A stunning second album from Swedish bassist and composer Vilhelm Bromander's Unfolding Orchestra, expanding on his acclaimed debut with richly textured, spiritually resonant compositions inspired by political urgency and environmental reflection, featuring a 13-piece ensemble delivering lush orchestrations, patient development, and profound, hopeful expression.

The first duo album from Stockholm's long-standing duo of Johan Jutterström and Alex Zethson, reimagining songs from jazz standards to Leonard Cohen and the Pet Shop Boys as deconstructed etudes and expressive palimpsests, where meaning emerges through reinterpretation, erasure, and the intimate process of performance and transformation.

A deeply intuitive trio session from Swedish bass clarinetist Christer Bothen with bassist Kansan Zetterberg (aka Torbjourn Zetterberg) and vibraphonist/drummer Kjell Nordeson, balancing lyrically meditative spaciousness with surging energy through dreamlike, open-ended improvisations that reflect Bothen's lifelong pursuit of spiritual expression in sound.

Pianist Alexander Zethson (Vathres, Fire! Orchestra, Angles) and cellist Nikos Veliotis (MMMD, In Trance 95) present two expansive, darkly immersive improvisations that drift through glacial landscapes of resonant, slowly shifting textures and austere tonal drones, sculpting elemental sound environments of profound stillness and contemplation through deep-listening and hypnotic intensity.

"Erik Klinga presents "Elusive Shimmer," the first installment in a trilogy of albums released by the Thanatosis label. On his debut, the Swedish electroacoustic composer offers a euphoric, celestial body of work, with the Buchla 200 sy...

The sixth album from the microtonal tuba trio of Robin Hayward, Peder Simonsen, and Martin Taxt, exploring the acoustic phenomena of half-valve combinations in two richly harmonic compositions developed during an artist residency in Andersabo, Sweden and recorded in Oslo, creating uniquely resonant and surprisingly consonant spectra shaped by each instrument's signature tuning.

Paul Jarret, Karin Johansson, and Donovan Von Martens explore the dynamic interplay of prepared strings through experimental techniques and preparations, blending nature-inspired improvisation with echoes of Feldman, Bailey, and Debussy, creating a sharp, imaginative, and evolving soundscape that bridges improvisation, composition, and sound painting

The collaboration between sound artists Lee Noyes and Rasmus initiated during their 2021 residency at Elementstudion in Goteborg, blending feedback electronics to explore balance, restraint, and precision; navigating the unpredictability of their instruments, they use improvisation, negative space and perceptual phenomena to develop these fascinating compositions.

The seventh solo percussion album from Barcelona-based Vasco Trilla, here investigating the symbolic and historical use of bells in different regions and cultures around the world through ten unconventional observations of vibration, resonance, and rich tones performed on timpani, flat tuned bells, transducer speakers, snare drum and assorted percussions.

Inspired by August Strindberg's short story about a fortepiano being dropped into deep waters off an archipelago island, Stora grusharpan, and using composer Rosanna Gunnarson's underwater recordings including a piano being lowered into water, Swedish pianist Karin Johansson performs Gunnarson's graphic score and compositions on a prepared grand piano.

The Swedish title translating to "Species", the contemplatively elegant interactions between pianist Karin Johansson and tenor saxophonist Lisen Rylander are named for extinct species of animals and plants, as the two improvise over the loss of species that disappear from the earth every year, their wistful music augmented through preparations, kalimbas, live electronics and percussion.

The Swedish title translating to "Species", the contemplatively elegant interactions between pianist Karin Johansson and tenor saxophonist Lisen Rylander are named for extinct species of animals and plants, as the two improvise over the loss of species that disappear from the earth every year, their wistful music augmented through preparations, kalimbas, live electronics and percussion.

Performing on prepared piano & accordion (Karin Johansson) and guitar & electronics (Fin Loxbo), this Swedish duo explore unhurried and varied soundscapes, their skill and discerning motion allowing individual sounds space for clear expression in virtual narratives, the album's tracks captured in a variety of locations including the resonance of an old water reservoir.

Performing on prepared piano & accordion (Karin Johansson) and guitar & electronics (Fin Loxbo), this Swedish duo explore unhurried and varied soundscapes, their skill and discerning motion allowing individual sounds space for clear expression in virtual narratives, the album's tracks captured in a variety of locations including the resonance of an old water reservoir.

Inspired by the memoir from Swedish poet Tomas Tranströmer, this first album from the ORD quintet uses text from Tranströmer and original work from pianist & composer Karin Johansson and vocalist Jenny Willén, with trombonist Niclas Rhyd, reedist Gunnel Samuelsson and bassist Hasse Westling, in an exquisite set of introspective songs that bridge composed and improvised forms.

Inspired by the memoir from Swedish poet Tomas Tranströmer, this first album from the ORD quintet uses text from Tranströmer and original work from pianist & composer Karin Johansson and vocalist Jenny Willén, with trombonist Niclas Rhyd, reedist Gunnel Samuelsson and bassist Hasse Westling, in an exquisite set of introspective songs that bridge composed and improvised forms.

Three expansive works from composer and keyboardist/pianist Alex Zethson, developing concepts from themes and motifs developed over more than a decade, recorded over two years with exceptional care as he and his collaborators create subtle and beautifully evocative sonic environments that seamlessly incorporate acoustic, electronic, drone and feedback elements.

Singer, songwriter and pianist Nelly Klayman-Cohen, aka Rotem Geffen, explores the fringes of dreamy pop music with lyrics in German, English and Hebrew that explore themes of memory, love, grief, loss, and the night as a vibrating room, with collaborators including Alexander Zethson on keyboards, Isak Hedtjar on clarinets and winds, Vilhelm Bromander on double bass, &c.

The 12th album from Martin Küchen's Angles ensemble is expanded and developed with notations and string arrangements from Alexander Zethson, and the voice of Elle-Kari Sander, in an engrossing album of powerfully compelling jazz rhythms & soloing, orchestral swells and emphatic songs pivoting around the mythology of the nymph Calypso, woven into contemporary concepts; sensational!

Two movements from a live score for the classic silent film Terje Vigen by Sjöström composed and produced by Swedish pianist & keyboardist Alex Zethson (Angles 9, VÖ, Fire! Orchestra), two long-form tracks of dark and sombre, pulsating folk-drone featuring Norwegian vocal ensemble EMBLA plus appearances by, i.e., Christer Bothén, Kristin Amparo Sundberg and Goran Kajfeš.

The Swedish free jazz septet STHLM svaga work at the liminal edges of delicate improvisation and song, for this album commissioning works from Archie Shepp, Ron Carter and Roscoe Mitchell, Carter traveling to Stockholm to provide guidance on his composition "Desert Lament"; the band also performs Coltrane's "Jupiter" and Per Henrik Wallin's piece "Winter Rhapsody".

The 12th album from Martin Küchen's Angles ensemble is expanded and developed with notations and string arrangements from Alexander Zethson, and the voice of Elle-Kari Sander, in an engrossing album of powerfully compelling jazz rhythms & soloing, orchestral swells and emphatic songs pivoting around the mythology of the nymph Calypso, woven into contemporary concepts; sensational!

Singer, songwriter and pianist Nelly Klayman-Cohen, aka Rotem Geffen, explores the fringes of dreamy pop music with lyrics in German, English and Hebrew that explore themes of memory, love, grief, loss, and the night as a vibrating room, with collaborators including Alexander Zethson on keyboards, Isak Hedtjar on clarinets and winds, Vilhelm Bromander on double bass, &c.

Following her 2022 album Ogura Plays Stockhausen, Japanese born, Frankfurt-based pianist Miharu Ogura turns her attention to her own compositions, presenting five uniquely creative works unfolding in pacing that surprises the listener, balancing silence and clusters of layered patterns that move at differing speeds and rhythms, from simple clarity to labyrinthine entanglement.

Part of the split series from Swedish label FRIM (Association For Free Improvised Music), this album presents the two solo concerts from an evening at Rönnells Antikvariat during the 2022 Sound of Stockholm festival, first from drummer Henrik Olsson performing on turntables & objects; then from Aviva Endean on clarinets, electronics, voice & plastic pipes.

Three live guitar improvisations from Swedish guitarist Kasper Agnas performing at Stockholm's New Music and Intermedia Art venue Fylkingen, each piece uniquely approached, starting with a lap guitar dulcimer-like approach of rapid rhythmic attacks, to a warm sound world using mallets on the guitar neck, and finally a work of decaying chords that evolve in complexity, strength and skew.

An investigation into the depths of the body's neurological frontier from Swedish electronic artist Joakim Forsgren, presenting a series of intuitive compositions drawing from the latest medical research on how light and sound at specific frequencies has a potential to affect bodily functions, using analog synthesizers to create retro-rhythmic environments of flowing sound.

The album art represents the intensity of this Swedish duo's Industrial music, from keyboardist Carl Westholm (Carptree, Avatarium, Krux, Candlemass) and bass player Gustaf Hielm (Pain of Salvation, Meshuggah, Mats/Morgan, Tiamat, &c), using electronics, field recordings, pulsing rhythms and synthetics to develop a complex and dark world of menacing force.

The album art represents the intensity of this Swedish duo's Industrial music, from keyboardist Carl Westholm (Carptree, Avatarium, Krux, Candlemass) and bass player Gustaf Hielm (Pain of Salvation, Meshuggah, Mats/Morgan, Tiamat, &c), using electronics, field recordings, pulsing rhythms and synthetics to develop a complex and dark world of menacing force.

Three expansive works from composer and keyboardist/pianist Alex Zethson, developing concepts from themes and motifs developed over more than a decade, recorded over two years with exceptional care as he and his collaborators create subtle and beautifully evocative sonic environments that seamlessly incorporate acoustic, electronic, drone and feedback elements.

Three expansive works from composer and keyboardist/pianist Alex Zethson, developing concepts from themes and motifs developed over more than a decade, recorded over two years with exceptional care as he and his collaborators create subtle and beautifully evocative sonic environments that seamlessly incorporate acoustic, electronic, drone and feedback elements.

Drawing on ideas from the 60s and 70--Ornette Coleman, John and Alice Coltrane, Don Cherry, and Charlie Haden--bassist Vilhelm Bromander assembles an accomplished ensemble of Stockholm improvisers to perform three works of warmth and spiritual power, incorporating jazz, world and contemporary music in a stunning and rich album that exudes a wealth of experience and musical clarity.

Drawing on ideas from the 60s and 70--Ornette Coleman, John and Alice Coltrane, Don Cherry, and Charlie Haden--bassist Vilhelm Bromander assembles an accomplished ensemble of Stockholm improvisers to perform three works of warmth and spiritual power, incorporating jazz, world and contemporary music in a stunning and rich album that exudes a wealth of experience and musical clarity.

Continuing his imaginative approach to percussion, Barcelona improviser Vasco Trilla's sixth solo album sees him expanding his rhythmic and tonal range through a fascinating collection of instruments, including bowed Russian flat bells, electrified music boxes, a zither processed through snare drums as resonators, Iranian round bells mixed with gamelan strips, &c.

A collection of six duo recordings from musician, composer, and improviser Peter Soderberg, investigating different tuning systems and the idea of hybrid instruments, recording with Katt Hernandez (violin), Stina Hellberg Agback (harp), Mats Persson (clavichord), Sten Sandell (piano), My Hellgren (cello) and Vilhelm Bromander (contrabass).

Delicately caustic interactions of reeds, piano and percussion using the natural resonance of the Borlunda Church in Eslöv, Sweden, from the freely improvising duo of Martin Küchen and Sophie Agnel, Küchen adding electronics and Agnel performing inside and out of the piano while supplementing her palette with objects, both using space and patience as their allies.

An investigation into the depths of the body's neurological frontier from Swedish electronic artist Joakim Forsgren, presenting a series of intuitive compositions drawing from the latest medical research on how light and sound at specific frequencies has a potential to affect bodily functions, using analog synthesizers to create retro-rhythmic environments of flowing sound.

The first single from Swedish electronic composer Joakim Forsgren's Autorhythm's project Songs For The Nervous System, two soundscapes in the ambient realm, Forsgren using vintage synths and no computers to create these tracks, described as "pop music for a dysfunctional but beautiful parallel world".

Ljug Aldrig, aka Roosen, a visual artist, guitarist and vocalist from Stockholm, is heard in a 2-song 7" + download release performing with Dennis Egberth on drums, Alexander Zethson on keys, Anton Toorell on bass, guitars and Isak Hedtjarn on saxophone.

Two movements from a live score for the classic silent film Terje Vigen by Sjöström composed and produced by Swedish pianist & keyboardist Alex Zethson (Angles 9, VÖ, Fire! Orchestra), two long-form tracks of dark and sombre, pulsating folk-drone featuring Norwegian vocal ensemble EMBLA plus appearances by, i.e., Christer Bothén, Kristin Amparo Sundberg and Goran Kajfeš.

Recording in a former hospital funeral chapel in Sweden--Stockholm's Kapellet--the drum and sax duo of alto saxophonist Julia Strzalek and drummer Cornelia Nilsson focuses on melody and clear articulation in a dialog that finds their passion in calmly unfolding conversation, consistently illuminating their instrumental and instant-compositional mastery.

Three live guitar improvisations from Swedish guitarist Kasper Agnas performing at Stockholm's New Music and Intermedia Art venue Fylkingen, each piece uniquely approached, starting with a lap guitar dulcimer-like approach of rapid rhythmic attacks, to a warm sound world using mallets on the guitar neck, and finally a work of decaying chords that evolve in complexity, strength and skew.

A beautiful and contemplative performance of "Raga Marwa", a a hexatonic Indian raga and the eponymous raga of the "Marva thaat", peformed by Dutch-Czech master vocalist Marianne Svašek, and recorded in Stockholm, with Svašek and Swedish bass player Vilhelm Bromander both performing on the tanpura, a long-necked plucked string instrument used to create a sonic canvas behind the raga.

A double CD of Japanese pianist Miharu Ogura's performance of Karlheinz Stockhausen's Klavierstücke I-XI for solopiano, recorded at the MONOPIANO festival in 2021, bringing to a pinnacle her fascination with Stockhausen's unique approach to this set of compositions, captured in her second live performance after a concert in Tokyo in the same year.

A rare mix of collective and chamber approaches to free improvisation from the Swedish sextet VÖ of Eva Lindal on violin, Anna Hogberg on alto saxophone, Johan Berthling on double bass, Leo Svensson Sander on cello, Alexander Zethson on piano & pump organ and Giannis Arapis on acoustic guitar, performing deeply introspective conversations that explore modernity and tradition.

Aside from her exceptional trumpet work in free improvisation settings, Portuguese trumpeter Susana Santos, currently based in Stockholm, is also an electro-acoustic composer, these six compelling compositions merging field recordings--particularly birds, waters and yes, a phone--along with her trumpet playing and Irish flute, the album title a reference to John Cage's book Silence.

Aside from her exceptional trumpet work in free improvisation settings, Portuguese trumpeter Susana Santos, currently based in Stockholm, is also an electro-acoustic composer, these six compelling compositions merging field recordings--particularly birds, waters and yes, a phone--along with her trumpet playing and Irish flute, the album title a reference to John Cage's book Silence.

Stepping away from his improvisational work with groups including Exploding Customer and Fire! Orchestra, Swedish trumpeter and keyboardist Tomas Hallonsten releases a solo album of analog synthesis, early electronics and drum machines, lyrically inclinded compositions with diverse influences including George Harrison, Sun Ra and Kraftwerk, plus a cover of Joe Henderson's "Earth".

The Residy, or remains of a unique variation on JS Bach's Goldberg Variation no. 21, performed live by pianist Alex Zethson who maintains the structure, rhythmic movement and note order of Bach's composition, while dispersing the notes and intervals into two synths and an E-bowed grand piano to evoke these meditative and expansive interpretations.

The 6 piece Tya Ensemble of string, piano, percussion and vibraphone performs Swedish composer Magnus Granberg's beautifully delicate and dusky work, conceived from historic and recent song structures and written so that individual parts also may be performed as solo pieces, as heard in an extended ensemble version and four solo and one duo configuration.