Paying tribute to musicians whose vision paved the way for modern creative players to use new approaches, language and philosophy in improvisation, trumpeter Wadada Leo Smith's band with four guitarists, electric bass, drums and percussion dedicates five incredible compositions to Ornette Coleman, John Coltrane, Ronald Shannon Jackson, and Billie Holiday.
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Includes a 37 page booklet of essays, photos, images and text.
Catalog ID: TUM 49
Squidco Product Code: 24968
Packaging: Digipack - 3 panel with attached booklet
Recorded at MSR Studios in New York City on March 6th and 7th, 2014, by Robert Musso. Additional recording at Orange Music Sound Studios in West Orange, New Jersey, by James Dellatacoma.
Wadada Leo Smith-trumpet
Michael Gregory Jackson-guitars
Bill Laswell-electric bass
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1. Ornette Coleman's Harmolodic Sonic Hierographic Forms: A Resonance Change In The Millennium 16:28
2. Ohnedaruth John Coltrane: The Master Of Kosmic Music And His Spirituality In A Love Supreme 14:10
3. Najwa 3:36
4. Ronald Shannon Jackson: The Master Of Symphonic Drumming And Multi-Sonic Rhythms, Inscriptions Of A Rare Beauty 11:57
5. The Empress, Lady Day: In A Rainbow Garden, With Yellow-Gold Hot Springs, Surrounded By Exotic Plants And Flowers 10:02
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"Ornette Coleman, Cecil Taylor and Albert Ayler stepped forward with a language and a philosophy that broke the boundary between melody/harmony/form and philosophical thinking. It opened up for musicians a fresh view of how to think about music and its meaning, with a completely different idea about sound/rhythm and form. These artists renewed the journey of creative music by not carrying forward all the baggage of the old language, which was based on harmonic progressions. Now, we as a creative community have these multiplicity pathways of musical languages and systems that have resulted in a whole new reality with people like Anthony Braxton, Roscoe Mitchell and Henry Threadgill and other artists, who understand that systems and languages are the new vision for creative music and the way ahead for more discoveries."-Wadada Leo Smith
"Trumpeter Wadada Leo Smith's introductory liner notes to Najwa begin with Muddy Waters, so we'll begin there, too.
Wadada Leo Smith was born in 1941, in Leland, Mississippi, around the time Alan Lomax showed up down in Clarksdale, Miss., to record-among many others-McKinley Morganfield, aka Muddy Waters. The Lomax field recordings of Waters and his band became the album Down On Stovall's Plantation (Universe Records, 1966). It was an all acoustic affair. Then, shortly after these tunes were recorded, Waters moved to Chicago, discovered the advantages of the electric guitar and plugged in, and lined up a relationship with Chess Records that changed American music.
Smith, with roots in the same soil that birthed the blues-and Muddy Waters-received his first tutelage in music from his stepfather, Alex "Little Bill" Wallace," another seminal electric guitar-playing bluesman. Smith also traveled the Muddy Waters, north-to-south pilgrimage to Chicago, where he convened with the musicians of the avant-garde AACM.
With Najwa, Smith revisits, in a way, his earliest influences, with a guitar album of sorts. As such, the music celebrates free jazz pioneer, Ornette Coleman; and the high priest of jazz saxophone, John Coltrane; the orchestral and "multi-sonic" drummer Ronald Shannon Jackson; love; and lastly the Crown Princess of Jazz Vocalists, Billie Holiday.
Smith's band features four guitarists who paint translucent colors over odd, muscular bass/drums/percussion grooves. It is an airier sound than he goes for with his group Organic--a near-big band conglomeration featuring multiple guitar line-ups. Considering four guitar guys coming at you, the luminescent Najwa is-for the most part-a surprisingly uncluttered sound. The guitars weave ephemeral textures, entwinements of blurry threads, smeared and glowing. Smith's trumpet is a human voice, by turns plaintive, sharp, concise, piercing, joyous, tranquil. Smith, like Miles Davis before him, maintains a consistent horn sound; his voice doesn't change. It's the sounds around him that change.
Smith often goes epic. He opens Najwa with the anthemic, sixteen minute "Ornette Coleman's Harmolodic Sonic Hierographic Forms: A Resonance Change In The Millennium" to get your attention, then helps you find religion with the fourteen minute "Ohnedaruth John Coltrane: The Master Of Kosmic Music And His Spirituality In A Love Supreme." The relatively brief title tune is an ode to love lost, a gorgeous soundtrack to a dream, or a portal to a parallel dimension, before the disc's tribute aspect reemerges with a nod to the late drummer, and sometimes participant in Smith's Golden Quartet, Ronald Shannon Jackson, on the dark-hued and insistently rhythmic "Ronald Shannon Jackson: The Master Of Symphonic Drumming and Multi-Sonic Rhythms, Inscriptions Of Rare Beauty." Smith's love letter to vocalist Billie Holiday closes the set. Titled, in typical Smithian fashion, "The Empress, Lady Day: In a Rainbow Garden, with Yellow-Gold Hot Springs, Surrounded By Exotic Plant And Flowers," it wraps this superb recording up with great beauty and a sacred serenity.
And a nod to the set's bassist, Bill Laswell, for his strong but supple and off kilter quasi-funk undercurrents (and sometimes over-currents), and for his assistance in the additions of post recording tweakings and enhancements-always understated and spot on in their elevations of Wadada Leo Smith's singular sounds and concepts."-Dan McClenaghan, All About Jazz
Includes a 37 page booklet of essays, photos, images and text.
Get additional information at All About Jazz
• Show Bio for Wadada Leo Smith
"Ishmael Wadada Leo Smith: trumpeter and multi-instrumentalist, composer and improviser has been active in creative contemporary music for over forty years. His systemic music language Ankhrasmation is significant in his development as an artist and educator.
Born in Leland, Mississippi, Smith's early musical life began in the high school concert and marching bands. At the age of thirteen, he became involved with the Delta Blues and Improvisation music traditions. He received his formal musical education with his stepfather Alex Wallace, the U.S. Military band program (1963), Sherwood School of Music (1967-69), and Wesleyan University (1975-76). Mr. Smith has studied a variety of music cultures: African, Japanese, Indonesian, European and American.
He has taught at the University of New Haven (1975-'76), the Creative Music Studio in Woodstock, NY (1975-'78), and Bard College (1987-'93). He is currently a faculty member at The Herb Alpert School of Music at California Institute of the Arts. He is the director of the African-American Improvisational Music program, and is a member of ASCAP, Chamber Music America, and the Association for the Advancement of Creative Musicians.
Mr. Smith's awards and commissions include: MAP Fund Award for "Ten Freedom Summers" (2011), Chamber Music America New Works Grant (2010), NEA Recording Grant (2010), Fellow of the John Simon Guggenheim Memorial Foundation (2009-2010), Other Minds residency and "Taif", a string quartet commission (2008), Fellow of the Jurassic Foundation (2008), FONT(Festival of New Trumpet) Award of Recognition (2008), Jazz Journalists Association Jazz Award (2005), Islamic World Arts Initiative of Arts International (2004), Fellow of the Civitela Foundation (2003), Fellow at the Atlantic Center for the Arts (2001), "Third Culture Copenhagen" in Denmark-presented a paper on Ankhrasmation (1996), Meet the Composer/Lila Wallace-Reader's Digest Commissioning Program (1996), Asian Cultural Council Grantee to Japan (June-August 1993), Meet the Composer/Lila Wallace-Reader's Digest Commissioning Program (1990), New York Foundation on the Arts Fellowship in Music (1990), Numerous Meet the Composer Grants (since 1977), and National Endowment for the Arts Music Grants (1972, 1974, 1981).
Mr. Smith's music philosophy Notes (8 Pieces) Source a New. World Music: Creative Music has been published by Kiom Press (1973), translated and published in Japan by Zen-On Music Company Ltd. (1976). In 1981 Notes was translated into Italian and published by Nistri-Litschi Editori.
He was invited to a conference of artists, scientists and philosophers "Third Culture Copenhagen" in Denmark 1996, and presented a paper on his Ankhrasmation music theory and notational system for creative musicians. His interview was recorded for Denmark T.V., broadcasted September 1996.
Some of the artists Mr. Smith has performed with are : Muhal Richard Abrams, Anthony Braxton, Leroy Jenkins, Roscoe Mitchell, Lester Bowie, Richard Teitelbaum, Joseph Jarman, George Lewis, Cecil Taylor, Andrew Cyrill, Oliver Lake, Anthony Davis, Carla Bley, David Murray, Don Cherry, Jeanne Lee, Milton Campbell, Henry Brant, Richard Davis, Tadao Sawai, Ed Blackwell, Sabu Toyozumi, Peter Kowald, Kazuko Shiraishi, Han Bennink, Misja Mengelberg, Marion Brown, Kazutoki Umezu, Kosei Yamamoto, Charlie Haden, Kang Tae Hwan, Kim Dae Hwan, Tom Buckner, Malachi Favors Magoustous and Jack Dejohnette among many others.
Mr. Smith currently has three ensembles: Golden Quartet, Silver Orchestra, and Organic. His compositions have also been performed by other contemporary music ensembles: AACM-Orchestra, Kronos Quartet, Da Capo Chamber Player, New Century Players, San Francisco Contemporary Music Players, Contemporary Chamber Players (University of Chicago), S.E.M. Ensemble, Southwest Chamber Music, Del Sol String Quartet, New York New Music Ensemble, ne(x)tworks, and California E.A.R. Unit.
Mr. Smith's music for multi-ensembles has been performed since 1969. "Tabligh" for double-ensemble was performed by Golden Quartet and Classical Persian ensemble at Merkin Concert Hall (2006) and by Golden Quartet and Suleyman Erguner's Classical Turkish ensemble at Akbank Music Festival in Istanbul (2007). His largest work "Odwira" for 12 multi-ensembles (52 instrumentalists) was performed at California Institute of the Arts (March 1995). His Noh piece "Heart Reflections" was performed in Merkin Concert Hall, NY (November 1996)."-Wadada Leo Smith Website (http://www.wadadaleosmith.com/pages/bio.html)
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• Show Bio for Michael Gregory Jackson
"Michael Gregory Jackson (born August 28, 1953, New Haven, Connecticut) is an American jazz, blues, and rock guitarist and singer. Early in his career, he was known as Michael Gregory to avoid being confused with pop singer Michael Jackson. In 2013, he returned to using his full name.
In the late 1970s and early 1980s, Jackson worked with avant-garde jazz musicians such as Pheeroan akLaff, Oliver Lake, and Baikida Carroll. He worked with playwright Ntozake Shange, poet Jessica Hagedorn, and poet Thulani Davis at the Public Theatre, New York City. Following this he began working more in rock, jazz fusion, and R&B. He worked with Walter Becker of Steely Dan. In 1983 Nile Rodgers produced Situation-X for Island Records.
In 2013 he formed Michael Gregory Jackson's Clarity Quartet and Michael Gregory Jackson's Clarity TRiO. His groups have included Anthony Davis, Baikida Carroll, Bob Moses, David Murray, Jerome Harris, Julius Hemphill, Mark Helias, Mark Trayle, Marty Ehrlich, Oliver Lake, Pheeroan aKLaff, Wadada Leo Smith, and Will Calhoun."-Wikipedia (https://en.wikipedia.org/wiki/Michael_Gregory_(jazz_guitarist))
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• Show Bio for Henry Kaiser
"Henry Kaiser (born September 19, 1952) is an American guitarist and composer, known as an idiosyncratic soloist, a sideman, an ethnomusicologist, and a film score composer. Recording and performing prolifically in many styles of music, Kaiser is a fixture on the San Francisco Bay Area music scene. He is considered a member of the "second generation" of American free improvisers. He is married to Canadian artist Brandy Gale.
In 1977, Kaiser founded Metalanguage Records with Larry Ochs (Rova Saxophone Quartet) and Greg Goodman. In 1979 he recorded With Friends Like These with Fred Frith, a collaboration that lasted for over 20 years. In 1983 they recorded Who Needs Enemies, and in 1987 the compilation album With Enemies Like These, Who Needs Friends? They joined with fellow experimental musicians John French, and English folk-rocker Richard Thompson to form French Frith Kaiser Thompson for two eclectic albums, Live, Love, Larf & Loaf (1987) and Invisible Means (1990). In 1999 Frith and Kaiser released Friends and Enemies, a compilation of their two Metalanguage albums along with additional material from 1984 and 1999.
In 1991, Kaiser went to Madagascar with guitarist David Lindley. They recorded roots music with Malagasy musicians and discovered music that, he says, "changed us radically and permanently". Three volumes of this music were released by Shanachie under the title A World Out of Time. In 1994 he made a similar trip to Norway, again with Lindley, recording music that was released as Sweet Sunny North (2 volumes, 1994 and 1996).
Since 1998, Kaiser has been collaborating with trumpeter Wadada Leo Smith in the "Yo Miles!" project, releasing a series of tributes to Miles Davis's 1970s electric music. This shifting aggregation has included musicians from the worlds of rock (guitarists Nels Cline, Mike Keneally and Chris Muir, drummer Steve Smith), jazz (saxophonists Greg Osby and John Tchicai), avant-garde (keyboardist John Medeski, guitarist Elliott Sharp), and Indian classical music (tabla player Zakir Hussain).
Kaiser has appeared on more than 250 albums and scored dozens of TV shows and films, including Werner Herzog's Encounters at the End of the World (2007). He was given a Grammy Award for his work on the Beautiful Dreamer tribute to Stephen Foster.
In 2001, Kaiser spent two and a half months in Antarctica on a National Science Foundation Antarctic Artists and Writers Program grant. He has subsequently returned for nine more visits to work as a research diver. His underwater camera work was featured in two Herzog films, The Wild Blue Yonder (2005) and Encounters at the End of the World (2007), which he also produced, and for which he and Lindley composed the score. Kaiser served as music producer for Herzog's Grizzly Man (2005). He was nominated for an Academy Award for his work as a producer on Encounters at the End of the World."-Wikipedia (https://en.wikipedia.org/wiki/Henry_Kaiser_(musician))
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• Show Bio for Brandon Ross
"Brandon K. Ross is an American jazz guitarist.
Ross was born in New Brunswick, New Jersey, and did clerical work for Leroy Jenkins before playing with Archie Shepp and Marion Brown in the second half of the 1970s. In the 1980s he worked with Geri Allen, Charles Burnham, and Oliver Lake in an ensemble, and also worked with Butch Morris.
He has performed with Wadada Leo Smith, Gene Lake, Marcus Rojas, John Lurie, Henry Threadgill, Don Byron, Cassandra Wilson and others."-Wikipedia (https://en.wikipedia.org/wiki/Brandon_Ross)
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• Show Bio for Bill Laswell
"Over the course of some three decades, visionary bassist-producer Bill Laswell has been one of the most prolific and restlessly creative forces in contemporary music. A sound conceptualist who has always been a step ahead of the curve, he has put his inimitable stamp on nearly 3,000 recording projects by such artists as Mick Jagger, Yoko Ono, Iggy Pop, Laurie Anderson, Brian Eno, Bootsy Collins, Nine Inch Nails, Motorhead, Peter Gabriel, Blur, The Ramones, George Clinton, Pharaoh Sanders, The Dalai Lama, Matisyahu, Angelique Kidjo, DJ Krush, RAMM:ΣLL:ZΣΣ, Sting, The Last Poets, Afrika Bambaataa, Julian Schnabel, Whitney Houston, Manu Dibango, Fela Kuti and most notably Herbie Hancock, who collaborated with Laswell for the pivotal 1983 smash-hit single "Rock-It" which introduced scratching to the mainstream, inspired a generation of turntablists and gave the great jazz pianist instant street credibility among the burgeoning hip-hop cognoscenti.
Laswell's sense of creative daring as a producer was further demonstrated on several recordings that have kept him on the cutting edge, including Afrika Bambaataa's collaboration with John Lydon (aka Johnny Rotten of Sex Pistols fame) on World Destruction and PiL's Album (which brought together an unlikely pairing of drumming greats Ginger Baker and Tony Williams, synth-pop pioneer Ryuichi Sakamoto of Yellow Magic Orchestra fame and rising guitar star Steve Vai). His spoken word collaborations with William S. Burroughs and expatriate writer-composer Paul Bowles have gone against the grain of music industry trends while his radical remixes (or re-constructions) of landmark recordings by Miles Davis (Panthalassa), Carlos Santana (Divine Light), Bob Marley (Dreams of Freedom) and a vast scan of dub-related and atmospheric ambient projects have gone on to further defined Laswell's presence as a revolutionary ikonoklast.
Bill Laswell has helped in generating several innovative recording labels such as Celluloid, Subharmonic, Black Arc, and Innerhythmic. Along with Chris Blackwell, founder of Island Records (Bob Marley and U2), he established the AXIOM label in 1989. M.O.D. Technologies, his most recent imprint is releasing projects by Method Of Defiance, Lee "Scratch" Perry, PRAXIS, Garrison Hawk with Sly & Robbie, Bernie Worrell, The Process (with Red Hot Chili Peppers' drummer Chad Smith and pianist Jon Baptiste) and progressive/futuristic music from Ethiopia (CDs/DVDs).
As a player, Laswell's bass lines resound with rare authority on groundbreaking projects by Tabla Beat Science (with Zakir Hussain and Ustad Sultan Khan), his avant-funk band Material, the apocalyptic assault of Last Exit (with Sonny Sharrock), his progressive dub effected Method of Defiance and the throbbingly intense power trios, Massacre (with Fred Frith and Charles Hayward), Painkiller (with John Zorn and Mick Harris), Praxis (with Buckethead and Brain), Blixt (with Raoul Bjorkenheim and Morgan Agren) and the latest (2014) Bladerunner (with John Zorna and Slayer drummer Dave Lombardo).
Laswell's artistic reach has consistently extended to the continent of Africa, creating ground-breaking, evolutionary snd controversial recording projects in Morocco, Senegal, Mali, Gambia and most recently, Ethiopia where he has established a base for developing new as well as legendary artists, just as he did in the South Bronx some 30 years ago.
A veteran of 300 plus journeys to Japan, where he has worked with everyone from The Gagaku Orchestra (Japan's ancient music, only played for emperors for 1500 years), to avant-jazz, rock, hip-hop and DJ culture. An eternal musical renegade, Bill Laswell has always played by his own rules."-Bill Laswell Website (http://www.billlaswell.net/biography.html)
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• Show Bio for Pheeroan akLaff
"Pheeroan akLaff was born in Detroit, Michigan January 27, 1955, and named Paul, by his parents in honor of Paul Robeson one of their favorite musicians. Though his parents did not play instruments they enjoyed dancing with the Lunceford, Basie, Eckstein, and Ellington bands. His mother, distantly related to Wings Over Jordan choir director Glenn T. Settlle, was a fan of classical repertoire. His father is a Jazz fan and audiophile. This spawned a musical household in which all seven children had music lessons at some stage of their development. Eric, the eldest became a concert pianist and choir conductor.
Largely an autodidact, with some years at Eastern Michigan University, Pheeroan studied privately with Randall Hicks (New Jersey Symphony Orchestra), and "Pistol" Allen (Motown). Working in ensembles led by arranger Travis Biggs, at EMU brought about his first recording date; a 45rpm for local R&B singer Major Lasky titled Remember Me Always (1973), a favorite of radio station WGPR.
In 1975 he relocated to New Haven Connecticut, and while auditing the African Art class of Robert Ferris Thompson, akLaff established a connection with Rashied Ali, drummer of John Coltrane's late ensembles. While kindlling the band DejaVu with his peers, he also initiated a tenure with Wadada Leo Smith,introducing him to performances and recordings with Oliver Lake, Anthony Davis, Henry Threadgill, Sonny Sharrock, Andrew Hill, Cecil Taylor, Yamashita Yosuke, Amiri Baraka, Liu Sola, Tom Pierson, and Anthony Braxton, among many internationally acclaimed composers.
As a young artist Pheeroan akLaff toured several countries of Africa, Asia and Europe. He produced a wave of Funk and Reggae influenced performances and recordings in the 1980's. after his Urban West African music immersion in Abidjan, Cote D"Ivoire with the Marie Rose Guiraud dance troupe. He met Fela Anikulapo Kuti, Sonny Okosun, and Steve Rhodes with scholar Dr. Frank T. Fairfax III, in Lagos Nigeria. He performed for the U.S. State Department with Oliver Lake and Jump Up; in Malawi, Swaziland, Cote D'Ivoire Togo and Liberia, and with Jay Hoggard; in Morocco, Syria, Jordan, Sudan, Egypt and India.
In the 1990's he presented his music ensembles at the Willisau festival of Switzerland, the Sju festival of the Netherlands, the Montsalvat festival of Australia, the Moers, and the Nurnberg festivals of Germany. He also led the Double Duo ensemble with two saxophonists; Mixashawn and Ravi Coltrane, and with two drummers; akLaff and his mentor Rashied Ali.
Pheeroan akLaff believes that the arts are a way to give thanks, and to work for change. His non-profit organization Seed Artists encorages education, mentorship and enlightenment through selective arts presentations. With Creative Director Chris Napierala he has recently presented music festivals and symposiums at William Patterson University, and Montclair State University, childrens writing workshops and community concerts at The Montclair Public Library, and community concerts at local galleries. In 2016- 2017 he will serve as curator at Jamaica Center for Arts and Learning in Queens, NY.
Since 1991. Mr.akLaff has taught drums and creative music to University students at New School University in New York, and at Wesleyan University in Connecticut."-Pheeroan akLaff Website (https://www.pheeroanaklaff.com/biography)
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• Show Bio for Adam Rudolph
"Adam Rudolph (born September 12, 1955) is a composer, improviser, and percussionist actively involved in modern music. For the past four decades Rudolph has performed extensively in concert throughout North & South America, Europe, Africa, and Asia. Rudolph has been hailed as "a pioneer in world music" by the New York Times and "a master percussionist" by Musician Magazine. He has released over 25 recordings under his own name, featuring his compositions and percussion work. Rudolph composes for his ensembles Adam Rudolph's Moving Pictures, the Hu Vibrational percussion group, and Go: Organic Orchestra, an 18 to 54 piece ensemble for which he has developed an original music notation and conducting system. He has taught and conducted hundreds of musicians worldwide utilizing the Go: Organic Orchestra concept. In 1995 Rudolph premiered his opera The Dreamer, based on the text of Friedreich Nietzche's "The Birth of Tragedy."
Rudolph has performed with Don Cherry, Jon Hassell, Sam Rivers, Pharaoh Sanders, Bill Laswell, Herbie Hancock, Foday Musa Suso, Massimo Laguardia, L. Shankar, A.A.C.M. co-founders Fred Anderson and Muhal Richard Abrams, Wadada Leo Smith, and Omar Sosa. He has toured extensively and recorded 15 albums with Yusef Lateef including duets and their large ensemble compositional collaborations.
Rudolph grew up in the Hyde Park area of the Southside of Chicago. From an early age he was exposed to the live music performances of the great blues and improvising artists who lived nearby. As a teenager, Rudolph started playing hand drums in local streets and parks and soon apprenticed with elders of African American improvised music. He performed regularly in Chicago with Fred Anderson and in Detroit with the Contemporary Jazz Quintet. In 1973 Rudolph played on his first record date with Maulawi Nururdin and with the CJQ at the Ann Arbor Blues and Jazz festival.
In 1977 he lived and studied in Ghana, where he experienced trance ceremonies. In his travels throughout West Africa he saw how music can come from a cosmological grounding beyond music itself and can also be about something beyond music itself. In 1978 he lived in Don Cherry's house in the Swedish countryside. Cherry inspired him to start composing and showed him about Ornette Coleman's concept and the connection of music to nature.
Rudolph is known as one of the early innovators of what is now called "World Music." in 1978 he and Gambian Kora player Jali Foday Musa Suso, along with fellow percussionist Hamid Drake, co-founded The Mandingo Griot Society, one of the first groups to combine African and American music. In 1988, he recorded the first fusion of American and Gnawa music with sintir player and singer Hassan Hakmoun. Rudolph intensely studied North Indian Tabla for over 15 years with Pandit Taranath Rao. He learned hundreds of drum compositions and about how music is a form of Yoga - the unity of mind, body and spirit. In 1988 Rudolph began his association with Yusef Lateef, with whom he has recorded over 15 albums including several of their large ensemble collaborations. Lateef introduced Rudolph to the inspirational practice of Autophysiopsychic Music - "that which comes from one's spiritual, physical and emotional self." Rudolph has performed worldwide with Dr. Lateef. Their performances have ranged from their acclaimed duet concerts to appearances as guest soloists with the Köln, Atlanta and Detroit Symphony Orchestras.
Rudolph continues to also create visual art - painting, drawing, photography ‑ and to write. In 2006, his rhythm repository and methodology book, Pure Rhythm was published by Advance Music, Germany. In 2010 Rudolph's article Music and Mysticism: Rhythm and Form was published in Arcana V, edited by John Zorn. Other essays have been published by Parabola Magazine and Morton Books. Rudolph has been on the faculty of Creative Music Studio (New York and Istanbul), Esalen Institute, California Institute of the Arts and the Danish Jazz Federation Summer Institute. Rudolph has received grants and compositional commissions from the Rockefeller Foundation, Chamber Music America, Meet the Composer, Mary Flagler Cary Trust, the NEA, Arts International, Durfee Foundation, Phaedrus Foundation and American Composers Forum."-Wikipedia (https://en.wikipedia.org/wiki/Adam_Rudolph)
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