2015 issue + Wiretapper CD: On the cover: Holly Herndon; The Wire Tapper 37 VA CD; Invisible Jukebox: Lightning Bolt ; The Primer: Moondog; Brighton Noise Poets; Liturgy (Heavy overload); Model 500 (The future returns); John Wiese (New noise mutations); Global Ear: The Hague.
Bassist J.C. Jones brings together science & music, enabling an evocative window into the illness MS by making the vibrations of myelin protein audible, over which Jones, Yoni Silver, Harold Rubin, Airel Shibolet, &c. improvise.
A release from John Peel's personal tapes archive, recorded live at the Leicester De Montfort Hall in 1972 in the Spotlight Kid era tour, in a double LP edition showing Von Vliet to be in great form in front of an eager and receptive audience.
Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.
Using guidelines related to form, time, sound source and density, the trio of Tim Olive on magnetic pickups, Takahiro Kawaguchi and Makoto Oshiro on self-made instruments, recorded these compositions live, named for the atmosphere of the recording environment.
Flutist Leah Paul presents two engaging compositions in multiple movements, performed with a chamber ensemble of Chris Speed (reeds), Rob Jost (french horn), Sara Schoenbeck (bassoon), Peter Sachon (cello), Tanya Kalmanovitch (viola), Ben Kono (oboe) and Michel Gentile (flute).
Drummer/percussionist Hubert Zemler's second solo album with two compositions inspired by electronic music, particularly by works of the ensemble Suaves Figures, recorded in the vaults of the Camaldolese Church in Bielany, Warsaw with Milosz Pekala on vibraphones.
A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre d’Alfortville and in the studio.
A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.
An amazing collection of concepts described in John Steven's manual "Search and Reflect" and recorded in workshops and concerts primarily in the 70s, with participants including Trevor Watts, Evan Parker, Paul Rutherfod, Ian Brighton, Nigel Coombes, John Russell, Lindsay Cooper, &c.
With two trumpets, drums and piano, Kaze's 2nd release with Satoko Fujii, Natsuki Tamura, and Muzzix members Christian Pruvost and Peter Orins, hits like the album title, but surprises with contrasts from torrential power to beautiful melodic interplay.
Saxophonist Tim Berne in his 3rd ECM album, leading his NY band Snakeoil, now a quintet with guitarist Ryan Ferreira joining pianist Matt Mitchell, clarinetist Oscar Noriega, and percussionist Ches Smith, for intricate, dynamic and sophisticated modern jazz.
Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.
The third solo venture for Lisbon-based guitarist and visual artist Filipe Felizardo, performing without effects and loops over a lush and spare framework, for a "ghost blues meditation" in 8 movements of focused, beautifully paced and sonically oriented playing.
The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from all acoustic sources.
The second volume of the project heard in the previous Creative Sources album, "Suspensao", here in a 9-piece electroacoust ensemble with viola, cello, doublebass, alto sax, trombone, piano, electric guitar, computer and percussion, suspenseful lowercase music that unfolds in mysterious, beautiful and rewarding ways.
A beautiful collaboration between Luis Jose Martins on classical guitar, percussion & electronics, and Joan Sa on piano, toy piano, celestra, idiophones & electronics, gentle music that's nearly a song, but actually sophisticated, textured, and lovely contemporary improvisation.
Goh Lee Kwang performing on no-input mixer meets Julien Ottavi on TamTam, bass drum and a computer running Puredata and Apodio 10 for an album of electronic improvisation recorded in Kuala Lumpur, Malaysia, and Nantes, France, balancing aggressive and meditative sound.
A dynamic set of wind and object improvisations from multi-reedist Hans Koch, using extended techniques to elicit a diverse and astounding range of sounds from his instruments, and Thomas Peter creating indescribable sound on amplified objects and live electronics.
"Our project is defined by its aim: to represent in sonic terms, and in duo, a particular environment - a triangular area in the north of the Creuse département in central France. In the first place, based on cartographic represe...
Originally a side-project of douBt, this new electric jazz/rock trio is led by Tony Bianco (drums and loops), Michel Delville (guitar, bouzouki and live effects), and Belgian saxophonist, clarinetist and flutist Jordi Grognard.
Recorded live in an Australian National Park on a 15-day walk, saxophonist Jim Denley performs solo on the alto saxophone in response to and in conversation with the environment around him using the natural acoustics of this rugged and awe-inspiring region.
Taking their band name from an Ornette Coleman album, this European quintet presents new compositions in the style of Ornette, Archie Shepp, Pharoah Sanders and John Carter, ecstatic free jazz with a hard bop foundation, extended with modern technique and experience.
An epic, hypnotic work for three choirs, three pairs of noise musicians, and church organ, to be performed in a cathedral or similar location with musicians surrounding the audience, here from a live performance at the Huddersfield Contemporary Music Festival 2012.
Singer/songwriter Julie McGeer leads a band of some of Western Canada's foremost players from the jazz and indie scene including Peggy Lee, JP Carter, Paul Rigby, Cole Schmidt, Darren Parris & Barry Mirochnik in an embraceable album combining jazz, indie pop and folk roots.