Boston's Evil Clown collective led by reedist/multi-instrumentalist David Peck introduces a new ensemble, Axioms, a quartet with Peck, Jane, Alby onBass, and Joel Simches, in a mammoth work of mysterious intent and rich sonorities, orchestrated with reeds, brass, daxophones, percussion, bells and chimes, electric bass, keys, spoken word, and real-time signal processing.

An octet version of the Boston improvising ensemble Leap of faith Orchestra, in a 3-part work using composer and multi-reedist, multi-instrumentalist David Pecks' timed segments, guiding the musicians through the piece while keeping the performance exuberantly controlled and intensely focused, finding unusual paths for creative statement.

The largest ensemble of Boston-area David M. Peck's Leap of Faith collective using Peck's frame notation compositional method of written descriptions and graphic symbols to allow large ensembles to create major works without extensive rehearsing, accompanied by a 23 page booklet that illustrates that concept and details this 2018 Killian Hall, MIT, concert.

The full Boston-area Leap of Faith Orchestra in its largest configuration performing a Frame Notation Score composed by PEK to guide the improvisation, this work based on the The Photon Epoch, a period in the evolution of the early universe, using a vast assemblage of instruments and devices to create a unique narrative in an energetic and wonderfully unpredictable journey.

Started in 1995 as an interdisciplinary unit of improvisational artists led by Boston area reedist/multi-instrumentalist David Peck and cellist Glynis Lomon, exploring multi-phonics, glissando, microtones, graphic & descriptive scores, and extended techniques, expanding the ensemble with like-minded musicians, here in this 2017 recording of full 24-piece orchestra.

The 4th work using composer, band-leader and multi-instrumentalist David Peck's Frame Notation Scores for his large ensemble Leap of Faith Orchestra, his graphic notation allowing exceptional, unexpected and truly unusual results in large-scale improvisation, an amazing evolution of the big band concept executed by the some of the finest players in the Boston area; amazing!

Boston area composer and multi-instrumentalist David Peck developed a unique approach to scoring for this large and idiosyncratic ensemble, referred to as Frame Notation, giving descriptions of sonority, time scale, events, playing occurrences, &c, leaving a great deal of freedom for these extraordinary musicians, as borne out in their incredible and extended performance.

The Leap of Faith Orchestra is a large improvisation ensemble comprised of 5 ub-units--Leap of Faith, Metal Chaos Ensemble, String Theory, Turbulence, and the New Language Collaborative--all assembled here for a massive and far-ranging experience, scored with time indices and English language descriptions by leader David Peck; dense and spectacular.

Reed player, composer and multi-instrumentalist David Peck (Aka PEK) presents a string-oriented edition of his long-running Leap of Faith ensemble, where violinist Mimi Rabson and cellist Glynis Lomon make up half of the quartet, all taking on a vast arsenal of percussive instruments, and Yuri Zbitnoff sporting a set of "shiny new drums".

The core trio of the Leap of Faith Orchestra comprising multi-reedist & wind player David Peck, also on percussive devices, with Glynis Lomon on cello, aquasonic and voice, and Yuri Zbitnoff on drums & percussions, with special guests Kat Dobbins on trombone and Bob Moores on trumpet & flugelhorn, in an evolving set of strong harmonic, percussive & lyrical interaction.

The core Leap of Faith trio of David Peck (PEK) on winds & percussion, Glynis Lomon on cello, aquasonic & voice, and Yuri Zbitnov on drums & percussion, a subunit of Boston's Leap of Faith Orchestra, is joined by Jim Warshauer (reeds) and Eric Dahlman (trumpet, overtone voice) for an exciting and far-ranging improvisation of exotic instrumentation and intention.

One of the core ensembles in Boston's Evil Clown collective led by multi-reedist David Peck is Leap of Faith, a uniquely inspired collective free improv band with unusual instruments and percussive devices, here in a live concert at Outpost 186 as quintet with Glynis Lomon on cello, Damon Smith on bass, Silvain Castellano on bass, and Yuri ZBitnov on drums & percussion.

Performed by a core set of 7 players who frequent the Boston-area Evil Clown collective, this subgroup from the Leap of Faith Orchestra is caught live at Third Life Studios in Somerville, MA, in a drummer-less setting of rhythm from PEK's arsenal of percussive devices and instruments, for a diverse & extended work of transformations across highly varied sonorities.

The core of Leap of Faith Orchestra--David Peck on reeds and winds, Glynis Lomon on cello, aquasonic & voice and Yuri Zbitnoff on drums & percussion-- joined by Eric Zinman on piano, recorded at Outpost 186 in Cambridge, MA, where Evil Clown has a residency on the third Saturday of each month, presenting a variation of subunits from one of their larger units.

A core trio setting for Boston's framework improvising Leap of Faith with David Peck (PEK) on clarinets, saxophone and assorted winds, Yuri Zbitnoff on drums & percussion, and Glynis Lomon on cellos and percussion, along with "2 gongs, a ton of Tibetan bowls and bells, various orchestral castanets, various seed pod and other wood rattles, and other small things".

The core trio of the Boston collective Leap of Faith Orchestra of improvisers, approaching large work using unique compositional techniques and an arsenal of traditional and unusual instruments and percussive devices, here joined by Elinor Spiers on violin, log drums, glockenspiel, metal, wood, crotales, and cymbells, for a uniquely detailed and immense improvisation.

Two founding member of Leap of Faith, multi-reedist and multi-instrumentalist PEK and cellist and percussionist Glynis Lomon. present two improvisations themed on waves and particle transformations, using microphone techniques to enhance Lomon's bowing, in a set deploying aquasonic, daxophones, gongs, Englephone, contrabassoon, tromboon, and much more.

For this performance the Leap of Faith trio of PEK on clarinets, saxophones, double reeds & flutes, Glynis Lomon on cello, aquasonic & voice, and Yuri Zbitnov on drums & percussion was joined by Jim Warshauer (reeds) and Eric Dahlman (trumpet, overtone voice) to perform two improvisations, including a long work featuring transformations across highly varied sonorities.

An embraceable & explorative example of the core duo of the Boston-area free improvising ensemble Leap of Faith (the foundation of the Leap of Faith Orchestra) of David Peck on reeds and Glynis Lomon on cello, aquasonic & voice, both employing the enormous Evil Clown arsenal of percussive and sonic devices, in two large works recorded at their headquarter studio.

The core trio of the Leap of Faith Orchestra is Boston area PEK on clarinets, saxophones, double reeds & flutes, Glynis Lomon on cello, aquasonic & voice, and Yuri Zbitnov on drums & percussion, here expanded with Eric Dahlman on trumpet, whistles and game calls, and and Jim Warshauer on saxophone, in an incredibly diverse live performance at Outpost 186, in Cambridge, 2018.

Two excursive works from the Boston improvising collective Leap of Faith, with the core trio of PEK on clarinets, saxophones, double reeds & flutes, Glynis Lomon on cello, aquasonic & voice, and Yuri Zbitnov on drums & percussion, plus guests Kat Dobbins on trombone and Bob Moores on trumpets, creating a highly interactive environment performing PEK's framework compositions.

A 2019 performance in Cambridge, MA of this intertwining quintet of unique instrumentation, with PEK on bamboo & bass saxophones, clarinets, contrabassoon, tarota, melodica, sheng, aquasonic, wood, metal, wind siren, crank siren, & chimes; Glynis Lomon on cello, aquasonic, & chimes; Eric Zinman on piano; Syd Smart on percussion; and Yuri Zbitnov on drums, gong, wood, metal, wind siren, & chimes.

The debut of this reconfigured Boston-area trio drawn from the Leap of Faith lineup, starting with the core duo of PEK on clarinets, saxophones, clarinets & flutes, and Glynis Lomon on cello, aquasonic & voice, with guest Eric Woods on synth and percussion, the trio using heavy percussion and electronics gear in a unique journey of extended freeform improvisation.

The core trio of Leap of Faith Orchestra--David Peck on clarinets, saxophones & flutes, Glynis Lomon on cello, aquasonic & voice and Yuri Zbitnoff on drums & percussion--joined by Mimi Rabson on violin, the quartet recording with the full Leap of Faith Orchestra arsenal of instruments; plus an expanded LOF recording of the Orchestra work "Possible Worlds".

The core trio of the Leap of Faith Orchestra--PEK on clarinets, saxophones, clarinets & flutes, Glynis Lomon on cello, aquasonic & voice, and Yuri Zbitnov on drums & percussion--is joined by fellow Orchestra violinist Mimi Rabson and special guest, violinist Elinor Speirs, for a remarkable improvised work using a huge arsenal of instruments including a new Brontosaurus Bell.

With new drummer/percussionist Steve Niemitz, the Leap of Faith trio of PEK on clarinet, contrabass clarinet, alto saxophone, tenor saxophone, musette, tarota, bass tromboon & sheng, Glynis Lomon on cello, aquasonic & voice, and Niemitz on percussion recorded this session at Bonnie Kane's monthly Thursday Night Experiment in Western Massachusetts.

The core duet of the Leap of Faith Orchestra (LOFO) comprised of PEK on clarinets, saxophones, clarinets & flutes, and Glynis Lomon on cello, aquasonic & voice is joined by pianist Eric Zinman performing inside and out of the piano, and also on synthesizer, drums & percussion, for three improvisations recorded live in the studio in Cambridge, MA in 2020.

PROMO COPY WITH CUT CORNER

Two live recordings of the Boston area Leap of Faith quintet of David Peck (reeds and winds, percussion), Glynis Lomon (cello, percussion), Dan O'Brien (winds, percussion), Zach Bartolomei (sax, percussion), and Yuri Zbitnoff (drums and percussion), captured in Somerville in 2016 and New York City in 2017, for detailed, assertive, unique approaches to improv.

A collaboration of Leap of Faith members, percussionist Yuri Zbitnov, multi-reedist and wind player David Peck, with guests from the Evil Clown roster, adding electroacoustic elements including looping, sampling and electronic processing to their improvisation, here with Joel Simches on real-time signal processing, alongside sound artists Greg Grinnell & Bob Moores.

Based around gongs, chimes, glockenspiel, Tibetan bowls and many other metallic sounds, plus reeds and horns, signal processing & synths, the Boston improvising core duo of Metal Chaos Ensemble is formed by percussionist Yuri Zbitnoff and multi-reedist David Peck, here joined by guest electric bass player Mike Gruen to create a power trio edition of the band.

Formed in 2015 by reedist and multi-instrumentalist David Peck and percussionist Yuri Zbitnov to explore chaotic rhythms on metallic instruments, using the now extended arsenal of exotic percussive instruments the collective has amassed, in a 2-part album with Mike Gruen on electric bass creating a power trio of unusual rhythmic intention.

With a core of Leap of Faith members (David Peck, Glynis Lomon & Yuri Zbitnov) along with trumpet, bass, computer & electronics, Moog, and analog synth, this rendering of Boston's far-ranging collective, using David Peck's framework compositions and arsenal of instruments, takes their listeners through controlled cosmic chaos with recitation and electronic companionship; wild!

PEK and Yuri Zbitnov's working project exploring chaotic rhythms on metallic instruments using a wide range of sonorities, including gongs, chimes, glockenspiel, Tibetan Bowls and other metallic sounds and horns, plus accompaniment tracks, with special guests Bob Moores on trumpet and guitar and Eric Woods on analog synth and performing real time Signal Processing.

One of the most prolific Evil Clown ensembles, Metal Chaos Ensemble distinguishes itself through the use of Gongs, chimes, glockenspiel, Tibetan Bowls and many other metallic sounds, with horns, compositions and narratives by multi-reedist PEK, in a rhythm-heavy fantastical journey in a septet with Moouse Traore on djembe and Mike Gruen on Azoth and Basilisk.

The Boston ensemble of unique instrumentation layering percussion, bowed and struck metal, synth, vibes and other percussive devices, whose core players are drawn from the Leap of Faith ensemble, is joined by Eric Woods on analog synth, along with two guitar players and Joel Simches on real time signal processing, allowing for an expanded palette of sound.

An epic journey through diverse improvisational approaches within a composed framework, using heavy percussion of unusual & world origins, electronics, rock/groove elements and prepared mixes created from samples, from the Boston duo of David Peck (PEK) on reeds & an arsenal of devices & sources, and Yuri Zbitnoff on drums & percussion, with narration points along the way.

Each of these Boston-area improvisers handles an arsenal of equipment in the Metal Chaos Ensemble of David Peck (PEK) on reeds, synth, & daxophone, Bob Moores on synths & laptop, Eric Woods on synth, metal & wood, Abby on bass & electronics, and Yuri Zbitnoff on drums & percussion, in a massive work of detailed and passionate electroacoustics over PEK's large synthetic mix.

A massive and metallic improvisation from the Boston area trio of David Peck, Andria Nicodemou, and Yuri Zbitnoff, using metal, drums, bells, aquasonic, daxophone, guzheng, vibes, bells, sax, clarinet and reeds in an intense journey that absorbs the listener and then draws them into a turbulent world of active sound, receding again at journey's end; amazing.

Metal Chaos Ensemble, formed in 2015 as a working project to explore rhythms on metallic instruments guided by rules-based chaotic systems of a very large number of small components, in a quintet studio recording using three dedicated drummers, reeds, electronics, and accompanying "tape" mixes, resulting in epic, inspired and wonderfully unpredictable improvisation.

Null Hypothesis is a return to the birth of Metal Chaos Ensemble 5 years previously with Null Theory, the duo of David Peck (PEK) on reeds, winds, percussion and other unique percussive elements, and Yuri Zbitnoff on drums, chimes, and other percussion - no spoken words accompaniment tracks, or overdubs, simply Zbitnoff and PEK and a room full of percussion, horns and electronics tearing it up live to YouTube for 70 minutes; epic.

PROMO COPY WITH CUT CORNER

The Boston-are duo of reedist PEK and percussionsit Yuri Zbitnov cover a wide range of sonorities, always with the presence of Gongs, chimes, glockenspiel, Tibetan Bowls and many other metallic sounds and the horns of PEK, here in a sci-fi epic, with Eric Woods on modular synth and Englephone, Mike Gruen on bass, and Joel Simches with real-time signal processing.

Exploring chaotic rhythms on metallic instruments, the Metal Chaos Ensemble was formed in 2015 by multi-instrumentalist/reedist PEK and percussionist Yuri Zbitnov, using the "Evil Clown Arsenal" of exotic and unusual percussive instruments including gongs, chimes, glockenspiel, Tibetan Bowls and many other metallic sounds, here in an extended set with guest Moouse Traore on Djembe.

Wind player David Peck and percussionist Yuri Zbitnoff formed Metal Chaos Ensemble to explore chaotic rhythms on metallic instruments, employing an arsenal of percussion, electronic and wind instruments, becoming one of Evil Clown's most prolific sub-units, here with Bob Moores on space trumpet & guitar, Eric Woods on analog synth, and Eric Zinman on percussion.

PEK and Yuri Zbitnov lead the Metal Chaos Ensemble, here in a septet rendering of this Boston-area free improvising group that embraces an impressive arsenal of percussive, electronic and acoustic instruments, using unique strategies to yield densely active and eerily surreal music, an incredible excursion through experimental improvisation.

One of the most prolific Evil Clown ensembles, Metal Chaos Ensemble distinguishes itself through the use of Gongs, chimes, glockenspiel, Tibetan Bowls and many other metallic sounds, with horns, compositions and narratives by multi-reedist PEK, in a rhythm-heavy fantastical journey in a septet with Moouse Traore on djempe and Mike Gruen on Azoth and Basilisk.

This Boston-area collective ensemble explores chaotic rhythms on metallic instruments, heard in this 2019 recordings with three horns, doubled percussion and electronics, analog synthesis, and driving drum and bass work from Yuri Zbitnov and Mike Gruen, leveraging the Evil Clown arsenal of percussive devices as they perform an extended improvisations covering a wide scope of sonority and concept.

The sixth PEK Solo effort of 2020 in Boston-based improviser and composer David Peck's series, this album is a followup to his Clarinet Family album earlier in the year, here creating a virtual symphony of saxophones by layering his composition in the studio through four separate recordings, working in the vein of Rova Sax Quartet or the World Sax Quartet.

Recording as An Orchestra of PEKs--overdubbed tracks performing with his arsenal of metallic, percussive and electronics devices--intermediate mixes here of electric cello and electric upright bass through Moogerfooger stomp box and syntrix analog synthesizer and a metallic percussion mix, the various timbres interacting as a larger environment for PEK's reed improvisations.