Reacting to negative comments about Brazilian music, Sao Paulo born double bassist Arthur Decloedt recruited saxophonist Filipe Nader to create a new, spontaneous and free form take on Brazilian jazz, using pop songs as a jumping off point, with four vocalists and a five piece band creating compelling new and unusual hybrids of Brazil's rich, rhythmic and compelling music.

Two guitarists with unique approaches to their instruments -- Paris-based Julen Depsrez and Lisbon-based Luis Lopes -- in an experimental album of evolving sound through extreme modification of guitar sound and sustain, mysteriously building their interactions from whispering sonics to growling harmonics, tightly controlled but bristling with complex energy.

Sporting a strange sense of humor and blending rock and improvisation, instrumentally this Amsterdam is the duo of Raphael Vanoli on guitar, synth, & electronics and Gerri Jager on drums, synths, & electronics, with Sandor Caron providing sound design, here in an album of stylistic amalgamations of unexpected and upbeat rhythmic oddity and fun melodic inventiveness.

Rotterdam based band comprising two Portuguese players--Gonccalo Almeida on bass and Hugo Costa on sax--and German drummer Philipp Ernsting, the trio adding electronics, keys and effects, in their third album slamming hard free jazz and rock angst into a controlled chaos, a maelstrom of powerful riffs, rugged soloing, and mesmerizing grooves.

Electric guitarist Olaf Rupp joins the father son duo of violist Ernesto Rodrigues and cellist Guilherme cello, in a studio recordings from Berlin in 2017, as three disparate strings intertwine in acoustics and electronics for an intensely evolving two part work of textured tapestry of slow bowing, sustaining tones, unusual progressions, and odd percussive invention.

For his 75th birthday celebration, German free jazz legend Guther "Baby" Sommer joined with German trumpeter and flugelhornist Till Bronner for a rhythmically inventive, lyrical, and joyful album of free improvisation, nine pieces from Sommer plus "Danny Boy" (Weatherly) and Duke Ellington's "In a Sentimental Mood", making for a stylish and upbeat party!

The Stefan Aeby Trio at the Intakt Festival at Vortex Jazz Club in London 2017, the pianist leading his trio with bassist Andre Pousaz and drummer Michi Stulz through lyrical original compositions from Aeby, with one from Pousaz, a wonderful example of the modern piano trio that embrace a wealth of styles and approaches while flowing clearly in jazz history.

A profound sense of drama in free playing from the young collective trio of NY saxophonist Chris Pitsiokos with the establish partnership of Portuguese trumpeter Susana Santos Silva and Swedish bassist Torbjourn Zetterberg, in jazz is chamber-like, informed by their musical background that spreads over a myriad of aesthetics, full of nuance and beautiful interplay.

A great example of the Norwegian creative jazz scene, the quintet of Andree Roligheten on sax & clarinet, Thomas Johansson on trumpet, Oscar Gronberg on piano, Jon Rune Strom on double bass, and Tollef Ostvang on drums take their name from an Ornette Coleman LP, as they show us 'What's Next' by blending lyrical and free approaches with unexpected twists and turns.

Eleven new works from New York pianist Jacob Sacks in a quintet with some of NY's finest--Ellery Eskelin on tenor saxophone, Tony Malaby on tenor & soprano saxophones, Michael Formanek on bass, and Dan Weiss on drums--referencing traditional jazz influences like Monk & Mingus with superbly creative soloing fostered by the freedom of Sack's compositions.

An all-star octet of Swedish improvisers is actually a double quaret with two reed players (Nordstrom & Ljugkvist), two brass players (Aleklint and Barno), two double bassists (Augustson and Zetterberg) and two drummers (Cantillo and Rundqvist), creating a powerful rhythmic foundation for a lyrical set of Nordstrom compositions and conductions.

A trombone trio led by Peter McEachern, with the frequent collaborators, the formidable rhythm team of Mario Pavone on bass and Michael Sarin on drums; here they dedicate their lyrical, blues tinged but avant embracing album to Roswell Rudd as they play a set of McEachern compositions, along with one from Mario Pavone and one from Alice Coltrane.

Powerful electric jazz roots from the Norwegia quartet of Lauritz Lyster Skeidsvoll on saxophone, Havard Nordberg Funderud on guitar, Karl Erik E. Horndalsveen on double bass, and Martin Mellem on drums, shredding inspirations from 60s electric Miles and Ornette, with a rock influenced rhythm section and electric guitar work driving great soloing.

Inspired by European improvisation, 60's NY-loft-avant-garde and Ethiopian jazz, Heaven, the Norwegian collaborative project of Danish saxophonist Henrik Pultz Melbye and Norwegian drummer Ole Mofjell, merge rhythmic and melodic realms, adding stretches of noise and non-idiomatic sounds, in fast-paced, highly-energetic, and highly-informed performances.

Following their Relative Pitch album "All the Ghosts at Once", the free improvising duo of alto saxophonist Mette Rasmussen and drummer Chris Corsano, also on slide clarinet, release their 2nd album, a live concert at Cankarjev dom, in Ljubljana, Slovenia in 2015, pushing the limits on both instruments through radical technique and inventive approaches to their playing.

Leveraging influences in improvisation and contemporary compositional music, Belgian/Oslo pianist Jonas Cambien, a member of Simiskina and Platform, extends his own trio of saxophonist Andre Rolighete and drummer Andreas Wildhagen with trumpeter Torstein Lavik Larsen on 2 tracks, as they balance jazz, avant, free improv and other hybrid forms in a compellingly creative album.

Members of the Polish Infant Joy Quintet and Warsaw Improvisers Orchestra--saxophonist Jan Malkowski and drummer Dominik Mokrzewski--pair off in a dynamic album of solid free jazz, influences feeling like Albert Ayler or Steve Lacy, as the two show great technical and creative skills, sometimes in great motion, sometimes reflective, showing great command and direction.

Two films documenting and seeking insight into the work of late alto saxophonist and free jazz trail blazer Ornette Coleman, to some an iconoclast, to others a pioneering musician; the first film by Jacque Goldstein creates a portrait through interviews of those influenced by him; the 2nd, Stephane Jourdain follows Coleman's influence in today's music.

Drummer Donald Sturge Anthony McKenzie II trades off duos with a set of masterful musicians in the second volume of his "Silenced" project, here with guitarist Elliott Sharp for a complex and inspired dialog; with bassist Bill Laswell for a rich and moody soundscape; and with guitarist Vernon Reid in a piece for McKenzie's daughter; plus one solo drum piece.

A live performance at Forward Festival 2016, in Brooklyn, NY, merging chamber music, free improvisation, free and avant jazz and other forms in a an ensemble with Daniel Carter (sax & trumpet), Claire de Brunner (bassoon), Patrick Holmes (clarinet), Nick Lyons (sax), Jeff Snyder (electronics), Stelios Mihas (guitar), Jonah Rosenberg (piano), Zach Swanson (bass), and Federico Ughi (drums).

A live performance at Forward Festival 2016, in Brooklyn, NY, merging chamber music, free improvisation, free and avant jazz and other forms in a an ensemble with Daniel Carter (sax & trumpet), Claire de Brunner (bassoon), Patrick Holmes (clarinet), Nick Lyons (sax), Jeff Snyder (electronics), Stelios Mihas (guitar), Jonah Rosenberg (piano), Zach Swanson (bass), and Federico Ughi (drums).

A 1995 live concert at Romanisches Cafe in Tokyo from the South Korean and Japanese free improvising quartet of Choi Sun Bae on trumpet, Junji Hirose on tenor & soprano saxophones, Motoharu Yoshizawa on electric vertical five strings bass, and Kim Dae Hwan on percussion, in five collective improvisations including an homage to Charlie Parker.

A 1995 live concert at Romanisches Cafe in Tokyo from the South Korean and Japanese free improvising quartet of Choi Sun Bae on trumpet, Junji Hirose on tenor & soprano saxophones, Motoharu Yoshizawa on electric vertical five strings bass, and Kim Dae Hwan on percussion, in five collective improvisations including an homage to Charlie Parker.

Two substantial works for solo piano from late composer Morton Feldman, performed by Dutch avant-garde pianist John Snijders; "Triad Memories" is presented in two sections over 2 CDs, following Feldmans's socre, Snijders holding the sustain pedal halfway down for unusual harmonic decay, while "Piano" exploring permutations in a work of suspended time and motion.

Reissuing the 1996 recording of Morton Feldmans' "Trio" performed by Ives Ensemble members Job Ter Haar on cello, John Snijders on piano, and Josje Ter Haar on violin, Feldman's compositions sparse with tension over spacious moments of lyrical beauty, tense dissonance, unhurried repetition, and a sense of drifting momentum, evasive yet beautiful music.

With 15 years of duo recordings to their credit, Jeph Jerman and Tim Barnes present an album of experimental sound and improvisations, using metal, bamboo temple blocks, springboard, wood, feathers and electrics, and joined by Ko Ishikawa on Sho, with an additional intervention by performers Alex Bruck, Ramon Del Buey, and Misha Marks.

The core trio of the Leap of Faith Orchestra is Boston area PEK on clarinets, saxophones, double reeds & flutes, Glynis Lomon on cello, aquasonic & voice, and Yuri Zbitnov on drums & percussion, here expanded with Eric Dahlman on trumpet, whistles and game calls, and and Jim Warshauer on saxophone, in an incredibly diverse live performance at Outpost 186, in Cambridge, 2018.

PEK and Yuri Zbitnov's working project exploring chaotic rhythms on metallic instruments using a wide range of sonorities, including gongs, chimes, glockenspiel, Tibetan Bowls and other metallic sounds and horns, plus accompaniment tracks, with special guests Bob Moores on trumpet and guitar and Eric Woods on analog synth, and performing real time Signal Processing.

A remarkable work of chamber rock in the the 1981 third album from Belgian band Univers Zero led by drummer/percussionist Daniel Denis, who alo provides the complex and darkly brooding compositions for the ensemble, inspired and guided by the writing of H. P. Lovecraft, here in a much-needed vinyl reissue.

Swiss pianist and composer leads her Luzia von Wyl Ensemble, a 10 piece band orchestrated with piano, bass, drums, flute, bassoon, clarinet, bass clarinet, violin, cello, and marimba, in a series of original jazz pieces that embrace third-stream jazz and Middle Eastern modal melodies, her players taking on exceptional solo spots fueled by her sophisticated compositions.

A solo piano album of lyrical jazz compositions from London pianist and band leader Mike Westbrook, including pieces from Monk, Duke Ellington, Billy Strayhorn, Lennon & McCartney, and original work from himself and his partnership with Kate Westbrook, an album of musical and personal references with the title track dedicated to saxophonist Lou Gare.

With long-time Chicago partners saxophonist Dave Rempis and drummer Frank Rosaly, plus Dutch guitarist and electric bassist Jasper Stadhouders (Cactus Truck, Made to Break), this new trio plays assertive and energetic free jazz that shreds melodic riffs and raw power, decelerating for contemplative moments, as heard in two large improvisations named by digital sequences.

Chamber-oriented jazz that borrows from compositional forms by three leaders of the Chicago improv scene--Dave Rempis on alto & tenor saxophone, Tomeka Reid on cello, and Joshua Abrams on bass--in a collective work that demonstrates the unity of stylistic approaches through the thoughtful integration of a variety of styles and strategies.

Two sessions blending free jazz with experimental ea work: Nashville with Tim Daisy (drums), Christof Kurzmann (ppooll), Jasper Stadhouders (electric bass), Vandermark (reeds), Nate Wooley (trumpet) and C. Spencer Yeh (violin); then Chicago with Tim Barnes (drums), Nick Macri (acoustic bass), Lou Mallozzi (turntables), Vandermark (reeds) and Mars Williams (sax).

With six collective compositions plus two by Joe Fonda, one from Paul Motian, and the title track by Bob Windbiel, the free improvising trio of Marilyn Crispell on piano, Joe Fonda on bass, and Harvey Sorgen on drums find lyrical beauty and masterfully controlled power in this superb album of creative free jazz, a remarkable example of the modern piano trio.

The long-running collaboration of Japanese saxophonist Akira Sakata, also on clarinet and voice, in a concert at Cave12 in Geneva, Switzerland with Swiss drummer Nicolas Field, for 4 recordings of intense and dynamic free improvisation with unusual moments from Sakata's vocalizing, extended and thoughtful drum soloing, and introspective moments on clarinet.

A reissue of saxophonist Steve Lacy's 1959 album "Reflections" (subtitled Steve Lacy Plays Thelonious Monk), the second album by Lacy on the Prestige label, featuring performances of Thelonious Monk's compositions by Lacy, Mal Waldron, Buell Neidlinger and Elvin Jones, credited as the first album devoted entirely to Monk's music recorded by another artist.

French composer and producer Hector Zazou's 2nd and last release with a "most exquisite and eccentric of groups, who hardly touched the world of working bands, and whose existence was tenuous, flickering, mythological - and yet who managed, stealthily, to find its way in time to legendary status by leaving an indelible trace in recorded form of their verifiable existence."

Many years after Pere Ubu and his work as a pilot, one of the world's most unique synth players, Allen Ravenstine, releases an album of composed works, 18 discrete hybrid miniature sound worlds that blend acoustic, real-world and synthetic sounds in unorthodox ways that elusively twist conventional approaches with unexpected elements and narrative twists.

Performing live at Cafe OTO in London, 2018, Japanese sound artist and composer Ken Ikeda comes together with percussionist and Matchless label-leader Eddie Prevost for a concert of resonant, rich improvisation, Ikeda's electronics complementing Prevost's bowed cymbals as the duo builds to a diverse offering of powerful yet controlled sonic uproar; stunning.

Combining free improvisation, free jazz, rock, and electronic/EA-improv, the trio of Eddie Prevost (drums), NO Moore (guitarist), and bassist John Edwards are caught live at IKLECTIK in London, 2017, for a concert that changes pace from vigorous riffs to unconventional introspection, with masterful playing and profound technique, an exceptional performance.

Legendary free jazz pianist Alexander von Schlippenbach, founder of Globe Unity Orchestra and Berlin Contemporary Jazz Orchestra, met masterful Japanese pianist Aki Takase in 1995 for a live concert at Cafe Amores, in Hofu, Yamaguchi, Japan, for a concert of intricate interplay and uniquely creative approaches, taking on work by Mingus, Monk, and even Frank Zappa.

Legendary free jazz pianist Alexander von Schlippenbach, founder of Globe Unity Orchestra and Berlin Contemporary Jazz Orchestra, met masterful Japanese pianist Aki Takase in 1995 for a live concert at Cafe Amores, in Hofu, Yamaguchi, Japan, for a concert of intricate interplay and uniquely creative approaches, taking on work by Mingus, Monk, and even Frank Zappa.

Reissuing Otic Records' 1976 LP "The Haunt" led by Bobby Naughton on vibes in a trio with Wadada Leo Smith on trumpet, and Perry Robinson on clarinet, very much in the India Navigation / loft scene vein of forward-thinking free improvisation: spacious and thoughtful as the players meticulously develop their concepts with uncompromising skill and artistry.

Adding a fourth string to the collaborations of Portugal's Lisbon String Trio of Ernesto Rodrigues on viola, Miguel Mira on cello, and Alvaro Rosso on contrabass, Portuguese violinist Carlos Zingaro adds an additional level of delicately complex interplay to the trio's exceptional free improvisation, as they pay tribute to the Greek goddess of light and extent.

For their second album together the Turkish free improvising group Konstrukt of Korhan Futaci on sax, Umut Caglar on keys & winds, Berkan Tilavel on synth & electronics, and Erdem Goymen on drums & percussion, invited legendary Japanese avant rock guitarist and vocalist Keiji Haino to Instanbul to capture this wonderfully idiosyncratic and spiritually live concert.

Trumpeter Sei Miguel joins the Portuguese Lisbon String Trio, his second collaboration with the free improvising core group of Miguel Mira on cello, Ernesto Rodrigues on viola, and Alvaro Rosso on double bass, adding a distinctive voice to their subtle interplay as they present this three part work based on the legendary German character who traded his soul to the devil.

Known as a superlative sideman, Chicago drummer/percussionist Quin Kirchner's debut as a leader brings together trombonist Nick Broste, bass clarinetist Jason Stein, saxophonist Nate Lepine, pianist Ben Boye and bassist Matt Ulery for an excellent album of spiritual free playing with compositions from Sun Ra, Andrew Hill, Charles Mingus, Paul Motian, Phil Cohran, &c.

With a decade of experience, the Flandres, Netherlands free jazz quartet of Adrien Douliez on alto saxophone, Jean Baptiste Rubin on tenor saxophone, Maxime Petit on bass, and Frederic L'Homme on drums blend ethnic and world music with assertive playing, from groove oriented to more aggressive forms, a unique voice in free playing.

Based in Lisbon but formed of Spanish, Portuguese, and Uruguayan players, Dissection Room performs abstract experimental improvisation using saxophone (Cirera), electric guitar and objects (Moimeme) and double bass (Rosso), presenting an extended live performance at O'Culto da Ajuda in Lisbon in 2017, mysterious and dark sound and music of impressive skill and intent.

A unique merging of free improvisation and chamber jazz, the trio of UK bassist Paul Rogers with German guitarist Olaf Rupp and soprano saxophonist Frank Paul Schubert using stunning technique in sensible ways as they present three extended works, energetic yet never frenetic, stretching their concepts through tight and enthralling dialog, a great achievement.

After their 2016 tour of the US West Coast, husband and wife free improvising duo Ingrid Laubrock (tenor & soprano sax) and Tom Rainey (drums) entered a Brooklyn studio with a set of co-written compositions, which they weave together with free improv, relying on cues that can trigger a given composition at any time, adding a unique layer of communication to their exuberant playing.

During Chilean trumpeter Benjamn Vergara's visit to Chicago in 2016 he joined forces with multi-reedist Keefe Jackson, pianist and ARP synth player Jim Baker, and drummer Phil Sudderberg to record this album of collective free jazz, a mix of lyrical and abstract playing that references bop and the modern Chicago creative scene in sublime ways.

Their name taken from a poem by Wallace Stevens, the Netherlands-based trio of Ab Baars on sax and clarinet, Kaja Draksler on piano, and Joe Williamson on bass represent the spirit of the poem in seven compositions from Ab Baars plus two collective improvs, a great mix of serious and playful performance that diverts from detailed interaction to spacious reflectiveness.

The second album from this NY trio, titled for the state it was recorded in, as the trio of Joe Moffett (trumpet) and Dan Peck (tuba), both playing cassette players, and percussionist Carlo Costa, slowly develop this long-form 2-part work from minimal interactions of objects, extended techniques, and abstract recordings, building to a tightly controlled ferocity.

An excellent blend of electronics and acoustics as saxophonist, flutist and trumpeter Daniel Carter meets sound artist Tobias Wilner from world-renowned electronic pop band Blue Foundation, with Wu-Tang Clan bass player Djibril Toure and drum wiz Federico Ughi rounding out this forward-thinking album of hazy and rhythmic electroacoustic environments.

An eight-part suite from Chicago flutist Nicole Mitchell, extending her series of dystopian futures and the need for resistance and change, presented in a drummer-less quartet with Mitchell, cellist Tomeka Reid, pianist Aruan Ortiz and vocalist Fay Victor, recorded live at National Sawdust in Brooklyn as part of John Zorn's 2017 Stone Commissioning Series.

Multi-instrumentalist improviser Harutaka Mochizuki releases this solo album performing on saxophone, performing two extended improvisations that explore the instrument as a whole, producing unusual sounds from the physical and mechanical aspects of the horn alongside more traditional playing, using an expanded range of dynamics to build tension and interest.

Controversial recordings from Herman Nitsch's "Orgies Mysteries Theater" as part of the Havana Biennial art exhibition in Cuba, 2012, using actors, blood, animal bodies and entrails, fruits, symbolic crucifixion, music, processions, and ritualistic gestures to enact a new form of Gesamtkunstwerk: pagan ceremonies that aim to a kind of collective catharsis.

Commissioned by Coastal Jazz and Blues and premiered at the 2016 Vancouver International Jazz Festival, cellist Peggy Lee's suite for ten players includes some of the most interesting improvisers on the Vancouver scene, the music multi-layered, texturally varied and melodically rich, with beautiful melodic passages, driving rhythm, and incendiary improv; outstanding!

Continuing her monthly releases for her 60th birthday, Japanese pianist Satoko Fujii meets Australian keyboard and electronic artist Alister Spence for their second meeting, touring Japan and recording this spellbinding album merging bells, gongs, electronics, and acoustic piano, inside and out, in a passionate album that balances melodicism and sound.

Dedicated to Cecil Taylor and taking advantage of NY saxophonist Irabagon's UK visit, this album presents four drum duets "time two", as two tenor saxophonists--Paul Dunmall and Jon Irabagon--meet two lyrical drummers--Mark Sanders and Jim Bashford--following Dunmall long-standing interest in drum and sax duets, the results this ebullient and remarkable album.

Recording at Centro Norton de Matos Gymnasium, in Coimbra, Portugal, the Frame Trio led by Portuguese trumpeter Luis Vicente and Portuguese guitarist Marcelo Dos Reis, with Belgium double bassist Nils Vermeulen rounding out their unique approach to improvised music blending jazz and free approaches as they present their six part "Luminaria" (Luminary) suite.

An intense live concert in Bristol, UK of collective free improvisation using insane technique and ecstatic drive from the quartet of Philip Gibbs on guitar & banjo, Marcello Magliocchi on drums, Adrian Northover on soprano & alto saxophones, and Maresuke Okamoto on cello & voice, a wonderfully skilled example of unexpected directions in creative free playing.

London-based free improvisers and members of the London Improvisers Orchestra (LIO), this ensemble consists of soprano saxophonist Adrian Northover, flautist Neil Metcalfe, acoustic guitarist Daniel Thompson, double bassist John Edwards and Italian-born drummer Marcello Magliocci, in their second album on the FMR label, a spectacular live performance at I'klectik in 2017.

West Coast baritone saxophonist Dave Sewelson leads the accomplished quartet of Steve Swell on trombone, William Parker on bass, and Marvin "Bugalu" Smith on drums through six collective compositions, plus a reprise of Sewelson's earlier "Music for a Free World" composition, and his new composition "Bill" for guitarist/composer and friend Bill Horvitz.

Free Pantone trio is a Portuguese musical group recently created in Lisbon by bassist Rui Sousa, pianist Manuel Guimaraes and drummer Joao Valinho, using a trans-idiomatic and experimental approach they seek to exploit diverse musical genres and sub-genres from jazz and contemporary music using improvisation and real-time composition as their uniting principle.

Vojvodinian composer and violist Szilard Mezei formed this septet in 2005, his 3rd chamber group with a distinctly free jazz voice, citing influences Gyorgy Szabados, Anthony Braxton, Bela Bartok, Witold Lutoslawsky, Gyoryg Ligeti, Jimmy Giuffre, Steve Lacy, Mal Waldron, to which we would add Eric Dolphy, here in their second FMR album capturing a live concert in Serbia, 2018.

Recorded at the 2nd Free Jazz Meeting (now known as the SWR NewJazz Meeting) in Baden-Baden, 1967, with 4 recordings from the groupings of Jeanne Lee, Albert Mangelsdorff, Gunter Hampel & Pierre Courbois; Marion Brown, Peter Kowald & Sven-Ake Johansson; Albert Mangelsdorff, Evan Parker & John Stevens; and Don Cherry, Evan Parker, Peter Kowald, Buschi Niebergall & John Stevens.

The complete broadcast on the French radio station ORTF of Don Cherry's work at Studio 105, Maison de l'ORTF, Paris in March of 1967, finding multi-instrumentalist/trumpeter Don Cherry, also on cornet, piano, bamboo flute, gong, performing with Karl Berger on vibes, marimba, piano, celeste & percussion, and Jacques Thollot on drums, bells, & timbales.

A 4-CD collection bringing together 7 full albums and early singles, more than five hours of music from the early part of Herman Blount's, aka Sun Ra's, career as a bandleader, tracing the development of his work from 1957 to 1963 as he introduced increasingly out forms of jazz through compositions like "Sunology", "Interplanetary Music", "We Travel the Spaceways", &c.

Berlin-based violinist Biliana Voutchkova and German clarinetist Michael Thieke (Magic I.D., International Nothing) present a stunning achievement in blending compositional, pre-structured material with live improvisation, creating a blurring of virtually identical sections that create microtonal anomalies in timing, rhythm, timbre and motive, as heard in 3 amazing performances.

The second collaboration between sound artist Vanessa Rossetto and writer and sound artist Matthew Revert is a monumental work that studies the evolution of communication through fragments of spoken words, and a rich tapestry of sound from acoustic and electronic instruments, field recordings, and perplexing and dramatic sources of sound.

Two electroacoustic improvisers and composers--Lucio Capece on reeds, analog synths, effects, field recordings, drums machines, speakers in motion, and Marc Baron on field recordings and analog devices--developed these 6 extraordinary recordings that blend motion, perspective, sound and noise, and concrete references in a mystifying and mesmerizing journey in sound.

Inspired by the work of Hungarian-born French media artist Vera Molnar, and by the vicissitudes of natural phenomena, French pianist and composer Melaine Dalibert developed algorithmic procedures to compose this work, translating to "Music for the Daybreak", as an illusory "endless piece" of meditative layered, resonant music in the mode of Morton Feldman.