Squidco: Singh, Rishin : Out From The Blinding White

Singh, Rishin

Out From The Blinding White

(Edition Wandelweiser Records

- Austria)

Singh, Rishin : Out From The Blinding White (Edition Wandelweiser Records)

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Two understated compositions for solo piano from Kuala Lumpur composer living in Berlin, Rishin Singh, both performed by pianist Dante Boon, with the first piece written for Boon himself, a minimal work of slowly rising and descending progressions; the other piece "For Eva-Maria Houben" dedicated to the Wandelweiser composer, using recurring yet distinctly varying patterns.

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product information:

UPC: 4011778041207

Label: Edition Wandelweiser Records
Catalog ID: EWR 1914
Squidco Product Code: 28582

Format: CD
Condition: New
Released: 2019
Country: Austria
Packaging: Cardboard Gatefold 3 Panels
Recorded at Studeioboerne45, in Berlin, Germany, in October, 0218, by Adam Asnan.

Personnel:

Dante Boon-piano

Rishin Singh-composer

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Artist Biographies:

• Show Bio for Dante Boon
"Dante Boon (1973) is a Dutch composer and pianist living in Amsterdam.
At the age of 14, he started his piano studies at the Amsterdam Sweelinck Conservatorium. At the Royal Conservatoire in The Hague, he studied composition with Diderik Wagenaar.
After having been the keyboard player and arranger for a major Dutch rock band for several years, he went back to the classical, especially contemporary piano repertoire.

With Samuel Vriezen, he recorded Tom Johnson's Symmetries (piano four hands) for Karnatic Lab Records. Recordings for other labels include works by Rozalie Hirs (Attacca Records) and Philip Corner (New World Records). his first solo CD cage. frey. vriezen. feldman. ayres. johnson .manion was released 2010 on Edition Wandelweiser Records to international critical acclaim."
-Dante Boon Website (http://www.danteboon.com/dante_boon.html)
6/16/2021

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^ Hide Bio for Dante Boon

• Show Bio for Rishin Singh
"Rishin Singh (born 1985, Kuala Lumpur) is a musician/artist/writer living in Berlin. He studied classical trombone at the Sydney Conservatorium of Music (Bachelor of Music Studies) and received Honours 1st Class in a Bachelor of Arts at the University of Sydney.
As a composer and performer, Rishin's work investigates modes of perception, quietude and repetition. He has performed across Asia, Australia, Europe and Canada with collaborators such as Ensemble Offspring (AU), Toshimaru Nakamura (JP), Konzert Minimal (DE), Koen Nutters (NL), Catherine Lamb (USA), Karen Power (IR), John Godfrey (UK), Cathy Milliken (AUS), Johnny Chang (DE), Jon Rose (AU), and his own ensemble Songs (DE). Selected festival appearances include DAAD Mikromusik (DE), The NOWnow (AUS), Lacking Sound Festival (TW), Audio Art (PL).
He has premiered new works by composers such as Clare Cooper (AU), Martijn Tellinga (NL), Eva-Maria Houben (DE), Antoine Beuger (DE) and Goh Lee Kwang (MY), and has been commissioned to compose for artists such as Claire Edwardes (AU), Ur 1st Luv (AU), and Ensemble Manteia (AU).
His writing has been published by Editions Kahn (CH), RealTime (AUS), Insub (CH), and Lateral Addition (USA).
Selected exhibitions include at ArtSpace Sydney (AUS), Ithaka Festival Leuven (BE) and Errant Bodies (DE)."
-Making Waves (https://makingwavesnewmusic.com/pastcomposers/rishin-singh/)
6/16/2021

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^ Hide Bio for Rishin Singh

track listing:

1. Thirty Oars (For Dante) 23:38

2. For Eva-Maria Houben 21:28

sample the album:

descriptions, reviews, &c.

"Two lovely, subtle compositions for solo piano, played by Dante Boon. The first, 'thirty oars (for dante)', uses scale-like patterns, ascending and descending, as recurrent structural elements, around and between which are scattered small clusters of soft chords and brief single-note sequences, extremely thoughtful and warmly pensive, with the occasional welcome, just slightly sour twist. 'for eva-maria houben' is based on a pair of three-note patterns that are ever so slightly modified throughout the work; I don't think any two sequences are identical but they're also not very far apart. That's all but that's more than enough: just a continuous blooming of akin sounds. Both pieces are difficult (for me) to describe with any kind of specificity but both are just wonderful--intelligent, tender and full of life. Great stuff."-Brian Olewnick, Just Outside

Get additional information at Brian Olewnick's Just Outside