"The pianist and composer Jacques Demierre was born in 1954 in Geneva. His musical itinerary is varied: improvisation, jazz contemporary music. As a composer, he is mainly self-taught. He writes for concert use, for the stage and for modern dance. He has received commissions for both jazz and contemporary music. The recording by singer Magali Schwartz of three pieces inspired by her voice is testimony to a rare artistic experience. Je deviendrai Médée, Désir d'azur: musique de danse and Bleu are the results of an intense collaboration which began in 1985-86 and, via vocal and instrumental improvisation, gradually led to a kind of common vocal territory, a veritable research laboratory which produced compositions as well as new ideas for vocal experimentation."

"Axel Dörner (born 26 April 1964 in Cologne, Germany) is a German jazz musician (trumpet and piano) and composer.

Dörner studied piano in the Dutch town Arnhem (1988-89) and at the Music Academy in Cologne (1989-1996). From 1991 he studied trumpet with Malte Burba, and during his studies he collaborated with trumpeter Bruno Light in the "The Street Fighters Duo". At this time he also joined the ensembles "The Street Fighters Quartet" and "The Street Fighters Double Quartet" together with Matthias Schubert, Bruno Leicht, and Claudio Puntin. In addition the "Axel Dörner Quartet" was initiated (with Frank Gratkowski, Hans Schneider and Martin Blume). With saxophonist Matthias Petzold. he participated on the albums Lifelines and Psalmen Und Lobgesänge.

Dörner has resided in Berlin since 1994, and occurs in the most diverse settings like "The London Jazz Composers Orchestra" and with "Hedros" (together with Mats Gustafsson, Günter Christmann, Barry Guy and others). Since then he has contributed on more than 50 album recordings.

Dörner is distinguished mainly by his versatility. He bouth play the more traditional Bebop, just like he fits in to classic Free Jazz or electronic music. He playd with Otomo Yoshihide at the Donaueschinger Musiktage in 2005. Dörner play both solo concerts and collaborates with his trio "TOOT" (together with Phil Minton and Thomas Lehn) and "Die Anreicherung" with Christian Lillinger, Håvard Wiik and Jan Roder, and in Ken Vandermarks "Territory-Band". Dörner is an integral part of the Berlin scene of experimental new improvisational music. Dörner was given special attention for his interpretation of all compositions by Thelonious Monk, with the pianist Alexander von Schlippenbach and his own band "Die Enttäuschung" released on a three CD album (Monks Casino, Complete 2005)."-Wikipedia

"Jonas Kocher is a sound artist and accordionist born in 1977. He is collaborating with personalities from various backgrounds and in numerous artistic and social contexts. His work explores issues such as the listening, space and perception as well as the integration of different kind of random elements. His specific approach to his instrument involves at the same time physicality and reduction, uncontrolled playing and high precision.

Jonas Kocher has a strong interest in process oriented works and unstable situations. As a sound artist he has realised works that are situated between composed theatre, installation and concert pieces. He got commissions from Ensemble Paul Klee, Biennale Bern 2010 & 2017, Ensemble Phoenix Basel, etc. and regularly collaborates with musicians such Michel Doneda, Joke Lanz, Axel Dörner, Hans Koch, Jacques Demierre and many more. Read the full biography on wikipedia

Jonas Kocher is initiator of Bruit, a structure that fosters sound and interdisciplinary works."

Robert Bastien is a Canadian guitarist, known for his work with GGRIL ( Le Grand Groupe Régional d'Improvisation Libérée).

"As a musician, Rémy Bélanger de Beauport is first and foremost a free-improv cellist. He plays piano for ballet classes, electric bass, guitar and drums for rock bands and vocals in different contexts. As a mathematician, he has taught college-level math. He also organizes events and gets himself involved in many causes.

Originally from Québec City, Rémy's artistic practice as an experimental musician dates back to his teenage years. Influenced by Karlheinz Stockhausen and Nirvana, he publishes a first recording in 2003, with noise trio soda pop for a Déluge/Alterflow compilation. The same year, he releases an album as duo KL6 39E, on guitar, before switching over to the cello, starting the Fenaison trio with a first album on Ambiances Magnétiques in 2007.

Since then, he has been active in many long and short term projects: as a singer in Ensemble Partiel, he performs Stimmung, by Karlheinz Stockhausen; as a free-improv cellist, he plays in Le Veau / The Veal on Cuchabata Records (Faire l'amour aux banques, 2015) and is regularly invited to play one-off concerts. As the cellist in GGRIL (an improvisers' orchestra based in Rimouski, Québec) he is heard on Combines (Tour de bras, 2015) and has performed in France and Italy as part of a European tour in 2016. While living in Belring in 2015-2016, he formed string trio THUYA with bass player Klaus Kürvers and violinist Gerhard Uebele (Live @ the CLUB, Creative Sources Recordings, 2016) and joined the Berlin Improvisers' Orchestra. He has recently released a flexidisc Angenehmer Duft on Kohlenstoff Records and a solo album D'éclisses on Ambiances Magnétiques.

Rémy often works with dancers and choreographers, like Valerie Sabbah with whom he performs as Roméo & Juliette. He plays piano for ballet classes in various institutions such as L'École supérieure de ballet du Québec, L'École de danse de Québec and the Royal Academy of Dance, Berlin. For the Réseau d'enseignement de la danse, he composed and recorded, with percussionist Steve Hamel, music targeted for the teaching of Simonson Jazz dance in 2015.

Rémy has participated in several festivals as a free-improv cellist, Festival international de musique actuelle in Victoriaville, Francofolies in Montréal, Festival international de la littérature in Montréal, Festival des musiques de créations in Saguenay-Lac-Saint-Jean, Rencontres de musiques spontanées in Rimouski, Kunst und Kultur Forum in Berlin.

Rémy graduated in composition and music theory at McGill University, in mathematics at Université du Québec à Montréal and participates in improvisation masterclasses, perhaps more notably with Jean Derome, Lori Freedman, Fred Frith, Tristan Honsinger and Joëlle Léandre. He has earned scholarships and awards from McGill University in 2003, 2009 and 2010, the Coup de cœur SuperMusique in 2008 with Quintette de l'Halloween and the Prix culturel Rimouskois, pour la relève in 2013."

"Clarisse Beriault Is a multidisciplinary artist based in Rimouski, QC.

A native of Montreal, Clarisse Bériault is a multidisciplinary artist working mainly in music, stage lighting, poetry and visual arts.

Her artistic approach is carried out mainly through a daily contemplation of the world around her and attention to the details that strike her, without giving importance to the emotion aroused. His research is sometimes sociological, sometimes plastic, sometimes sound, but always authentic."

"Isabelle Clermont is a Canadian harpist and sound artist, known for her solo work and the ensemble GGRIL."

Sébastien Corriveau is a Canadian clarinetist, known for the ensemble GGRIL.

"Olivier D'Amours is a guitarist, audio artist and sound performer living in Rimouski. His musical influences range from rock to jazz through noise and modern music. He specializes in tailor-made effects chains for each project, in alternative tunings as well as in sound synthesis in video. He is part of the Large Regional Group of Improvised Music (Vivaces, Combines, Gestes), of the duo Les Monocytes (Spirospatial, Deer Island) and is a founding member of the Montreal noise collective La Forêt Rouge (Cassette, Hors de tout doubt reasonable, Hors of any unreasonable doubt, and if there is any doubt)."

Québec cellist Alexis Gagnier-Michel is associated with the large improvising ensemble Le GGRIL, appearing in projects that bring together composed structures, collective improvisation, and extended instrumental resources. His work in the ensemble places the cello within a broad electroacoustic and orchestral field, contributing to collaborations with artists and groups including DDK, Ingrid Laubrock, and other figures in contemporary improvised music.

Mathieu Gosselin is a Canadian saxophone player, known for the groups Extasick, and The Kustom Krowd Vokal Ensemble.

"Born in the Bas-Saint-Laurent, Jonathan Huard holds a BA in percussion from the Rimouski Conservatory of Music and a master's degree in percussion, obtained with distinction, from the Conservatoire de musique de Québec. He studied with Gabriel Dionne, Marc-André Lalonde, Anne-Julie Caron, Aiyun Huang, Ryan Scott and John Rudolph. He has been a member of the National Youth Orchestra of Canada (Waterloo, 2017), the So Percussion Summer Institute (Princeton, 2018) and has participated in numerous competitions including the Canada Music Competition where he won first prize in percussion in 2013 and 2018. In 2023, he won the Prix d'excellence of the Fondation de l'Orchestre symphonique de Québec. He regularly collaborates with this orchestra and with many ensembles of contemporary and improvised music [including Le GGRIL]. He is currently pursuing an Advanced Certificate in Performance at the University of Toronto. His passion for new music and improvisation led him to create the experimental vibraphone duet T.J.J.H. which seeks to expand the sound possibilities of the instrument."

"Pascal Landry is a Canadian guitarist, known for the band Acédia."

"Having first studied piano with Carmen Parent was younger, Antoine Létoumeau-Berger discovered the drums at the age of 13 years to finally enroll in 2004 Rimouski Conservatory of Music in Gabriel Dionne percussion class . He is currently studying at the undergraduate level and prepares his final examination 3 "cycle (Superior I). He taught for 3 years alongside drums and percussion music Ecole du Bas-Saint-Laurent. Over the past years he was part of Rythmus percussion group. However, his interest in music is not limited only to classical percussion. Antoine also practices rnusicale sometimes acoustic improvisation, sometimes more electronic. it happened on various occasions through collective tower arm in Rimouski, Moncton, Montreal and Saguenay as the Grand freed regional improv group that drifts Music and Ze Big band. in summer 2009, he was resident musician with duo . traces of improvised music Also, he regularly indulges in sound recording and composition in 2009 iI dialed phone game, a solo piece for multiple percussion, vibraphone and rnarimba;. he co-wrote Fissure, a work for orchestra and composed music to I'occasion spontaneous meetings the inner ear, serni-improvised piece for clarinet, violin, double bass and drums. In March 2010, it launched under the name of The Eye and the Monocle his first record intifulé , ambient music that depicts disparate sound worlds."

"Eric Normand is an improviser, bassist, instrument designer, composer, songwriter, singer and record and concert producer. He defines himself as an epidisciplinary musician, a free electron driven by its yearning for meetings. As an improviser, he develop a personal and radical playing on a homemade electric bass equipped with mics and objects feedbacking and vibrating in small electronic devices, creating electric flux interrupted by the instrumental gesture. With this set, he prefer to play duets, with Jim Denley (flute and sax), Philippe Lauzier (bass clarinet and sax), Sébastien Cirotteau (trumpet), Pierre-Yves Martel (viola de gamba and electronic), Jean-Luc Guionnet (saxophone), in addition of several spontaneous encounters.

He also play in bands involved in a more specific musical genre as danced poetry with BABABA, instrumental theatre with Le Veau/ The Veal, songs with Les Pitounes and Éric Normand Chante and folk music with The Surruralits and RRRRoyal Canadian Free Form Folk Experience. Interested in collective creation and orchestral improvisation, he lead for seven years the GGRIL, a 15 pieces band that have worked with composers such as Evan Parker, Jean Derome, Robert Marcel Lepage and Michael Fischer. His music has been programmed by or performed in several festivals in Canada , Australia and Europe. It have also been broadcasted by Radio-Canada, Australian Broadcasting Corporation, CBC, Radio-Grenouille, and several college radio stations."

Alexandre Robichaud is a Canadian trumpeter, known for the bands Le Grand Groupe Régional d'Improvisation Libérée, Equse, GGRIL, Incipit, and work with Éric Normand.

Québec trombonist Gabriel Rochette-Bériau joined Le GGRIL in the summer of 2015 after earlier activity as a keyboardist in metal and garage-rock groups on the Côte-Nord. Within GGRIL he has developed an improvisational approach centered on listening, timbral research, and collective interaction, bringing the trombone into the ensemble's expansive language of free improvisation and contemporary composition.

Québec violinist Catherine Savard-Massicotte is associated with Le GGRIL, where her work on violin has contributed to the ensemble's long-running practice of large-group improvisation, graphic and open-form scores, and collaborations with international composer-improvisers. Trained in classical violin at the École de musique de Matane, she also co-founded the Rimouski arts organization Tour de bras and has worked in cultural administration, including as director general of the Orchestre Symphonique de l'Estuaire.