The Squid's Ear Magazine

Painkiller

50Th Birthday Celebration Volume 12 - Painkiller Featuring Mike Patton

Painkiller: 50Th Birthday Celebration Volume 12 - Painkiller Featuring Mike Patton (Tzadik)


 

Price: $13.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:


product information:

Personnel:



Bill Laswell-bass

John Zorn- Saxophone

Hamid Drake- Drums

Special Guest Mike Patton- Voice


Click an artist name above to see in-stock items for that artist.




UPC: 702397501220

Label: Tzadik
Catalog ID: TZA-CD-5012
Squidco Product Code: 5370

Format: CD
Condition: New
Released: 2005
Country: USA
Packaging: Digipack

Descriptions, Reviews, &c.
"A powerful and breathtaking meeting of masters. With the tight rhythm section of Laswell and Drake, who have a long history working together in a variety of bands and contexts, and the empathetic insanity of Patton and Zorn, this set was as much of a surprise to the musicians as it was to the pumped up crowd that were lucky enough to hear it that night. Although billed as Painkiller, this once in a lifetime unit was really something completely different. At times hilarious, exhilarating, outrageous and transcendent, this is music only the New American Underground could create. East Coast meets West Coast meets Midwest: New York, California and Chicago come together in this twisted, funky improviser's paradise."-Tzadik

Artist Biographies

"Over the course of some three decades, visionary bassist-producer Bill Laswell has been one of the most prolific and restlessly creative forces in contemporary music. A sound conceptualist who has always been a step ahead of the curve, he has put his inimitable stamp on nearly 3,000 recording projects by such artists as Mick Jagger, Yoko Ono, Iggy Pop, Laurie Anderson, Brian Eno, Bootsy Collins, Nine Inch Nails, Motorhead, Peter Gabriel, Blur, The Ramones, George Clinton, Pharaoh Sanders, The Dalai Lama, Matisyahu, Angelique Kidjo, DJ Krush, RAMM:ΣLL:ZΣΣ, Sting, The Last Poets, Afrika Bambaataa, Julian Schnabel, Whitney Houston, Manu Dibango, Fela Kuti and most notably Herbie Hancock, who collaborated with Laswell for the pivotal 1983 smash-hit single "Rock-It" which introduced scratching to the mainstream, inspired a generation of turntablists and gave the great jazz pianist instant street credibility among the burgeoning hip-hop cognoscenti.

Laswell's sense of creative daring as a producer was further demonstrated on several recordings that have kept him on the cutting edge, including Afrika Bambaataa's collaboration with John Lydon (aka Johnny Rotten of Sex Pistols fame) on World Destruction and PiL's Album (which brought together an unlikely pairing of drumming greats Ginger Baker and Tony Williams, synth-pop pioneer Ryuichi Sakamoto of Yellow Magic Orchestra fame and rising guitar star Steve Vai). His spoken word collaborations with William S. Burroughs and expatriate writer-composer Paul Bowles have gone against the grain of music industry trends while his radical remixes (or re-constructions) of landmark recordings by Miles Davis (Panthalassa), Carlos Santana (Divine Light), Bob Marley (Dreams of Freedom) and a vast scan of dub-related and atmospheric ambient projects have gone on to further defined Laswell's presence as a revolutionary ikonoklast.

Bill Laswell has helped in generating several innovative recording labels such as Celluloid, Subharmonic, Black Arc, and Innerhythmic. Along with Chris Blackwell, founder of Island Records (Bob Marley and U2), he established the AXIOM label in 1989. M.O.D. Technologies, his most recent imprint is releasing projects by Method Of Defiance, Lee "Scratch" Perry, PRAXIS, Garrison Hawk with Sly & Robbie, Bernie Worrell, The Process (with Red Hot Chili Peppers' drummer Chad Smith and pianist Jon Baptiste) and progressive/futuristic music from Ethiopia (CDs/DVDs).

As a player, Laswell's bass lines resound with rare authority on groundbreaking projects by Tabla Beat Science (with Zakir Hussain and Ustad Sultan Khan), his avant-funk band Material, the apocalyptic assault of Last Exit (with Sonny Sharrock), his progressive dub effected Method of Defiance and the throbbingly intense power trios, Massacre (with Fred Frith and Charles Hayward), Painkiller (with John Zorn and Mick Harris), Praxis (with Buckethead and Brain), Blixt (with Raoul Bjorkenheim and Morgan Agren) and the latest (2014) Bladerunner (with John Zorna and Slayer drummer Dave Lombardo).

Laswell's artistic reach has consistently extended to the continent of Africa, creating ground-breaking, evolutionary snd controversial recording projects in Morocco, Senegal, Mali, Gambia and most recently, Ethiopia where he has established a base for developing new as well as legendary artists, just as he did in the South Bronx some 30 years ago.

A veteran of 300 plus journeys to Japan, where he has worked with everyone from The Gagaku Orchestra (Japan's ancient music, only played for emperors for 1500 years), to avant-jazz, rock, hip-hop and DJ culture. An eternal musical renegade, Bill Laswell has always played by his own rules."

-Bill Laswell Website (http://www.billlaswell.net/biography.html)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"John Zorn (born September 2, 1953) is an American composer, arranger, producer, saxophonist, and multi-instrumentalist with hundreds of album credits as performer, composer, and producer across a variety of genres including jazz, rock, hardcore, classical, surf, metal, klezmer, soundtrack, ambient, and improvised music. He incorporates diverse styles in his compositions which he identifies as avant-garde or experimental. Zorn was described by Down Beat as "one of our most important composers".

Zorn established himself within the New York City downtown music movement in the mid-1970s performing with musicians across the sonic spectrum and developing experimental methods of composing new music. After releasing albums on several independent US and European labels, Zorn signed with Elektra Nonesuch and received wide acclaim with the release of The Big Gundown, an album reworking the compositions of Ennio Morricone. He attracted further attention worldwide with the release of Spillane in 1987, and Naked City in 1989. After spending almost a decade travelling between Japan and the US he made New York his permanent base and established his own record label, Tzadik, in the mid-1990s.

Tzadik enabled Zorn to maintain independence from the mainstream music industry and ensured the continued availability of his growing catalog of recordings, allowing him to prolifically record and release new material, issuing several new albums each year, as well as promoting the work of many other musicians. Zorn has led the hardcore bands Naked City and Painkiller, the klezmer/free jazz-influenced quartet Masada, composed over 600 pieces as part of the Masada Songbooks that have been performed by an array of groups, composed concert music for classical ensembles and orchestras, and produced music for opera, sound installations, film and documentary. Zorn has undertaken many tours of Europe, Asia, and the Middle East, often performing at festivals with many other musicians and ensembles that perform his diverse output.

Zorn's compositions cross many genres and he has stated "All the various styles are organically connected to one another. I'm an additive person-the entire storehouse of my knowledge informs everything I do. People are so obsessed with the surface that they can't see the connections, but they are there." For Zorn "Composing is more than just imagining music-it's knowing how to communicate it to musicians. And you don't give an improviser music that's completely written out, or ask a classical musician to improvise. I'm interested in speaking to musicians in their own languages, on their own terms, and in bringing out the best in what they do. To challenge them and excite them." "

-Wikipedia (https://en.wikipedia.org/wiki/John_Zorn)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Hamid Drake (born August 3, 1955) is an American jazz drummer and percussionist. He lives in Chicago, IL but spends a great deal of time touring worldwide. By the close of the 1990s, Hamid Drake was widely regarded as one of the best percussionists in jazz and avant improvised music. Incorporating Afro-Cuban, Indian, and African percussion instruments and influence, in addition to using the standard trap set, Drake has collaborated extensively with top free-jazz improvisers. Drake also has performed world music; by the late 70s, he was a member of Foday Musa Suso's Mandingo Griot Society and has played reggae throughout his career.

Drake has worked with trumpeter Don Cherry, pianist Herbie Hancock, saxophonists Pharoah Sanders, Fred Anderson, Archie Shepp and David Murray and bassists Reggie Workman and William Parker (in a large number of lineups)

He studied drums extensively, including eastern and Caribbean styles. He frequently plays without sticks; using his hands to develop subtle commanding undertones. His tabla playing is notable for his subtlety and flair. Drake's questing nature and his interest in Caribbean percussion led to a deep involvement with reggae."

-Wikipedia (https://en.wikipedia.org/wiki/Hamid_Drake)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



Bill Laswell-bass

John Zorn- Saxophone

Hamid Drake- Drums

Special Guest Mike Patton- Voice

Related Categories of Interest:

Tzadik
NY Downtown & Jazz/Improv
Jazz
Zorn. John
Improvised Music
Chicago Jazz & Improvisation
Quartet Recordings
Before April-2006
Instant Rewards

Search for other titles on the label:
Tzadik.


Recommended & Related Releases:



Customers Who Bought This Item Also Bought:
Paura
The Construction Of Fear
(Creative Sources)
Excellent, fun and slightly twisted free improvising quintet with Dennis Gonzalez, Mark Sanders, Alipio Netom, and father/son team Ernesto Rodrigues and Guilherme Rodrigues.
Koglmann, Franz
L'Heure Bleue
(Hatology)
Koglmann, Franz
O Moon My Pin-Up
(Hatology)
Nono, Luigi
20 Jahre Inventionen V
(Edition Rz)
Three compositions by Luigi Nono, recorded at the Berlin festival "Inventionen", live electronics moving away from clear spatial and timbral assignations rendering the acoustic instruments barely recognizable.
PUNCK (Zanni / Adrianno)
A Constant Migration (Between Reality and Fiction)
(Creative Sources)
Henry Cow
Concerts [remastered]
(Recommended Records)
Henry Cow captured in concert between their "In Praise of Learning of Learning" and "Western Culture" releases. in concerts that featured Robert Wyatt in his last public performances.
Kasyansky, Grundik
Light and Roundchair
(Creative Sources)
Drake, Hamid / Assif Tsahar
Live at Glenn Miller Cafe: Soul Bodies Volume 2
(Ayler)
Robert, Jocelyn
Pandore
(Ambiances Magnetiques)
Jocelyn Robert's first release on Ambiances Magnetiques in a four-disc set that shows off his solo work and highlights the contributions from other artists who have worked with him through the years.
Kyriakides, Yannis
The Buffer Zone
(Unsounds)
Grandmothers, The
Eating the Astoria
(Obvious Music)
Art Ensemble of Chicago
Sirius Calling
(Pi Recordings)
Frith, Fred
Stone, Brick, Glass, Wood, Wire (Graphic Scores 1986-96)(2CDs)
(Angelica)
RESTOCKED: Fred Frith's 1999 box set, presenting a large, flexible ensemble project using marked photographs and rules as scores while Frith directs and conducts as well as performing; permanent members are Ikue Mori and Zeena Parkins, otherwise the balance of the 44 strong ensemble changes; recordings here are taken from 5 concerts, including the first in 1992 at AngelicA.
Melford, Myra Extended Ensemble
Even the Sounds Shine
(Hatology)
Frith, Derome, Tanguay, Boisen
All is bright, but it is not day
(Ambiances Magnetiques)
Explosive, psychedelic music from the trio of Jean Derome, Fred Frith, and Pierre Tanguay recorded and mixed by Myles Boisen.
Threadgill, Henry's Zooid
Up Popped the Two Lips
(Pi Recordings)
Great record from Threadgill's Zooid ensemble, an all-acoustic group with guitar, cello, oud, tuba and drums, along with the leaders saxophone and flute. Beautiful compositions, nicely played.
Lepage, Robert Marcel
Tout Autour du Front
(Ambiances Magnetiques)
Derome, Nathalie
Les 4 Ronds Sont Allumes / Chansons Parodisiaques
(Ambiances Magnetiques)
Lepage, Robert Marcel
La Plante Humaine
(Ambiances Magnetiques)
Derome, Jean et les Dangereux Zhoms
Navre
(Ambiances Magnetiques)
The sequel to "Carnets de voyage", this release once again features compositions from Jean Derome, 8 new releases that were written on tour and are full of twists and turns.
Lepage, Robert Marcel
Les Choses Dernieres
(Ambiances Magnetiques)
Derome, Jean et les Dangereux Zhoms; Cartier, Derome, Dostaler, Lussier, Tanguay, Walsh
Carnets de voyage
(Ambiances Magnetiques)
The first recording of Jean Derome et les Dangereux Zhoms, recorded in concerts around Montréal in March 94, with eleven excellent pieces written by Derome.
Evidence: Cartier, Derome, Monk, Tanguay
Musique de Thelonious Monk
(Ambiances Magnetiques)
A tribute to the music of Thelonious Monk by the group Evidence, comprised of Pierre Cartier (bass), Jean Derome (reeds) and Pierre Tanguay (drums).
Bruire (Michel F. Cote / Jean Derome / Robert Marcel Lepage / Rene Lussier / Ikue Mori / Claude St-Jean / Jerry Snell)
Les Fleurs De Leo
(Ambiances Magnetiques)
Thirteen new compositions by Michel F Cote that are tightly linked together by a poetic text, with Jean Derome, Diane Labrosse, Claude Lamothe, Robert Marcel Lepage, Rene Lussier, Ikue Mori, and Claude St-Jean.
Lepage, Robert Marcel
Adieu Leonardo!
(Ambiances Magnetiques)
Les Granules
Au Royaume du Silencieux
(Ambiances Magnetiques)
The duo of Jean Derome and Rene Lussier on their third album of composition and improvisation that was recorded live with no overdubs.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC