The third part of composer and performer Michael Pisaro-Liu's "Hearing Metal" series, Pisaro providing sine tones, performing with Greg Stuart on 16 suspended cymbals plus grains/surfaces.
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Sample The Album:
Michael Pisaro-Liu-Liu-sine tones, mixing
Greg Stuart-sixteen suspended cymbals, grains/surfaces
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Label: Gravity Wave
Catalog ID: GW 006
Squidco Product Code: 16203
Format: CD
Condition: New
Released: 2011
Country: USA
Packaging: Cardstock Oversized Sleeve
Recorded by Greg Stuart.
The third part of composer and performer Michael Pisaro-Liu's "Hearing Metal" series, Pisaro providing sine tones, performing with Greg Stuart on 16 suspended cymbals plus grains/surfaces.
Artist Biographies
• Show Bio for Greg Stuart "Greg Stuart is a percussionist whose work draws upon a mixture of music from the experimental tradition, Wandelweiser, improvisation, and electronics. His performances have been described as "a ghostly, gorgeous lesson in how close, concentrated listening can alter and enhance perception" (The New York Times). Since 2006, he has collaborated extensively with the composer Michael Pisaro, producing a large body of music comprised of pieces that focus on the magnification of small sounds through recording and layering, often in combination with field recordings and/or electronic sound. His role as an interpreter of Pisaro's compositions has been called "a David Tudor to Pisaro's Cage" (The Boston Globe). Stuart's most recent collaboration with the composer, Continuum Unbound, a three-disc box set on Gravity Wave, grew out of the pair's field recording work in Congaree National Park and was selected by The Wire as one of the best albums of 2014. Stuart currently performs with fellow percussionists Tim Feeney and Sarah Hennies in the percussion trio, Meridian, and with computer musician Joe Panzner. Other recent collaborations include projects with Ryoko Akama, Erik Carlson, Antoine Beuger, Jürg Frey, Manfred Werder, Kunsu Shim, Phillip Bush, Nomi Epstein, and Speak Percussion. He has appeared as a featured performer at numerous festivals and notable venues presenting experimental music including MaerzMusik (Berlin), the Melbourne Festival, Café Oto (London), Arnolfini Centre for Contemporary Arts (Bristol), Gallery Kapelica (Ljubljana), Cha'ak'ab Paaxil (Mérida), Issue Project Room (New York), REDCAT (Los Angeles), Dreamland (Louisville), Elastic Arts Foundation (Chicago), New Music Co-Op (Austin), Philadelphia Sound Forum, and Non-Event (Boston) among others. He has recorded for numerous labels, including Edition Wandelweiser, Gravity Wave, Erstwhile, Cathnor, New World Records, Accidie, L'innomable, caduc, Lengua de Lava, Crisis, and Senufo Editions. An enthusiastic educator, Stuart has given lectures, workshops, and performances at the University of Huddersfield, Universidade Federal de Goiás, Victorian College of Arts, Oberlin Conservatory, the University of Louisville, the New England Conservatory of Music, Harvard University, Florida State University, Georgia State University, and Tulane University. Stuart holds a D.M.A. and M.A. from the University of California, San Diego, and a BMus from Northwestern University. He is currently an Assistant Professor at the University of South Carolina School of Music in Columbia, SC where he teaches experimental music, music history, and runs the Experimental Music Workshop." ^ Hide Bio for Greg Stuart
12/9/2025
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. Hearing Metal 3 (Prometheus, 1911) 45:20
Compositional Forms
Electro-Acoustic
Electronic Forms
Percussion & Drums
lowercase, reductionist, micro-improv, sound improv, onkyo sound
Electroacoustic Composition
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