Toronto-area saxophonist Colin Fisher, best known for his group I Have Eaten The City, with his collective quartet of NY players Daniel Carter on tenor, alto & soprano saxophones + clarinet & flute, Brandon Lopez on upright bass, and Marc Edwards on drums & percussion, for three extended and exploratory improvisations of exemplary creative insight.

Recording in Toronto, the core trio of drummer Nick Fraser, saxophonist Tony Malaby and pianist Kris Davis are joined on four tracks by tenor saxophonist Ingrid Laubrock and trumpeter Lina Allemano, in an album of composed and collective improvisation, merging Toronto, NY and European influences in an accomplished album of diverse approaches and orchestrations.

Dark and demanding improvisation, each side of this album an extended foray into dark and dangerous explorations from the Los Angeles trio of Peter Kolovos on guitar, Patrick Shiroishi on saxophone, and Noel Meek on electronics and tapes, Shiroishi's sweeping tones matching the electronics and effected guitar in a glorious nightmare of darkly imaginative sound.

An extended and rich confluence of strings from R Keenan Lawler and John Krausbauer, using resonator guitar and banjo, sustained tones that intertwine in a beautiful and optimistic drone, minimalistic yet drenched in a profusion of harmonic detail; a beautiful and elusive dream mixing between an Indian raga and an alien electronic environment.

Recorded in the mid-90s, Livebatts! was a project of John White (Cornelius Cardew, Scratch Orchestra) developed to exploit "toy" keyboards of the 80s--cheap battery-driven instruments that hold tremendous potential for "serious" music-making--used here in a playful quartet with vocalist MJ Coldiron, Andrea Rocca (guitar & samples) and Nancy Ruffer (electrified flute).

An excellent first meeting of two guitarists recording on a February afternoon and released in the sequence recorded with no edits or changes, from Jim McAuley on guitar and Scot Ray on lap steel slide guitar with effects, an innately lyrical blending of styles masking the strong technical skills and long histories of these two superlative players.

Quietly lurking as it prepares to attack, this Kobra is the free improvising quaret of Aurora Nealand on accordion, alto saxophone, voice & objects, Steve Marquette on acoustic & electric guitars, Anton Hatwich on bass, and Paul Thibodeaux on drums, captured live at Chicago's Hungry Brain during the Instigation Festival for a mysterious 2-part "New Omens" and some "Telly Attire".

'Spilla' means 'to play' in the language of Neapolitan musicians, and playing here are NY guitarist and composer Elliott Sharp and Italian guitarist Sergio Sorrentino, presenting world premier recordings of 4 works recorded live in Vercelli, Italy: two improvisations and two graphic scores performed on electric guitar with incredible technique and passion.

Stochastic music for percussion and synthesizers from New York avant conceptualist and keyboardist Charlemagne Palestine, here on piano & electronics, with the Italian duo Trrma' of Giovanni Todisco on percussion and Guiseppe Candiano on synth, in two side-long works of irregular rhythm, complexity and dissonance that build and recede in a suspenseful journey.

Chik White (Darcy Spidle of rural Nova Scotia) uses a jaw harp, and Xuan Ye (Toronto) uses voice, percussion and field recordings, in this series of rich, peculiar, startling and altogether satisfying recordings that investigate a variety of approaches to their instruments, taking them to the fringes but bringing the listener along with them; oddly entertaining.

The Field/Vidic duo of Slovenian saxophonist based in Switzerland Gregor Vidic and London born drummer Niclas Field is expanded with Japanese free improvising guitarist Tetuzi Akiyama, recording at Gok Sound in Tokyo in 2017 for three exceptional and suspenseful and electroacoustic improvisations, merging melodic and abstract approaches in uniquely detailed ways.

A split cassette between Wilmington sound artists Joshua Marquez, a Filipino-American composer, guitarist, and activist who explores the liminal space between tone and noise; and Mr. Stonecipher, aka Ryan L Lewis IV, a sound artist and filmmaker who works with dramatic sound and feedback of a cinematic quality, often employing unusual objects as source.

Kruger National Park in the north-east corner of South Africa is the subject of Eric La Casa and Philip Samartzis's audio exploration, using field recordings made over 10 days in and around the park, and taking them into the studio to organize them into an aural representation of the park's exotic mystery, placidity and tension, with a tinge of the modern world nearby.

Captured live at Chicago's Elastic Arts, the trio of Fred Lonberg-Holm on cello, Ben Bennett on percussion, and Zoots Houston on synthesizer, work on a nearly microscopic level as they use extended techniques and unusual synthetic timbres, transforming from abrasive and gritty to broad tonal environments, from monumental sound to moments of pin drops; fascinating.

Moving between "object stations" during their performance, Japanese improviser and sound artist Ryoko Akama (Lappetites) and Quebecois sound artist Anne-F Jacques create a flurry of minimal activity, intensely detailed and unidentifiable yet compatible sound using minimal electronics, activated objects, and Jacques' "contraptions and erratic devices".

An album of ritualistic rhythm and hypnotic drumming with subliminal field recordings and environmental additions from Chicago drummer Mike Weiss (Zelienople), using mbira, tongue drum, dholak, changgo, bass drum, cymbals, gongs, singing bowls, bells, dharma bell, and moktak over 8 pieces that express, reflect and meditate on the 2018 winter solstice.

Primarily voice improvisations from the duo of Muyassar Kurdi and Ka Baird, also performing on piano, bells, gong, flute and spike fiddle, recorded at Pineapple Reality and Pioneer Works in Brooklyn, NY between 2017 & 2018, their work focused on typically delicate interweaving of their voices and instruments, with a sense of suspense, humor and joyful mystery.

Layered lowercase electroacoustic improv from the US / Mexico City / German trio of Chris Cogburn on percussion & electronics, Juan Garcia on double bass, and Ignaz Schick on turntables & electronics, eclectically informed by concrete sources and abstract electronics over Garcia's bass work and Cogburn's threshold-crossing acoustics & electronic percussion.

Three free improvisations for voice & double bass + improvisations on Hugo Ball's Six Sound Poems from the duo of free improvising vocalist Jaap Blonk and double bassist Damon Smith.

Electronic Artist Larry Jefferson explores issues of philosophy and loss and this is reflected in this collection of 9 songs & music in a professionally manufactured cassette.

Essentially a string trio, guitarist Brandon Seabrook's Trio with upright bassist Henry Fraser and cellist Daniel Levin is anything but typical string fair, blending improvisation with complex composition and rock sensibilities as one of New York's most unique downtown players takes listeners on a diverse and sometimes demented journey through genre and style.

An uncommon solo guitar album from Andrew Smiley, a member of Little Women and the Chris Pitsiokos Quartet, creating textures on the guitar by applying unconventional techniques with his pick and fingers instead of using effects or guitar preparations, and accompanying himself on voice in Haino-esque ways, creating an album of sharp contrast and color.

Sebastien Branche (Insub Meta Orchestra, Miguel A. Garcia) uses the tenor saxophone as a sound source, meticulously applying extended techniques, circular breathing and the resonance of the saxophone itself during improvisation, using Supercollider software in a two-way collaboration where the instrument also transforms the sounds provided by the computer.

A contemplative solo work of subtle nuance and laden atmospheres, slowly drifting through a virtual landscape of dampened details, from London composer and improviser Sarah Hughes, performing on zither, piano, Hammond organ, sine tones, white noise, electric harpsichord, and objects, using an eBow to draw sustained tones over which delicate progressions advance.

FREE WITH ANY ORDER!

Guitarist and creative experimenter Killick Hinds pays homage in abstract and tangential ways to Metallica's 1986 album Master of Puppets, an influence on Killick's youth, which he references somewhere between re-creation and distillation, in a factory-made cassette with 8 pieces he describes as "hypnagogic wake-dreams."

A momentous 2020 concert at London's Cafe OTO, presented in two discs, the 1st with label leader Jean-Marc Foussat in a solo improvisation on synth and voice, the 2nd in a trio with Daunik Lazro on tenor & baritone sax, and Evan Parker on soprano sax, the 2 saxophones weaving and responding to Foussat's remarkable alien soundscapes and vocalization in an immersive extended improvisation.

Having played together in a variety of settings, but never as a trio, saxophonist Sabir Mateen, clarinetist Patrick Holmes and drummer Federico Ughi met in a recording studio in Tuscany, Italy to record this album of wide-ranging free improvisation, Mateen's Farfisa playing and vocal declamations bringing a Sun Ra element to the vehement and profound dialog.

Trumpeter Dennis Gonzalez merges his Yells at Eel project with bassist Aaron Gonzalez and drummer/percussionist Stefan Gonzalez, with Texas-based experimental rock band Pinkish Black--Daron Beck on keyboards and Jon Teague on drums & synthesizers--for a gripping and masterful hybrid of improvisation, dark synthetic rock and heavy moods; a riveting journey.

Exploring the lineage of the Dukes of Bedford, the Russell lineage in Bedford, England, in groupings of acoustic & electric guitarists John Russell, Ray Russell, and Henry Kaiser along with double bassist Ollie Brice, from duos to quartets, eight Duke "Russells" from 1680 to 2003 are explored through intricate and joyfully creative and technically amazing string improvisations.

Taking his title from a poem by Octavio Paz with titles from translations by Lysander Kemp of other Octavio Paz poems, this solo album from double bassist Damon Smith is his definitive statement on the instrument: 23 tracks from 46 seconds to 5 minutes 50, developed over 15 years and displaying Smith's incredible technique and creative intent; incomparable.