This 2001 limited 6-CD box set of late trumpeter Bill Dixon's solo work in 5 CDs with 1 CD of him speaking, including two 32-page booklets containing essays, interviews, & writings, plus reproductions of 13 Dixon paintings, along with 3 inserts; an essential example of Dixon's incredible creative output, the final copies of which now discovered and available one last time.

Chicago experimenter and improviser Kevin Drumm releases the sequel to his 6-CD boxset "Elapsed Time", using audio generators and various electronic devices to generate beautiful ambient environments and drones, that are complemented by field recordings and short spoken sections, a rich work of subtle complexity, dark warmth, and mystery.

Chicago experimenter and improviser Kevin Drumm releases the sequel to his 6-CD boxset "Elapsed Time", using audio generators and various electronic devices to generate beautiful ambient environments and drones, that are complemented by field recordings and short spoken sections, a rich work of subtle complexity, dark warmth, and mystery.

Recording in Seoul, South Korea at Mullae Arts Village in 2016, the duo of Australian drummer/percussionist Will Guthrie and improvising noise artist Hong Chulki release 8 pieces with concise works under 1 minute to larger improvisations up to 8 minutes, contrasting interesting rhythms with indescribable electronics, found sounds, and unusual environments.

Using piano, objects, charango, flute, voice, whistles, and a copy of the Editions Wandelweiser recording of Christian Wolff's "Stones", improvisers and composer Christian Wolff and Antoine Beuger present a two part "Where Are You Going Today", a series of punctuated silence and Beuger's brief recitations, creating great tension and mystery.

The liner notes give good detail to each composition from these Japanese sound artists and composers Toshiya Tsunoda and Taku Unami, reworking and transforming field recordings from a diverse set of environmental locations by changing pitch, playback speeds, frequency, amplitude, &., creating 11 compositions, imbuing the mundane with unusual and surprising aural attributes.

An unusual album for American composer Michael Pisaro: six works based almost entirely on samples, punctuating more characteristic work in keeping with his Wandelweiser and EMW work with rhythmic and popular forms, albeit with Pisaro's characteristic inclusions, surprising the listener in an illusionary approach to serious electroacoustic compositions.

Largely derived from piano recordings by Netherlands pianist Reinier van Houdt, a member of both the Ensemble MAE and the Ives Ensemble and heard on the Wandelweiser label, expanded by several field recordings recorded by Michael Pisaro in Syros (Greece), creating a work in three pieces of rich environments that contrast peaceful passages with powerful ambiance.

A fascinating work of spoken word and free improvisation from writer Claudia La Rocco and the duo of Phillip Greenlief on sax and Wobbly (aka Jon Leidecker) on electronics and live sampling, La Rocco's unexpected text of the mundane and the fantastic repeated, manipulated and mangled, bringing the words in and out of focus as the music and sonic environment.

Composer-pianist Satoko Fujii's new Orchestra Berlin, a ten-piece ensemble, presents a powerful work written specifically for this ensemble, a thought-provoking compositions of and uninhibited energy, with performers including saxophonists Gebhard Ullmann, Paulina Owczarek & Matthias Schubert, trombonist Matthias Muller, bassist Jan Roder, and drummers Peter Orins and Michael Griener.

Since 2007 Japanese pianist Satoko Fujii and Australian keyboardist Alister Spence have collaborated on performance and recording in several configurations, including work with Tony Buck, Raymond McDonald, Jim O'Rourke, &c.; this energetic and otherworldly quartet session with trumpeter Natsuki Tamura and drummer Ittetsu Takemura was recored live Knuttel House, in Tokyo, 2017.

Copenhagen drummer Peter Bruun leads a band with guitarist Marc Ducret, trumpeter Kasper Tranberg and synth player Simon Toldam, and upbeat electric free jazz album of powerful intent and compelling compositions performing melodic and insightful compoositions, the band well acquainted from work on Ducret's own albums and with Samuel Blaser; recommended.

A unique ensemble performing a long-form composition by French saxophonist Christophe Monniot performed with the 12-piece Grand Orchestre du Tricot, 12 movements that are punctuated by layered spoken words, a subtle and sophisticated work realized with performers including Roberto Negro, Florian Satche, Quentin Biardeau, Jean-Baptiste Lacou, &c.

Marking their 20th anniversary working together, the collaboration between Chicago improvisers, saxophonist Dave Rempis and percussionist Tim Daisy, release their third duo recording, inviting an incredible list of improvisers to perform live with them at Elastic Arts in Chicago in 2017: Jason Adasiewicz, Jim Baker, Fred Lonberg-Holm, Steve Swell, Katie Young, and Aaron Zarzutzki.

Spectral, since 2012 the working horn trio of Dave Rempis on alto & baritone sax, Darren Johntson on trumpet, and Larry Ochs on sopranino & tenor sax, split their time between San Francisco and Chicago, in their 3rd album of spontaneous, complex free improv, here using the setting of Bunker A-168 in Mare Island Shoreline Heritage Preserve, CA, to influence their performance.

Scalene describes a triangle having sides unequal in length, but there's nothing uneven in the back and forth from the NY trio of tenor saxophonist Ivo Perelman, pianist Matthew Shipp, and new to Perelman & Shipp's many collaborations, drummer Joe Herteinstein, in a 10-part studio recording of energetic spontaneous improvisation with a strong lyrical center.

A rare live album from Brazilian-born/NY-based saxophonist Ivo Perelman, performing live at An Die Musik in Baltimore in 2017 in a trio with pianist Matthew Shipp and new drummer Jeff Cosgrove, for a single epic improvisation that takes the listener on an adventure from lyrical to energetic free jazz, all three players unhurried and absolutely focused.

Three versatile improvisers with pedigrees including Christian Weber, Christian Wolfarth, Objets Trouves, Big Bold Back Bone, &c, the Swiss trio of Roberto Domeniconi on piano, Jan Schlegel on electric bass, and Sheldon Suter on drums use unusual and extended techniques integrated within free improv in this coproduction with RSI Rete Due Radiotelevision, Switzerland.

The third album on Creative Sources for this 10-piece ensemble with 5 string players, piano, sax, trombone, electronics and percussion, freely improvising in an extended work themed for the Greek theological, philosophical, and scientific term typically translated as nature or physics, in a rich tapestry of meticulous detail and profoundly subtle communication.

Bridging folk traditions with modern aesthetics, the duo of Evan Baker on guitar and Austin Glover on violin, both contributing songs, sing about every day events, music, and life, the songs having a bluesy and even early Kinks feel at times, made unique through a cappella moments and languid instrumental sections.

An exciting and forceful album of free jazz from the trio of pianist Simon Nabatov, bassist Max Johnson and drummer Michael Sarin, recording in the studio in New York City with each player propelling themselves in dynamic, inventive collective free playing with an experimental bent, but never departing from the traditions of identifiable jazz music; recommended!

Releasing albums at a furious pace, Brazilian/NY saxophonist Ivo Perelman continues his collaborations with some of New York's finest players, here in a quartet with Matthew Shipp on piano, William Parker on bass and Bobby Kapp on drums, in the appropriately titled 7-part "Heptagon" of lyrical free improvisation of great intensity and dialog.

A series of acoustic guitar duos between Henry Kaiser playing on an 18-string harp guitar, and Ed Pettersen, playing an 8-string Weissenborn guitar, freely improvised and with a psychedelic/cosmic impulse as the two draw on elements of Americana and roots-based folk music in four extended recordings, the camaraderie and mutual intent evident in this fascinating album.

The full two-hour performance of Cornelius Cardew's entire 193-page legendary Treatise graphic score, performed at Iklectik in London, England on January 28, 2017 in an 11-member ensemble of some of London's most interesting improvisers including participants in Scratch Orchestra, in a double CD release with liner notes by AMM founder Eddie Prevost.

Recorded in concert during "Culture with a Big Q" in Toulouse, France in 2017, the duo of Xavier Camarasa on piano/prepared piano and Matthias Mahler on trombone, take Camarasa's compositions and arrange them to alternate between melodic free sections and contemporary abstract passages using extended techniques, heard in this captivating and versatile performance.

French experimental improviser Jean-Brice Godet, a frequent collaborator with Joelle Leandre and a member of Cuir, in a solo album of 8 etudes for dictaphone, radio, and clarinet, a unique album of extreme and eccentric technique on reeds punctuated by unearthly voice and radio transmissions, a curious album that rewards detailed listening.

French violinist Clement Janinet composes music for quartet inspired by the lyricism of the free jazz melodies of the 60s (Ornette Coleman, Phoraoh Sanders, &c.) and the timbral and rhythmic textures of repetitive music (Steve Reich, Philip Glass, John Adams, &c) in several quartet configurations including bass clarinet, tenor sax, bass, drums, guitrar, and cello.

Verge Music founder Daniel Kernohan aka Dee Kay and radio host Dan Lander developed this album of electroacoustic interaction between 1987-1989 in a dilapidated row house on "the wrong side of the tracks" in Toronto, using "instruments, toys, stuff, sound" to create an amusing, sometimes startling, and insightful series of interactions; unpredictable and interesting.

The Italian Acre trio of Ermanno Baron on drums & objects, Ginomaria Boschi on guitar & effects, and Marco 'uBiK' Bonini on laptop, tapes, theremin, in a five-part improvised work using a "free game" methodology to promote new modulations and configurations in organic and synthetic sounds and timbre, make each player subsume into their collective sound.

Wasteland Jazz Unit is Jon Lorenz on saxophone and John Rich on clarinet, based in Cincinnati, Ohio that please their own ears by playing an amorphous, hyper-amplified free improvised noise of blasting screaming horn squeals, damaged contact mics, feedback tones and the like, in a cassette of dark, aggressive sound.

The New Orleans bass-less free jazz trio of tenor saxophonist Kidd Jordan, drummer Alvin Fielder and pianist Joel Futterman are joined by New York trombonist Steve Swell for a concert at the Old US Mint for an absolutely superlative recording of lyrical and expansive collective improvisation, each player urging the other on as they create instant epics of modern jazz.

Pianist Alexander von Schlippenbach and clarinetist Rudi Mahall have been exploring the music of jazz and free improvisation for decades in their own bands or together in Globe Unity Orchestra; here they are heard in their essential element as a duo, pushing their music in rapid runs and elegant and emotional moments with imposing technique and authoritative confidence.

Influenced by rock, jazz, Javanese and Balinese gamelan, NY drummer Mark Nauseef's career has embraced an inclusive blending of styles, heard in this fantastic new album embracing compositional and ea styles, recorded with previous collaborators including Tony Oxley, Bill Laswell, Walter Quintus, along with Sylvie Courvoisier, Pat Thomas, Miroslav Tadic, & Arthur Jarvinen.

The Canadian Council for the Arts commissioned this work by Hungarian composer Gyula Csapo, a student of Morton Feldman amd John Cage, realized by Montreal's Quatuor Bozzini quartet, "Deja? Koja?" meaning "Already? Where to?" is a three-part work with two intermissions, an epic work that references the same basic materials in a variety of perspectives.

A concert of sophisticated and introspective improvisation from the long-running duo of multi-reedist Ab Baars performing on tenor sax, clarinet & shakuhacih, and viola player Ig Henneman, who invited NY pianist Dave Burrell to join them at a concert at the Bimhuis, Amsterdam for a sublime series of unhurried, delicate and reflective improvisations.

Internationally acclaimed for both his solo and ensemble music performed, Dutch multi-wind player Ab Baars presents a studio album of solo playing on the clarinet, saxophone, and shakuhachi, inspired by and focusing on the traditions of ballads from great saxophonists, with improvisations colored by songs like "Naima", "Body and Soul", "Solitude", &c.

After their album "Autumn Songs" the Dutch improvising duo of Ab Baars on tenor sax, clarinet and shakuhachi and Ig Henneman on viola, celebrate the music of spring in "Canzoni di Primavera" (Songs of Spring) in 10 vivacious works blending free jazz and chamber music, with subtle use of timbre, dissonance and melody in pieces inspired by poets, composers and artists.

Bear Brother is a young quintet that plays energetic and melodious free jazz with references to both American and European improvisational music, comprised of Erling Skorpen on trumpet, Lauritz Lyster Skeidsvoll on saxophone, Isach Skeidsvoll on piano, Hakon Norby Bjorgo on bass, and Martin Mellem on drums, with each band member contributing compositions.

Visual artists Maria Lucchese is also a multi-instrumentalist and voice performer based in Berlin, working with Gio Kaptra, a filmmaker, visual artist and scientist based in Urbino, take their listeners on a 7 part cosmic exploration using tibetan bells, theremin, voice, modular synth, breath and sound processing, the title translating to "through hardships to the stars".

From their work together in the New York aberrant hardcore band Meta-matics, the electoacoustic duo of Frank Vogl and Chuck Bettis emerged, creating a peculiar and energetic dialog from Bettis' max/msp patches and Franke's tabletop prepared bass, performed live as improvised spontaneous compositions of great detail and unpredictability.

Celebrating 40 years as a performing ensemble, the West Coast saxophone quartet ROVA of Bruce Ackley on soprano saxophone, Steve Adams on alto & sopranino saxophones, Jon Raskin on baritone saxophone, and Larry Ochs on tenor saxophone, reworked compositions from all members transversing their past 34 years, in an absolutely impressive and diverse album.

An impressive vinyl reissue of guitarist Derek Bailey, one of the most unique and influential free improvisers, in his 1974 solo recording on the Incus label, with Bailey playing on two amps and two volume pedals, a veritable duo split in the stereo field with occasional banter and observations, as he blends abstract and lyrical approaches on guitar in amazing ways.

A proper reissue of the 1976 Incus album from guitarist Derek Bailey and cellist Tristan Honsinger, primarily from a live concert at at Verity's Place in London on February 7, 1976, with two unusual studio recordings punctuating the album, an early example of their long history of collaboration and a great example of their intense, joyful, and truly free improvisation together.

New ensemble pieces by Jurg Frey and Magnus Granberg played by Ensemble Grizzana, commissioned by Another Timbre with the request that both start from the same two fragments of early music, one by Johannes Ockeghem, the other by William Byrd, each composer producing fascinatingly different pieces that both contain echoes of the source material.

An extended and beautiful composition for two guitars, exquisitely played by Taku Sugimoto and Cristian Alvear, captured in concert at Ftarri in Tokyo in 2017, and the first appearance on Another Timbre for this Japanese composer-guitarist Sugimoto, who is best known as an improviser, and who also features on the "Chamber and Field Works" album by Bruno Duplant.

A double CD of delicate music from the French composer Bruno Duplant, the first disc containing three chamber pieces exquisitely played by the Suidobashi Chamber Ensemble, the second disc a long piece for solo guitar, performed by Taku Sugimoto in a public park in Tokyo, incorporating an extraordinary variety of environmental sounds.

Spanish composer and guitarist based in France, Clara de Asis performs her own work "Do Nothing" in 6 sections, an electroacoustic, minimal studio composition for guitar and percussion, in 3 movements using space between distinct sound events to let each take its own life, offset by 3 movements of rotating or ringing percussive sound and punctuation.

Drawn from decades of work, guitarist Henry Kaiser collects an astonishingly diverse set of recordings of duos with fellow guitarists Derek Bailey, Debashish Bhattacharaya, Fred Frith, Knut Reiersrud, Sandy Ewen, Chris Muir, Ian Brighton, Nels Cline, Jim O'Rourke, Elliott Sharp, Eugene Chadbourne, Davey Williams, Roberto Zorzi, Bill Frisell, and John Russell.

The first of three albums from the duo of shahi baaja (Japanese electric dulcimer/harp) and banjo player Mick Flower (Vibracathedral Orchestra) and drummer/percussionist Chris Corsano, the excitement and thrill of their raucous yet controlled improvisations exploding through three tracks of "Earth", "Wind", and "Fire", a joyful and spectacular album!

Available again! Recorded during Xavier Charles's 1st Japanese tour in 2005, these duos with Otomo Yoshihide on guitar and Xavier Charles on clarinet explore the relationship between sound and silence, captured live at Kid Ailack Art Hall, Tokyo, in 2005.

A series of collaborations between French and Japanese established improvisers, with Otani Yashuiro and Otomo Yoshihide on computer, turntable and electronics, the duo Alma Fury of Claude Besnard and Vonick Moccoli on synth and samplers, and Xavier Charles on radio, electronics and objects, presenting several short tracks and a live performance in Bourges.

Electroacoustic composer Francois Bayle, a member of Pierre Schaeffer's Groupe de Recherches Musicales, and who worked with Stockhausen and Messiaen, in two 2-part compositions from 1978 and 1979, acousmatic music of mysterious sound sources that are presented with impressive pacing, tension and drama, using a rich and diverse palette of sound.

French composer Christian Zanesi, a student of Pierre Schaeffer and Guy Reibel at the Paris Conservatory and an artistic director of the Ina GRM, in an album presenting works from 1983 ("Stop ! L'horizon") and 1991 ("Grand Bruit"), the latter built on field recordings of train travel, the former an hommage to the potential of the recording studio itself.

Massimo Pupillo (ZU, Laniakea), electronic artist Luciano Lamanna and string instrument virtuoso Roberto Zanisi combine to form Creta, creating sonic works that blend sci-fi ambient atmospheres with dark bass pulses and languid Mediterranean string instruments, an unusual yet surprisingly complementary set of approaches yielding a darkly lyrical album.

An excellent debut from drummer/percussionist Masahiko Togashi's Quartet released in 1969, a remarkable free jazz album of strong technical and creative skills, with Motoharu Yoshizawa on bass and cello, Mototeru Takagi on sax and reeds, and Masayuki Takayanagi on guitar, an important advance for the players who would go on to form influential bands like New Directions.

Originally released in 1968, British pianist Peter Lemer's sole album as a leader is a quintet record of seminal free jazz players--George Khan on tenor sax, John Surman on reeds, Tony Reeves on bass, and John Hiseman on drums--all influenced and involved in both free jazz and jazz fusion like Gilgamesh, Colosseum, Spontaneous Music Ensemble, &c.

New York-based Japanese pianist Megumi Yonezawa and drummer Ken Kobayashi and Madrid-based Japanese bassist Masa Kamaguchi in a collective trio of free jazz with strong lyrical tendencies and a love of the jazz tradition, a band experienced from live performance and clearly sharing a common language in seemingly effortless group dialog.

Collecting works from 2010-2017, Squidco's own Phil Zampino presents 10 tracks of electroacoustic composition sourced from studio work, live improvisation, field recordings, plunderphonics, and other indescribable approaches, a diverse set of recordings sharing a similar foreboding aesthetic and curious sonic desire.

The Norwegian Elephant9 trio of Stale Storlokken on organs and keyboard, Nikolai Haengsle on bass, and Torstein Lofthus on drums, are complemented by Pekka Pohjola of Wigwam fame, for their fifth studio album, a powerful blend of prog-era instrumental rock that's informed by impressive improvisational skill and fueled by the original enthusiasm of complex rock forms.

The Norwegian Elephant9 trio of Stale Storlokken on organs and keyboard, Nikolai Haengsle on bass, and Torstein Lofthus on drums, are complemented by Pekka Pohjola of Wigwam fame, for their fifth studio album, a powerful blend of prog-era instrumental rock that's informed by impressive improvisational skill and fueled by the original enthusiasm of complex rock forms.

The indefatigable Norwegian saxophonist Frode Gjerstad invites trombonist Steve Swell, with whom he collaborated in 2011 on the live album "At Constellation", to join his trio with Jon Rune Strom on double bass and drummer Paal Nilssen-Love, at Cleveland's Bop stop during their 2017 tour, recording this impressive concert of exemplary collective free jazz.

French pianist Benoit Delbecq brings together frequent collaborators from New York--Mark Turner on tenor saxophone and drummer Gerald Cleaver--and from Paris--Delbecq himself and double bassist John Hebert--for an album of refined and inventive contemporary jazz, the work of masterful players with years of experience and collaborations dating back to 2003.

A young and fresh voice in the creative Chicago improv scene, pianist and composer Matt Piet, who leads his own trio and the band Four Letter Words, and one third of Rempis/Piet/Daisy, introduces a new quartet with saxophonist Nick Mazzarella, cornet player Josh Berman, and drummer Tim Daisy, a superb example of the energetic and active Chicago scene.

Leveraging influences in improvisation and contemporary compositional music, Belgian/Oslo pianist Jonas Cambien, a member of Simiskina and Platform, extends his own trio of saxophonist Andre Rolighete and drummer Andreas Wildhagen with trumpeter Torstein Lavik Larsen on 2 tracks, as they balance jazz, avant, free improv and other hybrid forms in a compellingly creative album.

Using violin, viola, synth and effect pedals, Portuguese string player Maria da Rocha creates rich environments of sound and unusual rhythmic structures over which she plays with subtlety and transcendence, in her first solo album, using her unique language as she tells the story of a beet and a witch, inspired by Odyssey Ulysses and Circe from Cortazar.

Hailing from Atlanta, GA, guitarist Tyler Higgins is also a multi-instrumentalist and composer who merges genres of moody, cinematic music based around folk, blues, jazz and twisted with unusual approaches, aided in his endeavors by drummer Paul Steven and wordless vocalist Ellen Higgins, producing a alluring set of musical narratives.

A peer of Tim Berne, David Binney, Sabir Mateen, Mark Helias, &c., Slovenian guitarist Samo Salamon presents an album of original compositions and one collective improvisation from his ever-changing Bassless Trio, here with drummer Roberto Dani and saxophonist Tony Malaby on tenor and soprano, in an introspective album of profound technique and lyrical playing.

Lisbon, Portugal native, singer and composer Sara Serpa in a trio with saxophonist Ingrid Laubrock and cellist Erik Friedlander, recording live at Pete's House, in Brooklyn, for an album of unusual and creative vocals inspired by experimentation and changing identities, bringing a unique approach to improvised voice, here in the company of accomplished players.

With orchestration of harp, daxophone, idiophones, piano, cello, guitar, percussion, sampling & electronics, the Portuguese quintet Turbamulta (roughly translates to "rowdy mob", though clearly a very sophisticated mob) was born from the band Powertrio of Eduardo Raon, Joana Sa and Luis Martins, expanded to blend compositional, EA and improv approaches into something unique and beautiful.

Swedish pianist Mattias Risberg demonstrates the passion he dedicates to vintage instruments like mellotron, Hammond organ, analog synthesizers, clavichord and pipe organs, here in a solo album of piano, with some light preparations, and the pedals of a Moog Taurus, in an inventive album of improvisations inspired by the vivid images of postage stamps.

Reedist and composer Roscoe Mitchell in a collaboration with the Montreal - Toronto Art Orchestra, an extraordinary group of improvising musicians comprised of 6 woodwinds, piano, vibraphone, tuba, 2 each of trumpet, trombone, viola, string bass and drums plus Mitchell on sopranino saxophone, a profoundly elaborate and absorbing work for a large improvising ensemble.

Two bass players--European free improv legend Barre Phillips and Japanese master Motoharu Yoshizawa--met at Cafe Amores in Yamaguchi, Japan in 1994, with Phillips on an amplified acoustic upright and Yoshizawa using an electric vertical 5-string bass of his own design, as the two weave and merge their unique sounds and approaches in a brilliant concert.

Two bass players--European free improv legend Barre Phillips and Japanese master Motoharu Yoshizawa--met at Cafe Amores in Yamaguchi, Japan in 1994, with Phillips on an amplified acoustic upright and Yoshizawa using an electric vertical 5-string bass of his own design, as the two weave and merge their unique sounds and approaches in a brilliant concert.

London Free Improv Scene long-standing members, vocalist Phil Minton and drummer/percussionist Roger Turner's first album together, "Ammo", was released in 1984; the two have continued to record together, and this live recording from 2016 in Hanover, Germany shows the two continuing to create distinctly bizarre and wonderfully personal dialog unlike any other.

A fantastic album of free improvisation between two creative and versatile players captured live at Kerkje van Oostum, Groningen, The Netherlands in 2015--percussionist Gerry Hemingway and trombonist Samuel Blaser--both using immense talent and unorthodox approaches to their instruments as they shift from unexpected atmospheres to lyrical richness.