"Rob Mazurek is an American electro-acoustic composer, cornetist, improviser and visual artist living in Chicago, Illinois. As a composer, Rob Mazurek has written over 300 original compositions over the past 30 years, and has released 55 recordings on various labels. He currently leads a number of ensembles, including Exploding Star Orchestra, Pharoah and the Underground (featuring Pharoah Sanders), Chicago Underground, Pulsar Quartet, São Paulo Underground, Skull Sessions, Sound Is Quintet, Starlicker, Mandarin Movie and Throne of the House of Good and Evil, each of which possesses its own distinct musical personality.

He has collaborated with a wide variety of artists, such as Bill Dixon, Pharoah Sanders, Mike Ladd, Roscoe Mitchell, Yusef Lateef, Fred Anderson, Naná Vasconcelos, Mamelo Sound System, Kassin and Marcelo Camelo and others. Additionally, Rob Mazurek works as a visual artist (incorporating sound, painting and video) with numerous international performances, exhibitions and artist residencies."

"Pianist-composer Kris Davis has blossomed as one of the singular talents on the New York jazz scene, a deeply thoughtful, resolutely individual artist who offers "uncommon creative adventure," according to JazzTimes. The Vancouver-born, Brooklyn-residing Davis was dubbed one of the music's top up-and-comers in a 2012 New York Times article titled "New Pilots at the Keyboard," with the newspaper saying: "Over the past couple years in New York, one method for deciding where to hear jazz on a given night has been to track down the pianist Kris Davis." Reviewing one of the series of striking albums Davis has released over the past half-decade, the Chicago Sun-Times lauded the "sense of kaleidoscopic possibilities" in her playing and compositions.

Long favored by her peers and jazz fans in the know, Davis has earned high praise from no less than star pianist and MacArthur "Genius" Grant honoree Jason Moran, who included her in his Best of 2012 piece in Art Forum, writing: "A freethinking, gifted pianist on the scene, Davis lives in each note that she plays. Her range is impeccable; she tackles prepared piano, minimalism and jazz standards, all under one umbrella. I consider her an honorary descendant of Cecil Taylor and a welcome addition to the fold."

The newest album from Davis as a leader is Capricorn Climber (Clean Feed, 2013), with the pianist joined by kindred spirits Ingrid Laubrock (tenor saxophone), Mat Maneri (viola), Trevor Dunn (double-bass) and Tom Rainey (drums). Davis made her debut on record as a leader with Lifespan (Fresh Sound New Talent, 2003), followed by three progressively inventive and acclaimed albums for the Fresh Sound label: the quartet discs The Slightest Shift (2006) and Rye Eclipse (2008), then the trio set Good Citizen (2010). Davis's 2011 solo piano album on Clean Feed, Aeriol Piano, appeared on Best of the Year lists in The New York Times, JazzTimes and Art Forum. Davis wrote the extraordinary arrangements for saxophonist-composer Tony Malaby's nonet project Novela, with the album Novela released by Clean Feed in 2011 and appearing on Best of the Year lists in DownBeat and JazzTimes. The pianist is also part of the collaborative Paradoxical Frog with Laubrock and drummer Tyshawn Sorey; their eponymous 2011 album on Clean Feed was included on Best of the Year lists by National Public Radio, The New York Times and All About Jazz.

In addition to her work as a leader, Davis has performed with such top figures as Paul Motian, Bill Frisell, Tim Berne, John Hollenbeck, Michael Formanek and Mary Halvorson. Davis started playing piano at age 6, studying classical music through the Royal Conservatory in Canada and formulating her desire for a life in music by playing in the school jazz band at age 12. She earned a bachelor's degree in Jazz Piano from the University of Toronto and attended the Banff Centre for the Arts jazz program in 1997 and 2000. The pianist received a Canada Council grant to relocate to New York and study composition with Jim McNeely, then another to study extended piano techniques with Benoit Delbecq in Paris. She holds a master's in Classical Composition from the City College of New York, and she teaches at the School for Improvised Music.

The Jazz Gallery has given Davis a commissioning residency to write for her trio with Rainey and John Hébert to take place in May 2013, and the Shifting Foundation awarded her a grant to compose and record a large-ensemble project. About her art, JazzTimes has declared: "Davis draws you in so effortlessly that the brilliance of what she's doing doesn't hit you until the piece has slipped past." "

"Ingebrigt Håker Flaten (b. 1971, Oppdal) - studied Jazz at the Music Consevatory in Trondheim, Norway (1992-1995) under the tutelage of bassplayer Odd Magne Gridseth.

When one listens to the great bassists in modern jazz history, a striking thing (though it may not be immediately arrived at) is that greatness is reached through open-mindedness and diversity. William Parker, Malachi Favors Maghostut, Peter Kowald, Wilbur Ware, Bertram Turetsky, Buell Neidlinger - all of these bass players have embraced a lifestyle of playing all sorts of music and the breadth of each musicians' technique is a testament to those experiences. Norwegian bassist and composer Ingebrigt Håker Flaten is also a musician whose experience is both geographical and aesthetic. While the fertile Scandinavian new jazz scene offered a vast amount of opportunities to work in different bands with musicians whose concepts are as individual as the grains in a reed, Flaten has found home and on-the-bandstand education in places as far flung as Chicago and his current residence Austin, Texas.

A muscular player whose tone and attack run the gamut from Paul Chambers to Buschi Niebergall, his sense of both openness and control serves ensembles as diverse as The Thing, Free Fall, Atomic, Scorch Trio and the Kornstad/Håker Flaten Duo. In addition to his own Chicago Sextet and Austin-centric Young Mothers, Flaten has also recorded and performed with Frode Gjerstad, Dave Rempis, Bobby Bradford, the AALY Trio, Ken Vandermark, Stephen Gauci, Tony Malaby, Daniel Levin, Dennis Gonzalez and numerous others. Flaten studied at the Conservatory in Trondheim (1992-1995), turning professional shortly afterward, yet his hunger to play in new situations with new musicians - schooled or amateur, frequently recorded or just starting out - puts him in a rare class, that of a truly broad-minded artist. That mettle has served him well, living and developing the music under his own steam and drawing from influences as diverse as Derek Bailey, George Russell, Chris McGregor, filmmakers Ingmar Bergman, contemporary pop melody and gritty punk music as well as everyday sights and sounds.

There is a calmness and self-assuredness that imbues all great artists, in that the diversity of their work comes with very little ego. Flaten's artistry is often in collective, leaderless ensembles and in fact, following a decade of professional musicianship it wasn't until 2004 that his leader-debut was released - Quintet (Jazzland, followed in 2008 by The Year of the Boar, and a Sextet recording is upcoming). This latter fact is partly due to the necessity of a copacetic situation - in an interview in 2010 with the Austinist he noted that "I use people where I'm located. It's inspiring to have your own band to write for, but you have to make sure that people feel free and not limited by the music; the compositions should lead the way to a player's open mind, and that is a challenge." Certainly not every bandleader/composer thinks this way.

In 2011, he formed another ensemble, The Young Mothers, which includes drummers Stefan Gonzalez (Dallas) and Frank Rosaly (Chicago), trumpeter/poet/rapper Jawaad Taylor (New York), saxophonist Jason Jackson (Houston), and Jonathan Horne (Austin) on guitar. It's a group of varying levels and influences and as it grows organically, will be another excellent lens through which to view Flaten's aesthetic, philosophy, and musicianship. The next few years see him in a position where established ensembles can steep and spread their influence, while experimenting with and nurturing a wide range of new relationships."

"Chad Taylor (b. 1973) is a composer, educator, percussionist and scholar who is a co-founder of the Chicago Underground ensembles. Originally from Tempe, AZ, Chad grew up in Chicago where he started performing professionally at the age of 16. Chad has performed with Fred Anderson, Derek Bailey, Cooper-Moore, Pharoah Sanders, Marc Ribot, Peter Brotzmann, Malachi Favors and many others. Chad leads his own band Circle down which debut recording was given a 5 star review by All music:

"What is remarkable is that there is no wasted motion, no histrionics or grandstanding, as pure emotion is translated to superlative music making on this most highly recommended recording, one for the ages." Allmusic.com

Chad has a BFA from the New School in Jazz Performance and a MFA in Jazz Research and History from Rutgers University."