Live recordings from the LOFT in Koln, Germany from the 2nd Outlet trio, electro-acoustic improvisation with traditional elements.

Three accordion players, Alfredo Costa Monteiro, Jonas Kocher, and Luca Venitucci, form 300 Basses, an unconventional trio that explores new ways to play this traditional instrument.

Powerful debut release for three young musicians emerging onto the European electroacoustic improv scene, one of whom, Kanngiesser, has recently performed with AMM.

Two dense, 20-minute tracks of physical, visceral playing from prepared electric guitarist Simeon Abbot with the Bent Spoon Duo: percussionist Chris Dadge and viola/trombone player Scott Munro.

Longtime collaborators Abbott and Dadge release their first album together, a dizzying array of ideas and sounds recorded live at the monthly Calgary based Bug Incision concert series.

Multi-reedist and sruti box player Lucio Capece and Necks keyboarist Chris Abrahams on FM synth recorded these thoughtful and thought-provoking improvised compositions over two years in Berlin.

"Novo Navigatio (New Journey) is the Abstractions' third and final release of innovative and cutting sonic landscapes. This is "Vision music" that consists of a colorful orchestration of vocals, saxophones, guitars, percussion, strings,...

Formed in 2006, Andreas Trobollowitsch and Johannes Trondle create unusual works of spontaneous interaction shaped and structured in a conscious way - more real-time-composition than "pure improvisation".

Pianist Agnel, saxophonist Gauguet, and electronic/piano frame artist Neumann in 4 beautifully crafted pieces recorded using a spatialised sound system developed by Benjamin Maumus.

A travelogue from the saxophone trio of Pete Whyman, Frank Van Der Kooij and Chris Caldwell, documenting their tour through Beijing to Pyongyang in North Korea through field recordings and musical sketches.

Bassist Jason Ajemian composed these 8 works performed with the Chicago/NY band of Tony Malaby on tenor sax, Rob Mazurek on cornet & electronics, and Chad Taylor on drums, a dynamic set of music that varies through a spectrum of styles while staying true to its jazz roots.

Four text scores composed by Ryoko Akama and performed by himself on VCS3 synthesizer with Bruno Duplant on percussion & tone generator and Dominic Lash on double bass, clarinet & laptop; four beautifully evolving and carefully paced works.

Confront/Sound 323's Mark Wastell meets three of Japan's most interesting minimal improvisers at Offsite in Tokyo, 2003 to perform this extraordinary two part work.

Rinus van Alebeek plays a CD copy of the late composer Luc Ferrari's "Cycles Des Souvenirs" in Luc Ferrari's house, while his widow Brunhild Ferrari reads the liner notes and Van Alebeek makes recording inside the house and its surroundings.

Rinus van Alebeek plays a CD copy of the late composer Luc Ferrari's "Cycles Des Souvenirs" in Luc Ferrari's house, while his widow Brunhild Ferrari reads the liner notes and Van Alebeek makes recording inside the house and its surroundings.

Rodolphe Alexis composed these works from a diverse set of recordings of trains, factories and other potent sounds, pairing them with recordings from saxophonist Stephane Rives using extended and unusual techniques, yielding these inventive and irrepressible sound works.

The 1st of two 3" CDs recorded by the Amalgamated quarter before a live audience at short-lived La Salle, Illinois music venue The Spark in November, 2007, reworked into detailed, lush, and strange electronic/industrial/noise/ambient constructions.

The 2nd of two 3" CDs formed out of material recorded by the Amalgamated quarter before a live audience at short-lived La Salle, Illinois music venue The Spark in November, 2007, edgier and more complex than the 1st release.

Using an electric 12-string shruti stick, a Harry Partch guitar & percussion Anandan & Gzowski create amazing microtonal environments with growling vocal interventions.

This meeting of 5 EA-Improv heavyweights from Europe and the Pacific US happened during the MKM trio tour in Northern America 2010, capturing this extended performance at CalArts for 40 minutes of engaging, burbling electronics, pulses, and short wave introspection.

The 35 poems found on Fortner Anderson's "Solitary Pleasures", performed with Michel F Cote, Sam Shalabi and Alexandre St-Onge, speak of the obsessions, phantasies and encounters of Anderson's life.

After more than 20 years David Myers revives Arcane Device with this 2 disc set, applying his fascinating approach to feedback and electronic music through 14 live tracks using a noise matrix, and 4 larger works using modular waves.

The trio of Mats Gustafsson on saxophone and electronics, keyboardist Pat Thomas and percussionist Roger Turner performing live in Derby in 1998, a challenging and fascinating set.

An amazing lineup of European, Chicago and UK players in a live set from the 2008 ArtActs Festival, music that merges the boundaries of ea-improv and free jazz.

ChipShop music with Erik Carlsson (percussion), Martin Kuchen (sax & radio), David Lacey (percussion & electronics) and Paul Vogel (computer & clarinet) meet Atolon (Ruth Barberan, Alfredo Costa Monteiro, and Ferran Fages).

The Electroacoustic improv trio of Eric Leonardson (springboard & electronics), Julia E. Miller (guitar & electronics), and Christopher Preissing (flute & electronics), present 3 collective improvisations and 3 duos between Auris members and percussionist Gino Robair.

Cellist and percussionist of Hyperion with regular guests Gustavo Aguilar and Tim Hodgkinson, and local musicians Nina Eidsheim and Phil Curtis.

Four performances of Iancu Dumitrescu & Ana-Maria Avram's iO String Quartet playing their compositions for string quartet & tape live in London, Brussels and Paris.

Carl Kruger and Mr. Stonechiper (Ryan Lewis) in a noise work with a sexual bent, an effective mini-slab of sound in a 3" CD format, a limited edition release from these 910 Noise Collective artists.

2 CDs & 72 pg book in a comprehensive presentation of the experiments and innovations in the exploration of sound by the historical Russian Avantgardes, 1908-42.

The third album by Banabila and Machinefabriek, removing the lightness of the previous two in favor of abstract and dystopian soundscapes, presented in three long monolithic tracks based on electronics and heavy sampling of acoustic instruments.

In the second volume of their collaboration, Banabila and Van Geel explore further into their neo-classical mix of viola improvisations, ambient textures, minimal compositions, and modular experiments.

A compilation of tracks from the melodic side of string and electronic artist Michel Banabila, with two exclusive tracks, and collecting previous work with artists like Anton Goudsmit, Eric Vloeimans, Michel van Schie, Salar Asid, Anne Bakker, Mete Erker, Mehmet Polat, Yasar Saka, &c.

A 2 CD Compilation of Banabila tracks released between 1999 and 2008, taken from his work on the Dutch label Steamin' Soundworks, and from his soundtrack and television work, with conspirators including Frank Van Der Kooij, Eric Vloeimans, Yasar Saka, Anton Goudsmit, Zenial, &c.

Minimal percussionist Tim Barnes (Quakebasket) met with sound artists Jeph Jerman in a gallery in Denver, Colorado in the summer of 2005, recording this 45 minute improvisation.

Drummer and electronic artist Jean Martin joins forces with amazing vocalist Christine Duncan for an album of rhythmic soundscapes and free vocal improvisation.

Five fascinating works composed from old cassette tapes accelerated or slowed down, layered and transformed with analog devices, with the addition of sources from movies soundtracks and classical or liturgical music extracts.

Three live performances of collaborative electroacoustic compositions from 2007-08, each exploring different points of contact between precomposed structures and spontaneous invention.

Legendary performer, writer and political situationist Lima Barreto (Telectu) in an electroacoustic work based around the piano and using short wave radio and CD players.

The duo of Miguel A. Garcia on electronics and Lali Barriere on objects and no-input mixer for an album of investigative, detailed improvisation that's well paced and calmly complex.

Electroacoustic improv from the quartet of trumpeter Philippe Battikha, laptop artist Matthew Wadell, drummer Sam Vipond and trombinist/saxophonist Etienne Lebel.

Unusual improvisation from saxophonist Abdelnour using extended and microtonal techniques, and Pascal Battus who works with rotating surfaces from Walkmans as sound exciters.

Three improvisers, Pascal Battus (rotating surfaces, found objects), Bertrand Gauguet (saxophones) and Eric La Casa (microphones) recorded while playing at a working building site in Paris and also in studio.

A document of a musical performance recorded in the open air near a castle in France by Pascal Bathus and Emmanuel Petit on electric guitars, and Lionel Marchetti credited with "electricity", recorded while Yoko Higashi performed a butoh dance during their music performance.

Pascal Battus in a series of compositions realized with recordings of cymbals, using specific techniques that enable him to sustain the sound and allow pure frequencies to emerge as he develops each piece as extended audio journeys based on improv and organized sound.

John Boyle & Aya Onishi of Nihilist Spasm Band with Arnaud Riviere of Textile Orchestra from their first set of unrelenting primal improv at Sonic Protest 2007 in France.

Beaks Plinth (Jared Blum) takes on a stack of organ-based records slowed to a dragging 16 2/3 and 81/3 rpms of all genres; Easy, Church, Jazz, Ice Skating music and more.

A reissue of the 1995 album from the duo of Frans de Waard and Freek Kinkelaar, electronic sound work in a Zoviet France mode, using looping structures but also freeform improvisation to create dark and alluring audio environments with beautiful sonic elements.

Electro-acoustic improv from the Phosphor grouping, an amazing set of musicians who began working together in 2001 and have developed a complex and incredible form of interplay.

A short and succinct album of free improvisation from the Russian quartet of Ilia Belorukov (sax), Hapakahylo (drums, objects), Patryk Lichota (sax, objects), and Kim_Nasung (Guzheng), using unusual techniques to conjur unexpected audio environments.

Saint-Petersburg saxophonist Ilia Belorukov & Moscow-based electronic and computer musician Kurt Liedwart in a release balancing silence, space and chance using sinewaves & computers and prepared saxophone, a mix of modern ea-improv and Wandelweiser intent.

Chris Dadge and Scott Munro (aka the Bent Spoon Duo) recorded this album at Weeds Cafe in Calgary in 2012 as a duo, extending their set to a trio with the compatible style of Allison Camera on amplified & mangled banjo and kalimba.

The Bent Spoon Trio + 3 (Thom Golub, Jay Crocker, Danny Meichel) from their monthly series at Theatre Junction in Calgary.

The trio of Steve Beresford on electronics, Stephen Flinn on drums and percussion, and Dave Tucker on electric guitar in a quirky, unique and exciting set of improvisations recorded in London.

The electrified acoustic trio of vibraphonist Karl Berger (NY), trumpeter and electronic artist Werner Hasler (Switzerland) and drummer Gilbert Paeffgen (Switzerland), exotic groove-based jazz.

"We suggest random playing of this CD."-Bergmark & Klapper ...

Antoine Berthiaume (guitar, effects) and MaryClare Brzytwa (flute, laptop, electronics) in twelve pieces of intriguing improvisation.

Two instruments - Bertoncini on violin; Lehn on analogue synth - with totally different histories come together and look for a connection across two great sets from 2006 & 2010.

Bete Tete's first album, "Ji Mo De" was recorded in Jiangxi, Ganzhou, China during the winter of 2006, designed as a play on verbal structure developed in mandarin.

An extended work from Antoine Beuger and Michael Pisaro, defined by six stanzas written by Beuger, Anna Swir, Mei-Mei Berssenbrugger and Edmond Jabes, a subtle cycle realized in tone and voice.

A double CD presenting 4 pages from Antoine Beuger 2003 composition which ingeniously adapts the musical form of the round to Wandelweiser music in a beautiful recording in a church in Oxfordshire, UK from June 2012.

Incredibly crafted sonic worlds from the Biota collective, and indescribable orchestration of electric & acoustic guitars, clavioline, trumpet, organ, micromoog, biolmellodrone, voice, electric & acoustic violins, bass, percussion, &c.