This Book of Angels release is the first recording in 10 years from this Masada ensemble blending Sephardic and Ashkenazi sonorities with latin, surf, world music and more.

10 new compositions from John Zorn's Book of Angels featuring the same band from "The Dreamers" & "O'o", seductive music drawing on exotica, surf, world music, latin jazz, rock, film music and more.

Zorn's take on Christmas with his Dreamers (Marc Ribot, Kenny Wollesen, Joey Baron, Jamie Saft, Trevor Dunn, Cyro Baptista, with guest vocalist Mike Patton) performing 7 of Zorn's favorite Christmas songs along with 2 originals.

Performed by the players from Electric Masada, The Dreamers combines a lifetime of Zorn's passion for wide-ranging styles and genres in amazing grooves and hooks.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

During a week in April 2017 John Zorn travelled to Paris, where he performed several concerts including "The Interpretation of Dreams", presented an evening with guests, and performed solo on the organ at the Grande salle Pierre Boulez, the full concert of which is presented on this CD, along with 30 minutes of recordings made before the evening's concert.

The third volume in John Zorn's "Olympiad" series is this solo performance in 2007 at the Kompo Cultural Center in Gyungee, Korea by Zorn associate and eccentrically eminent improviser Eugene Chadbourne, performing on electric and acoustic guitars as he interprets 15 compositions for improvisers from John Zorn's seminal 1976 series: The Book of Heads.

Continuing his work with the Incerto quartet of Julian Lage on guitar, Brian Marsella on piano, Jorge Roeder on bass and Ches Smith on drums, the fourth album for the group from John Zorn's compositional pen explores the artwork of Spanish surrealist/irrealist painter María de los Remedios Alicia Rodriga Varo, whose life was influenced by Paris enlightenment and the terrors of war.

A collection of southeast darkwave & post rock band Electric Bird Noise (Brian Lea McKenzie) from 2000-2010, cinematic, richly eclectic, and absorbing instrumental music.

Taking their band name from an Ornette Coleman album, this European quintet presents new compositions in the style of Ornette, Archie Shepp, Pharoah Sanders and John Carter, ecstatic free jazz with a hard bop foundation, extended with modern technique and experience.

Originally issued in two volumes on their own SRP Records in 1966 & 67 as In Concert At Yale University and Nommo, the duo of drummer/percussionist Milford Graves and pianist Don Pullen are heard live in in this excitingly energetic and revelatory concert at Yale University, redefining the roles of their instruments during the most exploratory period of free jazz.

Drummer Gerry Hemingway in a CD & DVD release, 15 audio tracks and accompanying video and interview, dividing the program into "mist, dust, light, and sex", highlighting aspects of this prominent percussionist that expand our understanding of his prodigious abilities.

A strangely agitated garden sculpted from melody, dissonance and instrumental abberation through profound technique and unusual approaches to their instrument, by French double bassist Louis-Michel Marion and pianist Françoise Toullec, bringing a sense of wonder and turbulent environment through a shared passion balancing ominous space with astute activity.

Recorded in his home state of New Mexico, Japanese percussionist Tatsuya Nakatani presents a 46 minute continuous improvisation of acoustic percussion, a perfect reflection of his solo performance sets, Nakatani alternating between extremely rapid interactions and reflective and atmospheric environments, always creative and quick-witted through staggeringly impressive playing.

A double album of experimental works and songs, virtual meetings curated by composer Dante Boon, recorded in the performer's individual cities as ensembles formed from musicians who have never met, including the Moscow duo The Same Ensemble of Sasha Elina and Kirill Shirokov, Amsterdamn's Seamus Cater's Tree Space, Berlin's Konzert Minimal, and sound artist Gabi Losoncy.

Zorn expands the canon for his lyrical jazz quartet Incerto of Brian Marsella on piano, Ches Smith on drums & Haitian Tanbou, Julian Lage on guitar and Jorge Roeder on bass, composing a suite of seven subtle and passionate nocturnes inspired by the night imagery of Shakespeare, merging jazz and chamber forms with a Downtown NY sensibility; gorgeous.

The completion of John Zorn's second trilogy of albums performed by the extraordinarily masterful acoustic guitar trio of Bill Frisell, Gyan Riley and Julian Lage, here performing six intricate and lyrically graceful compositions dedicated to literary visionary Samuel Beckett; uniquely packaged in a clear imprinted sleeve.

The fifth album from John Zorn's Chaos Magic Ensemble of Brian Marsella on Fender Rhodes Piano, John Medeski on organ, Kenny Grochowski on drums and Matt Hollenberg on guitar, in three free flowing works that display Zorn's perceptive merging and the band's enormous skill, contrasting lyrical electric jazz with turbulent rock forms and disciplined contemporary structure.

Performing on the 7,466 pipe Æolian-Skinner organ at Grace Cathedral in San Francisco, one of the first American classic-style organs and among the largest church organs in the West, John Zorn continues his solo organ series with this tribute to Terry Riley in two extended improvisations, part of his 70th birthday celebration as part of Fred Barnes's concert series.

The improvising string duo of stalwart London improvisers, Daniel Thompson on acoustic guitar and Phil Durrant on the octave mandola, are heard in two settings of texturally rich, intricate interactions, first at Cafe OTO in 2022 for an extended improvisation, then at Cable Street Studios two months later for six succint, impressively diverse dialogs.

Part of composer, saxophonist and organ improviser John Zorn's 70th birthday celebration, this 12th volume in his The Hermetic Organ series finds Zorn performing on the two organs at the Grote Kerk (Great Church) in Den Bosch, The Netherlands, first solo and then with John Medeski, in a tribute to the 15th century proto-Surrealist painter Hieronymus Bosch.

Featuring some of composer John Zorn's most lyrical work, the duo of guitarists Gyan Riley and Julian Lage continue their collaboration in the series that started in 2015 with The Bagatelles and continues through Midsummer Moons (2017), Book Beri'ah (2019), and Quatrain (2023), as they render Zorn's beautiful merging of eclectic forms inspired by William Shakespeare.

Taking the collaboration between composer John Zorn and composer/vocalist Jesse Harris on the stage for a live performance at National Sawdust, in Brooklyn in 2023, supported by a dream band of Brian Marsella on piano, Jorge Roeder on bass and Ches Smith on drums; sixteen upbeat, beautiful and sophisticated songs that bring Downtown NY sensibilities to lyrical vocal jazz.

Ten numbered Ballads from the pen of John Zorn, writing for the trio of Brian Marsella on piano, Jorge Roeder on bass and Ches Smith on drums, his third album with this same Downtown New York piano trio and by far the most lyrical and lovely collection to date, as the trio settles into Zorn's inventive structures with improvisational passion and adroit interaction.

Two virtuosic contemporary performers--pianist Stephen Gosling and vocalist Barbara Hannigan--heard in live performances of three challenging works by John Zorn: Jumalattaret, a song cycle in praise of line Finnish Goddesses out of Sami Shamanism, and Split the Lark, Zorn's tribute to the magical American poet Emily Dickinson, plus Zorn's early work Nazdar, Poupon, Nazdar.

Performing at the 17th century Palazzo Pisano during the 2023 Venice Biennale, John Zorn improvises on two small antique organ at Conservatorio Benedetto Marcello, taking full advantage of the rich reeds, flutes, and horns of these two outstanding instruments as he moved between the two organs, bringing out unusual tonalities and intersections between both instruments.

The second volume of John Zorn's vocal compositions, performed by virtuoso Barbara Hannigan alongside returning pianist Stephen Gosling, expands with orchestration for string quartet, a dynamic work for voice, cello, vibes, electronics, and drums, a lively piece for voice, piano, and rhythm, and Zorn's unique interpretation of the classic 'Pandora's Box.

The third volume in John Zorn's New Masada Quartet — Zorn on alto sax, Jorge Roeder on bass, Kenny Wollesen on drums, and Julian Lage on guitar — captures a packed 2024 concert at Roulette in Brooklyn, where fervent interplay and exceptional soloing bring six Zorn compositions to life in a single, seamlessly indexed track before an enthusiastic audience.

Originally formed in 1991, the legendary PainKiller trio, known for merging jazz, metal, grindcore, ambient, and dub, returns after more than 25 years to explore an intense new direction, as electronic artist Mick Harris crafts a rich tapestry of beats and sounds, drawing inspired performances from bassist Bill Laswell and alto saxophonist John Zorn.

The JACK Quartet presents definitive interpretations of John Zorn's eight string quartets, composed between 1988-2017, in a two-disc album presenting Zorn's evolution through avant-garde techniques and deep musical traditions, with virtuosic performances of intricate works like "Cat O'Nine Tails", "Memento Mori", or "Necronomicon"; includes a 36-page booklet of notes, scores, and insights.

Originally part of the Bagatelles 4-CD box set, this standalone release presents John Zorn's tightly constructed compositions interpreted by the Mary Halvorson Quartet, where Halvorson's microtonal guitar meets Miles Okazaki's rhythmic fluidity, propelled by bassist Drew Gress and drummer Tomas Fujiwara in an explosive and intricately woven set of high-energy, avant-garde jazz explorations.

An intimate exploration of John Zorn's Bagatelles, featuring the seemingly telepathic cello duo of Erik Friedlander and Michael Nicolas in deeply expressive and intricately woven performances that reveal the emotional depth, sensitivity, and Zorn's adventurous compositional spirit, bridging composed forms with spontaneous improvisation for a nuanced and exciting chamber setting.

Following their acclaimed 2024 album Samsara, Painkiller returns with Mick Harris (beats, electronics), Bill Laswell (bass), and John Zorn (alto saxophone) delivering six intense and genre-blurring tracks that fuse jazz, grindcore, metal, noise, and techno into an exhilarating, multilayered sonic journey inspired by the magickal practices of Aleister Crowley.

The legendary Painkiller trio of John Zorn, Bill Laswell, and Mick Harris reunites to deliver two expansive tracks that blend heavy metal intensity with ambient textures and brooding lyricism, a significant evolution in the trio's sonic journey as they create two haunting tapestries inspired by Arthur Machen's gothic novella The Great God Pan.

The sixth chapter in the Downtown NY quartet of Matt Hollenberg (guitar), Brian Marsella (piano), John Medeski (organ), and Kenny Grohowski (drums), performing John Zorn's compositions inspired by Chaos Magick — an individualistic practice that values personal experience over tradition — expressed through intricate, soulful, and powerfully imagined works.

The third volume in John Zorn's Bagatelles series features the explosive trio Trigger — Aaron Edgcomb on drums, Will Greene on guitar, and Simon Hanes on bass — tearing through Zorn's intricate compositions with fierce precision and raw energy, delivering a searing and radical interpretation of these works drawn from Zorn's expansive 2015 collection of 300 pieces.

An endlessly imaginative and intricately scored set of chamber works from John Zorn, performed by a virtuosic quartet of Hashimoto, Gosling, Smith, and Roeder, with electronics from Ikue Mori on one track, blending classical precision and improvisational fire in a dynamic and mischievous exploration of surrealist sound worlds.

A fierce and unrestrained duo of pure improvisation from longtime collaborators John Zorn on alto sax and Dave Lombardo on drums, merging seemingly telepathic interplay, raw intensity, and deep mutual respect in a freewheeling session that channels decades of creative friendship into a powerfully assertive and unpredictable musical dialog

The third release from John ZornÕs jazz piano trio with Brian Marsella, Jorge Roeder, and Ches Smith — following Ballades, Homenaje A Remedios Varo, The Fourth Way, and Suite for Piano — presents nine free-flowing works of boundless imagination, blending classical form and jazz interplay through telepathic communication, daring improvisation, and an ever-deepening creative rapport.

Composed in 2020 during the first months of the pandemic and recorded at Oktaven by Ryan Streber, this striking work for strings expands the JACK Quartet with violist Yura Lee and cellist Michael Nicolas, delivering two masterful pieces of dramatic tension, mercurial movement, and virtuosic beauty that stand among Zorn's most compelling contributions to modern chamber music.