


Four master improvisers (Mats Gustafsson, Ken Vandermark, Tomeka Reid, Chad Taylor) from overlapping creative circles engage in a set of powerful interactions, where dense low-end reeds, lyrical cello, and rhythmic elasticity create shifting terrain; through deep listening and long-forged connections, they navigate spontaneous form with urgency, restraint, and a shared sense of sonic purpose.
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Mats Gustafsson-baritone saxophone, tenor saxophone, flutes
Ken Vandermark-tenor saxophone, clarinets
Tomeka Reid-cello
Chad Taylor-drums
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UPC: 3760131275070
Label: Silkheart
Catalog ID: SHCD-168
Squidco Product Code: 36091
Format: CD
Condition: New
Released: 2025
Country: USA
Packaging: Digipack - 3 panel
Recorded at Electrical Audio, in Chicago, Illinois, on December 10th and 11th, 2024, by Greg Norman.
"The band showed up, four folks from three different spots on the globe - Chicago (Vandermark, Reid); Nickelsdorf, Austria (Gustafsson); Philadelphia (Taylor). They assembled their gear and sound-checked at the studio. There was a four-way freedom at play, structures but liberties and no need for elaborate explanation. Everyone spoke the same shorthand. Cues were understood; timings were implicit and considered; space was made for chances to be taken. In creative music
"The band showed up, four folks from three different spots on the globe — Chicago (Vandermark, Reid); Nickelsdorf, Austria (Gustafsson); Philadelphia (Taylor). They assembled their gear and sound-checked at the studio.
There was a four-way freedom at play: structures but liberties, and no need for elaborate explanation. Everyone spoke the same shorthand. Cues were understood; timings were implicit and considered; space was made for chances to be taken.
In creative music, you sometimes need to rehearse a band incessantly to get to a level of understanding — that "condition of secrecy" that Inger Christensen speaks of in relation to poetry. Not so with this ensemble. Some scores with directions and motifs that specify the relationships, but also the relationships prefiguring their being directed — relationships between the people themselves.
The standing understanding between Mats and Ken, who worked together extensively for the last 30 years, including the quartet version of Gustafsson's AALY and, of course, the Brötzmann Tentet.
The relationship between Chad and Tomeka, including the cellist's Hear in Now Expanded and in Rob Mazurek's bands. The one between Ken and Tomeka, including a quartet with Hamid Drake and Lemuel Marc. One between Chad and Ken in the trio Side A, with pianist Håvard Wiik. One between Mats and Tomeka dating back to a 2017 studio session that might someday see light of day.
The relationships and their prepositions. Not only simple prepositions, like "on" or "in," "above" or "below." More subtle ones, like "across" or "through." Relationships of duration and transfiguration. Not just "since," but "until."—John Corbett
you sometimes need to rehearse a band incessantly to get to a level of understanding, that "condition of secrecy" that Inger Christensen speaks of in relation to poetry. Not so with this ensemble. Some scores with directions and motifs that specify the relationships, but also the relationships prefiguring their being directed, relationships between the people themselves, the standing understanding between Mats and Ken, who worked together extensively for the last 30 years including the quartet version of Gustafsson's AALY and of course the Brotzmann Tentet. The relationship between Chad and Tomeka including the cellist's Hear in Now Expanded and in Rob Mazurek's bands; the one between Ken and Tomeka including a quartet with Hamid Drake and Lemuel Marc; one between Chad and Ken in the trio Side A, with pianist Havard Wiik; one between Mats and Tomeka dating back to a 2017 studio session that might someday see light of day. The relationships and their prepositions. Not only simple prepositions, like "on" or "in," "above" or "below." More subtle ones, like "across" or "through." Relationships of duration and transfiguration. Not just "since," but "until."- John Corbett
Artist Biographies
• Show Bio for Mats Gustafsson ^ Hide Bio for Mats Gustafsson • Show Bio for Ken Vandermark "Born in Warwick, Rhode Island on September 22nd, 1964, Ken Vandermark began studying the tenor saxophone at the age of 16. Since graduating with a degree in Film and Communications from McGill University during the spring of 1986, his primary creative emphasis has been the exploration of contemporary music that deals directly with advanced methods of improvisation. In 1989, he moved to Chicago from Boston, and has worked continuously from the early 1990's onward, both as a performer and organizer in North America and Europe, recording in a large array of contexts, with many internationally renowned musicians (such as Fred Anderson, Ab Baars, Peter Brötzmann, Tim Daisy, Hamid Drake, Terrie Ex, Mats Gustafsson, Devin Hoff, Christof Kurzmann, Fred Lonberg-Holm, Joe McPhee, Paal Nilssen-Love, Paul Lytton, Andy Moor, Joe Morris, and Nate Wooley). His current activity includes work with Made To Break, The Resonance Ensemble, Side A, Lean Left, Fire Room, the DKV Trio, and duos with Paal Nilssen-Love and Tim Daisy; in addition, he is the music director of the experimental Pop band, The Margots. More than half of each year is spent touring in Europe, North America, and Japan, and his concerts and numerous recordings have been critically acclaimed both at home and abroad. In addition to the tenor sax, he also plays the bass and Bb clarinet, and baritone saxophone. In 1999 he was awarded the MacArthur prize for music." ^ Hide Bio for Ken Vandermark • Show Bio for Tomeka Reid "Chicago based cellist, composer and educator, Tomeka Reid has been described as "a remarkably versatile player," (Howard Reich, Chicago Tribune). Equally adept in classical and jazz contexts, Ms. Reid predominantly finds herself in experimental and improvisatory settings and composes for a wide range of instrumentation, from big band to chamber ensemble. Ms. Reid's music combines her love for groove along with freer concepts. Ms. Reid is an integral part of Dee Alexander's Evolution Ensemble, Nicole Mitchell's Black Earth Ensemble/Strings, Mike Reed's Loose Assembly, the Association for the Advancement of Creative Musicians (AACM) Great Black Music Ensemble, and co-leads the internationally recognized string trio, Hear in Now with performances in Poznan, Poland; Paris, France; Rome, Venice, Milan, Italy; Soazza, Switzerland; and in the US: Chicago, New York and Vermont. In addition to the aforementioned ensembles, Ms. Reid performs with many of today's forward thinking musicians in the world of jazz and creative music including Anthony Braxton, George Lewis, Roscoe Mitchell, Jeb Bishop, Myra Melford, Fred Lonberg-Holm, Mary Halvorson, Denis Fournier, Edward Wilkerson and Harrison Bankhead. Ms. Reid also leads her own trio featuring guitarist Matt Schneider and bassist Josh Abrams, for which she composes. Ms. Reid can be heard on numerous studio recordings. As an educator, Ms. Reid has led string improvisation workshops in Italy and the US. Most recently she co-directed the 2012 Vancouver Jazz Festival’s High School Jazz Intensive. For seven years, Ms. Reid co-directed the string program at the University of Chicago’s Laboratory School for students grade 5 thru 12. Ms. Reid is also an ABD doctoral candidate at the University of Illinois: Urbana-Champaign. As a composer, Ms. Reid has been commissioned by the AACM, the Chicago Jazz Festival and the Chicago Jazz Ensemble and has had several opportunities to showcase her work abroad at festivals such as Umbria Jazz, An Insolent Noise and Vignola Jazz. She has been nominated and awarded residencies for composition with the Ragdale Foundation and the 2nd Annual Make Jazz Fellowship hosted by the 18th Street Arts Organization. Ms. Reid was selected as a 2012 participant in the Jazz Composers Orchestra Institute held at the University of California: Los Angeles." ^ Hide Bio for Tomeka Reid • Show Bio for Chad Taylor "Chad Taylor (b. 1973) is a composer, educator, percussionist and scholar who is a co-founder of the Chicago Underground ensembles. Originally from Tempe, AZ, Chad grew up in Chicago where he started performing professionally at the age of 16. Chad has performed with Fred Anderson, Derek Bailey, Cooper-Moore, Pharoah Sanders, Marc Ribot, Peter Brotzmann, Malachi Favors and many others. Chad leads his own band Circle down which debut recording was given a 5 star review by All music: "What is remarkable is that there is no wasted motion, no histrionics or grandstanding, as pure emotion is translated to superlative music making on this most highly recommended recording, one for the ages." Allmusic.com Chad has a BFA from the New School in Jazz Performance and a MFA in Jazz Research and History from Rutgers University." ^ Hide Bio for Chad Taylor
8/5/2025
Have a better biography or biography source? Please Contact Us so that we can update this biography.
8/5/2025
Have a better biography or biography source? Please Contact Us so that we can update this biography.
8/5/2025
Have a better biography or biography source? Please Contact Us so that we can update this biography.
8/5/2025
Have a better biography or biography source? Please Contact Us so that we can update this biography.

Track Listing:
1. The Sensation Of Sliding 7:46
2. Blowing Out From Chicago 7:12
3. Epistemological Glide 7:44
4. Drops Of Sorrow. Accelerating 6:45
5. PIVOT Duos 2:00
6. PIVOT Duos 2 1:50
7. PIVOT Duos 3 1:43
8. PIVOT Duos 4 1:42
9. PIVOT Duos 5 2:12
10. PIVOT Duos 6 1:25
11. Unmeasured Mile 4:38
12. I Am Aware. Standing In Snow. 8:21
13. Drifting Against The Wind. 5:57
14. Popular Music Theory 3:43

Improvised Music
Jazz
Free Improvisation
Quartet Recordings
Chicago Jazz & Improvisation
European Improvisation, Composition and Experimental Forms
Mats Gustafsson
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